Colors of the Robe: Religion, Identity and Difference, Ananda Abeysekara, pp. xvi+271. ISBN 1-57003-467-2.

Ananda Abeysekara contends that democracy, along with its cherished secular norms, is founded on the idea of a promise deferred to the future. Rooted in democracy's messianic promise is the belief that religious—political identity-such as Buddhist, Hindu, Sinhalese, Christian, Muslim, or Tamil—can be critiqued, neutralized, improved, and changed, even while remaining inseparable from the genocide of the past. This facile belief, he argues, is precisely what distracts us from challenging the violence inherent in postcolonial political sovereignty. At the same (...) time, we cannot simply dismiss the democratic concept, since it permeates so deeply through our modernist, capitalist, and humanist selves. In _The Politics of Postsecular Religion_, Abeysekara invites us to reconsider our ethical-political legacies, to look at them not as _problems_, but as _aporias_, in the Derridean sense-that is, as contradictions or impasses incapable of resolution. Disciplinary theorizing in religion and politics, he argues, is unable to identify the aporias of our postcolonial modernity. The aporetic legacies, which are like specters that cannot be wished away, demand a new kind of thinking. It is this thinking that Abeysekara calls mourning and un-inheriting. Un-inheriting is a way of meditating on history that both avoids the simple binary of remembering and forgetting and provides an original perspective on heritage, memory, and time. Abeysekara situates aporias in the settings and cultures of the United States, France, England, Sri Lanka, India, and Tibet. In presenting concrete examples of religion in public life, he questions the task of refashioning the aporetic premises of liberalism and secularism. Through close readings of Nietzsche, Heidegger, Arendt, Derrida, Butler, and Agamben, as well as Foucault, Asad, Chakrabarty, Balibar, and Zizek, he offers readers a way to think about the futures of postsecular politics that is both dynamic and creative. (shrink)

This book offers reflections on a daunting and controversial ethical question: How should we treat the strangers who enter this country illegally? To understand the experience of those directly confronted by this problem, Ananda Rose traveled to the Sonoran desert at the border between the U.S. and Mexico. There she gathered opinions from Minutemen, Border Patrol agents, Catholic nuns, humanitarian air workers, left-wing protestors, ranchers, and other ordinary citizens in southern Arizona. She depicts the results of these interviews as (...) two starkly opposed ideological perspectives: that of religious activists who embrace a biblically-inspired model of hospitality that stresses love of strangers and a "borderless" compassion; and that of law enforcement, which is concerned with safety, security, and strict respect for international borders. (shrink)

Sri Aurobindo: the future -- Sri Aurobindo's contribution to humanity -- Sri Aurobindo's realisations -- Spirit & significance of Indian culture -- Sri Aurobindo's revelations.

Translation of a work, originally written in Pali, on Buddhist ethics.

Here is a book with poses, breathing exercises and meditations for the pregnant woman. Photos enhance clear and easy instructions for the poses. Attention to safety, mental, physical and emotional benefits of the poses, and variations are discussed very thoroughly. It is in clear and simple language. A safe and natural way to prepare for a wonderful birth experience. The book could also serve as a reference for midwives. The authors follow-up with their detailed three part course of yogic and (...) breathing exercises for women- before, during and after pregnancy. It is a complete self help book for parents, especially mothers to be and covers both the practical as well as the emotional aspects of conception, pregnancy and childbirth. (shrink)

The late Ananda K. Coomaraswamy, curator of Indian art at the Boston Museum of Fine Arts, uniquely combined art historian, philosopher, orientalist, linguist, and expositor in his person. His knowledge of the arts and handcrafts of the Orient was unexcelled and his numerous monographs on Oriental art either established or revolutionized entire fields. He was also a great Orientalist, with an almost unmatched understanding of traditional culture. He covered the philosophic and religious experience of the entire premodern world, east (...) and west, and for him primitive, medieval European, and classical Indian experiences of truth and art were only different dialects in a common language. Finally, Coomaraswamy was a provocative writer, whose erudition was expressed in a delightful, aphoristic style. The nine essays in this book are among his most stimulating. They discuss such matters as the true function of aesthetics in art, the importance of symbolism, and the importance of intellectual and philosophical background to the artists; they demonstrate that abstract art and primitive art, despite superficial resemblances, are completely divergent; and they deal with the common philosophy which pervades all great art, the nature of medieval art, folklore, and modern art, the beauty inherent in mathematics, and the union of traditional symbolism and individual portraiture in premodern cultures. (shrink)

Concept of Knowledge in Indic philopsphy; a study.

In lieu of an abstract, here is a brief excerpt of the content:Sikhism between Tradition and "Assemblage":Reflections on Arvind Mandair's Sikh PhilosophyAnanda Abeysekara (bio)Sikh Philosophy: Exploring Gurmat Concepts in a Decolonizing World. By Arvind-Pal Singh Mandair. London: Bloomsbury Academic, 2022.My central concern in this essay is how to think about the relation between genealogy and tradition in Arvind Mandair's Sikh Philosophy: Exploring Gurmat Concepts in a Decolonizing World (London: Bloomsbury, 2022). I begin with a brief discussion of a lecture titled (...) "A Genealogy of Liberty" delivered by Quentin Skinner at the University of California, Berkeley in 2008, which he would give again, with minor changes, in 2015 at the University of Chicago and in 2017 at Stanford University. At the outset of the lecture, joining forces with Nietzsche's Genealogy of Morals, he says, "Here I am a Nietzschean, and it is reflected in my title"—contending that "concepts [like liberty] that have histories cannot have definitions." In giving a concise history of the rival "polemical" claims made by Hobbes, Locke, Bentham, Mill, Arendt, Taylor, and others about the concept of liberty, Skinner concludes that, contrary to what Anglo-American philosophy claims, there is not one "coherent way of thinking about liberty" in its contested genealogy. And "while each of these accounts is coherent in its own terms, you cannot combine them. This is genealogy. You can't get this to be the concept of liberty. You are going to have to make some choices, because they don't fit together. So what choice should you make? As to the answer, I leave that up to you" (Skinner 2016).The puzzle of how to think about such a genealogy was palpable in the questions from the audience that followed Skinner's lecture. Noteworthy was one question, about how the thinkers—for example from Hobbes to John Stuart Mill—in the history of the debate about liberty seem to "move around," their views seeming to "bleed into one another" (Skinner 2015). That is, isn't John Stuart Mill's view of liberty—as something that one can voluntarily renounce by internalizing the external views or customs—more or less the same as Hobbes' view of liberty as something free from external interference? And hence don't these competing views after all "fit together" within a single narrative? Ultimately, the concern here boils down to a question about the definition of liberty. [End Page 333]But what the presupposition in the question misses is that each of these positions—as Skinner carefully argues—is "ideological," "polemical," and "contested"; that is, these positions—even though Skinner does not say this explicitly—are marked by distinct forms of historical sensibility. That each of the historical positions, again as Skinner rightly argues, is "coherent" already grants that the sensibilities that define them within their specific conditions cannot be reproduced. That is, to extend Skinner's argument, these sensibilities cannot simply be "combined" within a seamless narrative because they presuppose relationships of power in which they have the force of intelligibility that they do in particular historical contexts. But the presumption about the meaning of a concept—for example the concept of "creativity" or "emptiness"—that can be readily and universally identified in a historical narrative is prevalent in other disciplines like Buddhist studies and South Asian studies, where, despite scholars using the term, genealogy remains poorly thought through (Abeysekara 2023; Walser 2018).1Largely absent in Skinner's genealogy is any discussion of the concept of "tradition" itself even though at times he alludes to "the tradition of liberty." This may not be a simple oversight on Skinner's part, but its very absence raises the question of whether liberalism itself is a discursive, embodied tradition in the ways a religious tradition works, as conceptualized by Talal Asad and others. Asad has described liberalism itself as a certain kind of "tradition" constituted by historical disputes (Asad 2009).2 And the broader implication of that argument is that, because it is a tradition animated by the very debates about what constitutes it, those who make claims about it are already situated within that tradition. And so it is unsound to speak of multiple traditions of liberty and, by extension, "multiple modernities... (shrink)

For decades, scholars have been calling into question the universality of disciplinary objects and categories. The coherence of defined autonomous categories—such as religion, science, and art—has collapsed under the weight of postmodern critiques, calling into question the possibility of progress and even the value of knowledge. Jason Ānanda Josephson Storm aims to radicalize and move beyond these deconstructive projects to offer a path forward for the humanities and social sciences using a new model for theory he calls metamodernism. Metamodernism works (...) through the postmodern critiques and uncovers the mechanisms that produce and maintain concepts and social categories. In so doing, Storm provides a new, radical account of society’s ever-changing nature—what he calls a “Process Social Ontology”—and its materialization in temporary zones of stability or “social kinds.” Storm then formulates a fresh approach to philosophy of language by looking beyond the typical theorizing that focuses solely on human language production, showing us instead how our own sign-making is actually on a continuum with animal and plant communication. Storm also considers fundamental issues of the relationship between knowledge and value, promoting a turn toward humble, emancipatory knowledge that recognizes the existence of multiple modes of the real. Metamodernism is a revolutionary manifesto for research in the human sciences that offers a new way through postmodern skepticism to envision a more inclusive future of theory in which new forms of both progress and knowledge can be realized. (shrink)

Ananda K. Coomaraswamy (1877-1947) was a pioneer in Indian art history and in the cultural confrontation of East and West. Finding a universal tradition in past cultures ranging from the Hellenic and Christian to the Indian, Islamic and Chinese, Coomaraswamy collated his ideas and symbols of ancient wisdom into essays. THE DOOR IN THE SKY is a collection of his writings on myth drawn from his METAPHYSICS and TRADITIONAL ART AND SYMBOLISM.

The increasing availability and popularity of ways to capture personal memories using technologies such as digital cameras is beginning to alter the way in which personal memory images are produced, retained and circulated. Unlike the analog technologies, it is now possible to create an immediately available presence on the Internet. When examined from the perspective of voice, this phenomenon expands the potential of creating personal history narratives that could be collated together to produce a non‐institutional history of an era. This (...) paper explores the ways in which the digital technologies can facilitate the production of such histories and what the technologies could do the sense of presence of an individual in the realm of the virtual. (shrink)

“Adam was hurled into Hindustan. In this land there is a mountain called Serandib, and it is reported that there is no higher mountain in all the universe. Adam landed on this mountain.” The subject of Serendib plays an important role in both the geographical and travel literature of the Arabs. Serendib, or Sarandib, is the transcription of the Singhalese name Sinhaladîpa, which means “island of the descendants of lions” (singha, “lions,” in Singhaly). Already, in the Middle Ages, in the (...) year 949, Arab merchants, who were well acquainted with the island of Ceylon, set up a branch in Colombo. The natural beauty and wealth of the island so touched the imagination of Arab voyagers that it appeared in the sixth voyage of Sinbad the Sailor, and it was also believed that Adam lived on the island after having been driven from Paradise: “The island of Serendib is located directly under the equinoctial line…. Men fish for pearls along its banks and at the mouths of its rivers, and some of its valleys are rich in diamonds. As an act of faith I myself took a trip to the mountain, to the very spot where Adam was banished after being exiled from Paradise. I even climbed to its summit.”This excerpt, from The Thousand and One Nights, well summarizes the feelings of those Arab merchants whose accounts of their travels, in large measure, contributed to the spread of myths and legends about Ceylon. (shrink)

In the book, the author has confronteed mainly three types of such recent thinking that has boomed large, of late, on the horizon. Perhaps such thinking are evident enough of our academic terrorism and destructive intellectural chaos. The first layer dealing with the Micro materialistic approach of a Marxism historian, Prof. Sumit Sarkar where he was very scathing about the religious movements, specially about Sri Ramakrishna and the advent of the Ramakrishna Movement.

SUFISM AND VEDANTA may not be the same in many aspects, but at the same time these two have lot of similarities too. VEDANTA-specially ADVAITA VADANTA-is not that much theological perhapps. Howwever this is something which is very comparative in nature. Bhakti Schools: neither Vedanta is completely free of it. Even Sri Shankaracharya's Advaita is not that dry philosophy as it is made out to be by us. Advaita in the ultimate may be more a philosophy than a religion. But (...) it is never without religion, sp these Sufi/Advaita have some interesting common emphasis and features. Historically there are many points that could be very well traced and compared, no doubt in both the cases. (shrink)

An attempt to explain the theory behind medieval European and Asiatic art, especially art in India.

With the 500 year celebration of the Reformation, it is necessary that Bible translation be reviewed again. The year 2017 is not only the year of Reformation celebration, but also the year of centenary celebration of the Faculty of Theology at the University of Pretoria. The article attempts to briefly refer to the roots of Bible translation, which is anchored in the Reformation; but also to look at Bible translation in South Africa over the last hundred years, as well as (...) the contribution made especially by the Faculty of Theology at the University of Pretoria in this regard. (shrink)

The international community has policy tools to influence business activity within and between nations, and to help ensure that globalization proceeds in a way that benefits all. This book aims at underlining the big-picture thinking on issues related to the roles that business can play in fostering an equitable and ecologically sustainable world.

This article reflected a comparison of 1 and 2 Chronicles with its source documents. It transpires that the history of Israel and Judah is selectively retold by the authors of Chronicles with deliberate omissions and additions reflecting a certain emphasis. While the northern kingdom is negatively portrayed, the southern kingdom is positively evaluated. David is idealised as the perfect king. He is credited with founding the religious cult, which is contradicting the view in Exodus. The Jerusalem temple cult is legitimised (...) and asserted as representing the only accurate religion. Chronicles 1 and 2 secured the temple elite’s position by legitimising their actions, functioning in this community as a discourse of power for as long as the (second) temple existed. Being a discourse of power, it set margins and excluded various groups usually considered part of the people of YHWH. The destruction of the (second) temple led to the disempowerment of this text, opening the way for it to be included in the Hebrew canon. The key insights of this article were that 1 and 2 Chronicles were used as a discourse of power, but the power block was lifted once the second temple was destroyed.Contribution: This article fitted into the scope of the journal by using historical-critical methods but also concepts from poststructuralism, namely the concept of powers behind texts and in language. (shrink)