Das Verhältnis zwischen Kirche und säkularer Kultur steht einmal mehr in Frage. Gehören die Kunstwerke der christlichen Tradition als lebendige Quelle noch in unsere Gegenwart, oder nicht vielmehr einer Vergangenheit an, die höchstens noch von musealem Interesse ist? Ist eine intellektuelle Durchdringung des Glaubens, eine christliche, katholische/protestantische Intellektualität sinnvoll, notwendig, überhaupt möglich?

Hundreds of cottages and cabins, mansions and houses line the shores of Lake Minnetonka, one of Minnesota's most beautiful lakes and site of some of the state's most coveted properties. Legendary Homes of Lake Minnetonka invites readers into thirty of these dwellings - built by families like the Washburns, the Pillsburys, and the Daytons. Evocative words and stunning color photographs guide readers through these beautifully designed and furnished homes. Portrayed in elegant detail are interiors of renovated Victorian cottages and rustic (...) cabins, as well as those of houses designed by modernist masters like William Lescaze and Philip Johnson. Photographer Karen Melvin takes viewers through the front door, showing living rooms furnished with Mies van der Rohe couches and Frank Lloyd Wright chairs and walls adorned with works by Robert Motherwell and Damien Hirst. Author Bette Jones Hammel relates the homes' histories of ownership and details the many renovations they have seen over time, renovations that have attempted to retain the homes' character and extend their lifespan. For the best views of the exteriors of these homes, you would need a boat. To see the interiors, you would need an invitation. Hammel and Melvin have chosen the most interesting houses - both architecturally and historically - and painstakingly scouted out the best vantage points, both inside and out, to provide a personal tour of these spectacular homes. (shrink)

The human population grew at very low average rates for most of its existence. Mortality was reasonably severe and expectation of life at birth was low. The level of fertility necessary to achieve even inifinitesimal population growth under such mortality implies birth intervals sufficiently short to conflict with the ability to care for and carry children in a mobile foraging economy. Techniques for the control of mortality, especially of children before puberty and of women in childbirth, and of child care (...) exchange, probably developed by females, may have been essential in permitting population growth under conditions of mobile foraging. (shrink)

L'inscription d'Aberkios, évêque de Hiérapolis en Phrygie dans la seconde moitié du 2e siècle, nous est parvenue par la tradition manuscrite et épigraphique : l'article décrit d'abord l'histoire de la transmission de cette épitaphe extraordinaire, epigramma dignitate et pretio inter Christianan facile princeps d'après G.B. de Rossi. Puis, il donne des explications de détail en confrontant deux traductions allemandes assez différentes, celle de W. Wischmeyer (1980) et celle de R. Merkelbach (1997). Enfin, l'article tente de donner des pistes pour contextualiser (...) ce document dans le monde du Haut-Empire, où les autorités romaines ont accepté la visibilité du culte chrétien et des monuments funéraires des évêques, malgré la situation juridique peu favorable aux Chrétiens. (shrink)

To the extent that contemporary literature can irritate common understandings of literature and the present, it can also function as a stimulus and corrective for literary studies that do not always already presuppose to know what literature is. This has recently become visible in confrontations with social media, in which literary and time-diagnostic modes of writing come together in different ways in experiments with digital tools, as in the context of more conventional forms of literature and corresponding theoretical discourses, to (...) produce what can be called »representing the present«. (shrink)

Musik ist eine Kunst des Maßes. Tonhöhe, Tondauer, Takt und Metrum, ferner Tempo und Lautstärke sind die messbaren musikalischen Parameter, die über- oder unterschritten werden können. Die Kategorie des Überflusses generiert in der Musik daher eine Reihe von Oppositionen wie: zu hoch/zu tief (Tonhöhe), zu laut/zu leise (Dynamik) usw. Ein dynamisches Ungleichgewicht entsteht, das zu Zwecken des musikalischen Ausdrucks nutzbar gemacht werden kann. Das Streben nach dynamischer Steigerung durch Überfluss ist ein typisches Merkmal romantischer Musik. Systemtheoretisch betrachtet bilden Produktion und (...) Rezeption von Musik homöostatische Systeme aus, die durch Überfluss und/oder Mangel (Beschränkung) geregelt werden. „Zu viel! Zu viel! O, daß ich nun erwachte!“ Richard Wagner, Tannhäuser, 1. Akt, 2. Szene. Der Ausruf des Minnesängers Tannhäuser aus Richard Wagners gleichnamiger Oper könnte als ein Motto für Überfluss und Überdruss in der Musik des 19. und 20. Jahrhunderts bis hin zu unserer Gegenwart gelten. Zwar ist Überfluss keine musikalische Kategorie, aber die Phänomene des „Zu viel!“ oder des „Zu wenig!“ lassen sich bei ihr sehr wohl beobachten. (shrink)

Jens Bonnemann, Filmtheorie. Eine Einführung, Berlin: J. B. Metzler 2019.

Menschen, die ihren Zeitgenossen anders erscheinen, müssen deshalb nicht auch anders sein. Ebenso wenig wie Menschen, die in der frühen Neuzeit für besessen, Narren, Hexen oder Wechselbälger gehalten wurden, das tatsächlich waren, kann davon ausgegangen werden, dass Menschen, die uns heute als Behinderte oder psychisch Kranke erscheinen, dies in ontologischem Sinne sind. Der Hexenmythos ist weitgehend entzaubert, die thomistische Dämonologie als Leitparadigma durch den kartesianischen Mechanismus abgelöst worden. Doch auch unser heutiges Verständnis von Behinderung und psychischer Krankheit ist sozial konstruiert.

This piece of work intends to shed light on Alexander of Aphrodisias from the second-century Aristotle commentator through the history of Aristotelian psychology up to the sixteenth century's clandestine prompter of the new philosophy of nature. In the millennium after his death the head of the Peripatetic school in Athens served as the authority on Aristotle in the Neo-Platonic school, survived the Arabic centuries of philosophy as Averroes' exemplary exponent of the mortality of the soul and as such was not (...) considered worthy of translation by the Latin Scholastics. This attitude changed only in the Late Middle Ages, when the resistance against Averroes grew fierce and Alexander emerged as the only Aristotelian alternative to him. In 1495 his account of Aristotle's psychology was translated and published and the underlying principles of a natural philosophy, based on sense perception and exempt from metaphysics, became accessible. The prompt reception and widespread endorsement of Alexander's teaching testify to his impact throughout the sixteenth century. (shrink)

This piece of work intends to shed light on Alexander of Aphrodisias from the second-century Aristotle commentator through the history of Aristotelian psychology up to the sixteenth century's clandestine prompter of the new philosophy of nature. In the millennium after his death the head of the Peripatetic school in Athens served as the authority on Aristotle in the Neo-Platonic school, survived the Arabic centuries of philosophy as Averroes' exemplary exponent of the mortality of the soul and as such was not (...) considered worthy of translation by the Latin Scholastics. This attitude changed only in the Late Middle Ages, when the resistance against Averroes grew fierce and Alexander emerged as the only Aristotelian alternative to him. In 1495 his account of Aristotle's psychology was translated and published and the underlying principles of a natural philosophy, based on sense perception and exempt from metaphysics, became accessible. The prompt reception and widespread endorsement of Alexander's teaching testify to his impact throughout the sixteenth century. (shrink)

In this paper, I will examine how films recreate memories of resistance and define, both visually and in film narration, the difference between imperial aggressors and local protagonists of resistance. The examples are taken from the Brazilian film Quilombo that describes the resistance of the 17th and 18th century Maroon communities against the onslaught of the Portuguese colonial powers (political and military). Med Hondo’s (Mauretania) Sarraounia deals with the resistance in West Africa against the Jihad of the Sokoto Fulani and (...) the (in)famous French “exploratory” expedition under the command of Voulet. Both films are based on “real” histories as they were generally communicated from the colonialist perspective. And both films present themselves as counter-discursive revisions of history. The analysis in this paper focuses on the visual representation of the resistance heroes, first isolating them from the continuity of film narration in a type of still image, thus emphasizing the contrastive imagology between aggression and resistance. In the second step, aggressors and resistors are examined in terms of how they relate socially to their fellow combatants and to their communities. The obvious difference is that the aggressors have no immediate community to relate to socially or emotionally. Particular emphasis is put on the associative and symbolic meanings of the scenic setting, in which the antagonistic characters are placed. (shrink)

Ludwig Wittgenstein/ Karl R. Popper/ Claude Levi-Strauss/ Martin Heidegger/ Karl Jaspers/ Hannah Arendt/ Ernst Bloch/ Max Horkheimer/ Theodor W. Adorno.

This paper argues that G. Guldentops’s review of S. Ebbersmeyer’s Homo agens does not do justice to her wellgrounded and exemplarily structured study, which is a landmark in the research on early Renaissance moral philosophy. Among other aspects the paper focuses on the relation of early Italian humanists to the medieval scholastic tradition.