An läßlich der I 00. Wiederkehr des Geburtstages von Ludwig Wittgenstein, dem wohl bedeutendsten Philosophen unseres Jahrhunderts und Namensgeber der veranstaltenden Gesellschaft, wurde das 14. Internationale Symposium in Kirchberg gänzlich unter die programmatische Perspektive einer Neubewertung seiner Philosophie gestellt. Dem Anlasse entsprechend war dieses Symposium das weitaus größte aller bisherigen mit nahezu 600 Teilnehmern und 230 Vorträgen. Nur 138 davon konnten in die Akten des 14. Symposiums aufgenommen werden, dietrotzdieser Auswahl über 1000 Seiten stark wurden. Wegen dieses außerordentlichen Umfangs ist (...) es nötig, die Akten diesmal auf drei Bände aufzuteilen. Der erste Band enthält eingeladene Vorträge, gegliedert nach fünf Themenschw- punkten: Zur Philosophie der Traktatperiode Zur Philosophie von Logik und Mathematik Zur Übergangsperiode der Dreißigerjahre Zur Aufgabe der Philosophie Zur Ethik und Religion. Freilich wäre es eine Übertreibung zu behaupten, daß alle Beiträge im vollen Wortsin ne eine Neubewertung von Wittgensteins Philosophie veranschaulichen. Aber der Ten denz nach exemplifizieren die gesammelten Texte den Stand der gegenwärtigen Wittgen stein-Interpretation sehr deutlich. Waren in den ersten Jahren nach seinem Tode und der Publikation der nachgelassenen Schriften die Bemühungen zunächst auf die sprachphi losophischen Aspekte der Philosophischen Untersuchungen, das Privatsprachenproblem und den Neuerungen nach der Traktatperiode gerichtet, so zeigten sich seit den Siehziger jahren Tendenzen zur Vereinheitlichung. So entstand in den letzten Jahren ein zuneh mend differenzierteres Bild sowohl der Entwicklung von Wittgensteins Philosophie als auch der Rolle von Logik, Bedeutung und Bezug sprachlicher Zeichen im Gesamtkonte. M der Lebensformen. (shrink)

This paper is an analysis of some aspects of the constitutional system of Carnap's Logische Aufbau der Welt. It considers two possible interpretations of the autopsychological basis - the elementary experiences - as this concept is used in Carnap's book. Some authors, like Michael Friedman and Moulines, see the Aufbau as a structural system whose forms are not determined by basic experiences - elementary experiences. Others, as for instance Stegmüller, say that the structures, the definitions, within the Aufbau are the (...) result of relations which can be established among those experiences. Following the arguments of these interpreters as well as Carnap's epistemological proposal, I sustain in this paper that it is necessary to think about the autopsychological basis - the elementary experiences - as determining Aufbau's structural relations. (shrink)

This paper is an analysis of some aspects of the constitutional system of Carnap's Logische Aufbau der Welt. It considers two possible interpretations of the autopsychological basis - the elementary experiences - as this concept is used in Carnap's book. Some authors, like Michael Friedman and Moulines, see the Aufbau as a structural system whose forms are not determined by basic experiences - elementary experiences. Others, as for instance Stegmüller, say that the structures, the definitions, within the Aufbau are the (...) result of relations which can be established among those experiences. Following the arguments of these interpreters as well as Carnap's epistemological proposal, I sustain in this paper that it is necessary to think about the autopsychological basis - the elementary experiences - as determining Aufbau's structural relations. (shrink)

"Ist der Mensch in seinem Denken und Handeln ein geistig freies Wesen oder steht er unter dem Zwange einer rein naturgesetzlichen ehernen Notwendigkeit? Auf wenige Fragen ist so viel Scharfsinn gewendet worden als auf diese. Die Idee der Freiheit des menschlichen Willens hat warme Anhänger wie hartnäckige Gegner in reicher Zahl gefunden. Ein und dasselbe Ding wird hier gleich oft für das kostbarste Gut der Menschheit wie für die ärgste Illusion erklärt." Rudolf Steiner (Gröls-Klassiker - Edition Werke der Weltliteratur).

APA PsycNET abstract: This is the first volume of a two-volume work on Probability and Induction. Because the writer holds that probability logic is identical with inductive logic, this work is devoted to philosophical problems concerning the nature of probability and inductive reasoning. The author rejects a statistical frequency basis for probability in favor of a logical relation between two statements or propositions. Probability "is the degree of confirmation of a hypothesis (or conclusion) on the basis of some given evidence (...) (or premises)." Furthermore, all principles and theorems of inductive logic are analytic, and the entire system is to be constructed by means of symbolic logic and semantic methods. This means that the author confines himself to the formalistic procedures of word and symbol systems. The resulting sentence or language structures are presumed to separate off logic from all subjectivist or psychological elements. Despite the abstractionism, the claim is made that if an inductive probability system of logic can be constructed it will have its practical application in mathematical statistics, and in various sciences. 16-page bibliography. (PsycINFO Database Record (c) 2016 APA, all rights reserved). (shrink)

Available for the first time in 20 years, here is the Rudolf Carnap's famous principle of tolerance by which everyone is free to mix and match the rules of ...

This is identical with the first edition (see 21: 2716) except for the addition of a Supplement containing 5 previously published articles and the bringing of the bibliography (now 73 items) up to date. The 5 added articles present clarifications or modifications of views expressed in the first edition. (PsycINFO Database Record (c) 2009 APA, all rights reserved).

Since its publication fifty years ago, this work has established itself as a classic. It casts the visual process in psychological terms and describes the creative way one's eye organizes visual material according to specific psychological premises. In 1974 this book was revised and expanded, and since then it has continued to burnish Rudolf Arnheim's reputation as a groundbreaking theoretician in the fields of art and psychology.

This volume provides a valuable discussion of Husserl's lifelong project of the critique of science which makes no attempt to conflate the pre-World War I ...

Two chief problems of the theory of knowledge are the question of meaning and the question of verification. The first question asks under what conditions a sentence has meaning, in the sense of cognitive, factual meaning. The second one asks how we get to know something, how we can find out whether a given sentence is true or false. The second question presupposes the first one. Obviously we must understand a sentence, i.e. we must know its meaning, before we can (...) try to find out whether it is true or not. But, from the point of view of empiricism, there is a still closer connection between the two problems. In a certain sense, there is only one answer to the two questions. If we knew what it would be for a given sentence to be found true then we would know what its meaning is. And if for two sentences the conditions under which we would have to take them as true are the same, then they have the same meaning. Thus the meaning of a sentence is in a certain sense identical with the way we determine its truth or falsehood; and a sentence has meaning only if such a determination is possible. (shrink)

Knapp sechs Jahre nach Rudolf Heinz' sechzigstem Geburtstag und dem auf dieses Ereignis ausgerichteten Erscheinen der Festschrift "Kontiguitäten. Texte-Festival für Rudolf Heinz" (Christoph Weismüller [Hg.] unter Mitarbeit von Ralf Bohn, Wien: Passagen 1997) folgt die Nachbearbeitung der "Kontiguitäten" und deren Produktion. Die Post-Skripts zum Texte-Festival für Rudolf Heinz setzen ein mit den Dokumenten der Feierlichkeit der Festschriftüberreichung: Laudatio, Geburtstagskomposition - inklusive Audio-CD -, Photographien der Festschriftübergabe. Unter dem topos Festschrift-Mechané folgt diesen Initialien die Korrespondenz von Heide Heinz (...) und Christoph Weismüller nebst notwendigen Paraphrasen und Hinweisen. Die Après nehmen einschlägige Kontiguitäts-Effekte auf, die mit der Fertigstellung der Festschrift, der Feierlichkeit der Übergabe, ihrer Distribution und ersten Nachbearbeitungen ihrer Konstitution einhergingen oder diesen folgten. Die Katamnese von Heide Heinz und Rudolf Heinz sowie weitere Korrespondenzen - Heide Heinz mit Ralf Bohn, Doris Dorner, Axel Schünemann; Rudolf Heinz mit Manfred Pohlen - finden sich als Zuträge ein. (shrink)

Available for the first time in 20 years, here are two important works from the 1920s by the best-known representative of the Vienna Circle.

Rudolf Arnheim has been known, since the publication of his groundbreaking _Art and Visual Perception_ in 1974, as an authority on the psychological interpretation of the visual arts. Two anniversary volumes celebrate the landmark anniversaries of his works in 2009. In _The Power of the Center_, Arnheim uses a wealth of examples to consider the factors that determine the overall organization of visual form in works of painting, sculpture, and architecture. _The Dynamics of Architectural Form_ explores the unexpected perceptual (...) consequences of architecture with Arnheim's customary clarity and precision. (shrink)

'My endeavour in these pages is to explain the main features of the method of philosophizing which we, the Vienna Circle, use, and by using try to develop further. It is the method of the logical analysis of science, or more precisely, of the syntactical analysis of scientific language.... The purpose of the book -- as of the lectures -- is to give a first impression of our method and of the direction of our questions and investigations to those who (...) are not yet acquainted with them.' -- From the Preface. (shrink)

A basic system of inductive logic; An axiomatic foundation for the logic of inductive generalization; A survey of inductive systems; On the condition of partial exchangeability; Representation theorems of the de finetti type; De finetti's generalizations of excahngeability; The structure of probabilities defined on first-order languages; A subjectivit's guide to objective chance.

Two chief problems of the theory of knowledge are the question of meaning and the question of verification. The first question asks under what conditions a sentence has meaning, in the sense of cognitive, factual meaning. The second one asks how we get to know something, how we can find out whether a given sentence is true or false. The second question presupposes the first one. Obviously we must understand a sentence, i.e. we must know its meaning, before we can (...) try to find out whether it is true or not. But, from the point of view of empiricism, there is a still closer connection between the two problems. In a certain sense, there is only one answer to the two questions. If we knew what it would be for a given sentence to be found true then we would know what its meaning is. And if for two sentences the conditions under which we would have to take them as true are the same, then they have the same meaning. Thus the meaning of a sentence is in a certain sense identical with the way we determine its truth or falsehood; and a sentence has meaning only if such a determination is possible. (shrink)

In the fall of 1957 the University of California Press expanded Arnheim’s 1933 book _Film_ by four essays and brought that landmark work back into print as _Film as Art._ Now nearly fifty years after that re-edition, the book continues to occupy an important place in the literature of film. Arnheim’s method, provocative in this age of technological wizardry, was to focus on the way art in film was derived from that medium’s early limitations: no sound, no color, no three-dimensional (...) depth. (shrink)

Clear, comprehensive, intermediate introduction to logical languages, applications of symbolic logic to physics, mathematics, biology.

The risky investment game of Gneezy and Potters :631–645, 1997) has been proposed as a simple tool to measure risk aversion in applied settings, especially attractive in settings where participants may have limited education. However, this game can produce a significant endowment effect, so that analysis of the behavior in this game should not be done in the Expected Utility Theory framework. The paper illustrates this point, by showing that risk tolerance can be much higher when the initial endowment concerns (...) a risky lottery. (shrink)

A clarification of Husserl's changing conceptions of imaginary consciousness ( phantasy ) and memory, especially at the level of auto-affective time-consciousness, suggests an interpretation of Freud's concept of the Unconscious. Phenomenology of consciousness can show how it is possible that consciousness can bring to present appearance something unconscious, that is, something foreign or absent to consciousness, without incorporating it into or subordinating it to the conscious present. This phenomenological analysis of Freud's concept of the Unconscious leads to a partial critique (...) of Freud's metapsychological determination of the Unconscious as a simple, internally unperceived representational consciousness. It also suggests an account of how a reproductive inner consciousness can free the subject from the experience of anxiety by allowing for possibilities of self-distanciation and symbolic self-representation that protect the subject from traumatic affection by and through its own instinctual drives. (shrink)

"Groundbreaking when first published in 1969, this book is now of even greater relevance to make the reader aware of the need to educate the visual sense, a ...

Dieses Buch stellt eine neue, von CARNAP entwickelte Theorie der Induktion und Wahrscheinlichkeit dar, die durch die folgenden grund legenden Auffassungen charakterisiert ist. 1. Jedes induktive Schließen, im weiten Sinne des nichtdeduktiven oder nichtdemonstrativen Schlu߭ folgerns, ist ein Schließen auf Grund von Wahrscheinlichkeit. 2. Daher ist die induktive Logik als Theorie von den Prinzipien des induktiven Schließens dasselbe wie Wahrscheinlichkeitslogik. 3. Der Begriff der Wahrscheinlichkeit, der als Grundbegriff der induktiven Logik dienen soll, ist eine logische Relation zwischen zwei Aussagen oder (...) Sätzen, näm lich der Grad der Bestätigung einer Hypothese auf der Grundlage gegebe ner Prämissen. 4. Der sogenannte Häufigkeitsbegriff der Wahrschein lichkeit, wie er in statistischen Untersuchungen verwendet wird, ist zwar an und für sich ein wichtiger wissenschaftlicher Begriff, als Grundbegriff der induktiven Logik jedoch unbrauchbar. 5. Alle Prinzipien und Lehr sätze der induktiven Logik sind analytisch. 6. Daher hängt die Gültig keit des induktiven Schließens nicht von irgendwelchen synthetischen Voraussetzungen ab, wie etwa dem vielumstrittenen Prinzip der Gleich förmigkeit der Welt. Die erste Aufgabe dieses Buches ist die Erörterung der allgemeinen philosophischen Probleme betreffend die Natur der Wahrscheinlichkeit und des induktiven Schließens, die uns zu den eben erwähnten Auffassun gen führen wird. Das zweite Ziel ist der tatsächliche Aufbau eines Systems der induktiven Logik, einer Theorie, die auf den angeführten Prinzipien beruht. Ein besonderes Augenmerk wurde in diesem Buch darauf gelegt, die intuitive philosophische Grundlegung klar von dem technischen Aufbau des Systems der induktiven Logik zu trennen. (shrink)

Relying on Husserl as well as on the reflections by Merleau-Ponty on Cézanne, Henry on Kandinsky and Deleuze on Bacon, this essay sketches some basic problems that arise in a phenomenological account of non-figurative painting. An investigation of the distinction between phenomenological and pictorial perception, of the transposition of the painter’s mode of perception into a painted image, and of the expressive force of paintings inevitably confronts one with the enigma of the appearing of something invisible. The essay proceeds in (...) three steps. The first step describes pictorial perception in terms of a ‘seeing according to’. Such a mode of perception pays attention to visual ambiguities, to the ‘gaze of things’ and to the conditions of visibility that are ordinarily overlooked. The second step moves on to the issue of the transposition of a pictorial perception in a painted image. Deleuze’s account of “manipulated chance” proves to be very helpful here. In the final step, Henry’s and Deleuze’s emphasis on the painting’s expression of totally invisible ‘forces’ is discussed. (shrink)

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be (...) preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. (shrink)

In the fall of 1957 the University of California Press expanded Arnheim’s 1933 book _Film_ by four essays and brought that landmark work back into print as _Film as Art._ Now nearly fifty years after that re-edition, the book continues to occupy an important place in the literature of film. Arnheim’s method, provocative in this age of technological wizardry, was to focus on the way art in film was derived from that medium’s early limitations: no sound, no color, no three-dimensional (...) depth. (shrink)