Arne Grøn’s reading of Søren Kierkegaard’s authorship revolves around existential challenges of human identity. The 35 essays that constitute this book are written over three decades and are characterized by combining careful attention to the augmentative detail of Kierkegaard’s text with a constant focus on issues in contemporary philosophy. Contrary to many approaches to Kierkegaard’s authorship, Grøn does not read Kierkegaard in opposition to Hegel. The work of the Danish thinker is read as a critical development of Hegelian phenomenology with (...) particular attention to existential aspects of human experience. Anxiety and despair are the primary existential phenomena that Kierkegaard examines throughout his authorship, and Grøn uses these negative phenomena to argue for the basically ethical aim of Kierkegaard’s work. In Grøn’s reading, Kierkegaard conceives human selfhood not merely as relational, but also a process of becoming the self that one is through the otherness of self-experience, that is, the body, the world, other people, and God. This book should be of interest to philosophers, theologians, literary studies scholars, and anyone with an interest not only in Kierkegaard, but also in human identity. (shrink)

The essays in Invisibility in Visual and Material Culture contribute pioneering and revelatory insights into the phenomenon of invisibility, forging new and multi-disciplinary approaches at the intersection of aesthetics, technology, representation and politics. Importantly, they acknowledge the complex interaction between invisibility and its opposite, visibility, arguing that the one cannot be fully grasped without the other. Considering these entanglements across different media forms, the chapters reveal that the invisible affects many cultural domains, from digital communication and operative images to the (...) activism of social movements, as well as to identity, race, gender and class issues. Whether the subject is comic books, photographic provocations, biometric and brainwave sensing technologies, letters, or a cinematic diary, the analyses in this book engage critically and theoretically with the topic of invisibility and thus represent the first scholarly study to identify its importance for the field of visual culture. (shrink)

A rotating disk with angular acceleration is given a relativistic description as observed from the rotating rest frameR of the disk. It is shown how a non-Euclidean intrinsic spatial geometry develops inR, as the disk gets an angular velocity. The explanation of this as given by anR-observer is discussed. A recent description of the geometry inR presented by Grünbaum and Janis is criticized. The motion of light as described by use of coordinate clocks inR is discussed in connection with some (...) recent work by R. C. Jennison and coworkers. The significance of the difference between directed signals and circular waves when clocks inR are to be synchronized by means of light emitted from the axis inR is made clear. (shrink)

The relation of the special and the general principle of relativity to the principle of covariance, the principle of equivalence and Mach's principle, is discussed. In particular, the connection between Lorentz covariance and the special principle of relativity is illustrated by giving Lorentz covariant formulations of laws that violate the special principle of relativity: Ohm's law and what we call “Aristotle's first and second laws.” An “Aristotelian” universe in which all motion is relative to “absolute space” is considered. The first (...) law: a free particle is at rest. The second law: force is proportional to velocity. Ohm's law: the current density is proportional to the electrical field strength. Neither of these laws fulfills the principle of relativity. The examples illustrate, in the context of Lorentz covariance and special relativity, Kretschmann's critique of founding Einstein's general principle of relativity on the principle of general covariance. A modification of the principle of covariance is suggested, which may serve as a restricted criterium for a physical law to satisfy Einstein's general principle of relativity. Other objections that have been raised to the validity of Einstein's general principle of relativity are based upon the preferred state of inertial frames in the general, as well as in the special theory, the existence of tidal effects in “true” gravitational fields, doubts as to the validity of Mach's principle, whether electromagnetic phenomena obey the principle, and, finally, the anisotropy of the cosmic background radiation. These objections are reviewed and discussed. (shrink)

The complex gestures of artwork remain an under-explored theoretical topos in contemporary visual culture studies. In our turbulent mediasphere where images are constantly mobilized to enact symbolic forms of warfare and where they get entangled in all kinds of cultural conflicts and controversies, a turn to the gestural life of images promises a particularly pertinent avenue of intellectual inquiry. As both a cultural phenomenon and a philosophical concept, the notion of gesture straddles several disciplines, such as anthropology, linguistics, performance, theater, (...) film and visual studies. In this volume, contributors ask: How may one speak not only of the gestures of the body but also of the gestures of the image? What constitutes gesturality in the image and, more broadly, what are the gestures of the aesthetic itself? By thinking about images within this conceptual framework, this volume seeks to renew our understanding of the image. (shrink)

In this article, I argue that one has yet to acknowledge the extent to which the notion of the aesthetic and its content is institutionally negotiated. A central question that we ought to bear in mind is: does the organization of “aesthetic knowledge” that the traditional disciplines facilitate promote or prevent insight into meta-aesthetic and transaesthetic concerns?

It is shown that the equation deduced by Marinov for the gravitational frequency shift does not follow from his assumptions. The correct equation is deduced. It is pointed out that the result of Marinov's absolute spacetime theory concerning the gravitational frequency shift is contained in general relativity as an approximate description. The need for experiments testing the validity of Marinov's measurements is emphasized.

Kierkegaard y Hegel son puntos de referencia en la Filosofía moderna. El artículo se ocupa de cómo debe ser entendida la ética si partimos de la noción de la relación entre la relación consigo mismo y el otro, al reinterpretar a Hegel y a Kierkegaard. En la primera parte se discute la cuestión de la dimensión normativa del reconocimiento, por mediante la interpretación de la teoría del reconocimiento hegeliana en Fenomenología del espíritu, capítulo IV A. En la segunda parte, se (...) interpreta la "segunda" ética de Kierkegaard en trabajos sobre el amor como una ética de la visión. Se plantea que el reconocimiento, como medio para ver al otro, es una comunicación en la cual está en juego la relación entre la relación consigo-mismo y el otro. (shrink)

If the title of this article resounds with the polemical palavering of literary theory in the 1940s, I have to submit that the allusion is not entirely accidental. It is not my intention here, however, to resuscitate the arguments of W. K. Wimsatt Jr and Monroe C. Beardsley, but rather to evoke a sense of parallelism between their issues and those at stake here. A crucial objective which informed Wimsatt's and Beardsley's project was to buttress the significance and irreducibility of (...) the literary text in the face of monopolistic authorial and receptional meaning-making. [3] The scholarly environment that was American New Criticism tended to consider intentionalism and emotionalism as threats to the epistemological prominence and integrity of the text, which was all too readily lost in a plenitude of contexts whose relevance for the literary work was not always impressively transparent. Similarly, within the domain of film studies, it has perhaps become increasingly unclear whether the real object of study is the film text itself, or rather a concatenation of different disciplinary discourses hailing from departments of psychology, sociology, and biology (to name a few). The colonization of cinema studies is not a novel development; as a process its apogee was in the 1970s. (shrink)

This chapter examines Soren Kierkegaard's views about the concept of time and history. It suggests that while time and history do not figure prominently in the works of Kierkegaard, the implications of his key concepts can only be understood through the questions of time and history, particularly his ideas about selfhood, existence, and the ethical. The chapter also discusses the different notions of time and history, and considers how time and history come into play in the works of Kierkegaard.

In a recent article in this journal, Kingsley has tried to show that the postulates of special relativity contradict each other. Here we show that the arguments of Kingsley are invalid because of an erroneous appeal to symmetry in a non-symmetric situation. The consistency of the postulates of special relativity and the relativistic kinematics deduced from them is restated.

The question is discussed whether the description of the gravitational Doppler effect as a simple energy effect is consistent with its general-relativistic description as a metric-time effect. The difference between a local description and a global one is stressed. In the local description one is permitted to ignore metric effects. The global description yields a position-dependent rate of proper time in a gravitational field, and the energy, or the frequency, of a “freely falling” photon is described as a constant of (...) motion. An experiment of nonlocal character measuring, simultaneously, the gravitational Doppler effect and the position-dependent rate of proper time may be performed by the use of a geostationary satellite. A simple general-relativistic treatment of the satellite experiment is obtained by transforming the Schwarzschild metric to a rotating frame, and describing the motion of free particles and the rates of standard clocks in the resulting metric. (shrink)

Using the Weyl-type canonical coordinates, an integration of Einstein's field equations in the cylindrosymmetric case considered by Kurşunoğlu is reexamined. It is made clear that the resulting metric is not describing the spacetime in a rotating frame, but in astatic cylindrical elastic medium. The conclusion of Kurşunoğlu that “for an observer on a rotating disk there is no way of escape from a curved spacetime” is therefore not valid. The metric in an empty rotating frame is found as a solution (...) of Einstein's field equations, and is not orthogonal. It is shown that the corresponding orthogonal solution represents spacetime in an inertial frame expressed in cylindrical coordinates. Introducing a noncoordinate basis, the metric in a rotating frame is given the static form of Kurşunoğlu's solution. The essential role played by the nonvanishing structure coefficients in this case is made clear. (shrink)