Das Verhältnis zwischen Kirche und säkularer Kultur steht einmal mehr in Frage. Gehören die Kunstwerke der christlichen Tradition als lebendige Quelle noch in unsere Gegenwart, oder nicht vielmehr einer Vergangenheit an, die höchstens noch von musealem Interesse ist? Ist eine intellektuelle Durchdringung des Glaubens, eine christliche, katholische/protestantische Intellektualität sinnvoll, notwendig, überhaupt möglich?

Ludwig Wittgenstein/ Karl R. Popper/ Claude Levi-Strauss/ Martin Heidegger/ Karl Jaspers/ Hannah Arendt/ Ernst Bloch/ Max Horkheimer/ Theodor W. Adorno.

L'inscription d'Aberkios, évêque de Hiérapolis en Phrygie dans la seconde moitié du 2e siècle, nous est parvenue par la tradition manuscrite et épigraphique : l'article décrit d'abord l'histoire de la transmission de cette épitaphe extraordinaire, epigramma dignitate et pretio inter Christianan facile princeps d'après G.B. de Rossi. Puis, il donne des explications de détail en confrontant deux traductions allemandes assez différentes, celle de W. Wischmeyer (1980) et celle de R. Merkelbach (1997). Enfin, l'article tente de donner des pistes pour contextualiser (...) ce document dans le monde du Haut-Empire, où les autorités romaines ont accepté la visibilité du culte chrétien et des monuments funéraires des évêques, malgré la situation juridique peu favorable aux Chrétiens. (shrink)

This piece of work intends to shed light on Alexander of Aphrodisias from the second-century Aristotle commentator through the history of Aristotelian psychology up to the sixteenth century's clandestine prompter of the new philosophy of nature. In the millennium after his death the head of the Peripatetic school in Athens served as the authority on Aristotle in the Neo-Platonic school, survived the Arabic centuries of philosophy as Averroes' exemplary exponent of the mortality of the soul and as such was not (...) considered worthy of translation by the Latin Scholastics. This attitude changed only in the Late Middle Ages, when the resistance against Averroes grew fierce and Alexander emerged as the only Aristotelian alternative to him. In 1495 his account of Aristotle's psychology was translated and published and the underlying principles of a natural philosophy, based on sense perception and exempt from metaphysics, became accessible. The prompt reception and widespread endorsement of Alexander's teaching testify to his impact throughout the sixteenth century. (shrink)

This piece of work intends to shed light on Alexander of Aphrodisias from the second-century Aristotle commentator through the history of Aristotelian psychology up to the sixteenth century's clandestine prompter of the new philosophy of nature. In the millennium after his death the head of the Peripatetic school in Athens served as the authority on Aristotle in the Neo-Platonic school, survived the Arabic centuries of philosophy as Averroes' exemplary exponent of the mortality of the soul and as such was not (...) considered worthy of translation by the Latin Scholastics. This attitude changed only in the Late Middle Ages, when the resistance against Averroes grew fierce and Alexander emerged as the only Aristotelian alternative to him. In 1495 his account of Aristotle's psychology was translated and published and the underlying principles of a natural philosophy, based on sense perception and exempt from metaphysics, became accessible. The prompt reception and widespread endorsement of Alexander's teaching testify to his impact throughout the sixteenth century. (shrink)

To the extent that contemporary literature can irritate common understandings of literature and the present, it can also function as a stimulus and corrective for literary studies that do not always already presuppose to know what literature is. This has recently become visible in confrontations with social media, in which literary and time-diagnostic modes of writing come together in different ways in experiments with digital tools, as in the context of more conventional forms of literature and corresponding theoretical discourses, to (...) produce what can be called »representing the present«. (shrink)

Musik ist eine Kunst des Maßes. Tonhöhe, Tondauer, Takt und Metrum, ferner Tempo und Lautstärke sind die messbaren musikalischen Parameter, die über- oder unterschritten werden können. Die Kategorie des Überflusses generiert in der Musik daher eine Reihe von Oppositionen wie: zu hoch/zu tief (Tonhöhe), zu laut/zu leise (Dynamik) usw. Ein dynamisches Ungleichgewicht entsteht, das zu Zwecken des musikalischen Ausdrucks nutzbar gemacht werden kann. Das Streben nach dynamischer Steigerung durch Überfluss ist ein typisches Merkmal romantischer Musik. Systemtheoretisch betrachtet bilden Produktion und (...) Rezeption von Musik homöostatische Systeme aus, die durch Überfluss und/oder Mangel (Beschränkung) geregelt werden. „Zu viel! Zu viel! O, daß ich nun erwachte!“ Richard Wagner, Tannhäuser, 1. Akt, 2. Szene. Der Ausruf des Minnesängers Tannhäuser aus Richard Wagners gleichnamiger Oper könnte als ein Motto für Überfluss und Überdruss in der Musik des 19. und 20. Jahrhunderts bis hin zu unserer Gegenwart gelten. Zwar ist Überfluss keine musikalische Kategorie, aber die Phänomene des „Zu viel!“ oder des „Zu wenig!“ lassen sich bei ihr sehr wohl beobachten. (shrink)

Jens Bonnemann, Filmtheorie. Eine Einführung, Berlin: J. B. Metzler 2019.

In this paper, I will examine how films recreate memories of resistance and define, both visually and in film narration, the difference between imperial aggressors and local protagonists of resistance. The examples are taken from the Brazilian film Quilombo that describes the resistance of the 17th and 18th century Maroon communities against the onslaught of the Portuguese colonial powers (political and military). Med Hondo’s (Mauretania) Sarraounia deals with the resistance in West Africa against the Jihad of the Sokoto Fulani and (...) the (in)famous French “exploratory” expedition under the command of Voulet. Both films are based on “real” histories as they were generally communicated from the colonialist perspective. And both films present themselves as counter-discursive revisions of history. The analysis in this paper focuses on the visual representation of the resistance heroes, first isolating them from the continuity of film narration in a type of still image, thus emphasizing the contrastive imagology between aggression and resistance. In the second step, aggressors and resistors are examined in terms of how they relate socially to their fellow combatants and to their communities. The obvious difference is that the aggressors have no immediate community to relate to socially or emotionally. Particular emphasis is put on the associative and symbolic meanings of the scenic setting, in which the antagonistic characters are placed. (shrink)

Aus dem Inhalt: I. Maclean, Introduction M.J. B. Allen, In principio: Marsilio Ficino on the Life of Text D. Perler, Diskussionen uber mentale Sprache im 16. Jahrhundert E. Kessler, Die verborgene Gegenwart und Funktion des Nominalismus in der Renaissance-Philosophie: das Problem der Universalien A. De Pace, Copernicus against a Rhetorical Approach to the Beauty of the Universe. The Influence of the Phaedo on the De revolutionibus H. Mikkeli, Art and Nature in the Renaissance Commentaries and Textbooks on Aristotle's Physics U. (...) Langer, The Ring of Gyges in Plato, Cicero, and Lorenzo Valla: The Moral Force of Fictional Examples I. Maclean, Legal fictions and fictional entities in Renaissance jurisprudence M.-L. Demonet, Les etres de raison, ou les modes d'etre de la litterature M.L. Bianchi, Signs, Signaturae and Natursprache in Paracelsus and Bohme N. G. Siraisi, Disease and symptom as problematic concepts in Renaissance medicine J. Rohls, Schrift, Wort und Sache in der fruhen protestantischen Theologie C. Lohr, Possibility and Reality in Suarez's Disputationes metaphysicae Weitere Beitrage von: B. Vickers, C. Leijenhorst, M. Friedrich. (shrink)

Jung trata do problema do mal enquanto médico-analista que utilize métodos empíricos. O seu ponto de partida consiste básicamente na tomada de consciência da sombra, ou seja, dessa parte essencialmente inconsciente da psique e recalcada pelo eu consciente. Ampliando o conceito de sombra até ao arquetípico e transpessoal, Jung propõe conceitos de índole transcendental. Ele atreve-se igualmente a criticar a imagem de Deus na tradição judaico-cristá. A sua linguagem metafísica reduz-se por vezes a certas formas de explicar o conceito do (...) arquétipo do Si-mesmo, o que por vezes não sepode distinguirde uma tomada de posição filosófico-teológica. O exemplo do seu diólogo com o dominicano Victor White mostra a importância de distinguir categorias ejogos de linguagem na reconstrução filosófica do pensamento junguiano. /// Jung deals with the problem of evil as an analyst-physician who makes use of empirical methods. His starting point is basically the awareness of the shadow, that is, from the essentially unconscious part of the psyche and rejected by the conscious I. Extending the concept of shadow to the archetype, transpersonal, Jung proposes concepts of transcendental nature. He also dares to criticize the image of God in the Judaic-Christian tradition. His metaphysical language sometimes comes to some ways ofexplainig the concept of the Oneself archetype, and sometimes cannot be distinguished from the taking of a philosophical-theological position. The example of his dialogue with the Dominican Victor White points out the importance of distinguishing categories and language games in the philosophical reconstruction of the Jungian thought. (shrink)

Arguing that the times of scientistic criticism of psychoanalysis are past and that psychoanalysis is now open to new intellectual and scientific horizons, the article aims at showing how the recent developments of neurobiology, cognitive psychology, as well as new theories of therapeutic change in psychoanalysis support a reformulation of the psychoanalytic unconscious. The author defends that the obvious terminological confusion between the neurobiological and cognitive non-conscious on the one hand and the dynamic unconscious, on the other, require clear definitions (...) of differences and of commonalities. Furthermore, the author also develops the idea that the dimensions of awareness and of selfascription (avowal/disavowal) help to determine what is the core of the dynamic unconscious, even though the cognitive non-conscious and the psychoanalytic unconscious overlap to a great extent. The article shows, finally, how a new interdisciplinary consensus offers now a chance for us to recognize the shortcomings of a rationalistic philosophy of mind. /// Argumentando que os tempos de uma crítica da psicanálise a partir do cientismo já passaram e que a psicanálise está agora aberta a novos horizontes intelectuais e científicos, o artigo pretende mostrar até que ponto os desenvolvimentos mais recentes da neurobiologia, da psicologia cognitiva bem como das novas teorias da mudança terapêutica em psicanálise suportam uma reformulação do inconsciente psicanalítico. O autor defende que a óbvia confusão terminológica entre o não-consciente neurobiológico e cognitivo por um lado e o inconsciente dinâmico por outro requerem definições claras das diferenças e dos aspectos comuns. Além disso, o autor desenvolve também a ideia de que as dimensões de conhecimento e de auto-atribuição (reconhecimento/nãoreconhecimento) ajudam a determinar aquilo que constitui o cerne do inconsciente dinâmico, mesmo que o não-consciente cognitivo e o inconsciente psicanalítico se sobreponham em grande medida. O artigo mostra ainda, finalmente, até que ponto um novo consenso interdisciplinar nos oferece agora uma oportunidade para reconhecer as limitações do racionalismo emfilosofia da mente. (shrink)

Viele Menschen suchen nach Authentizität und Wahrhaftigkeit spiritueller Erfahrungen. Dabei werden Konfessions- und Religionsgrenzen überschritten, um der persönlich-existenziellen Innenseite von Religion auf die Spur zu kommen. Dieses Werk nimmt in einem interdisziplinären Austausch zwischen Spiritual Care und Philosophie diesen „Spiritual Turn“ wahr. Der Fokus liegt darauf, spirituelles Erleben aus philosophischen Perspektiven zu beschreiben und nach der Alltagspräsenz und -relevanz von Spiritualität zu fragen. Jedes Nachdenken über Spiritualität thematisiert die Zusammenhänge von Selbsterkenntnis und Selbsttranszendenz. Es geht somit bei der Spiritualität auch (...) um Ethik, um die Anerkennung von Grenzen, um die Bereitschaft zur Grenzüberschreitung und um Spiritualität als Element der Leiberfahrung in Gesundheit und Krankheit. Sowohl von spiritueller als auch von philosophischer Seite öffnet sich ein therapeutischer Horizont – besonders dann, wenn die Sinnfrage in Lebenskrisen aufbricht. Daraus können Impulse für Spiritual Care in Wissenschaft, Praxis und in den jeweiligen Kontexten der Organisationen und Institutionen des Gesundheitswesens erwachsen. (shrink)

This paper argues that G. Guldentops’s review of S. Ebbersmeyer’s Homo agens does not do justice to her wellgrounded and exemplarily structured study, which is a landmark in the research on early Renaissance moral philosophy. Among other aspects the paper focuses on the relation of early Italian humanists to the medieval scholastic tradition.

Papers from a conference held Oct. 8-12, 1989, in the Herzog August Bibliothek Wolfenbèuttel.