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Mojca Kuplen
Central European University (PhD)
  1.  56
    Beauty, Ugliness and the Free Play of Imagination: An Approach to Kant's Aesthetics.Mojca Küplen - 2015 - Springer Verlag.
    At the end of section §6 in the Analytic of the Beautiful, Kant defines taste as the “faculty for judging an object or a kind of representation through a satisfaction or dissatisfaction without any interest”. On the face of it, Kant’s definition of taste includes both; positive and negative judgments of taste. Moreover, Kant’s term ‘dissatisfaction’ implies not only that negative judgments of taste are those of the non-beautiful, but also that of the ugly, depending on the presence of an (...)
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  2.  81
    Kant and the Problem of Pure Judgments of Ugliness.Mojca Kuplen - 2013 - Kant Studies Online (1):102-143.
  3. The Sublime, Ugliness and Contemporary Art: A Kantian Perspective.Mojca Kuplen - 2015 - Con-Textos Kantianos 1:114-141.
    The aim of this paper is twofold. First, to explain the distinction between Kant’s notions of the sublime and ugliness, and to answer an important question that has been left unnoticed in contemporary studies, namely why it is the case that even though both sublime and ugliness are contrapurposive for the power of judgment, occasioning the feeling of displeasure, yet that after all we should feel pleasure in the former, while not in the latter. Second, to apply my interpretation of (...)
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  4. A Positive Account of the Concept of Free Play.Mojca Küplen - 2015 - In Beauty, Ugliness and the Free Play of Imagination. Springer Verlag.
     
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  5. Aesthetic Representation of Purposiveness and the Concept of Beauty in Kant’s Aesthetics. The Solution of the ‘Everything is Beautiful’ Problem.Mojca Küplen - 2016 - Philosophical Inquiries 4 (2):69-88.
    In the Critique of the Power of Judgment, Kant introduces the notion of the reflective judgment and the a priori principle of purposiveness or systematicity of nature. He claims that the ability to judge objects by means of this principle underlies empirical concept acquisition and it is therefore necessary for cognition in general. In addition, he suggests that there is a connection between this principle and judgments of taste. Kant’s account of this connection has been criticized by several commentators for (...)
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  6. Cognitive Function of Beauty and Ugliness in Light of Kant’s Theory of Aesthetic Ideas.Mojca Küplen - 2015 - In Andras Benedek and Kristof Nyiri (ed.), Beyond Words: Pictures, Parables, Paradoxes (Series Visual Leaning, vol. 5). Peter Lang Publisher. pp. 209-216.
  7. Introduction.Mojca Küplen - 2015 - In Beauty, Ugliness and the Free Play of Imagination. Springer Verlag.
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  8. Is There Are a Possibility of an Ugly Aesthetic Idea in Kant's Aesthetics?Mojca Küplen - forthcoming - In Violetta L. Waibel and Margit Ruffing (ed.), Proceedings of the 12. International Kant Congress Nature and Freedom. De Gruyter.
    In Kant’s aesthetic theory, the association of ugliness with aesthetic ideas is not immediately apparent. Even more, it has been argued by most of Kant’s commentators that ugliness cannot express aesthetic ideas. In short, they claim that accordance with taste (i.e. free harmony between imagination and understanding) is a necessary condition for an aesthetic idea to be expressed in a way that makes sense to others. But if production of aesthetic ideas must be restrained by taste in order to have (...)
     
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  9. Judgments of Taste and Analysis of the Problem of Ugliness in Kant’s Aesthetics.Mojca Küplen - 2015 - In Beauty, Ugliness and the Free Play of Imagination. Springer Verlag.
     
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  10. Love for Natural Beauty as a Mark of a Good Soul: Kant on the Relation Between Aesthetics and Morality.Mojca Küplen - 2015 - In Ferenc Horcher (ed.), Is a Universal Morality possible? L’Harmattan Publishing. pp. 115-127.
    Ralph Waldo Emerson once wrote: “In the tranquil landscape, and especially in the distant line of the horizon, man beholds somewhat as beautiful as his own nature” (2003. 39). Th e poet captures nicely an idea, dominant in the contemporary environmental aesthetics, namely, that aesthetic appreciation of nature is intimately connected with the moral nature within us. Many of us have experienced when in contact with nature that its beauty moves us in a way that goes deeper than its initial (...)
     
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  11. The Concept of Freedom in the Play of Imagination and Understanding.Mojca Küplen - 2015 - In Beauty, Ugliness and the Free Play of Imagination. Springer Verlag.
  12. The Explanation of Ugliness in Kant’s Aesthetics.Mojca Küplen - 2015 - In Beauty, Ugliness and the Free Play of Imagination. Springer Verlag.
     
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  13. The Notion of Disgust in Comparison to Ugliness: A Kantian Perspective.Mojca Küplen - 2015 - In Beauty, Ugliness and the Free Play of Imagination. Springer Verlag.
     
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  14. Aesthetic Comprehension of Abstract and Emotion Concepts: Kant’s Aesthetics Renewed.Mojca Küplen - 2018 - Itinera 15:39-56.
    In § 49 of the Critique of the Power of Judgment Kant puts forward a view that the feeling of pleasure in the experience of the beautiful can be stimulated not merely by perceptual properties, but by ideas and thoughts as well. The aim of this paper is to argue that aesthetic ideas fill in the emptiness that abstract and emotion concepts on their own would have without empirical intuitions. That is, aesthetic ideas make these concepts more accessible to us, (...)
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  15. Cognitive Interpretation of Kant’s Theory of Aesthetic Ideas.Mojca Kuplen - 2019 - Estetika 56 (12):48-64.
    The aim of my paper is to argue that Kant’s aesthetic ideas can help us to overcome cognitive limitations that we often experience in our attempts to articulate the meaning of abstract concepts. I claim that aesthetic ideas, as expressed in works of art, have a cognitive dimension in that they reveal the introspective, emotional, and affective aspects that appear to be central to the content of abstract phenomena.
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  16.  15
    Reflective and Non-Reflective Aesthetic Ideas in Kant’s Theory of Art.Mojca Kuplen - 2020 - British Journal of Aesthetics 1.
    The aim of this paper is to resolve some of the inconsistencies within Kant’s theory of aesthetic ideas that have been left unaddressed by previous interpretations. Specifically, Kant’s text appears to be imbued with the following two tensions. First, there appears to be a conflict between his commitment to the view that mere sensations cannot function as vehicles for the communication of aesthetic ideas and his claim that musical tones, on account of being mere sensations, can express aesthetic ideas. Second, (...)
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  17.  7
    Reflective and Non-Reflective Aesthetic Ideas in Kant’s Theory of Art.Mojca Kuplen - 2021 - British Journal of Aesthetics 61 (1):1-16.
    The aim of this paper is to resolve some of the inconsistencies within Kant’s theory of aesthetic ideas that have been left unaddressed by previous interpretations. Specifically, Kant’s text appears to be imbued with the following two tensions. First, there appears to be a conflict between his commitment to the view that mere sensations cannot function as vehicles for the communication of aesthetic ideas and his claim that musical tones, on account of being mere sensations, can express aesthetic ideas. Second, (...)
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  18.  7
    Therapeutic Self-Knowledge in Narrative Art.Mojca Kuplen - 2021 - Journal of Aesthetic Education 55 (1):56.
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