A fictional text is commonly viewed as constituting an invitation to play a certain game of make-believe, with the individual sentences written by the author providing the propositions we are to imagine and/or accept as true within the fiction. However, we can’t always take the text at face value. What narratologists call ‘unreliable narrators’ may present a confused or misleading picture of the fictional world. Meanwhile there has been a debate in philosophy about so-called ‘imaginative resistance’ in which we are (...) inclined to resist imagining (or even accepting as true in the fiction) what’s explicitly stated in the text. But if we can’t take the text’s word for it, how do we determine what’s true in a fiction? We propose an account of fiction interpretation in a dynamic setting (a version of DRT with a mechanism for opening, updating, and closing temporary ‘workspaces’) and combine this framework with belief revision logic. With these tools in hand we turn to modelling imaginative resistance and unreliable narrators. (shrink)

Quotation exhibits characteristics of both use and mention. I argue against the recently popular pragmatic reductions of quotation to mere language use (Recanati 2001), and in favor of a truly hybrid account synthesizing and extending Potts (2007) and Geurts and Maier (2005), using a mention logic and a dynamic semantics with presupposition to establish a context-driven meaning shift. The main advantages are an account of error neutralization and shifted indexicality under quotation. The current paper addresses the problematic data involving (...) quoted non-constituents. (shrink)

I argue that emojis are essentially little pictures, rather than words, gestures, expressives, or diagrams. ???? means that the world looks like that, from some viewpoint. I flesh out a pictorial semantics in terms of geometric projection with abstraction and stylization. Since such a semantics delivers only very minimal contents I add an account of pragmatic enrichment, driven by coherence and nonliteral interpretation. The apparent semantic distinction between emojis depicting entities (like ????) and those depicting facial expressions (like ????) I (...) analyze as a difference between truth-conditional and use-conditional pictorial content: ???? depicts what the world of evaluation looks like, while ???? depicts what the utterance context looks like. (shrink)

Semantics traditionally focuses on linguistic meaning. In recent years, the Super Linguistics movement has tried to broaden the scope of inquiry in various directions, including an extension of semantics to talk about the meaning of pictures. There are close similarities between the interpretation of language and of pictures. Most fundamentally, pictures, like utterances, can be either true or false of a given state of affairs, and hence both express propositions (Zimmermann, 2016; Greenberg, 2013; Abusch, 2015). Moreover, sequences of pictures, like (...) sequences of utterances, can be used to tell stories. Wordless picture books, comics, and film are cases in point. In this paper I pick up the project of providing a dynamic semantic account of pictorial story-telling, started by Abusch (2012) and continued by Abusch & Rooth (2017); Maier & Bimpikou (2019); Fernando (2020). More specifically, I propose here a semantics of speech and thought bubbles by adding event reference to PicDRT. To get there I first review the projection-based semantics for pictures (section 1), noting the fundamental distinction between symbolic and iconic meaning that makes speech bubbles especially interesting (section 2). I then review the dynamic PicDRT framework for pictorial narratives (section 3), add events (section 4), and propose an account of speech bubbles as quotational event modification (section 5). I end with a brief look at other conventional, symbolic enrichments in comics (section 6). (shrink)

It is rather uncontroversial that there are different ways to report de se attitudes, but there is still disagreement about the number and the nature of the different mechanisms at work. Following Anand (2006), I distinguish three types of de se reporting: one a special case of de re, another expressed by shifted indexicals, and a third expressed by dedicated de se pronouns. For the first two I propose reductions to de re and de dicto reporting, respectively, couched in a (...) dynamic framework where presupposition resolution takes center stage. For the third, I part ways with all current proposals in offering what is essentially a de re analysis of dedicated de se pronouns. I motivate this radical departure with examples of de se pronouns binding de re reflexives, as recently brought into the spotlights by Charlow (2010) and Sharvit (2010). (shrink)

The central characteristic of denials is that they perform a non-monotonic correction operation on discourse structure. A second characteristic is that they may be used to object to various kinds of information including presuppositions and implicatures. In this paper we first use standard DRT to capture these features, implement an earlier proposal of van der Sandt (1991) in DRT and point out a shortcoming of that approach. We then adopt Layered DRT. LDRT is an extension of standard DRT designed to (...) represent and interpret different types of information conveyed in a conversation by distributing them over separate layers of the same LDRS. We will then show how LDRT allows us to solve the problems of the classic monostratal system. The resulting system makes use of a directed reverse anaphora mechanism to locate, remove and negate the material objected to. (shrink)

There is a familiar argument for the falsity of determinism, an argument that proceeds from the claim that agents are morally responsible. A number of authors have challenged the soundness of this argument. I pose a different challenge, one that grants its soundness. The challenge is that, given certain plausible assumptions, one cannot know the conclusion of this argument on the basis of knowing its premises. That is, one cannot know that determinism is false on the basis of this argument (...) even if agents are in fact morally responsible and moral responsibility is in fact incompatible with determinism. A slightly different version of the challenge tells also against the claim that one can be justified in believing that determinism is false on the basis of the argument, so that the challenge cannot be evaded by a retreat to an epistemic position weaker than knowledge. I compare my challenge to the challenge posed by the external world sceptic, and argue that there are asymmetries between these challenges that make it reasonable to accept the former and reject the latter. I close by considering the prospects for developing an epistemology of moral responsibility that is adequate to answer the challenge. (shrink)

Die digitale Transformation erfasst die Medien der Literatur und Literaturkritik in unterschiedlicher Geschwindigkeit. Die Substituierung der gedruckten Zeitung, der Stammheimat der Literaturkritik, durch digitale Formate ist weit vorangeschritten. Auf dem Buchmarkt ist das gedruckte Hardcover nach wie vor ein relativ stabiles Element. Der Beitrag kommentiert diese Differenz in medienhistorischer Perspektive.

"Die Kritik ist nicht die Wissenschaft." Zu diesem Ergebnis führt eine Besinnung auf den Begriff der Objektivität in der kunstwissenschaftlichen Forschung. Die aktuelle Situation, die durch wissenschaftstheoretische und methodologische Überlegungen bestimmt ist, verlangt neue Zielsetzungen und Aufgaben. Das zentrale Problem - die Begründung der Ästhetik als selbständige, moderne Wissenschaft - steht und fällt mit der Frage, ob die Kunst Gegenstand einer generellen, empirisch prüfbaren Theorie sein kann. Der zeitgenössische Strukturalismus glaubt diese Frage positiv beantworten zu können. Er versucht, die ästhetischen (...) Gebilde nicht nur als registrierbare Einzelfälle zu erklären und zu bewerten, sondern auf allgemeinere Gesetzmäßigkeiten zurückzuführen. (shrink)

This book defends a comprehensive new vision of what addiction is and how people with addictions should be treated. The author argues that, in addition to physical and intellectual disabilities, there are volitional disabilities – disabilities of the will – and that addiction is best understood as a species of volitional disability. -/- This theory serves to illuminate long-standing philosophical and psychological perplexities about addiction and addictive motivation. It articulates a normative framework within which to understand prohibition, harm reduction, and (...) other strategies that aim to address addiction. The argument of this book is that these should ultimately be evaluated in terms of reasonable accommodations for addicted people and that the priority of addiction policy should be the provision of such accommodations. What makes this book distinctive is that it understands addiction as a fundamentally political problem, an understanding that is suggested by standard legal approaches to addiction, but which has not received a sustained defense in the previous philosophical or psychological literature. -/- This text marks a significant advance in the theory of addiction, one which should reshape our understanding of addiction policy and its proper aims. (shrink)

The major theoretical framework relative to the perception of illusory figures is reviewed and discussed in the attempt to provide a unifying explanatory account for these phenomena.

Following the pioneering studies of the receptive field (RF), the concept gained further significance for visual perception by the discovery of input effects from beyond the classical RF. These studies demonstrated that neuronal responses could be modulated by stimuli outside their RFs, consistent with the perception of induced brightness, color, orientation, and motion. Lesion scotomata are similarly modulated perceptually from the surround by RFs that have migrated from the interior to the outer edge of the scotoma and in this way (...) provide filling-in of the void. Large RFs are advantageous to this task. In higher visual areas, such as the middle temporal and inferotemporal lobe, RFs increase in size and lose most of their retinotopic organization while encoding increasingly complex features. Whereas lowerlevel RFs mediate perceptual filling-in, contour integration, and figure–ground segregation, RFs at higher levels serve the perception of grouping by common fate, biological motion, and other biologically relevant stimuli, such as faces. Studies in alert monkeys while freely viewing natural scenes showed that classical and nonclassical RFs cooperate in forming representations of the visual world. Today, our understanding of the mechanisms underlying the RF is undergoing a quantum leap. What had started out as a hierarchical feedforward concept for simple stimuli, such as spots, lines, and bars, now refers to mechanisms involving ascending, descending, and lateral signal flow. By extension of the bottom-up paradigm, RFs are nowadays understood as adaptive processors, enabling the predictive coding of complex scenes. Top-down effects guiding attention and tuned to task-relevant information complement the bottom-up analysis. (shrink)

We propose to analyze well-known cases of "imaginative resistance" from the philosophical literature (Gendler, Walton, Weatherson) as involving the inference that particular content should be attributed to either: (i) a character rather than the narrator or, (ii) an unreliable, irrational, opinionated, and/or morally deviant "first person" narrator who was originally perceived to be a typical impersonal, omniscient, "effaced" narrator. We model the latter type of attribution in terms of two independently motivated linguistic mechanisms: accommodation of a discourse referent (Lewis, Stalnaker, (...) Kamp) and 'cautious' updating as a model of non-cooperative information exchange (Eckardt). (shrink)