Biobanks have been recognized as a key research infrastructure and how to approach ethical questions has been a topic of discussion for at least a decade by now. This article explores the characteristics of donors’ participation in European biobanks as reflected in the consent documents of a selection of different biobanks from various European countries. The primary aim of this study is to understand how donors are informed about their participation in biobanking. Also the paper discusses what the most important (...) thematic issues of information are to be given to the biobank participants and how this information should be presented in the consent documents. For these purposes, we analyse consent documents from 14 biobanks in 11 countries for six ethically relevant issues: (1) model of consent, (2) scope of future research, (3) access to medical data, (4) feedback to the participants, (5) consent withdrawal, and (6) role of research ethics committee. In order to compare different trends of informing donors of human biological material and medical data, we interpret the six analysed issues in the context of respect to donor’s autonomy paradigm. Although the results of the paper reflect the heterogeneity of biobank consent document policies applied in different European countries, we uncovered some trends and suggested several examples of good practices to balance the interests of the donors with those of the researchers and future patients. (shrink)

The present paper aims to report on the preliminary findings from the initial stages of ongoing research on hate speech in Lithuanian online comments. Comments are marked strongly by such phenomena as flaming and trolling; therefore, in this genre we can expect a high degree of hostility, obscenity, high incidence of insults and aggressive lexis, which can inflict harm to individuals or organizations. The goal of the current research is thus to make an attempt to identify some features of verbal (...) aggression in Lithuanian by applying the principles and instruments of corpus linguistics, which proved to be a useful approach when dealing with such issues as trolling. It is expected that further analysis of those features will help to identify and define formal linguistic criteria that could facilitate identification of hate speech in public discourse. The data has been obtained from the Lithuanian corpus of user-generated comments collected from one major Lithuanian portal, www.delfi.lt. The corpus consists of all the comments posted in the year 2014 and in total includes 17,909 comments, which make up 1,160,109 words. For the initial data analysis, linguistic aspects, such as wordlists, collocations, and formulaic language, were analysed by using the AntConc software. The interpretations of the results are still very tentative, but what the initial findings show is that overt aggression does not feature among the most frequent and most salient features of comments. Aggression is, in our data, indirectly expressed through creative language use, which can mainly be studied through qualitative analysis. (shrink)

The article reflects upon the possibility of educating sensitivity to the pain of the different Other by using feature cinema. The authors rely on the methodology suggested by Stanley Louis Cavell and Andrew Klevan, and also on the suggestions and conclusions by William B. Russell, III and Stewart Waters. The authors of this article reflected upon the results of their own interview with gymnasium students and selected three feature films suggested by them as a case study for the possibility of (...) developing not only critical thinking but also sensitivity to the pain of the unfamiliar Other. All three movies concern the humiliation and pain of the African people. The article raises questions for possible discussion in ethics class and suggests philosophical literature by E. Fromm, and K.R. Popper as a possible theoretical basis: moving from the concrete ethical problem discerned in the movie to the philosophical text and vice versa. (shrink)

Despite the benefits biobanks are expected to bring, there have recently been concerns raised that the public and private non-profit biobanks still prevailing in Europe often fail to reach their initial objectives due to a variety of reasons, including a shortage of funding and insufficient utilization of collections. The necessity to find new ways to manage biobanks has been clearly recognized and one way to do this is to follow the success of some commercial direct-to-consumer genetic testing companies in the (...) biobanking field. This paper is focused on a double role the return of individual health related findings detected through the biobanking activities can play in the management of biobanks. These findings can be seen as an untapped opportunity to offer health related information to biobank participants. At the same time, the IHRF policy can also serve as an additional tool that can improve biobanking governance. This paper aims to consider diverse IHRF approaches as well as to explore some key ethical concerns related to them. In particular, it reveals how different accounts of personal autonomy shape consent policies related to IHRF and emphasizes ethical controversies related to the commercial DTC GT initiatives as well as some non-profit biobanks. (shrink)

Vague References to Quantities as a Face-Saving Strategy in Teacher-Student Interaction The main focus of the present paper is to show how vague language categories can function as a face-saving strategy. The observations made in this article are based on the analysis of one category of vague language, that is, quantifiers in British and American spoken academic discourse. The data used for the present investigation have been obtained from two corpora: the sub-corpus of educational events of the British National Corpus (...) and the Michigan Corpus of Academic Spoken Discourse. The results suggest that quantifiers as a face-saving strategy are used when self-criticism or criticism towards others is expressed. They are often employed in apologies, promises, self-justifications, when giving advice and in cases of uncertainty. Both students and teachers use quantifiers in these situations, but in teachers' speech they are of special importance, since teachers, if they want to maintain their authority, are especially conscious of their positive face. Paucal quantifiers especially frequently function as a face-saving device since they have a mitigating effect. The use of quantifiers as mitigators is especially evident in those instances where they occur in negative contexts. Such instances demonstrate that the main difference between the two varieties under investigation is that in BE quantifiers significantly more frequently function as mitigators. Finally, it has been observed that quantifiers frequently occur alongside other means of self-distancing and face-saving in both varieties. (shrink)

Erratum to: Sci Eng Ethics DOI 10.1007/s11948-013-9481-0Unfortunately, the originally published article contains an incorrect title and author names.

The article deals with the exception to copyright for the purposes of parody and caricature. This exception is one of the tools ensuring the balance between the authors’ interest to have the monopoly on the use of their works and the right of the members of the society to the freedom of expression. Another aim of parody exception is the promotion of creativity by the permission of the transformative use of copyrighted works. Three main aspects of this issue are discussed (...) in this article. The first one deals with the legal regulation of parody exception. The parody exception is one of the exceptions permitted by the Information Society Directive. The countries under investigation have two main schemes of legal regulation related to the parody exception. The first group are droit d’auteur countries (France and Belgium) which have a special parody exception provision in their Copyright laws. The second group are copyright countries (the United States and the United Kingdom) with no special provision regarding the parody exception in their laws; however, in the case law of these countries this exception is recognised as one of the acts of fair dealing or faire use. The Lithuanian Copyright Act permits the use of copyrighted works for the purposes of caricature and parody. (shrink)

We consider the question of randomness of the probability ΩU[X] that an optimal Turing machine U halts and outputs a string in a fixed set X. The main results are as follows: ΩU[X] is random whenever X is $\Sigma _{n}^{0}$-complete or $\Pi _{n}^{0}$-complete for some n ≥ 2. However, for n ≥ 2, ΩU[X] is not n-random when X is $\Sigma _{n}^{0}$ or $\Pi _{n}^{0}$ Nevertheless, there exists $\Delta _{n+1}^{0}$ sets such that ΩU[X] is n-random. There are $\Delta _{2}^{0}$ sets (...) X such that ΩU[X] is rational. Also, for every n ≥ 1, there exists a set X which is $\Delta _{n+1}^{0}$ and $\Sigma _{n}^{0}$-hard such that ΩU[X] is not random. We also look at the range of ΩU as an operator. We prove that the set {ΩU[X]: X ⊆ 2<ω} is a finite union of closed intervals. It follows that for any optimal machine U and any sufficiently small real r, there is a set X ⊆ 2<ω recursive in ∅′ ⊕ r, such that ΩU[X] = r. The same questions are also considered in the context of infinite computations, and lead to similar results. (shrink)

We define a program size complexity function $H^\infty$ as a variant of the prefix-free Kolmogorov complexity, based on Turing monotone machines performing possibly unending computations. We consider definitions of randomness and triviality for sequences in ${\{0,1\}}^\omega$ relative to the $H^\infty$ complexity. We prove that the classes of Martin-Löf random sequences and $H^\infty$-random sequences coincide and that the $H^\infty$-trivial sequences are exactly the recursive ones. We also study some properties of $H^\infty$ and compare it with other complexity functions. In particular, $H^\infty$ (...) is different from $H^A$, the prefix-free complexity of monotone machines with oracle A. (shrink)

Using possibly infinite computations on universal monotone Turing machines, we prove Martin-Löf randomness in ∅' of the probability that the output be in some set.

This article is based on the presupposition that postmodern philosophy has been largely influenced by Nietzsche's writings. The author raises the question of how Nietzsche and postmodern philosophy are interpreted in the contemporary philosophical discourse in Lithuania. The conclusion drawn is that many philosophy critics in Lithuania are interested in Nietzsche's philosophy (Mickevižius, Sodeika, Šerpytytè, Sverdiolas, Baranova) and in the problems of postmodern philosophy (Keršytè, Rubavižius, Žukauskaité, Serpytytè, Šverdiolas, Baranova, Norkus). The article also raises a second crucial question: beyond the (...) critics, are there any truly authentic postmodern thinkers in Lithuania? This article's main hypotheses is that Arvydas Šliogeris' philosophy is the best and perhaps the only example of original Lithuanian postmodern thought; it is based on, and interconnected with, the deeply inherited roots of existential thought in Lithuanian philosophical culture. The arguments for these hypotheses are as follows: first, Šliogeris is the first philosopher in Lithuania who has tried to reason in an interdisciplinary manner, e. g. trying to overcome the modernistic distinction between philosophy and the arts (especially literature, poetry, and the visual arts); secondly, Šliogeris's philosophizing is indispensable to his writings— his texts are examples of an experience of writing as thinking and thinking as writing; thirdly, following Deleuze's presupposition that the philosopher is a creator, one can see this creative aspect in Šliogeris's approach. His texts show how it is possible to synthesize insights from philosophy and poetry. (shrink)

The paper outlines the methodological orientation of Arūnas Sverdiolas’s scholarship and his school towards the praxis of the hermeneutic understanding of concrete cultural phenomena and takes this approach into the field of the phenomenology of literature. The attempt begins with a definition of the literary work in the hermeneutic framework of discourse, in which the work is considered to be an utterance that expresses an originary grasp of world phenomena. This capacity of the work to express is enabled by the (...) operative mechanism of discourse, which binds, by the means of grammar and reference, the linguistic form of the work to the intentional structure of experience. To show this mechanism at work, the paper looks into Alfonsas Nyka-Niliūnas’s project of self-creation: Sverdiolas examines the poet’s diaries to reconstruct his effort of cultivating his poetic ego along the hermeneutic lines of the existential time, while Nyka-Niliūnas himself expresses this self-conception poetically as a more general phenomenon – the phenomenon of poetic self-consciousness as such – in the poem “Autobiography 1986”. (shrink)

The article starts with the question: how is the political philosophy of Friedrich Nietzsche even possible? The author discusses with Tracy B. Strong’s presumption that Nietzsche’s political philosophy is not possible as a transcendental deduction. The author supposes that this type of question clashes with the premises of Nietzsche’s thinking and also undermines the interpretation of the other aspects of his philosophy. First of all: the question of nazification and denazification of Nietzsche’s thought. The article comes to the conclusion that (...) in the scope of recent investigation there is not much sense in raising the question whether Nietzsche’s political views are political philosophy in the normative meaning of the term, but it is possible to discuss the question of political anthropology as the psychology of the nations Nietzsche was really interested in. (shrink)

Straipsnyje svarstomas laiko išsišakojimo į tris modusus klausimas, kuris aktualus klasikinėje filosofijoje, fenomenologijoje, literatūroje, struktūruojamas kino mene ir modernaus kino filosofijoje. Straipsnyje tiriamos kelios šio laiko išsišakojimo įvaizdinimo ir jo filosofinio reflektavimo trajektorijos: Tarkovskio įvaizdintas laikas, apokaliptinis laikas bei jo virsmas į laiko kristalus Deleuze’o modernaus kino filosofijoje.

Šiame straipsnyje siekiama atsakyti į klausimą, kas galėtų susieti filosofiją ir vizualiuosius bei žodinius menus. Ar įmanoma ir jei taip, tai kaip įmanoma reflektuoti visus menus kaip vieno kūrybinio įvykio momentus? Siekiant atsakyti į šį klausimą, pirma, aptariamas logikos ir kūrybiškumo susikertant menui ir filosofijai susidūrimas, antra – žodžio ir vaizdo nebendramatiškumas, surastas / išrastas belgų siurrealisto René Magritte’o ir reflektuotas Michelio Foucault. Čia sugrįžtama prie klasikinio F. Niezsche’s disputo su Sokratu apie logikos ir kūrybiškumo priešpriešą ir siekiama atsakyti į (...) klausimą, kurią pusę – Sokrato ar F. Nietzsche’s – paremia šioje diskusijoje Gilles’is Deleuze’as ir Félixas Guattari. Atrodytų, kad jie suderina logiką ir kūrybiškumą, pastebėdami, kad menas nėra nei mokslinio mąstymo, nei filosofijos koreliatas ar papildas, kad trys minties formos – menas, mokslas ir filosofija – turi po nepriklausomą specifinę kryptį, Kita vertus, interpretuodamas I. Kantą, G. Deleuze’as pastebi disharmoniją tarp vaizduotės, supratimo ir proto, ir, sekdamas Antonino Artaud’o įžvalgomis, jis išskiria naują minties tipą kaip tarpinę teritoriją tarp žodžio ir vaizdo. (shrink)

Straipsnyje svarstoma galimybė, ar ritmo konceptas, funcionuojantis Gillesio Deleuze’o ir Félixo Guattari tekstuose, negalėtų padėti atsekti minties judėjimo linijų nuo filosofijos link skirtingų meno formų ir atgal. Pradedant nuo dinaminės problemų ir sąvokų kartografijos, kurią kaip tinkamą tokiems minties eksperimentams įžvelgė Anne Sauvagnargues, Jamesas M. Buchananas, Ronaldas Bogue, Stephenas Zepke, šiame tyrime siūloma sąvoka ritmas yra tinkama kaip siejamoji galimų filosofijos ir įvairių menų sankabos jungtis. Ritmas Deleuze’o ir Guattari tekstuose tampa filosofine sąvoka ir įgauna ontologinį statusą, transcenduojantį siauras filosofijos (...) ir meno apibrėžtis. Ji funkcionuoja tarpinėje teritorijoje: tarp minties, garso, žodžio ir vaizdo, meno kūrinio, filosofijos, gyvenimo. Būtent žvelgiant iš tokios ontologinės perspektyvos, ši sąvoka įgauna galią atverti ne horizontaliuosius, o vertikaliuosius, genealoginius meno kaip tapsmo aspektus. (shrink)

In the modern world, with the processes of social development gaining accelerated rates, a new philosophical image of the world emerges, accompanied by the formation of a new social philosophy. Contemporary social philosophy is not a monosemantically defined field of the usage of notions, because it generalizes the most complicated and rapidly changing objects such as society and man. In this sense social philosophy is always incomplete, relatively open and, therefore, a temporary, theoretically "imperfect", "nonsystematic". Over the last few decades (...) social philosophy has suffered a deep crisis. This crisis was evoked by changes in the paradigm of science. Philosophy was too slow with its reaction to these changes; its former means of cognition failed to explain the new, rapid processes of social life. Philosophy began to get out of the crisis for two reasons. First, social theory felt the need of new, more general means of explanation, of a metatheory, which can be nothing else but philosophy. Second, philosophy itself changed its orientation, entered the paradigm of integrity, accepted the idea of society as an open system. The task of contemporary philosophy is not only to attain truth, but also to show how this truth can become active. Contemporary philosophy is the means of both thinking and action. Philosophy has no absolutely accomplished truth any more: it is searching for the truth of its time. (shrink)

In the modern world, with the processes of social development gaining accelerated rates, a new philosophical image of the world emerges, accompanied by the formation of a new social philosophy. Contemporary social philosophy is not a monosemantically defined field of the usage of notions, because it generalizes the most complicated and rapidly changing objects such as society and man. In this sense social philosophy is always incomplete, relatively open and, therefore, a temporary, theoretically "imperfect", "nonsystematic". Over the last few decades (...) social philosophy has suffered a deep crisis. This crisis was evoked by changes in the paradigm of science. Philosophy was too slow with its reaction to these changes; its former means of cognition failed to explain the new, rapid processes of social life. Philosophy began to get out of the crisis for two reasons. First, social theory felt the need of new, more general means of explanation, of a metatheory, which can be nothing else but philosophy. Second, philosophy itself changed its orientation, entered the paradigm of integrity, accepted the idea of society as an open system. The task of contemporary philosophy is not only to attain truth, but also to show how this truth can become active. Contemporary philosophy is the means of both thinking and action. Philosophy has no absolutely accomplished truth any more: it is searching for the truth of its time. (shrink)

The main aim of the paper is to reflect the problem of the concept of human rights as well as to make analysis from the perspective of human security. The principal attention is paid to the fundamentals of human rights, first of all, to the human security. Only the world that ensures personal and national security and creative development for its entire people can be world of the real embodiment of human rights. Author considers the education as one of the (...) backbones of human security due to the fact that education fulfils its true purpose by allowing individuals to make their own decisions and take control of their own lives; and creates persons identity. The possibility to develop a human and social identity means a real implementation of human rights. Human rights, based on human security and development, is a permanent process that takes its point of departure in human and social needs within cultural characteristics. So it means that human rights can not be defined once and for all. (shrink)

This is an attempt to clarify principally some fundamental ideas clustered around the concept of the formal conditions which would constitute the fruitful study of philosophy. First, an ideal study situation would require the student to participate in the object-subject dialogue; philosophical studies are an active dialogue between the text and the subject. Next, philosophy is a paradigmatically and historically changing institution, grounded on the notions of discipline, autonomy and authority. The idea is that we are currently facing a crisis (...) in philosophy, and this crisis constitutes a major problem for the study of philosophy. The metamorphosis of the concept of philosophy in contemporary philosophy is related to the new problem of the dialogue and interconnections between the object and the subject, new ways of conceiving the truth and a renewed social force of philosophy. New perceptions of the interconnections of the student and philosophical knowledge raise anew the problems of objectivity. Philosophy has lost its autonomy and strict authority. (shrink)

Straipsnis skiriamas prancūzų aktoriaus, poeto, scenaristo, žiaurumo teatro idėjos autoriaus Antonino Artaud idėjų pėdsakų šifravimui Gilles’io Deleuze’o kino filosofijoje. Straipsnyje keliami klausimai: kuo Artaud idėjų traktuotė antrajame knygos „Kinas“ tome „Vaizdinys-laikas“ skiriasi nuo čia pat aptariamų rusų režisieriaus Sergejaus Eisensteino idėjų įtakos? Kaip modernaus kino filosofijoje veikia Deleuze’ui svarbi Artaud mintis apie pamatinę minties bejėgystę, įkūnytą pačioje mintyje? Ar iš Artaud pasiskolintas „kūno be organų“ konceptas išveda į kasdienį ir ceremonijų kūną, apie kurį rašo Deleuze’as kaip apie modernaus kino ženklą? (...) Straipsnyje prieinama prie išvados, kad visgi galima išskirti dvi Deleuze’o iš Artaud perimtas kūno traktuotes: iki-šizofrenišką pozų ir gestų kūną, kuris sudaro pamatinę „žiaurumo teatro“ konceptualinę šerdį ir kuria remiasi Deleuze’as, rašydamas apie modernaus kino tapsmą, bei šizofrenišką „kūną be organų“, kuris turėjo įtakos Deleuze’o ir Guattari tyrimams. Pamatinė straipsnyje ginama tezė: tiriant teorines įtakas Deleuze’o modernaus kino filosofijai, neįmanoma apeiti ir nepastebėti Artaud. (shrink)

INTRODUCTION ABOUT WHAT DO CONTEMPORARY LITHUANIAN PHILOSOPHERS PHILOSOPHIZE? JURATE BARANOVA This volume follows the volume Lithuanian Philosophy: Persons ...

Straipsnyje nagrinėjama Kanto nužymėtos ir Deleuze’o eksperimentiniame mąstyme rekonstruotos vaizduotės kaip vieno iš trijų proto gebėjimų raiškos lauko alternatyvos. Siekiama atsakyti į paties Deleuze’o išsikeltą kantišką klausimą: kokia yra giliausia paslaptis? Aptinkamos kelios atsakymo alternatyvos. Šiame tyrime paaiškėjo, kad Deleuze’o atsakymai į paties išsikeltą klausimą „kokia yra giliausia vaizduotės paslaptis?“ patiria metamorfozes, kurios apsuka ratą. Nuo pradinės pozicijos, kai vaizduotė veikia tik paklusdama intelektui ar protui, ji juda link laisvo trijų nepriklausomų sugebėjimų – intelekto, proto, vaizduotės atitikimo, paskui – link (...) jų nedarnios dermės, jų kovos, kuri skatina kiekvienos naują atsiskleidimą, galiausiai – prie vaizduotės anihiliacijos, kuri leidžia užgimti naujai minčiai, taigi, ratas apsisuka ir grįžtama prie jų dermės naujame lygmenyje, moderuojant filosofiniam skoniui. Tačiau visas šias metaformorfozes jungia viena bendra Kanto suformuluota prielaida: vaizduotė niekada neišvengia triadinės priklausomybės, ji neveikia viena; ji galima tik santykyje su intelektu ir protu, t. y. kitais trimis jai paraleliais ir simultaniškais sugebėjimais. (shrink)

Straipsnyje svarstoma ðiuolaikinës normatyviosios etikos paieðkos galimybë, pasitelkiant Karlo Otto Apeliotokio bandymo pavyzdá ir suprieðinant já su Jürgeno Habermaso diskurso etika bei Maxo Weberio irKarlo Raimundo Popperio politinës moralës projektais. Autorë pripaþásta, kad Apelio pastangos suteiktiðiuolaikinei etikai vieningà normatyviná pagrindà iðkrenta ið bendros á vertybiø pliuralizmà linkstanèiosðiuolaikinës etikos perspektyvos. Kita vertus, jos manymu, siekiant iðsaugoti Kanto etikos formaliuosiusaspektus, jo transcendentalines intencijas, galima nepastebëti svarbiø Kanto etikos turinio aspektø.Mûsø galva, formalus procedûriðkumas ar normatyvumas neiðsemia Kanto etikos galimybiø.Pagrindiniai þodþiai: Apelis, Weberis, Popperis, (...) ðiuolaikinë normatyvioji etika, moralë ir politika. (shrink)

Ðio straipsnio pavadinime uþkoduota ir tyrimo problema. Èia bus svarstomas filosofijos ir literatûrossuartëjimo prieigø dekonstrukcinis tyrimas Jacques Derrida postfilosofijoje. Kantas simbolizuoja klasikinæ filosofo, Kafka – literato laikysenà. Taèiau tai tik straipsnio autorës iðmonë. Bus atsispirta nuo to,kaip Derrida perskaito Kafkos parabolæ Prieð ástatymà romane Procesas. Autorë pripaþins, kad ið tiesøsodieèio kaip kantininko ir durininko kaip paties Derrida suprieðinimas leidþia geriau suvokti Derridaiðrastos sàvokos différance konotacijas. Kita vertus, taip suprasta skirtis iðveda á singuliarumo, paraðo,paslapties sàvokø judëjimà Derrida tekstuose. Taèiau lieka neaiðku, (...) ar ið tiesø Derrida neprieðtaraujasavo teiginiui, kad raðymas vyksta anapus filosofijos ir literatûros, kai prieina prie iðvados, kad sodietis--kantininkas negalëjo suprasti jam skirto áëjimo singuliarumo, nes turëjo problemø su literatûra. Ar taireiðkia, kad literatûra, skirtingai nei filosofija, lieka atvira paslapèiai ir neþinojimui? O filosofija tampasusijusi su þinojimu ir paslapties áminimu? Autorës nuomone, paties Derrida hermeneutikos dekonstrukcija knygoje Pentinai: Nietzsche’s stiliai tokiai iðvadai prieðtarautø.Pagrindiniai þodþiai: differénce, Derrida, Kafka, sodietis-kantininkas, filosofija ir literatûra. (shrink)

Straipsnyje svarstomas teorinis judesys, kuriuo Emmanuelis Levinas grindë savàjà asmens tapatumosampratà, prieðingà Vakarø filosofijos klasikiniame racionalizme ir fenomenologijoje susiklosèiusiossavimonës kaip sàmonës tapatumo sau prielaidai. Kanto asmens tapatumo koncepcija taip pat liekaðioje „antileviniðkoje“ paradigmoje, taèiau Levinas pasitelkia ketvirtàjà Kanto antinomijà kaip iðlaisvinanèià subjektyvumà ið laiko spàstø. Straipsnyje keliamas klausimas, kaip Levinas perðoka nuo dinamiðko laiko sekmens problemos prie subjekto tapatumo kaip jo socialumo klausimo. Koká vaidmenáðioje naujoje asmens tapatumo sampratoje vaidina Fiodoro Dostojevskio romanø kai kuriø veikëjøvertybinëms prielaidoms labai artima Levino subjekto (...) pasyvumo, paþeidþiamumo ir apsëstumo samprata? Kaip ji iðplaukia ið ketvirtosios Kanto antinomijos pamokø? Vieniðas filosofinis subjektas negalikito momento kitybës aptikti pats savyje. Levino filosofinis subjektas kito momento kitybæ randa kitame asmenyje. Taip laikas sukuriamas. Levinas, susiedamas asmens tapatumà su nauja laiko samprata,suteikia jam socialumo matmená. Autorë straipsnyje árodinëja tezæ, kad Levino subjekto tapatumosteigèiai didþiausià átakà turëjo Dostojevskio romanuose suformuluota þmogiðkosios brolybës samprata. Jos paveiktas Levinas formuluoja naujà asmens tapatumo savimonæ, todël jo filosofijoje pasyvusapsëstasis kitu subjektas yra amþinas Odisëjas, niekada nebegráþtantis pats á save ir nebesutampantissu savimi. Toks teorinis judesys, autorës manymu, tampa galimas, kai Levinas, sekdamas Kanto ketvirtàja antinomija, savo subjektà iðlaisvina ið dinaminës laiko tëkmës panèiø.Pagrindiniai þodþiai: ketvirtoji Kanto antinomija, Levinas, Dostojevskis, subjekto tapatumas. (shrink)