The emergence of modern sciences in the seventeenth century profoundly renewed our understanding of Nature. For the last three centuries new ideas of Nature have been continuously developed by theology, politics, economics, and science, especially the sciences of the material world. The situation is even more unstable today, now that we have entered an ecological mutation of unprecedented scale. Some call it the Anthropocene, but it is best described as a new climatic regime. And a new regime it certainly is, (...) since the many unexpected connections between human activity and the natural world oblige every one of us to reopen the earlier notions of Nature and redistribute what had been packed inside. So the question now arises: what will replace the old ways of looking at Nature? This book explores a potential candidate proposed by James Lovelock when he chose the name "Gaia" for the fragile, complex system through which living phenomena modify the Earth. The fact that he was immediately misunderstood proves simply that his readers have tried to fit this new notion into an older frame, transforming Gaia into a single organism, a kind of giant thermostat, some sort of New Age goddess, or even divine Providence. In this series of lectures on "natural religion", Bruno Latour argues that the complex and ambiguous figure of Gaia offers, on the contrary, an ideal way to disentangle the ethical, political, theological, and scientific aspects of the now obsolete notion of Nature. He lays the groundwork for a future collaboration among scientists, theologians, activists, and artists as they, and we, begin to adjust to the new climatic regime. (shrink)

In this groundbreaking editorial and curatorial project, more than 100 writers, artists, and philosophers rethink what politics is about. In a time of political turmoil and anticlimax, this book redefines politics as operating in the realm of things. Politics is not just an arena, a profession, or a system, but a concern for things brought to the attention of the fluid and expansive constituency of the public. But how are things made public? What, we might ask, is a republic, a (...) res publica, a public thing, if we do not know how to make things public? There are many other kinds of assemblies, which are not political in the usual sense, that gather a public around things—scientific laboratories, supermarkets, churches, and disputes involving natural resources like rivers, landscapes, and air. The authors of Making Things Public—and the ZKM show that the book accompanies—ask what would happen if politics revolved around disputed things. Instead of looking for democracy only in the official sphere of professional politics, they examine the new atmospheric conditions—technologies, interfaces, platforms, networks, and mediations that allow things to be made public. They show us that the old definition of politics is too narrow; there are many techniques of representation—in politics, science, and art—of which Parliaments and Congresses are only a part. The authors include such prominent thinkers as Richard Rorty, Simon Schaffer, Peter Galison, Richard Powers, Lorraine Daston, Richard Aczel, and Donna Haraway; their writings are accompanied by excerpts from John Dewey, Shakespeare, Swift, La Fontaine, and Melville. More than 500 color images document the new idea of what Bruno Latour and Peter Weibel call an "object-oriented democracy.". (shrink)

One of the most debated questions in psychology and cognitive science is the nature and the functioning of the mental processes involved in deductive reasoning. However, all existing theories refer to a specific deductive domain, like syllogistic, propositional or relational reasoning.Our goal is to unify the main types of deductive reasoning into a single set of basic procedures. In particular, we bring together the microtheories developed from a mental models perspective in a single theory, for which we provide a formal (...) foundation. We validate the theory through a computational model (UNICORE) which allows fine‐grained predictions of subjects' performance in different reasoning domains.The performance of the model is tested against the performance of experimental subjects—as reported in the relevant literature—in the three areas of syllogistic, relational and propositional reasoning. The computational model proves to be a satisfactory artificial subject, reproducing both correct and erroneous performance of the human subjects. Moreover, we introduce a developmental trend in the program, in order to simulate the performance of subjects of different ages, ranging from children (3–6) to adolescents (8–12) to adults (>21). The simulation model performs similarly to the subjects of different ages.Our conclusion is that the validity of the mental model approach is confirmed for the deductive reasoning domain, and that it is possible to devise a unique mechanism able to deal with the specific subareas. The proposed computational model (UNICORE) represents such a unifying structure. (shrink)

The Prince and the Wolf contains the transcript of a debate which took place on February 5, 2008 at the London School of Economics (LSE) between the prominent French sociologist, anthropologist, and philosopher Bruno Latour and the Cairo-based American philosopher Graham Harman.

Cantor showed that there are infinite sets that do not have one-to-one correspondences between them. The standard understanding of this result is that it shows that there are different sizes of infinity. This paper challenges this standard understanding, and argues, more generally, that we do not have any reason to think that there are different sizes of infinity. Two arguments are given against the claim that Cantor established that there are different such sizes: one involves an analogy between Cantor’s result (...) and Russell’s paradox, another is more direct. (shrink)

The topic of liberty in Foucault becomes controversial when related to the objections, predicted by the author, for the subjects to be located outside the power networks. However, Foucault also points out potential for resistance and a notion of freedom involved by historical circumstances, which suggests original normative questions. In order to analyze the tension between domination and freedom in his work, and what is normatively reflected, two main directions are noted: the idea of freedom as something inherent in power (...) relations and as the foundation of the critical exercise of knowledge. It is argued that Foucault`s estimation of dimensions of freedom generates singular implications of evaluation of social conditions based on a normative temperance. (shrink)

On the face of it, there is no connection between the social theory developed by Ulrich Beck under the name of `second modernization' and the post-ethnomethodological argument developed by Bruno Latour and his colleagues under the name of actor-network theory. Yet they are both concerned with empirical evidence of a major shift in modernity. Hence the idea of elaborating an empirical test to probe the extent to which `second modernization' is a real phenomenon, or rather, as is suggested here, (...) a shift in our interpretation of what modernity has always been about. (shrink)

The introduction of the long-term history of the Earth into the preoccupations of historians has triggered a crisis because it has become impossible to keep the “planet” as one single entity outside of history properly understood. As soon as the planetary intruded into history, it became impossible to keep it as one naturalized background. By problematizing the planetary, Dipesh Chakrabarty has forced philosophers, historians and anthropologists to extend pluralism to the very ground on which history was supposed to unfold. Hence (...) Bruno Latour’s attempt at counting the number of “planets” whose attractions are simultaneously being felt today on any political question. Each of his eight planets are defined by the disconnect between where they are situated and where they are imagined to be moving, which means that each planet is led by a different and incommensurable philosophy of history. Such a “fictional planetology” is then discussed by Chakrabarty, who reviews the difficulties historians have had in taking the nonhuman as a historical agent and then adds to Latour’s count a new planetary body which further complicates the geopolitical situation. The result of their joint effort is to shift questions of philosophy of history to philosophy of geography. (shrink)

To think up vocational training devices aims at enabling persons to experiment with different situations, at different moments with in-turn periods of training and actual employment. Persons come to “dialogue” with different situations, at different moments, to make sense out of them, to create links between them and thus to build their own apprenticeship. Can this dialogue, this rhythmic training/experience only be observed in the frame of those vocational training devices? Couldn’t this dialogue or this rhythmic be observed on longer (...) periods, beyond the duration of these devices, on a career’s scale for instance? This article tries to transcribe the processing of comprehensive/biographical interviews of four Heads of Catholic primary schools. The processing is based on methods of analysis that use what has been called “sets of training and experience temporalities” Being part of a thesis which aims at highlighting the professional dynamics of this emergent group of Heads, the analysis of this dialogue, this rhythmic training/experience contributes to typify interviews and takes part in the definition of a socio-professional world and in the definition of an identity proper to the Heads who were interviewed. (shrink)

Interactive adaptive systems increasingly become part of our everyday life. Which factors could shape this development and under which conditions will interactions with technical systems be deemed socially appropriate? The "FActors of Social Appropriateness" (FASA) Model presented in this Open Access-book provides a structured approach to our understanding of social appropriateness in human-technology interaction. The FASA Model serves to inform design choices for sociosensitive and socioactive artificial assistants.

The need for foreknowledge intensifies and a prophetic promise of today’s palm readers causes us wet palms: letting the world speak for itself. Big Data comes with the promise of enabling people to listen to that speaking world and of gaining accurate foreknowledge by Big Data predictions. The uncertainty of our modern, complex world overstrains our present coping capabilities, causing a feeling of slipping off a slippery slope, which in turn causes a need for increasing our own foreknowledge. Part of (...) the Big Data promise is to grant better foreknowledge by overcoming the wrongness of scientific theory or causation assumptions. But thus, people have no other option than to believe in these results and perform their actions in good faith. This makes Big Data based outcomes a matter of faith. This article argues that Big Data based outcomes can be seen as today’s oracle, as prophecies without prophets and reflects on the consequences of that perspective. (shrink)

In this paper we analyse the approach to interpreting atomic spectra in the framework of classical physics from the discovery of the electron in 1897 to Bohr's atomic model of 1913. Taken as a whole, efforts in this direction are part of a remarkable intellectual endeavour in which the classical theoretical framework seems to have been exploited to its full potential. By demonstrating the limits and weaknesses of classical physics in solving the problem of spectral emissions, these attempts opened the (...) way to a complete break from traditional thought and the introduction of the new quantum ideas. (shrink)

My paper aims to analyse the Platonic conception of ontological ὰλήθεια and verify whether or not this conception depends on the etymological origin of the Greek word as a derivative noun from λανθάνειν. I shall start my inquiry by referring to Heidegger’s philosophical characterisation of ὰλήθεια as Unverborgenheit, and move on to quote relevant passages from the Homeric poems. I shall try to demonstrate – through the evidence from some key-passages of the Republic, the Phaedo, the Phaedrus and the Philebus (...) – that, even if we can find an ontological conception of the truth in Plato, this does not depend on the Greek etymology of ὰλήθεια, but rather on the archaic correspondance between being and thought. (shrink)

The first models for an electromagnetic theory of dispersion are presented and an attempt is made to demonstrate the important role played by study of this phenomenon at the end of the nineteenth century. As well as indicating the need to have a better understanding of the microscopic properties of matter, dispersion also contributed to the discussion over the nature of X-rays and was fundamental for introduction of Lorentz's electron theory.

The aim of this article is to discuss the relations between psychology and politics that guide the action of the different political positions. The starting point will be an analysis of the proposal of the political scientist Mark Lilla to consider the "reactionary spirit" as a position structurally linked to an anti-progressivism, which allows also, by contrast, to discuss the progressive positions. This analysis is anchored in the articulation between politics and temporality, understood here as one of the elements that (...) outline a psychology of conservatism. It helps to redescribe significant features of contemporary political dilemmas, offering, for example, a distinction between the reactionary and the conservative position, as well as defining features of the worldview of the reactionary and, consequently, clues to understanding the rise of the extreme right. (shrink)

The aim of this paper is to discuss the presence of psychoanalysis in Adorno’s ’Philosophy of the new music’. He draws on the Benjaminian scheme of understanding Baudelaire’s poetry (understood as an elaboration of the shock experiences in life in post-industrial Revolution capitalism), but uses it in music criticism. The works of Schönberg and Stravinsky, the mostimportant composers of two schools of the so-called “new or modern music”, deals with different compositional subjects and their ways of dealing with the shocks (...) of modern life. Both Benjamin and Adorno draw on Freudian theory for the understanding of this notion of shock, in particular his theory of anxiety and trauma. The works of these composers, understood as models of trauma elaboration, offer different ways of reacting to trauma: the identification with the aggressor and resistance. Therein lie elements that help to defend the hypothesis of the centrality of the notion of suffering in Adorno’swork. (shrink)

The discussion about the Raven Paradox is ever-renewing: after nearly 70 years, many authors propose from time to time new solutions, and many authors state that these solutions are unsatisfactory. It is worthy to be carefully noted that though most arguments in favor or against the paradox are based on the notion of “probability” and on the application of Bayes’ law, not one of them makes use of the Kolmogorov axiomatic theory of probability and on the subsequent notion of “random (...) variable”. This seems to be due to a preference for the purely logical interpretation of the notion of “probability” which makes it possible to assign a probability value to propositions expressing natural (universal) laws. This paper aims at presenting an attempt to contribute a solution to the paradox by the proposal of a different way to express universal natural laws and by the use of a language which does not allow one to apply probability to universal statements. (shrink)

Desde los remotos tiempos de la tragedia Ática en Grecia, el teatro es y ha sido siempre movimiento, siendo este una característica esencial de los seres orgánicos, es decir, de los dotados de vida. No obstante, se corre el riesgo de reemplazar su mecánica natural con metafísica, cuando ello no es coherente ni siquiera en hipótesis. Cabe demostrar las disimilitudes del teatro con las doctrinas escolásticas, idealistas, o hinduistas, y su compatibilidad con los átomos, electrones y las leyes de la (...) física, sometiendo sus conceptos al rigor epistemológico. La creación artística nace del psiquismo humano, aun no siendo material en primera instancia, pero ya luego cobra su forma cualitativa definitiva. Para ello atraviesa por varios tipos de censura, tanto física como psicológica, buscando expresarse mediante el lenguaje en que se comunican los distintos géneros dramáticos, dando a conocer su situación de crisis sin retorno, esa que se debate entre crueldad y violencia. Antonin Artaud intrinca al teatro las ideas cabalísticas y no busca contrastarlas con argumentación lógica. La evidencia demuestra que, si es que hay una unidad, esa es la del teatro con lo físico. Lo físico es su verdadero “doble”. Un sucinto pero conciso repaso histórico, bien prodigado de documentación y basado en los preceptos erigidos por el materialismo dialectico, nos dará la certeza de que el teatro pertenece exclusivamente al mundo físico, no solo en la práctica, sino también en esencia, y esta es la materia, siendo solo la metafísica un estadio improbable dentro de ella. (shrink)