Abstract:Pedro Erber and Facundo Vega speak with Marcia Sá Cavalcante Schuback about Heidegger's influence on philosophy in Brazil and beyond.

The article aims to reflect on the pandemic from the situatedness of being in the eye of the storm. It discusses the contagion between biological and digital viralization, and the politics and existential effects of the pandemic non-touching.

Omnipresent in popular culture, especially in film and literature, the theme of the 'end of the world' is often rejected from contemporary philosophy as hysterical apocalyptism. This volume attempts to show that it is vital that we address the motif of the 'end' in contemporary world – but that this cannot be done without thinking it anew.

This book is a philosophical reflection on the experience of time from within exile. Its focus on temporality is unique, as most literature on exile focuses on the experience of space, as exile involves dislocation, and moods of nostalgia and utopia. Marcia Sá Cavalcante Schuback proposes that in exile, time is experienced neither as longing back to the lost past nor as wanting a future to come but rather as a present without anchors or supports. She articulates (...) this present as a "gerundive" mode, in which the one who is in exile discovers herself simply being, exposed to the uncanny experience of having lost the past and not having a future. To explore this, she establishes a conversation among three authors whose work has exemplified this sense of gerundive time: the German philosopher Martin Heidegger, the French writer and essayist Maurice Blanchot, and the Brazilian writer Clarice Lispector. The book does not aim to discuss how these authors understand the relation between time and exile, but presents a conversation with them in relation to this question that reflects new aspects in their work. Attempting to think and express this difficult sense of time from within exile, Time in Exile engages with the relation between thought and language, and between philosophy and literature. Departing from concrete existential questions, Sá Cavalcante Schuback reveals new philosophical and theoretical modes to understand what it means to be present in times of exile. (shrink)

This book is a philosophical reflection on the experience of time from within exile. Its focus on temporality is unique, as most literature on exile focuses on the experience of space, as exile involves dislocation, and moods of nostalgia and utopia. Marcia Sá Cavalcante Schuback proposes that in exile, time is experienced neither as longing back to the lost past nor as wanting a future to come but rather as a present without anchors or supports. She articulates (...) this present as a "gerundive" mode, in which the one who is in exile discovers herself simply being, exposed to the uncanny experience of having lost the past and not having a future. To investigate this, the book establishes a conversation among three authors whose work has exemplified this sense of gerundive time: the German philosopher Martin Heidegger, the French writer and essayist Maurice Blanchot, and the Brazilian writer Clarice Lispector. The book does not aim to discuss how these authors understand the relation between time and exile but enters in conversation with them in relation to this question. Attempting to think and express this difficult sense of time from within exile, the book engages with the relation between thought and language, and between philosophy and literature. Departing from concrete existential questions, it opens new philosophical and theoretical modes through which to understand what it means to be present in times of exile. (shrink)

In this article I argue not only for the value of hermeneutics today but also, and especially, how the crucial gesture of hermeneutics is that of changing the subject for the sake of our today. Surveying briefly the main lines of hermeneutical positions along its history and critiques, and connecting these critiques to the discrepancy between theory and practice, between interpretation and the need to change the world, the article proposes that our reality today, reshaped through globalization and the virtual, (...) is performed as a hermeneutics of history. The challenge for today’s hermeneutics is to work out categories for understanding the present as on-going in a world that tends to capture and distort more and more the meaning of freedom of thought. In the final section, I propose a hermeneutics of the on-going, of gerundive time, partially under the inspiration of Paul Celan, as a response that develops the meaning of the freedom of thought. A defense of nearness and how to think in narrow nearness to the on-going is discussed. (shrink)

A questão que vai guiar minha reflexão é da necessidade de se precisar o que seja uma vida filosófica e de que maneira a vida filosófica está relacionada à necessidade de se desenvolver uma filosofia da vida. A questão pode ser formulada do seguinte modo: são as expressões vida filosófica e filosofia da vida idênticas? De que modo uma filosofia da vida pode indicar o sentido de uma vida filosófica e viceversa? Trata-se na verdade de uma questão-guia do questionamento mais (...) específico desse artigo que é aquele de discutir a possibilidade de uma fenomenologia da vida, trazendo Barbaras e Heidegger para uma conversa filosófica. (shrink)

The present text discusses the problems concerning the translation and the non- translation of the thinking word Dasein in Sein und Zeit. Assuming that for Heidegger Dasein is transcendence and this as an in-finitive trans-lation from a substantive and substantial meaning of being to a verbal one, it becomes necessary to translate the word Dasein in Sein und Zeit above all within the German language itself. The task of translating the thinking word Dasein is therefore the one of making possible (...) the work of thought in which the destruction of the substantialistic meaning of being can take place always anew. Showing the verbal temporality of the thinking word Dasein as the internal and aspectual temporality of a Währenden, the article explains the translating choices made in my translation of Sein und Zeit into Portuguese. (shrink)

The aim of the present article is to reflect upon comparative procedures at stake in the acknowledgment of differences, following some paths of Husserl's and Heidegger's views on “comparative examination” . Although using the same expression as Husserl, Heidegger presents in this concept, rather, a phenomenology of correspondence. The encounter with otherness is described as correspondence to the immensity of the event of the world in Dasein . From out of a “destruction” of comparative examinations, it becomes possible to seize (...) the a-subjective and ek-static structure of Dasein and claim a corresponding way of encountering otherness. In this corresponding way, the Other appears first as non-otherness, beyond a dialectics of selfhood and otherness. (shrink)

The present article discusses the relation between painting and music in the work by Paul Klee, bringing it into conversation with the music by Anton Webern. It assumes, as a starting point, that the main question is not about relating painting and music but rather about the relation between moving towards painting and moving towards music, hence the relation between forming forces and not between formed forms. Since for Klee the musical structure of the pictorial is understood as “active linear (...) polyphony,” the article develops this notion in conversation with Webern’s thoughts on the polyphonic structure of twelve-tone music. The general purpose of the article is to determine what kind of thoughts emerge from the in-between of painting and music. (shrink)

Using abstract art as a paradigm, this paper attempts to think, in a provisional manner, the parameters of what the author calls `abstract hermeneutics'—a way of thinking capable of responding to the withdrawing, or abstracting , movement of Being. Such abstract thinking—which is an abstracting thinking of the abstract—aims to step beyond objectivity precisely in order to return to phenomenological concreteness. Through an engagement with Heidegger's understanding of the formal indicative role of the human being as sign ( Zeichen ), (...) the affinity between the abstracting gestures of abstract art, and the absenting characteristic of human existence, is explored. (shrink)

This is an edited collection of original essays that combine philosophy, phenomenology, and literature to reflect on modern ideas about orientation and disorientation, grounds and groundlessness.

On lira ici un dialogue qui ne s’est donné ni règles préliminaires de progression ni aboutissement calculé d’avance, mais qui s’est inventé au fur et à mesure de son avancée. L’intention initiale était d’examiner ce que Heidegger nomme « la traduction occidentale » dans La parole d’Anaximandre : d’une part, que veut dire « traduction » là où l’on se guide sur des « traces » dont la nature même, comme traces, est problématique? D’autre part, comment comprendre le Brauch qui (...) porte la charge finale de cette « traduction »? En arrière-plan surgit la question : quelle est donc l’histoire dont Heidegger se réclame? (shrink)

In this article, a discussion about memory in exile is presented that takes up the thesis that exile is a condition of post-existence and afterness. The main claim is that exile is not only existence after a cut and separation but is an existing as afterness, in a “present tension” of being with the without and without a with. It reveals a sense of the present and of presence as multi-directed movements, as clusters of echoes and delayings. In exile, memories (...) are not the continuous simultaneity of double images but are rather “photisms,” shimmering between images, the coming and going between languages, experiences, a longing back and forth. Exilic memory is the experience that bears witness to the present as the movement of presencing, of appearing while sliding away. (shrink)

The present article proposes a reflection on the relation between music and language setting out from the experience of listening to words and listening to music. It relies to a certain extent upon an existential-phenomenological approach and develops the distinction between the sounding of sounds and the sound of sounding. From this distinction, a redefinition of rhythm is suggested based on the experience of listening and on the close listening to some pieces of music.

This article discusses Alejandro Vallega’s book, Latin American Philosophy: From Identity to Radical Exteriority, proposing a series of questions in which the problem of situating Latin American thought in the topos of Western philosophy is addressed. Further questions considered here include how to rethink identity and difference from the perspective of Latin American experience, and, last but not least, what do “situated thinking” and “engaged thought” mean?

This article discusses the relation between philosophy and heart from the viewpoint of a transplanted heart. It is a reflection on Jean-Luc Nancy’s thoughts on the heart as intruder in the thought of the world. Departing from the personal experience of a heart transplant, Nancy develops a deconstruction of the idea and experience of the self, showing that the need of another heart in the body of philosophy and in the body of the world has to do with the urgence (...) of experiencing the self as soi-autre, as selfother, which is perhaps nothing but rhythm. Reading passages of his last book Cruor, the article aims to think together the rhythm of a transplanted heart, and of the heart of selfother. (shrink)

This article presents Clarice Lispector’s view on writing, showing that for her literature is the writing of the act of writing itself. In question is the writing of the act while acting, the is-being of existence. In this sense, Lispector described her writing as the writing of a screaming object, as abstract writing, almost a painting. Following some central passages of different works, the article is an attempt to seize the main traits of what could be called the gerundive act (...) of literature of Clarice Lispector. (shrink)

Cet article présente une discussion sur la pensée de la mutation chez Jean-Luc Nancy, elle-même une mutation des idées philosophiques traditionnelles sur la transformation. Il entend montrer que devant le sens intransformé de transformation dans la tradition philosophique de Platon à la philosophie contemporaine, Jean-Luc Nancy ouvre une autre voie lorsqu’il comprend transformation plutôt comme touche de l’âme. Loin de soumettre la mutation à une arche-téléologie des significations, la pensée de la mutation, une pensée de la touche de l’âme, trouve (...) le sens de la mutation dans l’« en train de se faire », plutôt que dans la quête de forme et de figuration. C’est dans la mutation du sens de l’entre-deux compris comme « en train d’être », que le sens d’une mutation de sens se donne à voir dans son non-figuration. Par-là, on découvre dans la pensée de Nancy non plus un autre sens d’âme, mais comment l’âme du sens touche le monde. (shrink)

ABSTRACT Marcia Sá Cavalcante Schuback’s Time in Exile illuminates being in “gerundive time.” The gerundive tense (which is similar to the infinitive tense in English) captures how our being is always already “suspended” between worlds and meanings—how our being is a “non-final verb.” Schuback considers such existence in the work of Martin Heidegger, Maurice Blanchot, and Clarice Lispector. Of the three thinkers, Lispector’s writing best reveals how existence (especially existence in exile) is an “immense struggle for (...) presence.” Schuback’s hope is that we may find a home in our homelessness. (shrink)

Teknikens skugga -- Ett sublimt mellan -- Tiden i formen -- Fenomenets blick -- Om bild -- Tolkningsfigurer -- Abstraktioner -- Anteckningar -- Det omåttligas måleri -- Att tänka i skisser.

Green Mass is a meditation on—and with—twelfth-century Christian mystic and polymath Saint Hildegard of Bingen. Attending to Hildegard's vegetal vision, which greens theological tradition and imbues plant life with spirit, philosopher Michael Marder uncovers a verdant mode of thinking. The book stages a fresh encounter between present-day and premodern concerns, ecology and theology, philosophy and mysticism, the material and the spiritual, in word and sound. Hildegard's lush notion of viriditas, the vegetal power of creation, is emblematic of her deeply entwined (...) understanding of physical reality and spiritual elevation. From blossoming flora to burning desert, Marder plays with the symphonic multiplicity of meanings in her thought, listening to the resonances between the ardency of holy fire and the aridity of a world aflame. Across Hildegard's cosmos, we hear the anarchic proliferation of her ecological theology, in which both God and greening are circular, without beginning or end. Introduced with a foreword by philosopher Marcia Sá Cavalcante Schuback and accompanied by cellist Peter Schuback's musical movements, which echo both Hildegard's own compositions and key themes in each chapter of the book, this multifaceted work creates a resonance chamber, in which to discover the living world anew. The original compositions accompanying each chapter are available free for streaming and for download at www.sup.org/greenmass. (shrink)

_Religion, War and the Crisis of Modernity: A Special Issue Dedicated to the Philosophy of Jan Patočka_ _The New Yearbook for Phenomenology and Phenomenological Philosophy_ provides an annual international forum for phenomenological research in the spirit of Husserl's groundbreaking work and the extension of this work by such figures as Scheler, Heidegger, Sartre, Levinas, Merleau-Ponty and Gadamer. Contributors: Ivan Chvatík, Nicolas de Warren, James Dodd, Eddo Evink, Ludger Hagedorn, Jean-Luc Marion, Claire Perryman-Holt, Marcia Sá Cavalcante Schuback, Michael (...) Staudigl, Christian Sternad, and Ľubica Učník. (shrink)

Ce volume rassemble pour l’essentiel les contributions d’un colloque organisé à l’université de Södertörn (Suède) en 2006. Dans leur introduction, les éditrices, J. Bornemark et M. Sà Cavalcante Schuback, rappellent l’importance et la diversité des travaux que des phénoménologues comme Max Scheler, Ortega y Gasset, Eugen Fink, Simone de Beauvoir, Ludwig Binswanger ainsi qu’Emmanuel Levinas et Jean-Luc Marion ont implicitement ou explicitement consacré au phénomène érotique. Comment la phénomé...

"I shall here present my life," writes Descartes in Discourse on Method, "as in a painting" and my method "as a fable." Through the Eyes of Descartes demonstrates how a Cartesian aesthetics is interwoven in his thought. It brings together a variety of materials: his metaphysical writings and essays in natural philosophy, through to his letters, drawings, and printed images. Cecilia Sjöholm and Marcia Sá Cavalcante Schuback seek to bring Descartes into dialogue with contemporary phenomenology as well (...) as contemporary psychoanalytic thought. They focus on how perception interacts with emotions and thought, and the way in which our gaze is directed toward limit-phenomena of beauty and fascination. In Through the Eyes of Descartes, Cecilia Sjöholm and Marcia Sá Cavalcante Schuback counter the traditional picture of Descartes by presenting his work in an entirely different light: a Descartes of the arts, of sensibility, of inner images, and of imagination. (shrink)

These pages belong to the Swedish translator of Sein und Zeit, Richard Matz, who unfortunately died september 1992. The text is taken from the correspondence between Richard Matz and the Portuguese translator of Sein und Zeit, Marcia Sá Cavalcante Schuback, who translated it from Swedish and explained in a final note the context in which they met and discussed about Heidegger translations, invoking also the figure and personality of Richard Matz.

La primera noticia sobre la novela Hiperión se remonta al verano de 1792, año en que Hölderlin ya se encuentra en el seminario de Tubinga. Hasta el final del año de 1793, el autor se ocupó de la elaboración de un primer esbozo, del cual no queda ningún vestigio. Desde el comienzo de 1794 hasta el otoño, se puede hablar de la versión de la novela a la que Holderlin se entregó durante su estadía en Waltershausen como preceptor del hijo (...) de la señora Von Kalb. Se trata del célebre Fragmento de Hiperión, que Schiller publicó en su revista Thalia, conjuntamente con el poema al destino. Desde noviembre de 1794 hasta enero de 1795, Holderlin trabaja en la versión metrificada de la novela. De enero hasta agosto, prosigue, aún, elaborando la Juventud de Hiperión. De agosto-septiembre hasta diciembre de 1795 redacta la llamada penúltima versión, que será reelaborada y continuada de enero a mayo de 1796. Desde mayo hasta diciembre de 1796, elabora la versión conocida como preparación para la versión definitiva. En 1797 las ediciones Cotta publican, bajo la indicación de Schiller, el primer tomo de la versión definitiva de la novela y en 1799, el segundo. En su versión definitiva, la novela conservó el título de Hiperión o el eremita en Grecia. (shrink)

The aim of the present essay is to contribute to a phenomenological concept of Europe, taking as its starting point the idea of Europe developed by Jan Patŏcka as “Post-Europe.” Following the phenomenological account of self-transformation as the infinite task and eternal care for the soul, the essay discusses critically the phenomenological account of the self-differentiation of identity, which in turn introduces Hölderlin’s and Heidegger’s respective conceptions of “becoming in dissolution” to this discussion. It shows that the dialectic of identity (...) and difference is inadequate to conceive the philosophical question of contemporary Europe. Instead it insists that Europe is an “intervocal” rather than an equi-vocal concept. The essay proposes the concept of “intervocity [Zwischendeutigkeit]” and an open “in-betweeness” as key to an understanding of Europe as a philosophical task. (shrink)

Pretendemos neste artigo analisar a relação entre tragédia antiga e moderna tal qual se apresenta na obra _Ou-Ou_, de Kierkegaard. Assim, analisando o conceito de tragédia na antiguidade e sua mudança na modernidade, afigura-se como problema mostrar de que maneira a reflexão acerca do trágico aponta uma condição para que a arte moderna tenha significado. Levando em conta, então, que a tragédia antiga é caracterizada pela ação no seio do Estado, da família e da religião e que, por outro lado, (...) a tragédia moderna é determinada pela reflexão, procura-se mostrar que o pesar ligado à ação e suas consequências, torna-se angústia ligada à reflexão e à possibilidade de uma vida trágica. Para tal, primeiro analisa-se o conceito de tragédia antiga e moderna de acordo com o exposto por Hegel em seus _Cursos de Estética_, desse modo, pode-se melhor ver de que modo Kierkegaard se apropria do exposto por Hegel, mas também de que maneira diverge deste. Isto feito, será possível ver que enquanto Hegel vê na tragédia uma reconciliação das forças opostas, Kierkegaard acentua o caráter esteticamente ambíguo da mesma, afastando-se de qualquer reconciliação. E que, ao assim fazê-lo, indica que a arte moderna só ganha significado com o renascimento do trágico na modernidade. (shrink)

Scritto complesso, compatto e volutamente non sistematico - all'acme della carriera accademica e dell'attività filosofica di Robert Spaemann (1927 - 2018) -, Persone. Sulla differenza tra 'qualcosa' e 'qualcuno' (1996) non è solo un capolavoro del grande pensatore tedesco, ma è innanzitutto una pietra miliare nella filosofia del Novecento sul realismo delle persone. La sua acuta riflessione sa pro-vocare e destare l'uomo di oggi alla 'grande questione' ch'egli da sempre è a se stesso, ponendolo di fronte al senso autentico del (...) suo essere-persona che, dentro i drammi e i rinnegamenti delle persone reali e dentro le traversìe della storia è stato prima obliato dal modo d'esistere dell'uomo moderno, per poi scorrere come fiume carsico nei meandri della travagliata storia della personologia, con un concomitante imporsi, nella forma mentis oggi imperante, della 'dialettica di naturalismo e spiritualismo'. Si offre qui uno studio rigoroso e inedito della filosofia delle persone di Spaemann - miniera ricchissima tutta da scavare -, che prende sul serio la domanda esistenzialmente decisiva sull'enigma della persona, per arrischiare una comprensione della realtà personale che ognuno di noi è, lasciandoci guidare dal 'Socrate tedesco' in un avvincente percorso che raccoglie a piene mani l'eredità e le sfide della tradizione filosofica e restituisce al lettore precisi segnavìa del senso, cioè della vettorialità fondamentale tracciata nell'essere-persona e, resi memori dell'origine e della meta, del senso di marcia a ognuno di noi affidato come compito per divenire le persone uniche che già siamo e sempre più saremo. (shrink)