This article analyzes the shift from emotion to affect in Caryl Churchill’s writing for the theatre, a process which becomes prominent in the later seventies and culminates in the production of A Mouthful of Birds, a project designed jointly with the choreographer David Lan. The effects of the transformation remain traceable in The Skriker, a complex play taking several years to complete. It is argued that there is a tangible and logical correlation between Churchill’s dismantling of the representational apparatus associated (...) with the tradition of institutional theatre—a process which involves, primarily, a dissolution of its artificially constructed, docile bodies into orificial ones—and her withdrawal from the use of emotional expression in favour of the affective. In the following examination, emotions are conceived as interpretative acts modelled on cognition and mediated through representations while the intensity of affect remains unstructured. Often revealed through violence, pain and suffering, affect enables the theatre to venture into the pre-cognitive and thus beyond the tradition of liberal subject formation. (shrink)

Discussions of eroticism usually commence with references to Georges Bataille and his L’Erotisme, whose first English edition was published under the title Death and Sensuality: A Study of Eroticism and the Taboo, thus encouraging analyses in terms of transgression. This article opens with a quotation from Zygmunt Bauman’s essay, “On Postmodern Uses of Sex,” which reflects on the instability of the concept and emphasizes its contextualization. This openly declared incongruity raises questions of applicability. What is meant by eroticism today, i.e. (...) in and after postmodernism? The article seeks to explore the relevance of the term in studies of urban drama and tries to suggest a workable approach that would differentiate between the commonly observable erotic material found on display within the premises of the city and the eroticism of the city itself. In the latter case the erotic relationship involves the materiality of the urban context and its user. The essay, focusing on drama, assumes that plays are written for the stage-their proper mode of existence-and deems it necessary to include the city/theatre and city/drama interdependence as well as the nexus of concepts such as urban drama and its genre restrictions into the following analysis. (shrink)

A method is presented for constructing natural deduction-style systems for propositional relevant logics. The method consists in first translating formulas of relevant logics into ternary relations, and then defining deduction rules for a corresponding logic of ternary relations. Proof systems of that form are given for various relevant logics. A class of algebras of ternary relations is introduced that provides a relation-algebraic semantics for relevant logics.

Experimental emotion inductions provide the strongest causal evidence of the effects of emotions on psychological and physiological outcomes. In the present qualitative review, we evaluated five common experimental emotion induction techniques: visual stimuli, music, autobiographical recall, situational procedures, and imagery. For each technique, we discuss the extent to which they induce six basic emotions: anger, disgust, surprise, happiness, fear, and sadness. For each emotion, we discuss the relative influences of the induction methods on subjective emotional experience and physiological responses. Based (...) on the literature reviewed, we make emotion-specific recommendations for induction methods to use in experiments. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:IconsEwa HarabaszArtistEwa Harabasz was born in Czestochowa, Poland. She currently lives and paints in New York City, where she is represented by The Luxe Gallery. Her paintings have been recently featured in several solo shows in Poland, most recently at Galeria BWA in Bielsko Biala, Le Guern in Warsaw, Galeria Miejska Arsenal in Poznan, and Galeria Wozownia in Torun. Her work was also featured in a solo exhibition at (...) the Luxe Gallery in New York. Her paintings have been included in a number of group shows including “Poza” at Real Art Ways in Hartford (see the catalog, “Poza: On the Polishness of Polish Contemporary Art”). Ewa Harabasz's new work will be presented in 2008 as part of the group show “Identity and Otherness in the Face of Anxiety” at the Socio-Political Contemporary Art Museum in Jerusalem, Israel.Harabasz has worked in church and religious art conservation in Italy and Poland, and grew up in Czestochowa, the seat of a Polish national religious shrine—a Byzantine icon called “Black Madonna.” She has been a visiting assistant professor at Cornell University since 2005.StatementThe images painted by Ewa Harabasz present themselves as ambiguous “icons”: it is unclear whether they refer to media representations of present-day war and destruction or to religious or spiritual iconography. Harabasz appropriates mass media images from the wars in Bosnia and Iraq, the Beslan tragedy, and London underground transportation terrorism by using photographic transfer methods combined with painting on wood in the style of inspirational religious art. Harabasz insists that the spectacle inherent in her images is a critical reflection on how the destruction and horror of human suffering in war and terrorism is often glamorized and dramatized, and turned into present-day pseudo-icons by the mass media to be consumed by the public as a “redeeming” experience. Writer Dora Apel cautions viewers to reflect “that these works are less analogous to the Byzantine icons of Harabasz's native Poland than the International Gothic paintings of the late Middle Ages, which demanded of religious art that it correlate with people's everyday experience. Paintings of the fourteenth and fifteenth centuries employed an extensive use of gold to create a sumptuous surface but combined it with a radical naturalism. The images ultimately pictured the workings of secular power, combined with religious figures. This came about at a time when religion focused increasingly on human and humane concerns. Similarly Harabasz uses a spiritual lens to focus on worldly experience, achieving, for modern sensibilities, the same elegance, coloristic splendor, narrative detail, and lyricism as those earlier medieval works.”Harabasz says that despite her obvious references to the Madonna images and other religious iconography, she wishes these images to be viewed as “false icons.” While saints and martyrs are immortalized via religious art, the survivors and victims whom media notoriously immortalize had no choice in their suffering. [End Page 81] Click for larger view View full resolution[End Page 82] Click for larger view View full resolution[End Page 83] Click for larger view View full resolution[End Page 84] Click for larger view View full resolution[End Page 85] Click for larger view View full resolution[End Page 86] Click for larger view View full resolution[End Page 87] Click for larger view View full resolution[End Page 88] Click for larger view View full resolution[End Page 89]Copyright © 2008 The Johns Hopkins University Press... (shrink)

One of the important issues in research on knowledge based computer systems is development of methods for reasoning about knowledge. In the present paper semantics for knowledge operators is introduced. The underlying logic is developed with epistemic operators relative to indiscernibility. Facts about knowledge expressible in the logic are discussed, in particular common knowledge and joint knowledge of n group of agents. Some paradoxes of epistemic logic are shown to be eliminated in the given system. A formal logical analysis of (...) reasoning about knowledge is a subject of investigations both in logic and computer science , and several epistemic systems have been proposed to formalize the operator ‘an agent knows’. In the present paper we propose a formalization based on a semantic treatment of knowledge within the framework of rough set theory . The inspiration for the underlying epistemic logic came from the analysis of knowledge transfer in distributed systems developed in Orlowska and Sanders and from the author’s earlier work on indiscernibility and relative accessibility semantics. (shrink)

The aim of this study was to examine whether the relationship between the ratio of job-related positive to negative emotions and job burnout is best described as linear or curvilinear. Participants were 89 police officers and 86 firefighters. The positivity ratio was evaluated using the Job-related Affective Wellbeing Scale. Exhaustion and disengagement, two components of job burnout, were measured using the Oldenburg Burnout Inventory. The results of regression analysis revealed that curvilinear relationships between the positivity ratio and two components of (...) job burnout appeared to better fit the data than linear relationships. The relationship between the positivity ratio and exhaustion was curvilinear with a curve point at around 2.1. A similar curvilinear relationship, but with a lower curve point, i.e., around 1.8, was observed for disengagement. It seems that beyond certain values there may be hidden costs of maintaining positive emotions at work. Also, the unequal curve points for subscales suggest that different dimensions of work-related functioning are variously prone to such costs. (shrink)

How Tocqueville’s ideas can help us build resilient liberal democracies in a divided world How can today’s liberal democracies withstand the illiberal wave sweeping the globe? What can revive our waning faith in constitutional democracy? Tocqueville’s Dilemmas, and Ours argues that Alexis de Tocqueville, one of democracy’s greatest champions and most incisive critics, can guide us forward. Drawing on Tocqueville’s major works and lesser-known policy writings, Ewa Atanassow shines a bright light on the foundations of liberal democracy. She argues that (...) its prospects depend on how we tackle three dilemmas that were as urgent in Tocqueville’s day as they are in ours: how to institutionalize popular sovereignty, how to define nationhood, and how to grasp the possibility and limits of global governance. These are pivotal but often neglected dimensions of Tocqueville’s work, and this fresh look at his writings provides a powerful framework for addressing the tensions between liberalism and democracy in the twenty-first century. Recovering a richer liberalism capable of weathering today’s political storms, Tocqueville’s Dilemmas, and Ours explains how we can reclaim nationalism as a liberal force and reimagine sovereignty in a global age—and do so with one of democracy’s most discerning thinkers as our guide. (shrink)

This paper discusses the politics of remembering and the representation of the Holocaust in Polish contemporary art referring to the Lego Concentration Camp by Zbigniew Libera. The paper presents the ways in which Libera’s work challenges the traditional ways of representing the Holocaust and how it engages with issues such as the relation between atrocity and aesthetics. The associations brought to this mode of representation by the notions of game and toys and whether theatricality and play are in dialogue with (...) or violate the historical experience of the Holocaust is also discussed. The paper investigates the specificity of the Polish context in the way the Holocaust is approached and the reactions these artistic attempts raise in the public. Do the unconventional and shocking representations help understand the Holocaust or do they create the opposite effect of misguided and trivialised reading of history? (shrink)

The penetration process of structures traditionally assigned to civil law into administrative law, especially administrative law aiming environmental protection, has been more noticeable through recent years. This process resulted in deepening the absence of a clear separation of private law norms from public law norms. It led to the existence of so-called quasi civil solutions, which can be found for example in the Act on prevention from damages in environment and its repair. Their specificity consists in the fact that they (...) cannot be regarded as civil law structures due to the differences between them and the civil law structures. This legal status sets new challenges for legal theorists as well as practition- ers. They concentrate on interpretation of administrative law provisions which were penetrated by civil law structures, taking into account differences between interpretation of administrative and civil law provisions. We should not reject specific character of the civil law provisions’ interpretation and interpret these provisions only by taking into account specificity of administrative law inter- pretation. Civil law institutions are characterized by a larger field for action, which is left for parties or performers, in comparison to the institutions of ad- ministrative law. This specificity of civil law structures should be considered as its advantage that should not be removed in the activities of public authorities. (shrink)

How does affectivity contribute to moral judgment making? -- Normative dissonance vs. the order of argumentation -- Facing otherness as an ethical experiment -- The concepts of respect revisited -- What is universal? Between subjectivity and intersubjectivity -- Experimenting with values in legal contexts : Hegel and Radbruch -- Democracy begins in the mind. Developing democratic personality.

The purpose of this article is to reflect on selected works of Aleksander Watt placed in the context of De imitatione Christi by Thomas à Kempis and to verify the view that suffering functions in the consciousness and poetic imagination of the writer as a value conducive to the spiritual development of the individual. The author analyzes the poet’s memoirs in order to show how reading the book he discovered during WWII, while exiled in Kazakhstan, influenced Wat’s choices and attitudes, (...) or his perception of the decisions he made. Then the article interprets the poetic texts that emphasize the theme of suffering and following Jesus Christ. The Wiersze somatyczne [Somatic Poems] cycle is discussed, on top of Wat’s works based on the symbolism of the crown of thorns and the death on the cross, the excerpts from his drama Kobiety z Monte Olivetto [The Women of Monte Olivetto], and the poem with the incipit “U szczytu antynomij….” [At the top of antinomies...], which is formed into the shape of the cross. The researcher reads them in a hermeneutical way in the course of which she analyzes the symbols and biblical allusions, associates literary metaphors with autobiographical traces of the poet’s experiences, and uncovers the connection between the texts of the two authors. The main thesis of the article is that in the discussed works, there is a dolorous theme – that is, one in which suffering is exposed and presented as an ethically valuable experience. A reading of a number of works in which pain, depicted in various ways, is at the same time a reminiscence of the poet’s own physical and mental anguish and a reference to the Passion of Christ, allows one to conclude that for the author of Wiersze śródziemnomorskie [The Mediterranean Poems], suffering is a state of spiritual transformation that brings man closer to the sphere of the sacred. The author ultimately concludes that, in light of the work of Thomas à Kempis, Wat’s dolorism appears as a modern interpretation of the idea of following Christ, marked by the necessity of being different from Him. (shrink)

Artykuł rewiduje stworzoną przez Roberta L. Selmana teorię przyjmowania perspektyw przez umysł w kontekście koresponujących z nią tradycji, takich, jak fenomenologia i filozofia umysłu. Uwzględnia implikacje owej teorii w etyce. Przyjmowanie perspektyw to jedna ze zdolności poznawczych, rozwijających się w toku ontogenezy. Autorka broni koncepcji “autonomicznej współzależności”, która pozwala Selmanowi odróżnić interaktywność ludzkiego od zdolności formułowania niezależnych sądów przez podmiot moralny. Elastyczny, interaktywny umysł nie oznacza otwarcia na ekspansję innych; z kolei jego izolacja w formacie „egoligicznym” nie chroniłaby przed taką (...) ekspansją. Przeciwnie: jakość relacji międzyludzkich zależy od tego, jak postrzegamy i rozumiemy innych, uwzględniając owo intersubiektywne poznanie we własnym zachowaniu. (shrink)

W swojej ostatniej monografii Piotr Stanisław Mazur podejmuje problematykę metafizyki klasycznej, starając się ją zaktualizować, rozszerzyć, uwiarygodnić, zwłaszcza w odniesieniu do antropologii filozoficznej, która miałaby być budowana na jej podstawach. To zainteresowanie metafizyką, jako wiedzą o całości rzeczywistości, badanej w aspekcie istniejącego bytu, ma kilka swoich przyczyn. Do najważniejszych z nich należy współczesna krytyka metafizyki klasycznej oraz coraz częściej podnoszone kwestie dotyczące tego, jak rozumieć realność istnienia. W swojej najnowszej monografii Mazur podejmuje próbę obrony tomistycznej metafizyki przez wskazanie na jej (...) nowe, poznawcze możliwości związane z podstawami antropologii. Formułuje szereg pytań dotyczących istnienia człowieka, a konkretnie, na czym polega specyfika istnienia człowieka i co je charakteryzuje. (shrink)

A method of defining semantics of logics based on not necessarily distributive lattices is presented. The key elements of the method are representation theorems for lattices and duality between classes of lattices and classes of some relational systems . We suggest a type of duality referred to as a duality via truth which leads to Kripke-style semantics and three-valued semantics in the style of Allwein-Dunn. We develop two new representation theorems for lattices which, together with the existing theorems by Urquhart (...) and Bimbo-Dunn, constitute a complete, in a sense, representation theory for lattices. As observed by Dunn and Hardegree, variations of Urquhart's duality arise by varying his disjointness assumption on the canonical frame. Four possible assumptions – disjoint, exhaustive, non-disjoint and non-exhaustive – are discussed in the paper. Each of the four corresponding representation theorems is expanded to a duality via truth. Based on these dualities we suggest four corresponding types of semantics for lattice-based logics. We also discuss a new topological representation of lattices. (shrink)

ABSTRACT Propositional dynamic logic with converse and test, is enriched with complement, intersection and relational operations of weakest prespecification and weakest postspecification. Relational deduction system for the logic is given based on its interpretation in the relational calculus. Relational interpretation of the operators ?repeat? and ?loop? is given.