Works in science and technology studies have repeatedly pointed to the importance of the visual in scientific practice. STS has also explicated how embodied practice generates scientific knowledge. I aim to supplement this literature by pointing out how sound and hearing are integral aspects of experimentation. Sound helps define how and when lab work is done, and in what kinds of spaces. It structures experimental experience. It affords interactions between researchers and instruments that are richer than could be obtained with (...) vision alone. And it is a site for tacit knowledge, providing a resource for the replication of results, and the transmission of knowledge, and the construction of social boundaries within instrumental communities. (shrink)

This paper follows the history of an object. The purpose of doing so is to come to terms with a distinctive kind of research object – which we are calling a ‘test object’ – as well as to chronicle a significant line of research and technology development associated with the broader nanoscience/nanotechnology movement. A test object is one of a family of epistemic things that makes up the material culture of laboratory science. Depending upon the case, it can have variable (...) shadings of practical, mathematical and epistemic significance. Clear cases of test objects have highly regular and reproducible visible properties that can be used for testing instruments and training novices. The test object featured in this paper is the silicon 7×7, a particular surface configuration of silicon atoms. Research on this object over a period of several decades has been closely bound up with the development of novel instruments for visualizing atomic structures. Despite having little direct commercial value, the Si 7×7 also has been a focal object for the formation of a research community bridging industry and academia. It exhibits a complex structure that became a sustained focus of observation and modelling. Our study follows shifts in the epistemic status of the Si 7×7, and uses it to re-examine familiar conceptions of representation and observation in the history, philosophy and social study of science. (shrink)

In October of 2002, Rick Smalley, Nobel laureate chemist at Rice University, was pondering what to say to a Congressional Hispanic Science and Literacy Forum hearing in Harlingen, Texas. Smalley used the opportunity to craft an all-encompassing justification for science's importance in the modern world-a justification so persuasive and broad it could be presented to any audience on any occasion. Indeed, variants of his talk have since been given some 200 times, from Dallas to Dubai.

This introductory essay frames our special issue by discussing how attention to the history of research integrity and fraud can stimulate new historical and methodological insights of broader import to historians of science.

The historiography on American science and technology in the 1970s is still small, yet there are already three distinct strands of work: studies of countercultural scientists, portrayed as enacting or advocating ‘groovy’ research; studies of the politically polarized debate pitting conservative and libertarian ‘cornucopianists’ against environmentalists and modelers forecasting resource scarcity; and studies of the early commercialization of technoscience (e.g., biotechnology) that took off in the 1980s. Left out, I argue, are a class of ‘square scientists’ with little sympathy for (...) the counterculture, and yet open to (even eager for) a new kind of science oriented to the same problems activists said they wanted science to solve: pollution, mass transit, housing, biomedicine, disability technologies, pedagogical machines, etc. Square scientists at places like NASA and Texas Instruments adapted military-industrial-academic templates to a wide variety of socially ‘relevant’ topics in the 1970s. Yet square scientists still looked to the military-industrial complex for allies, rather than to countercultural colleagues. This potential middle ground remained excluded – contributing, in large part, to the failure of schemes to reorient US R&D to civilian social problems, and to the invisibility of the squares in today's historical accounts. (shrink)

Can quantum theory provide examples of metaphysical indeterminacy, indeterminacy that obtains in the world itself, independently of how one represents the world in language or thought? We provide a positive answer assuming just one constraint of orthodox quantum theory: the eigenstate-eigenvalue link. Our account adds a modal condition to preclude spurious indeterminacy in the presence of superselection sectors. No other extant account of metaphysical indeterminacy in quantum theory meets these demands.

The dialectic of private desire and public imperative — their conflict and interpenetration and mutual causation — has been the theme of the Troy story through three millennia. When W. B. Yeats wrote a poem about the irruption of sexual passion in the pattern of human events, and its incalculable aftermath in history, he restated powerfully for the twentieth century a perception which nevertheless goes back to Homer.

With his clear and accessible prose, impeccable scholarship, and balanced Judgment, Roland Teske, SJ, has been an influential and important voice in Medieval philosophy for more than thirty years. This volume, in his honour, brings together more than a dozen essays on central metaphysical and theological themes in Augustine and other medieval thinkers. The authors, listed below, are noted scholars who draw upon Teskes work, reflect on it, go beyond it, and at times even disagree with it, but always in (...) a spirit of respectful co-operation, and always with the aim of getting at the truth. Essays on Augustine contributed by Gerald Bonner, Charles Brittain, Joseph Koterski, SJ, Joseph T. Lienhard, SJ, David Vincent Meconi, SJ, Ann A. Pang-White, Frederick Van Fleteren, Dorothea Weber, and James Wetzel. Essays on Bernard of Clairvaux, William of Auvergne, and other medieval themes contributed by John P. Doyle, William Harmless, SJ, John A. Laumakis, Edward P. Mahoney, and Philipp W. Rosemann. (shrink)

This introductory article frames our special issue in terms of how historicizing research integrity and fraud can benefit current discussions of scientific conduct and the need to improve public trust in science.

We implement a recent characterization of metaphysical indeterminacy in the context of orthodox quantum theory, developing the syntax and semantics of two propositional logics equipped with determinacy and indeterminacy operators. These logics, which extend a novel semantics for standard quantum logic that accounts for Hilbert spaces with superselection sectors, preserve different desirable features of quantum logic and logics of indeterminacy. In addition to comparing the relative advantages of the two, we also explain how each logic answers Williamson’s challenge to any (...) substantive account of determinacy: For any proposition p, what could the difference between “p” and “it’s determinate that p” ever amount to? (shrink)

Inspired by the life and works of GrammyAward® winning artist, Lil Nas X, we explore ways a young Black queer musician has enacted emancipatory utopias to disrupt dominant cultural modes of being—offering unapologetic expressions and expansions of race, gender, and sexual identity. In this paper, we draw upon José Esteban Muñoz and Ytasha Womak to consider how utopian thinking through the lenses of queer futurity and Afrofuturism provides a way to dismantle the hegemonic and proleptic trappings of music education and (...) contemplate how music learners and teachers might enact emancipatory utopias relevant to their own historically lived experiences. (shrink)

In the fall of 2005, Mark C. Taylor, the controversial public intellectual and widely respected scholar, suddenly fell critically ill. For two days a team of forty doctors, many of whom thought he would not live, fought to save him. Taylor would eventually recover, but only to face a new threat: surgery for cancer. "These experiences have changed me in ways I am still struggling to understand," Taylor writes in this absorbing memoir. "After the past year, I (...) am persuaded that I have done enough fieldwork to write a book that combines philosophical and theological reflection with autobiographical narrative. Writing is not only possible but actually seems necessary." _Field Notes from Elsewhere_ is Taylor's unforgettable, inverted journey from death to life. Each of his memoir's fifty-two chapters and accompanying photographs recounts a morning-to-evening experience with sickness and convalescence, mingling humor and hope with a deep exploration of human frailty and, conversely, resilience. When we confront the end of life, Taylor explains, the axis of the lived world shifts, and everything must be reevaluated. As Taylor sorts through his remembrances, much that once seemed familiar becomes strange, paradoxical, and contradictory. He reads his experience with and against ghosts from his past, recasting the meaning of mortality, sacrifice, solitude, and abandonment, along with a host of other issues, in light of modern ways of dying. "You never come back from elsewhere," Taylor concludes, "because elsewhere always comes back with you.". (shrink)

This volume, which is part of the Clarendon Aristotle Series, offers a clear and faithful new translation of Books II to IV of Aristotle's Nicomachean Ethics, accompanied by an analytical commentary focusing on philosophical issues. In Books II to IV, Aristotle gives his account of virtue of character in general and of the principal virtues individually, topics of central interest both to his ethical theory and to modern ethical theorists. Consequently major themes of the commentary are connections on the one (...) hand with other relevant Aristotelian texts and on the other with modern writings, both text-related and thematic. Since the main aim of the volume is to make Aristotle's thought as accessible as possible to readers who do not know Greek, considerable care is taken to elucidate both his technical vocabulary and significant features of his Greek idiom. C. C. W. Taylor also provides systematic comparisons with other translations into English and other languages, and frequent references to other commentaries, ancient, medieval, and modern. These features make the work useful to other scholars in the field as well as to students of philosophy, both undergraduate and graduate.In view of the widespread contemporary interest in the topic of virtue, the volume should appeal to students of ethics and to any reader who is concerned to see how fundamental questions of life and conduct were approached in a culture significantly different from our own. (shrink)

The results of an exploratory study examining the role of trust in stakeholder satisfaction are reported. Customers, stockholders, and employees of financial institutions were surveyed to identify management behaviors that lead to stakeholder satisfaction. The factors critical to satisfaction across stakeholder groups are the timeliness of communication, the honesty and completeness of the information and the empathy and equity of treatment by management.

The complexities of black hair care provide a useful point of entry to the problem of theorizing, experiencing, judging, and pursuing bodily beauty in racialized contexts. This chapter aims to catalogue and clarify some of the philosophical questions that arise from the negrophobic somatic aesthetics. It provides answers to the most pressing questions, questions that demand the attention not just of aestheticians and ethicists, but also of students of natural science and the philosophy of existence. The chapter focuses on cases (...) that emerge from Afro‐US life‐worlds. Richard Shusterman's determination to contest the centuries‐long denigration of the body that infects western philosophy and culture leads him to employ the Greek term soma to name his approach, which he defines as the study of the experience and use of one's body as a locus of sensory‐aesthetic appreciation and creative self‐fashioning. (shrink)

This chapter begins with a narration of a slave ship's arrival from the Dutch Gold Coast, today's Ghana, to a South American seaport, Suriname, with about 40 blacks. The uprooted Africans used what was at hand, both culturally and materially, to cobble together the beginnings of an African American culture. It appears that these cultures are not so much born as assembled. This introductory chapter attempts to answer four preliminary questions: to paraphrase cultural theorist and sociologist Stuart Hall: what is (...) the black in black aesthetics; in the same spirit: what is the aesthetic in black aesthetics; what good is a philosophy of black aesthetics; and why discuss any of this in terms of assembly. The idea of assembling black aesthetics presupposes that there is a responsible way of appealing to racial blackness. The chapter also indicates the content available in other chapters of the book. (shrink)

Black political actors across the ideological and organizational spectrum have routinely used expressive culture to do their work and advance their causes. However, the proper relationship between cultural and political work has remained controversial, with different views becoming ascendant in different traditions and communities, and at different times within the same traditions and communities. This chapter addresses some questions register in the black aesthetic tradition. It explores W. E. B. Du Bois's iconic arguments about art and propaganda by translating the (...) arguments into the language of more or less mainstream Anglophone academic philosophy. Political questions about matters other than autonomy come to mind when one studies black aesthetics. Notions like authenticity, solidarity, identity, ownership, and memory loom large in this tradition, and each has its own web of connections to questions of power, justice, citizenship, and freedom. (shrink)

White men pretending to be black men by blackening their faces and performing, on stage, the peculiar antics that constituted their vision of blackness. This chapter explores how black people sustain themselves under conditions of racial terror, exclusion, and oppression. Eric Lott's point goes beyond shaming and repudiation, though, to suggest that minstrelsy is more, and more interesting, than a garden variety expression of racism. The men who donned blackface did so in an attempt to work out their own identities (...) as Americans, and some chose blackness as a vehicle for this because of a genuine, if paternalistic and complicated, respect for black culture. The point of the work has been to assemble black aesthetics as an object of philosophical study, using the resources, broadly speaking, of analysis, pragmatism, and genealogical cultural criticism and social theory. (shrink)

The author's fascination with Me'Shell NdegeOcello's Leviticus: Faggot, is turned into an investigation in this chapter involving three basic questions. The first question interrogates the common thought that there is such a thing as black music, and asks what this music is, and what constitutes its blackness. The second question asks what this blackness is supposed to mean for music, by interrogating the familiar thought of Leopold Senghor: that blackness is somehow bound up with rhythm. The third question deals with (...) the way music's rhythms move us. Taking up Peter Kivy's questions in relation to rhythmic music is helpful, as it helps close the gap between the how‐possible and the how‐wondrous, and locate the point at which the preoccupations of analytical aesthetics overlap with the concerns of critical race aesthetics. The key to both moves lies in Kivy's argument against what he calls “the stimulus theory” of musical enjoyment. (shrink)

This chapter starts with a narration from the film Far From Heaven, where a white man at a party being held at Connecticut, claims that there are no Negroes in the city, disregarding even the presence of blacks who are serving drinks. It shows that the tradition of reflecting on black invisibility provides the resources for identifying and working through a particular kind of problem case. The cases are the race‐specific casting decisions in film and theatre, exemplified by the controversy (...) over the casting of Zoe Saldana in the Nina Simone biopic. The chapter argues that many central features of black racialization can be thought of as forms of invisibility, and related to persistent disregard for black presence, personhood, perspectives, and plurality. The problems of black invisibility and visuality are woven into the issues of politics and authenticity, ambivalence and appropriation, bodies and beauty, and the like. (shrink)

The tight connection between racial identities and roots has been called into question in recent years. The tensions between roots and routes and between authenticity and instability frame one of the central problem‐spaces in the black aesthetic tradition. In light of the role that appeals to authenticity have played in the tradition, and in light of the complications that come with those appeals, the following questions emerge: what kind of work can appeals to authenticity appropriately do; are they grounds for (...) criticism, as Lorraine Hansberry seems to think; or are they something else. This chapter addresses these questions by considering some cases such as: Sidney Kasfir's account of Germans in Yorubaland, and designs involving kente cloth. It explains at least five grades of authenticity discourse, all with their roots in the Greek word for principal or genuine (authentikós). (shrink)

The Abrahamic faiths—Judaism, Christianity, and Islam—have bequeathed to the world a rich religious and cultural heritage which has been enormously influential through the centuries up to the present. While this is easily evident in the modern practices of these monotheisms, it is also profoundly present in the development of their diverse intellectual traditions with theological and philosophical insights and analyses seeking to understand and explain the nature of the presence of the divine to human beings. The present collection of essays (...) by a wide array of North American scholars provides a dozen studies of language, discourse, debate, and reasoning with a focus on theological and philosophical issues central to these three traditions that commonly call Abraham their human and/or spiritual father. Collectively these essays represent a dialogue among those who work at crossroads of theology, philosophy, history, language, and religion. Their dialogue adds to the growing library of works that seek to highlight collaboration and common ground between these religious and philosophical traditions. The dialogue is multi-directional, taking place within various religions and philosophical perspectives, as well as between religion, theology, and philosophy. It is also multi-purpose in that it seeks to transcend the mere theoretical, and to reveal the concrete; the thinkers, philosophers, and theologians discussed in these essays were deeply concerned with mutual understanding and peaceful co-existence, a goal that has become even more desirable in this post-9/11 world. (shrink)