The present book is the first to undertake a systematic study of Peirce’s conception of historical knowledge and of its value for philosophy. It does so by both reconstructing in detail Peirce’s arguments and giving a detailed account of the many ways in which history becomes an object of explicit reflection in his writings. The book’s leading idea may be stated as follows: Peirce manages to put together an exceptionally compelling argument about history’s bearing on philosophy not so much because (...) he derives it from a well-articulated and polished conception of the relation between the two disciplines; but on the contrary, because he holds on to this relation while intuiting that it can easily turn into a conflict. This potential conflict acts therefore as a spur to put forth an unusually profound and multi-faceted analysis of what it means for philosophy to rely on historical arguments. Peirce looks at history as a way to render philosophical investigations more detailed, more concrete and more sensitive to the infinite and unforeseeable nuances that characterize human experience. In this way, he provides us with an exceptionally valuable contribution to a question that has remained gravely under-theorized in contemporary debates. (shrink)

Whenever disagreement arises, dialogue is often presented as a natural remedy to conciliate opposing subjects. Absence of dialogue resulting in conflict appears thus as being somehow unnatural, a behavioural trait artificially induced by a variety of cultural forces, religion in particular. In this paper I would like to argue that the opposite case might be truer. Dialogue is in fact a most unnatural and unlikely event and, for this reason, to consider it as the natural foundation for a shared universal (...) ethics is a potentially dangerous oversight. Dialogue is heavily dependent on consciousness and language, which are not discreet natural entities, but rather complex culturally-influenced constructs. We shall then explore the problem of the constructions of meaningful dialogues in the light of considerations on the formation of consciousness, taking into account the way in which metaphysical beliefs delimit and shape our epistemological possibilities and our understanding of self and alterity. (shrink)

“[I]t is the belief men betray, and not that which they parade which has to be studied.” This short Peircean sentence has been the subject of important yet underrated attention in the reception of Peirce’s philosophy, passing through the art historians Edgar Wind and Erwin Panofsky and arriving finally at Bourdieu. This paper explores the affinities between Peirce’s and Panofksy’s thinking, as well as their historical connections and their common sources, taking its cue from an analysis of the similar arguments (...) the two authors offer to justify the analogy between Gothic architecture and Scholasticism. The fulcrum for the comparison between Peirce and Panofsky is located in the writings of Edgar Wind: a leading figure, this article proposes, in the history of European pragmatism. (shrink)

Tullio Viola – One of the most relevant aspects of your intellectual career is your reflection on the link between historical and normative arguments with regard to values. This reflection goes back at least to your 1997 book The Genesis of Values, and may be seen to culminate in the methodological chapter of your 2011 book on The Sacredness of the Person, in which you talk about the need for an “affirmative genealogy” of values. As you have made clear (...) many times (most recently in the article... (shrink)

Traduit de l'italien par Marilène Raiola et Thierry Bedouelle Préface de Jean-Robert Armogathe Le premier mérite de T. Gregory est de présenter l'état actuel des recherches, sur un mode critique, illustré par des exemples. Tandis qu'un consensus s'était établi qui voyait dans les "libertines érudits" les derniers humanistes de la Renaissance, Gregory y voit les premiers représentants d'une pensée articulée des Lumières. A une Renaissance perçue comme le dernier feu du passé il oppose une interprétation nouvelle, hardie, d'ouverture des temps (...) modernes, de genèse de la raison classique. Sans doute il faut s'entendre sur les mots : cette raison-là contient bien des éléments magiques, astrologiques, alchimiques. Mais n'avons-nous pas trop souvent procédé par anachronisme et anticipé notre conception de la rationalité sur un âge où elle se constituait, à partir d'autres éléments? Gregory décrit la mise en place de cette rationalité inchoative, la genèse de la raison classique. A partir de l'introduction. (shrink)

Dans le cadre général de la réception des Principles of Psychology dans les pays germanophones, on examine l’influence de cet ouvrage sur la philosophie de la culture d’Ernst Cassirer. Le concept de flux de conscience a notamment aidé Cassirer à résoudre ce que l’on peut appeler le problème de l’articulation : comment décrire la transition entre le flux continu de sensations et la création de formes culturelles capables de durer dans le temps? Pour répondre à cette question il faut faire (...) face à un problème auquel James n’avait pas donné de réponse définitive, celui de la relation entre les composantes dynamiques ou transitoires du flux de la conscience et ses composantes statiques : concepts, symboles, images. (shrink)

"I do not think I ever reflect in words: I employ visual diagrams [...]" Diese Selbstbeschreibung von Charles S. Peirce bildet den Ausgangspunkt für eine neue Sicht auf das Denken des amerikanischen Naturwissenschaftlers, Philosophen und Begründers des Pragmatismus und der Semiotik. Peirce war ein obsessiver Zeichner. Neben einer graphischen Logik entwickelte er eine zeichnerische Praxis, die untrennbar mit seinem Denken verwoben war, in ihrer philosophischen Relevanz aber bislang übersehen wurde. Der Band versammelt konkrete Fallstudien zu zahlreichen hier erstmals publizierten Zeichnungen (...) von Peirce. Auf der Basis dieses Materials fragt er nach der allgemeinen Bedeutung dessen, was es heißt, in Bildern zu denken. Mit Beiträgen von John Michael Krois, Helmut Pape, Sun-Joo Shin, Frederik Stjernfelt u.a. (shrink)

Il piacere di una caccia senza preda: fare storia delle filosofie--costruzione e deconstruzione -- Michel Montaigne, ou, "Le plaisir de la variété" -- La saggezza scettica di Pierre Charron -- Il "libro scandaloso" di Pierre Charron -- Pierre Gassendi nel IV centenario della nascita -- Il libertinismo erudito -- Aristotelismo e libertinismo -- Apologeti e libertini -- Appendice: Tullio Gregory incontra Cartesio.

Volume 28, Issue 5, September 2020, Page 966-986.

It is well known that Charles S. Peirce's first attempt to construct a theory of metaphysical categories, already displaying the triadic pattern that would later become the keystone of his philosophy, directed itself towards the three English personal pronouns: I, IT, THOU.2 As many scholars have already noted, these three spheres of the phenomenal world identified by the young Peirce prelude to the 1867 "New List" (Quality, Relation and Representation) as well as to the later categories of Firstness, Secondness and (...) Thirdness.But apart from their documentary significance as the seed of Peircean metaphysics, the writings on I, IT and THOU also have a philosophical interest in their own right, one which deserves to.. (shrink)

A partir del análisis crítico que Martha Nussbaum realizara sobre la obra de Judith Butler, proponemos examinar el vínculo entre la reflexión filosófica y la práctica política en el marco del feminismo. Para ello analizaremos el modo en que cada una de estas autoras reflexiona en torno al lenguaje, las identidades, el poder, la dominación y las formas de subvertirla.

El artículo propone centrar la mirada en el “enfoque de las capacidades” desarrollado por la filósofa Martha Nussbaum, presentado como la base filosófica para una teoría de los derechos básicos de los seres humanos, cuyo respeto representa el requisito mínimo de lo que la autora entiende por dignidad humana. Las “capacidades humanas”, definidas como aquello que las personas son efectivamente capaces de hacer y ser en el marco de una vida humana digna, permitirían plantear desde esta perspectiva, la idea de (...) un mínimo social básico de justicia. (shrink)

The article focuses on the link between memory, folk narratives, and critical thinking. I suggest in particular that there are instances in which the transmission of a folkloric story, such as a legend or a tale, can intersect with a person’s life experiences and facilitate the articulation of critical perspectives on society that might otherwise go unexpressed. The opportunity for discussing this idea is offered by the work of early twentieth-century Chicago sociologist Jane Addams. In her book The Long Road (...) of Woman’s Memory (1916) Addams dealt with the modern revival of an ancient legend and investigated its interplay with the recollections, grievances, and aspirations of working-class women. (shrink)