Die Gründe, die C. I. Lewis [5], [6] bewogen haben, neben der gewöhnlichen Implikation eine strikte Implikation einzuführen, sind bekannt. In der vorliegenden Arbeit wird aus ähnlichen Gründen eine strenge Implikation eingeführt, die jedoch einen engeren Begriff darstellt als die strikte Implikation. Mit einer Arbeit von Arnold Schmidt [7] hat meine nur geringe Berührungspunkte, da der Verfasser sich mit der strikten Implikation beschäftigt. Für diese wird ein relativ einfaches Axiomensystem angegeben und gezeigt, wie man durch geeignete Definitionen von Notwendigkeit (...) und Möglichkeit bei eventueller Hinzufügung von Zusatzaxiomen die bekannten Systeme des Modalitätenkalküls erhält. Den Hauptteil meiner Arbeit bildet die Einführung meines Implikationsbegriffs; im zweiten Teil der Arbeit komme ich dann auf dieser Basis auch zu einer Einführung der Modalitäten.Um die Art der Einführung des Kalküls zu motivieren, wollen wir kurz auf das eingehen, das uns mehr oder weniger deutlich vorschwebt, wenn wir von der strengen Implikation sprechen. Die strenge Implikation, die wir durchA → Bwiedergeben, soll ausdrücken, daß zwischenAundBein logischer Zusammenhang besteht, daß der Inhalt vonBein Teil des Inhaltes vonAist, oder wie wir es sonst ausdrücken wollen. Das hat mit der Richtigkeit oder Falschheit vonAundBnichts zu tun. So würde man die Allgemeingültigkeit einer FormelA→ (B → A) ablehnen, da sie den Schluß vonAaufB → Aeinschließt und da die Richtigkeit vonAnichts damit zu tun hat, ob zwischenBundAein logischer Zusammenhang besteht. (shrink)

The continuing discovery of important Hegel manuscripts and advances in the criticism of Hegel's works have set the stage for a major reevaluation of one of the greatest philosophers of all time. This volume constitutes the comprehensive reinterpretation of Hegel that has long been needed.The first chapters are devoted to the influences of other German philosophers on Hegel, his early publication as they are relevant to his later writings, and his Phenomenology--in itself and as a key to understanding his terminology (...) and dialectic. Examined next are the further elaboration of his thought in Logic; his famous system, as presented in various editions of the Encyclopedia; and his little-known views on history. A final chapter details in letters and contemporary reports Hegel's intellectual development. (shrink)

ZusammenfassungDer Verfasser geht auf Beziehungen zwischen dem von C. I. Lewis eingeführten Begriff der « strikten » Implikation und dem von ihm selbst eingeführten Begriff der « strengen » Implikation ein. Er zeigt, dass sich innerhalb des Systems der strengen Implikation ein weiterer Folgebegriff definieren lässt, der alle Eigenschaften hat, die von der strikten Implikation verlangt werden. Als dieser Folgebegriff wird genommen, dass die Konjunktion von A und dem Gegenteil von B unmöglich ist, was in dem System der strengen Implikation (...) keineswegs damit identisch ist, dass A in strenger Weise B impliziert. Das System der strikten Implikation wird dabei in einer von Arnold Schmidt gegebenen Form zugrunde gelegt.RésuméIl s'agit des relations entre la conception d'implication stricte introduite par C. I. Lewis et la conception de « strenge » implication introduite par l'auteur. L'auteur indique qu'une conception d'implication se laisse définir dans le système de « strenge » implication qui a toutes les qualités d'implication stricte. La définition est la suivante: A implique B a ce sens si la conjonction de A et non B est impossible ce qui n'équivaut pas à la proposition qu'il y a de « strenge » implication de A à B. Le système d'implication stricte est considéré sous la forme qui lui a été donnée par Arnold Schmidt.In this paper the author enters into the particulars of the relations of the concept of « strict » implication introduced by C. I. Lewis with the concept of « strenge » implication introduced by himself. He points out that within the system of « strenge »implication a further concept of implication may be defined which has all the qualities of strictimplication. The definition is the following: A implies B in this sense if the conjunction of A and non‐B is impossible, which is not the same as the « strenge » implication between A and B. The system of strict implication is taken in the form as formerly given by Arnold Schmidt. (shrink)

I: Environmental aesthetics -- A phenomenological aesthetics of environment -- Aesthetic dimensions of environmental design -- Down the garden path -- The wilderness city : a study of metaphorical experience -- Aesthetics of the coastal environment -- The world from the water -- Is there life in virtual space? -- Is greasy lake a place? -- Embodied music -- II: Social aesthetics -- The idea of a cultural aesthetic -- The social evaluation of art -- Subsidization of art as social (...) policy -- Morality and the artist : toward an ethics of art -- Getting along beautifully : ideas for a social aesthetics. (shrink)

ABSTRACT:In a series of reports the United Nations Special Representative on the issue of Human Rights and Transnational Corporations has emphasized a tripartite framework regarding business and human rights that includes the state “duty to protect,” the TNC “responsibility to respect,” and “appropriate remedies” for human rights violations. This article examines the recent history of UN initiatives regarding business and human rights and places the tripartite framework in historical context. Three approaches to human rights are distinguished: moral, political, and legal. (...) It is argued that the tripartite framework’s grounding of the responsibility of TNCs to respect human rights is properly understood as moral and not merely as a political or legal duty. A moral account of the duty of TNCs to respect basic human rights is defended and contrasted with a merely strategic approach. The main conclusion of the article is that only a moral account of the basic human rights duties of TNCs provides a sufficiently deep justification of “the corporate responsibility to respect human rights” feature of the tripartite framework. (shrink)

In this book Arnold Berleant develops a bold alternative to the eighteenth-century aesthetic of disinterestedness.

Premodern Buddhists are sometimes characterized as veritable "mind scientists" whose insights anticipate modern research on the brain and mind. Aiming to complicate this story, Dan Arnold confronts a significant obstacle to popular attempts at harmonizing classical Buddhist and modern scientific thought: since most Indian Buddhists held that the mental continuum is uninterrupted by death, they would have no truck with the idea that everything about the mental can be explained in terms of brain events. Nevertheless, a predominant stream of (...) Indian Buddhist thought, associated with the seventh-century thinker Dharmakirti, turns out to be vulnerable to arguments modern philosophers have leveled against physicalism. By characterizing the philosophical problems commonly faced by Dharmakirti and contemporary philosophers such as Jerry Fodor and Daniel Dennett, Arnold seeks to advance an understanding of both first-millennium Indian arguments and contemporary debates on the philosophy of mind. The issues center on what modern philosophers have called _intentionality_--the fact that the mind can be about other things. Tracing an account of intentionality through Kant, Wilfrid Sellars, and John McDowell, Arnold argues that intentionality cannot, in principle, be explained in causal terms. Elaborating some of Dharmakirti's central commitments, Arnold shows that despite his concern to refute physicalism, Dharmakirti's causal explanations of the mental mean that modern arguments from intentionality cut as much against his project as they do against physicalist philosophies of mind. This is evident in the arguments of some of Dharmakirti's contemporaneous Indian critics, whose critiques exemplify the same logic as modern arguments from intentionality. Elaborating these various strands of thought, Arnold shows that seemingly arcane arguments among first-millennium Indian thinkers can illuminate matters still very much at the heart of contemporary philosophy. (shrink)

EDITORIAL NOTE.—Arnold Hauser died in February 1978 shortly after returning to his native Hungary; he had lived nearly half of his 85 years in a kind of self-imposed exile. He is considered, by those who know his work, to be perhaps the greatest sociologist of art, though his last years were spent in comparative neglect and obscurity. We present here as a testament to the importance of both the critic and the discipline he helped shape a section from the (...) translation of his Sociology of Art . Hauser's work draws on the influences of his teachers, Simmel, Bergson, Lukács, Mannheim, Sombart, and Troeltsch. He developed in his immense Social History of Art the groundwork for a sociological analysis of art ranging from prehistoric cave painting to film. In his later works—The Philosophy of Art History , Mannerism: The Crisis of the Renaissance and the Origins of Modern Art , and The Sociology of Art—he continued to redefine his brilliant defense of art for society's sake. The theory of l'art pour l'art wants nothing to do with this contradiction and denies not only the moral and social usefulness of art but its every possible practical function as well. "Nobody would write poetry," says Eugenio Montale, "if the problem of literature consisted in making oneself understood." It has been doubted whether the capacity of making oneself understood, the unambiguous communication of feelings and experiences, even lies within the power of art. What Eduardo Hanslick asserts about music in Von musikalischen Schönen, namely, that its relation to everything which is nonmusical, everything which has emotional content, is vague and noncommittal, is to some extent true for all arts. Just as music expresses something which cannot be translated into any other form, so literature expresses something which is eminently literary, linguistic, something locked into words and syntactic structures. In the same way the untranslatable content of a painting, a pictorial idea, a vision, can only be seized and held onto in optical forms. The composer thinks in tones, the painter in lines and colors, the poet in words, tropes, and rhythms. Indubitable as this is, it is not the whole truth; side by side with the content which can only be expressed adequately in a particular form, there is an intrinsic value which can be translated into any form. Kenneth Northcott, translator of this essay, is professor of older German literature and of comparative literature at the University of Chicago. He is currently engaged in the translation of The Sociology of Art and in the study of late medieval satire in Germany and the works of Harold Pinter, in whose plays he also delights to act. (shrink)

I show that centered propositions—also called de se propositions, and usually modeled as sets of centered worlds—pose a serious problem for various versions of Lewis's Principal Principle. The problem, put roughly, is that in scenarios like Elga's `Sleeping Beauty' case, those principles imply that rational agents ought to have obviously irrational credences. To solve the problem, I propose a centered version of the Principal Principle. My version allows centered propositions to be objectively chancy.

Philosophy Then and Now provides an innovative and engaging blend of introductory text with classic and contemporary readings. Each of the eight parts begins with an introductory section on the major ideas associated with a seminal figure from the history of philosophy. This is followed by key selections from the essential writings of that philosopher, as well as influential selections from contemporary figures. Key figures covered include: Socrates, Aquinas, Locke, Descartes, Mill, Nietzsche, Marx, and Sartre. By focusing on the core (...) themes, issues and problems of philosophy, the volume motivates student interest in the subject, and represents a distinctive text for all introductory courses in philosophy. (shrink)

This book is the scholarly & fully annotated edition of the award-winning _The Illustrated To Think Like God.__ _To Think Like God_ focuses on the emergence of philosophy as a speculative science, tracing its origins to the Greek colonies of Southern Italy, from the late 6th century to mid-5th century B.C. Special attention is paid to the sage Pythagoras and his movement, the poet Xenophanes of Colophon, and the lawmaker Parmenides of Elea. In their own ways, each thinker held that (...) true insight, whether as wisdom or certainty, belonged not to mortal human beings but to the gods. The Pythagoreans sought to approach this otherwordly knowledge by studying numerical relationships, believing them to govern the universe, and that those who know the number of a thing know its true nature. Yet their quest was a hopeless one, bogged down by cultism, numerology, political conspiracies, bloody uprisings, and exile. Above all, number did not turn out as the most reliable of mediums; it was certainly not a key to the realm of the divine. Thus, their contributions to philosophy's inception, while much better-publicized, was not the most significant. That particular role was reserved for an unusual challenge and the elaborate reaction it provoked. The challenge came from Xenophanes, who had argued that reliable truth was beyond mortal reach, because even if by accident a human being should state what is exactly the case, he had no way of knowing that he did, all things being susceptible to opinion. This dilemma is sure to have bothered a legislative mind like that of Parmenides, and we find him introducing techniques for testing the veracity of statements. These methods were meant to be carried out by reasoning and argument alone, without relying in physical evidence or mortal sense-perception, which was deemed untrustworthy. Reason was that one faculty shared by gods and humans alike. In time, Parmenides' ingenious arguments have earned him the titled of the first logician and metaphysician whose influence on subsequent thinkers was immeasurable. Parmenides taught us that philosophy was not about claims but about proof, which also makes him the father of theoretical science -- which, curiously, began as a quest into the mind of God. "Arnold Hermann makes a genuine contribution to Presocratics studies. This book, which is both an introduction to Pythagoras and Parmenides and a scholarly study, will interest novices and experts alike. Hermann's multi-leveled approach and his careful analyses of alternate views make his work a useful teaching tool, while his systematic inquiry into Pythagoreanism, the poem of Parmenides, and the development of early Greek thought will well repay the attention of scholars. — Patricia Curd_,_ _Purdue University_ "_To Think Like God_ is a highly ambitious book... Hermann's approach deserves to be taken seriously as an alternative to standard interpretations." — Richard D. McKirahan, Jr.,___ __Edwin Clarence Norton Professor of Classics and Professor of Philosophy, Pomona College_ "Arnold Hermann brings fresh life into the specialists' debates... a blow of wind that dissipates much fog." — Walter Burkert_, Professor Emeritus of Classical Philology, University of Zurich_ ARNOLD HERMANN_ is pursuing independent research on the origins of philosophy and methods of thinking. He specialices on subjects connected with Parmenides and Plato's _Parmenides._. (shrink)

In this book, Arnold Davidson elaborates a method for considering the history of concepts and the nature of scientific knowledge, a method he calls "historical epistemology." He applies this to the history of sexuality, with consequences for our understanding of desire, abnormality, and sexuality.

"Arnold Geulincx (1624-1669) est un philosophe flamand, connu en son temps pour ses enseignements dans les universités de Louvain puis de Leyde. Sa pensée, occasionnaliste, est explicitement située dans la ligne tracée par Descartes, mais présente la singularité d'associer une priorité donnée à l'éthique et la thèse d'une influence minimale de l'action humaine dans le monde. Dans son oeuvre dont la notoriété est essentiellement due à une Éthique publiée en 1665 en latin puis traduite par l'auteur en flamand, la (...) Métaphysique, objet quant à elle d'une publication posthume en 1691, occupe une place décisive : Geulincx y développe une métaphysique du sujet originale, centrée sur l'expérience d'une humanité saisie dans ses limites."--Page 4 de la couverture. (shrink)