A historiografia neo-republicana de Cambridge estabeleceu uma franca distinção entre republicanismo e liberalismo que merece ser reexaminada. Este artigo busca contribuir para esse debate, propondo um estudo de caso dos commonwealthmen ou republicanos que apoiaram a revolução de 1688 na Inglaterra, mas que se opuseram à nova cultura política e à nova “economia de crédito” do reino de Guilherme III na década de 1690. Ao desviarmos nosso olhar do republicanismo enquanto linguagem para situá-lo sob o republicanismo enquanto cultura, bem como (...) modo de ação política, é possível constatar uma porosidade entre direitos naturais e virtude cívica, mas também entre liberdade negativa e liberdade positiva. (shrink)

The two essays included here are parts of a longer study of temporality, and the genesis of the “religious.” The first part, “Multiple Nows,” depicts a universe in which a present to past relation is establishable from any and every point in consciousness. The resulting perspective differs from that offered by the linear timeline of chronological history. Remembering where I put my glasses is an historicizing act, as fully as is remembering when the Battle of Zama was fought or who (...) won there. On this alternate view of temporality the genesis of the historical perspective is the historicizing subject. The second essay, “The History of a House,” places the observer before an historical structure, then asks where the historicity in the structure is. We discover that the historicity is put there by the observer/subject. This discovery resembles our earlier discovery that historicity is generated by an infinite sequence of nows. The two essays converge on a description of historical cognition as subject-generated. (shrink)

The two essays included here are parts of a longer study of temporality, and the genesis of the “religious.” The first part, “Multiple Nows,” depicts a universe in which a present to past relation is establishable from any and every point in consciousness. The resulting perspective differs from that offered by the linear timeline of chronological history. Remembering where I put my glasses is an historicizing act, as fully as is remembering when the Battle of Zama was fought or who (...) won there. On this alternate view of temporality the genesis of the historical perspective is the historicizing subject. The second essay, “The History of a House,” places the observer before an historical structure, then asks where the historicity in the structure is. We discover that the historicity is put there by the observer/subject. This discovery resembles our earlier discovery that historicity is generated by an infinite sequence of nows. The two essays converge on a description of historical cognition as subject-generated. (shrink)

This volume, the fourth in the Edinburgh Leventis Studies series, comprises a selection of papers from the conference held in Edinburgh March 2005 in conjunction with Professor Terry Penner's tenure of the A. G. Leventis Visiting Research Chair in Greek. It brings together contributions from leading Plato scholars from Britain, Europe and North America on a closely defined topic central to Plato's thought and to Ancient Philosophy--Plato's Form of the Good. The importance of the collection lies in the combination and (...) presentation in one place of a range of different approaches to the good in Plato's Republic, and different solutions to the problems posed and proposed by these approaches. The two central issues, which form an underlying thread throughout the collection, are: first whether Plato's Republic is centred on what is good for individual humans, or on some quasi-moral good; and secondly, what the Form of the Good is. Pursuing the Good goes beyond recent studies in the field, and will appeal to classicists and philosophers alike. To the advanced student, it represents a wide-ranging introduction to central issues of Plato's philosophy; for the academic it will provide stimulus through antithetical and controversial solutions to questions old and new. (shrink)

Toward the beginning of 2013, I received reports of passages in the Black Notebooks that offered observations on Jewry, or as the case may be, world Jewry. It immediately became clear to me that the publication of the Black Notebooks would call forth a wide-spread international debate. Already in the Spring of 2013, I had asked Professor Friedrich-Wilhelm von Herrmann, last private assistant – and in the words of my grandfather, the “chief co-worker of the complete edition”, – if (...) he might review the Notebooks as a whole, based on his profound insight into the thought of Martin Heidegger, and in particular, review those Jewish-related passages that were the focus of the public eye. Publications about the Black Notebooks quickly came to propagate catchy expressions such as “being-historical anti-Semitism” and “metaphysical anti-Semitism”. The first question that obviously arises is: Does the thought of Martin Heidegger exhibit any kind of anti-Semitism at all? In this book Professor von Herrmann now advances his hermeneutic explication. With Professor Francesco Alfieri of the Pontificia Università Lateranense he has found a colleague who has drawn up a comprehensive philological analysis of volumes GA 94 through GA 97 of the Complete Edition. The fact that Heidegger designated the hitherto published “black notebooks” as Ponderings and as Observations has been given little consideration. He intentionally placed them at the conclusion of the Complete Edition because without acquaintance with the lectures, and above all, with the being-historical treatises that would come to be published in the framework of the Complete Edition, they would not be comprehensible. (shrink)

The idea of creation as the free, spontaneous, and joyous play (līlā) of the gods has been a pervasive motif in Indian thought since Vedic times. In the tradition of Advaita Vedānta, however, where the sole Reality is Brahman alone, divine playfulness is given an illusionistic interpretation and līlā becomes an expression of the deceptive power of māyā.

Contemporary capitalism is in effect, if not in intent, Deleuzian. As a network of networks, it is rhizomatic, flexible, chaosmotic, evolving, expanding. In the negativist spirit that characterizes the work of the Frankfurt School, this article shows via an analysis of the goverment of the self, the commodification of culture and the modification of nature, how contemporary capitalism does colonize not only the life-world but also life itself.

L’utilisation de méthodes informatiques dans la conception pré-clinique de molécules thérapeutiques s’est développée à partir de 1970 dans le cadre d’une stratégie dite de « rational drug design ». Une analyse de cette approche est d’abord développée. Deux contextualisations de ces pratiques sont ensuite proposées. Certains résultats de l’historiographie des médicaments permettent, premièrement, de préciser la doctrine particulière du médicament à laquelle cette stratégie se rattache. Deuxièmement, puisque la rationalité déclarée de cette dernière s’appuie sur des outils scientifiques développés en (...) (bio)chimie, une analyse de leur statut épistémologique est conduite en étudiant leur émergence. Ceci permet de comprendre les spécificités que la rationalité véhiculée par ces outils computationnels comporte (représentation de la matière particulière dont la validité est uniquement pragmatique, emploi d’un grand nombre de données empiriques, réalisation d’estimations et approximations, diffusion de ces dernières sous forme de programmes informatiques). Nous soulignons l’importance de l’ordinateur dans la standardisation de ces méthodes. (shrink)

L’utilisation de méthodes informatiques dans la conception pré-clinique de molécules thérapeutiques s’est développée à partir de 1970 dans le cadre d’une stratégie dite de « rational drug design ». Une analyse de cette approche est d’abord développée. Deux contextualisations de ces pratiques sont ensuite proposées. Certains résultats de l’historiographie des médicaments permettent, premièrement, de préciser la doctrine particulière du médicament à laquelle cette stratégie se rattache. Deuxièmement, puisque la rationalité déclarée de cette dernière s’appuie sur des outils scientifiques développés en (...) (bio)chimie, une analyse de leur statut épistémologique est conduite en étudiant leur émergence. Ceci permet de comprendre les spécificités que la rationalité véhiculée par ces outils computationnels comporte (représentation de la matière particulière dont la validité est uniquement pragmatique, emploi d’un grand nombre de données empiriques, réalisation d’estimations et approximations, diffusion de ces dernières sous forme de programmes informatiques). Nous soulignons l’importance de l’ordinateur dans la standardisation de ces méthodes. (shrink)

Aristotle considered the plot the most important element in tragedy. By μῦθυς--from which our word "myth" comes--he meant an imitation of action--of action in the "real world," that is. Here, as elsewhere in Greek literary criticism, "imitation" does not mean simply "exact reproduction." To what extent it may mean something like "symbolic," or otherwise "oblique," representation, is hard to determine. It will be enough, for our purposes, to think of "imitation" as exact reproduction with allowance made simply for the transference--always (...) radically transforming--into another medium: from life into art. What, then, did Aristotle mean by "action"? The noun πρᾶξις takes us back to the verb πράττω. Action meant a "doing" to Aristotle, rather as poetry meant to him a "making." Such a "doing," then, is a time-crossing event, in fact an event whose nature is closely involved with its temporal status. Such an event has a personal agent, or vehicle, and transacts with other persons, or more generally, with the "other." In fact, the notion of a transaction is especially fitting to describe action, for that notion emphasizes the dialogue-like structure of action, which always involves its agent with "the world," whether of people or of things. Plot, for Aristotle, was the turning of such action into art. (shrink)

Roger Garaudy, the Hellenic tradition, and imaginative space.--Kazantzakis' making of God.--Existentialism and language.--The argument of water.--Literature as ikonic language.--Literature and morality.

Being part of a culture seems, on the face of it, empirically describable, and verifiable. But in fact that kind of participation is not so easy to characterize. Our existence as members of a culture is given to us fleetingly, and in awarenesses tightly locked to the awareness of the other, who is not our culture. Being part of aculture therefore is part of knowing yourself as limited. But to what are you limited? You are limited to being a presence (...) other than that of the other that you are defined off against. It is thus worth noting that being of a culture is a fleetingly given awareness of a condition in which your not being something else is what defines you. The logical consequence of this structural situation is that you, or I, exist foremost as a site, rather than as a substance, in our occupying a post within culture. (shrink)

The essay hypothesizes a norm condition of stasis—the mood of sentient peace occupied on a quiet porch. From there the psyche is drawn upward by concept, into the benign/abstract world or downward into the pre-verbal which links us with prespeech man/woman. Is there any default position in this map of the positions of consciousness?