In trying to control various aspects concerning utterance production in multi-party human–computer dialogue, argumentative considerations play an important part, particularly in choosing appropriate lexical units so that we fine-tune the degree of persuasion that each utterance has. A preliminary step in this endeavor is the ability to place an ordering relation between semantic forms (that are due to be realized as utterances, by the machine), concerning their persuasion strength, with respect to certain (explicit or implicit) conclusions. Thus, in this article, (...) we propose a mechanism for assessing utterances, in terms of their argumentative force. The framework designed conflates insights from Asher and Lascarides’ SDRT (“Segmented Discourse Representation Theory”), and from Anscombre and Ducrot’s AT (“Argumentation Theory”). These mechanisms are included in a language generation component of a multi-party dialogue system for book reservation applications (i.e., a “virtual librarian”), and thus evaluated via typical human–machine conversations. (shrink)

In this paper we consider, and reject, Harold Langsams defenceof the Theory of Appearing, in this journal (1997), in the faceof three standard arguments against it. These arguments are:the argument from hallucination; the argument from the samecause-same effect principle; and the argument from perceptualtime-gap.

Arguably, the existence of bald-faced (i.e. knowingly undisguised) lies entails that not all lies are intended to deceive. Two kinds of bald-faced lies exist in the literature: those based on some common knowledge that implies that you are lying and those that involve tell-tale signs (e.g. blushing) that show that you are lying. I designed the tell-tale sign bald-faced lies to avoid objections raised against the common knowledge bald-faced lies but I now see that they are more problematic than what (...) I initially thought. Therefore, I will discuss these lies in more detail, refine the existing cases, and resolve some anticipated objections. I conclude that tell-tale sign bald-faced lies are genuine lies not intended to deceive. (shrink)

We conducted two experiments to determine whether common folk think that so-called _tell-tale sign_ bald-faced lies are intended to deceive—since they have not been tested before. These lies involve tell-tale signs (e.g. blushing) that show that the speaker is lying. Our study was designed to avoid problems earlier studies raise (these studies focus on a kind of bald-faced lie in which supposedly everyone knows that what the speaker says is false). Our main hypothesis was that the participants will think that (...) the protagonists from our examples lied without intending to deceive, and the results of our surveys confirmed this hypothesis: most of our participants rated tell-tale sign lies as lies not intended to deceive. Therefore, our analysis suggests that common folk think that some lies are not intended to deceive. (shrink)

According to one influential argument put forward by, e.g. Chisholm and Feehan, Pfister, Meibauer, Dynel, Keiser, and Harris, asserting requires intending to give your hearer a reason to believe what you say (first premise) and, because liars must assert what they believe is false (second premise), liars necessarily intend to cause their hearer to believe as true what the liars believe is false (conclusion). According to this argument, that is, all genuine lies are intended to deceive. ‘Lies’ not intended to (...) deceive are not genuine lies because they do not involve assertions and you need to assert in order to lie. In this paper, I reject this argument by arguing that the first premise is false: intending to give your hearer a reason to believe what you say is not necessary for asserting. (shrink)

This text is a classic of Lenin - his essay explores materialism and its relation to capitalism and how Communism can get over this psychological wish for material and empirical ownership.

This volume offers a wide range of both reconstructions of Nikolai Vasiliev’s original logical ideas and their implementations in the modern logic and philosophy. A collection of works put together through the international workshop "Nikolai Vasiliev’s Logical Legacy and the Modern Logic," this book also covers foundations of logic in the light of Vasiliev’s contradictory ontology. Chapters range from a look at the Heuristic and Conceptual Background of Vasiliev's Imaginary Logic to Generalized Vasiliev-style Propositions. It includes works which cover Imaginary (...) and Non-Aristotelian Logics, Inconsistent Set Theory and the Expansion of Mathematical Thinking, Plurivalent Logic, and the Impact of Vasiliev's Imaginary Logic on Epistemic Logic. The Russian logician, Vasiliev, was widely recognized as one of the forerunners of modern non-classical logic. His "imaginary logic" developed in some of his work at the beginning of 20th century is often considered to be one of the first systems of paraconsistent and multi-valued logic. The novelty of his logical project has opened up prospects for modern logic as well as for non-classical science in general. This volume contains a selection of papers written by modern specialists in the field and deals with various aspects of Vasiliev's logical ideas. The logical legacy of Nikolai Vasiliev can serve as a promising source for developing an impressive range of philosophical interpretations, as it marries promising technical innovations with challenging philosophical insights. (shrink)

We describe a case of indeterminacy in general relativity for homogeneous and isotropic cosmologies for a class of dark energy fluids. The cosmologies are parametrized by an equation of state variable, with one instance giving the same solution as Norton’s mechanical dome. Our example goes beyond previously studied cases in that indeterminacy lies in the evolution of spacetime itself: the onset of the Big Bang is indeterminate. We show further that the indeterminacy is resolved if the dynamics is viewed relationally.

A generic extension L[x]\documentclass[12pt]{minimal} \usepackage{amsmath} \usepackage{wasysym} \usepackage{amsfonts} \usepackage{amssymb} \usepackage{amsbsy} \usepackage{mathrsfs} \usepackage{upgreek} \setlength{\oddsidemargin}{-69pt} \begin{document}$${\mathbf{L}[x]}$$\end{document} by a real x is defined, in which the E0\documentclass[12pt]{minimal} \usepackage{amsmath} \usepackage{wasysym} \usepackage{amsfonts} \usepackage{amssymb} \usepackage{amsbsy} \usepackage{mathrsfs} \usepackage{upgreek} \setlength{\oddsidemargin}{-69pt} \begin{document}$${\mathsf{E}_0}$$\end{document}-class of x is a lightface Π21\documentclass[12pt]{minimal} \usepackage{amsmath} \usepackage{wasysym} \usepackage{amsfonts} \usepackage{amssymb} \usepackage{amsbsy} \usepackage{mathrsfs} \usepackage{upgreek} \setlength{\oddsidemargin}{-69pt} \begin{document}$${{\it \Pi}^1_2}$$\end{document} set containing no ordinal-definable reals.

The recent proposition to eliminate eponyms from physical publications is discussed. The role of eponyms in research and education is analyzed. We show that eponyms constitute an integral part of physical texts and ensure the continuity of scientific research. Their proposed elimination is dangerous for science and the entire human culture and must be rejected.

"Although the original version of Vladimir Jankelevitch's book La mauvaise conscience appeared in 1933, and a second, significantly expanded version appeared in 1951, the present translation corresponds to the 1966 version of the book as it is found in the anthology Vladimir Jankelevitch, philosophie morale."--Translator's introduction.

The Petrine-Pushkinian era lasted no more than two hundred years. It originated at the Battle of Poltava, where Russian troops first showed themselves not just equal to the Swedes, who were otherwi...

This is an expository article about the solution to the frame problem proposed in 1980 by Raymond Reiter. For years, his “frame default” remained untested and suspect. But developments in some seemingly unrelated areas of computer science—logic programming and satisfiability solvers—eventually exonerated the frame default and turned it into a basis for important applications.

Qu'est-ce que la musique? Selon Jankélévitch, il y a dans la musique une double complication, génératrice de problèmes métaphysiques et de problèmes moraux. Car la musique est à la fois expressive et inexpressive, sérieuse et frivole, profonde et superficielle ; elle a un sens et n'en a pas. Il y a une ironique disproportion entre la puissance incantatoire de la musique et l'inévidence foncière du beau musical.

Le tome 2 du Traité des vertus, intitulé Les Vertus et l'Amour, est consacré à la description des " vertus ", depuis celle du commencement jusqu'à celle de la terminaison, en passant par celles de la continuation et de la conservation. Il distingue en outre deux plans tout à fait hétérogènes : celui des vertus de l'intervalle, que l'homme peut " posséder " et " garder ", mais qui, à peine acquises, tournent en mécanique vertueuse, radotage, complaisance pharisienne et hypocrisie (...) ; et les vertus de pointe que l'homme ne possède jamais, qu'il effleure seulement, d'une tangence impondérable, le temps d'une étincelle et d'une " apparition disparaissante ". Vaut-il mieux être au premier sens, un rentier de la vertu et un vertueux gredin, ou, au sens métempirique, le saint ou le héros d'un instant? L'amour résout peut-être, dans une certaine mesure, cette alternative, qui est aussi celle du bonheur et de la joie. (shrink)

En este artículo elaboramos una reflexión sobre el arte como actividad productiva, partiendo de las contribuciones filosóficas de Deleuze y Guattari, realizando un análisis de su concepción ontológica caracterizada como un pensamiento de la diferencia, para así señalar los vínculos que se entablan entre filosofía y arte. Iniciamos con una breve introducción en donde enmarcamos la propuesta de Deleuze y Guattari, haciendo hincapié en la “reversión del platonismo” que será de especial importancia en lo que respecta a la nueva concepción (...) del arte que plantearán los autores. Después, analizamos qué significa filosofar a la luz de dicho proyecto. A continuación abordamos la cuestión del arte, analizando dicho ámbito como una actividad que implica pensar y producir la diferencia. Finalizamos con unas algunas conclusiones en las que apuntamos que el arte, al igual que la filosofía, crea nuevos territorios y abre nuevas posibilidades de vida. (shrink)

If we want to think about Michael Novak’s contribution to the development of democracy and the progress of society in the countries of Central and Eastern Europe, it will be necessary to look at several authors from whom he drew his ideas. With the help of the Italian moralist, Giuseppe Angelini, we will try to explain the historical and contemporary development of the concept of development as understood in the Social Doctrine of the Church and Novak’s commentaries on John Paul (...) II’s encyclicals on progress and development. Novak cites “Aquinas’s forgotten conclusion that social order is based on civil dialogue”. With these reflections, he seeks to build on the work of other prominent American philosophers and political scientists, such as John Courtney Murray, Paul Steidl-Meier, and others, while presenting his vision of economic and social progress for the countries living under the totalitarian regime of the Soviet bloc. The most important ideas here are directed towards notions such as the right to economic initiative and especially a notion of genuine individual freedom in society. (shrink)

This book is an edited collection on one of Plato’s most dramatic as well as most complex dialogues, where a defence of the philosopher’s way of life is carried out against the background of interconnected rhetorical and political stances of the time.