The problem of intentional inexistence arises because the following (alleged) intuitions are mutually conflicting: it seems that sometimes we think about things that do not exist; it seems that intentionality is a relation between a thinker and what such a thinker thinks about; it seems that relations entail the existence of what they relate. In this paper, I argue for what I call a radical relationist solution. First, I contend that the extant arguments for the view that relations entail the (...) existence of their relata are wanting. In this regard, I defend a kind of pluralism about relations according to which more than one kind of relation involves non-existents. Second, I contend that there are reasons to maintain that all thoughts are relations between thinkers and the things they are about. More accurately, I contend that the radical relationist solution is to be preferred to both the intentional content solution (as developed by Crane) and the adverbial property solution (as developed by Kriegel). Finally, I argue that once the distinction between thinking “X” and thinking about X has been drawn, the radical relationist solution can handle issues like ontological commitment, substitutivity failure, scrutability, and non-specificity. (shrink)

In recent years, Brentano’s theory of consciousness has been systematically reassessed. The reconstruction that has received the most attention is the so-called identity reconstruction. It says that secondary consciousness and the mental phenomenon it is about are one and the same. Crucially, it has been claimed that this thesis is the only one which can make Brentano’s theory immune to what he considers the main threat to it, namely, the duplication of the primary object. In this paper, I argue that (...) the identity reconstruction is untenable, and I defend an alternative, which I name the unity reconstruction. According to the unity reconstruction, secondary consciousness is a real part of the mental phenomenon it is about, and hence is distinct from it. I contend that this thesis does not in itself lead to the duplication of the primary object, and that what should be blamed is rather a controversial thesis about the intentional structure of secondary consciousness—a thesis which Brentano ultimately abandoned. (shrink)

The length of participant information sheets for research and difficulties in their comprehension have been a cause of increasing concern. We aimed to examine the information sheets in research proposals submitted to an Australian HREC in one year, comparing the results with national recommendations and published data. Information sheets in all 86 research submissions were analysed using available software. The work of Flesch was used for Reading Ease or Readability and that of Flesch and Kincaid for the level of education (...) required for comprehension, the Reading Grade Level. The mean length of 86 information sheets was 3110 words; many had more than 5000 words. Using the Flesch scale of 0 to 100, with 0 meaning most difficult and 100 very easy to read, the mean readability level was 47. The mean length of education needed to easily grasp the information was 11.6 years, equivalent to senior secondary school. Information sheets in research projects submitted to an HREC were often too long to be read in a reasonable time and too difficult to be easily understood. Recommended standards for information sheets were infrequently met. (shrink)

This paper examines Husserl’s theory of intentionality as it is developed in Logical Investigations and other early writings. In Section 1, the author attempts to capture the core of Husserl’s concept of intentionality. Section 2 is devoted to a detailed analysis of the account of intentional relation developed in the fifth Investigation. In Section 3, the author tries to flesh out what is meant by the claim in the sixth Investigation that the designation ‘object’ is a relative one. In Section (...) 4, the author discusses Husserl’s conception of intentionality in light of the mereology outlined in the third Investigation. In Section 5, the author explains how Husserl criticizes the so-called theory of immanent objects and how he addresses the problem of non-existents. In Section 6, the author argues that a phenomenological theory of intentionality grounded in Husserl’s insights cannot be a non-relational one. (shrink)

According to Husserl’s so-called Exhibition Principle, the propositions “x exists” and “The exhibition of x’s existence is possible” are equivalent. The overall aim of this paper is to debate EP. First, I raise the question whether EP can properly be said to be a principle. Second, I give a general formulation of EP. Third, I examine specific formulations of EP, namely those regarding eidetic and individual objects. Fourth, I identify the readings of EP I hold to be exegetically plausible, that (...) is the transcendental reading, the metaphysical reading, and the hybrid reading. Fifth, I present Husserl’s refutation of Berkeleyan idealism developed in 1902/03 lectures, and I argue that under certain assumptions, both esse est percipi and the metaphysical EP engender an infinite regress. In this regard, I claim there are two options for avoiding such a regress: either to commit oneself to reflexive exhibition of the ego’s actuality or to deny the universality of EP. I show that Husserl has a good argument for rejecting the first option, and I conclude that if the Husserlian idealist chooses the second option while affirming the ego’s actuality, he turns out to be as “dogmatic” as the realist. (shrink)

Regarding Husserl’s analysis of perception, the validity of concepts like visual sensation and ‘raw’, viz. ‘unapprehended’ sensation has been questioned. In this paper I discuss the issue with two American interpreters of Husserlian phenomenology: William McKenna and Quentin Smith, who respectively defend and criticize Husserl’s account. My aim is to show that their attempts remain controversial. Moreover, I will mention a textual source in which Husserl indirectly justifies the existence of visual sensations.

I defend the actualist higher-order thought theory against four objections. The first objection contends that the theory is circular. The second one contends that the theory is unable to account for the alleged epistemic position we are in with respect to our own conscious mental states. The third one contends that the theory is unable to account for the evidence we have for the proposition that all conscious mental states are represented. The fourth one contends that the theory does not (...) accommodate the intimacy we have with our own conscious mental states. To some extent, my defense will be heterodox, in the sense that I will show that some objections are satisfactorily answerable even if we concede to the objectors a point that higher-order theorists do not seem to be willing to concede, that is, that the theory is the result of conceptual analysis. (shrink)

This paper investigates the status that the genre of fable acquires when it is employed in literature. In particular, it surveys Horace's treatment of fables in the Satires and Epistles and the carefully controlled circumstances in which zoomorphic language is allowed to emerge during the banquet at Trimalchio's in Petronius' Satyrica. The analysis of the distribution of fables in Horace shows that for the Roman literary public the act of speaking through fables bore in itself a negative connotation, so much (...) that the moral discourse of the satirist needed at first to provide additional justification in order to incorporate them: from vindication of ingenuitas and shifts in narrative voice, to use of rhetorical misnomers and eventually of philosophical frankness. Petronius' text, in turn, suggests that what is wrong with fable is precisely its being reminiscent of a servile past. During the dinner at Trimalchio's allusions to recognizable fable plots and zoomorphic language are allowed to surface only during a momentary absence of the host. This circumstance suggests that fable is not just another literary genre among the many genres abused in Trimalchio's house: for both the host and his freedmen guests fables are an uncomfortable reminder of an enduring past inscribed in their language. (shrink)

Selon le témoignage de von Balthasar lui-même, Henri de Lubac - de même que Goethe, E. Przywara, A. von Speyr et K. Barth - fut une des «étoiles» qui ont guidé sa vie. Son influence fut déterminante pour introduire le jeune jésuite suisse dans l'univers de la théologie, à commencer par les Pères de l'Eglise. L'article montre le profond rapport humain, théologique et spirituel qui existe entre ces deux grands esprits de la théologie du dix-neuvième siècle. Il met en évidence (...) le rapport ininterrompu qui va des années 33-37 à Lyon jusqu'au lien de toute une vie qui unit von Balthasar à son très cher «maître et ami», Henri de Lubac. L'essai met aussi en lumière les points saillants sur lesquels l'influence théologique de de Lubac apparaît plus évidente dans la configuration de la symphonie théologique de von Balthasar. (shrink)

Catalog of the collection of the Madamkhand Museum of Art, named after the wife of Batzhargalyn Batbai︠a︡r, businessman and member of the Mongolian Khural.

By “Brentanian inner consciousness” I mean the conception of inner consciousness developed by Franz Brentano. The aim of this paper is threefold: first, to present Brentano’s account of inner consciousness; second, to discuss this account in light of the mereology outlined by Brentano himself; and third, to decide whether this account incurs an infinite regress. In this regard, I distinguish two kinds of infinite regress: external infinite regress and internal infinite regress. I contend that the most plausible reading of Brentano’s (...) account is the so-called fusion thesis, and I argue that internal infinite regress turns out to be inherent to Brentanian inner consciousness. (shrink)

t. 1. Parte storica -- t. 2. Parte antologica.

This essay brings psychoanalytic theory on trauma together with film and television criticism on rape narrative in an analysis of Michael Coel’s 2020 series I May Destroy You. Beyond the limited carceral framework of the police procedural, which dislocates the act of violence from the survivor’s history and context, Coel’s polyvalent, looping narrative metabolizes rape television’s forms and genres in order to stage and restage both trauma and genre again and anew. Contesting common conceptions of vulnerability and susceptibility that prefigure (...) a violent breach of autonomy, Coel’s series and her interviews about it invite an ethics of looking that embraces a curiosity in the unknowable and untreatable kernel of subjective experience and defies and resists a policing of the survivor’s thoughts and emotions. By emphasizing and exploring what psychoanalysis calls the “afterwardness” of trauma, Coel foregrounds her main character’s subjectivity prior to her victimization, widens the sphere of consequence beyond the victim and criminal justice system to the survivor’s larger community, and entreats that community to preserve a space for her to look and look again at everything, without judgment. (shrink)