El artículo busca presentar las reflexiones acerca de la conciencia interna del tiempo de Edmund Husserl, compiladas en las Lecciones de fenomenología de la conciencia del tiempo de 1928, a la luz del retrato que hace Borges del personaje del cuento Funes el memorioso. Intenta mostrar cómo es que en ambos casos están presentes los mismos cuestionamientos acerca de nuestra experiencia del tiempo y de la persistencia de nuestra identidad en la memoria, y cómo ambas concepciones implican una crítica al (...) atomismo moderno y al empirismo radical. Primero se analizan, por un lado, las descripciones fenomenológicas de Husserl acerca de nuestra percepción de los objetos y, principalmente,del concepto de retención, y por el otro, la conciencia entendida como flujo. Luego, a partir de la caracterización que hace Borges de Funes, el personaje del cuento, y del retrato de su memoria y de la manera como experimenta el mundo a través de la percepción de instantes infinitos, se pretende ilustrar la validez de las concepciones husserlianas arriba mencionadas, dando cuenta de que Funes constituye la representación o puesta en escena de un imposible. (shrink)

The systematic importance of the eidetic account of phantasy for Husserlian phenomenology in general is undisputed, but whether this account can be relevant for Aesthetics has often been put into question. In this paper I argue that Husserl’s rich phenomenology of phantasy, and in particular his account of perceptual phantasy, can nevertheless significantly enhance our understanding of how we recognize and imaginatively participate in artistic fictions. Moreover, I show how Husserl’s peculiar formulation of a non-intuitive phantasy at stake in artistic (...) representation anticipates some uses of the imagination in Aesthetics suggested by Ernst Gombrich and Kendall Walton. (shrink)

In Film and Phenomenology, Allan Casebier develops a theory of representation first indicated in the writings of the father of phenomenology, Edmund Husserl, and then applies it to the case of cinematic representation. This work provides one of the clearest expositions of Husserl's highly influential but often obscure thought. It also demonstrates the power of phenomenology to illuminate the experience of the art form unique to the twentieth-century cinema. Film and Phenomenology is intended as an antidote to all hitherto existing (...) theories about the nature of cinematic representation, whether issuing from classic sources such as the film theory of Andre Bazin or the post-structuralist synthesis of Lacanian psychoanalysis, Barthesian textual analysis and Metzean cine-semiotics. Casebier shows how a phenomenological account of representation will further the aims of any film theory. Developing a viable feminist film theory, legitimizing the documentary, answering the challenge of Derridean deconstruction, properly theorizing narrativity, Film and Phenomenology argues that theory of film must be Realist both with respect to epistemology and ontological issues. In this way, this work runs contrary to the whole course of contemporary film theory which has been deeply anti-Realist. (shrink)

The point shared by phenomenology and the French Nouveau Roman is that they both confer great importance to description. But is it philosophically interesting to compare the works of authors like Nathalie Sarraute, Alain Robbe-Grillet or Claude Simon (which relate to details in the material world) with the works of Husserl (whose object is the eidos)? In this article, we first study in what way the method suggested by Husserl was innovative and in what way it influenced his examples and (...) style in the Ideen. We then examine how the fact that this operation no longer relates to beings could be construed as progress in relation to Heidegger. Finally, we study the reasons why this mode of speech was favoured in the novels of the 1960s. Our assumption, as the later writings of Maurice Merleau-Ponty show, is that this literary move­ment tried to achieve in the field of fiction the same breakthrough and to give description a scientific quality. (shrink)

Edmund Husserl. Infinite tasks -- Universality and spatial form -- Universality in the making -- Martin Heidegger. Singular essence -- The strangeness of beginnings -- The originary world of tragedy -- Jan Patoka. Care of the soul -- The genealogy of Europe-responsibility -- Jacques Derrida. European memories -- This little thing that is Europe -- De-closing the horizon.

This essay attempts to provide an alternative approach to the philosophy of religion through a new interpretation of Daoist philosophy in light of Husserl’s phenomenology. I argue that Lao-Zhuang’s wu-wei should be understood as a reduction of our existential and conceptual beliefs about the reality of this world. In Lao-Zhuang, wu-wei is related to the theme of decentering of the subject. In order to be a true self, we have to make space at the core of our being for Dao (...) to appear. The authentic selfhood is constituted in its correctrelation to Dao. In Daoist philosophy of religion, the center of gravity in the relation between Dao and the world (or worlds) is shifted from this world to Dao, and the problematic in the philosophy of religion is displaced from a truth-oriented issue to a receptivity issue. (shrink)

This essay is concerned with defending Husserl against the criticism that he is insuffi ciently attentive to intersubjectivity. It has two moments; the fi rst articulates what I take to be a general version of the critique and then turns to a discussion of a version derived from Wittgenstein’s private language argument and the ensuing debate regarding this critique between Suzanne Cunningham and Peter Hutcheson. This discussion concludes by noting a general agreement betweenthe two participants that Husserl’s ego is not (...) directly involved in intersubjective relationships. I argue that as long as this is granted, the broader criticism cannot be answered. Whence, the second moment defends Husserl against this critique arguing that Husserl’s transcendental ego is an intersubjective one. (shrink)

In the introduction to the third and last volume of his Philosophy of Symbolic Forms of 1929,entitled “Phenomenology of Knowledge,” Ernst Cassirer remarks that the meaning in which he employs the term ‘phenomenology’ is Hegelian rather than according to “the modern usage of the term.”1 What sense can it make, then, to invoke Edmund Husserl’s phenomenology in this context? Yet if, roughly speaking, phenomenology can be characterized as the logosof phenomena,that is, of being insofar as it appears (phainesthai)to a conscious (...) subject, then the sense of phenomenology need not be so different from what Cassirer terms “the modern usage.”2 Phenomenology in this more liberal sense would be an account of how consciousness experiences the world through different forms of experience and in different spaces of meaning. The addition ‘hermeneutic’, moreover, points to a broader methodological scope.. (shrink)

Although the concept of conversion is usually encountered in religious contexts, the main contention of this paper is that there is a genuine significance in the concept of philosophical conversion. The scene is set by considering the New Testament meaning of epistrepho, “to turn away from,” and the Platonic use of the term in the Republic. The underlying concept here is that one must lose the old world in order to gain it anew. Through the process of conversion, both the (...) person and his world are transformed: but where the religious believer accepts the experience as beyond his ability to account for its power, the philosopher must always be able to account for the grounds and results of this transformation. There are some historical instances of philosophers who have gone through such a process and demand it of their readers. The two principal case studies of this are Descartes’ enterprise for a universal science and Husserl’s project in the foundation of pure phenomenology. Detailed attention is paid to a number of key texts in order to elucidate the rhetorical imagery and argumentative ‘moments’ in this process. (shrink)

The essay investigates the possibility of a closer connection of Husserlian phenomenology and that tradition in semiotics of art which originates mainly withSchelling and Goethe. The affinity between semiotically approached tropology and phenomenology is supported if a symbol is conceived not only as an analogy of the designated, but also as its direct grasping. This grasping shows some features of rational contemplation as understood by phenomenology. Modelling symbol as a synthetic trope enables us to proceed to the model of an (...) "artistic situation" as a square generated by a decomposition of the triangle of reference. The complexity of the processes within the "square" results from a fusion of the effects of the linear, natural circuit and the feedback, culturally historical circuit. (shrink)

In the last decade of his life (from 1928 to 1938), Husserl sought to develop a new understanding of his transcendental phenomenology (in publications such as Cartesian Meditations, Formal and Transcendental Logic, and the Crisis) in order to combat misconceptions of phenomenology then current (chief among which was Heidegger’s hermeneutic phenomenology as articulated in Being and Time). During this period, Husserl had an assistant and collaborator, Eugen Fink, who sought not only to be midwife to the birth of Husserl’s own (...) ideas but who also wanted to mediate between Husserl and Heidegger. As a result of the Fink- Husserl collaboration there appeared a rich flow of works that testify to the depth with which transcendental phenomenology had been rethought. Bruzina is the chief scholar of this material. This paper attempts both to disentangle the relationships between the phenomenologies of Husserrl, Heidegger, and Fink and to assess critically the value of Bruzina’s contribution. (shrink)

This paper argues that Husserl’s method is partially driven by an attempt to avoid certain absurdities inherent in Hume’s epistemology. In this limited respect, we may say that Hume opened the door to phenomenology, but as a sacrificial lamb. However, Hume was well aware of his self-defeating position, and perhaps, in some respects, the need for an alternative. Moreover, Hume’s “mistakes” may have incited Husserl’s discovery of the epoche, and thus, transcendental phenomenology.

This article identifies already existing theoretical and methodological commonalities between evolutionary biology and phenomenology, concentrating specifically on their common pursuit of origins. It identifies in passing theoretical support from evolutionary biology for present-day concerns in philosophy, singling out Sartre’s conception of fraternity as an example. It anchors its analysis of the common pursuit of origins in Husserl’s consistent recognition of the grounding significance of Nature and in his consistent recognition of animate forms of life other than human. It enumerates and (...) exemplifies five basic errors of continental philosophers with respect to Nature, errors testifying to a philosophical fundamentalism that distorts the intricate interconnections and relationships of Nature in favor of a preferred knowledge rooted in ontological reductionism. It shows that to discover and appreciate the common ground, one must indeed study “the things themselves.”. (shrink)

The essays in this volume explore the full range of Husserl's work and reveal just how systematic his philosophy is. There are treatments of his most important contributions to phenomenology, intentionality and the philosophy of mind, epistemology, the philosophy of language, ontology, and mathematics. An underlying theme of the volume is a resistance to the idea, current in much intellectual history, of a radical break between 'modern' and 'postmodern' philosophy, with Husserl as the last of the great Cartesians. Husserl is (...) seen in this volume as a philosopher constantly revising his system in order to be able to integrate philosophy with ideas emanating from science and culture. The so-called rift between analytic and 'continental' philosophy emerges as an artificial construct. (shrink)

Edmund Husserl (1859-1938) was one of the most influential philosophers of the Twentieth Century. Founder of the phenomenology movement, his thinking influenced Heidegger, Sartre, Merleau-Ponty and Derrida. In this stimulating introduction, David Woodruff Smith introduces the whole of Husserl's thought, demonstrating his influence on philosophy of mind and language, on ontology and epistemology, and on philosophy of logic, mathematics and science. Starting with an overview of Husserl's life and works, and his place in Twentieth century philosophy and in Western philosophy (...) as a whole, David Woodruff Smith introduces Husserl's concept of phenomenology, explaining his influential theories of intentionality, objectivity and subjectivity. In subsequent chapters he covers Husserl's logic, metaphysics, realism and transcendental idealism, and epistemology. Finally, he assesses the significance and implications of Husserl's work for contemporary philosophy of mind and cognitive science. Including a timeline, glossary and extensive suggestions for further reading, Husserl will be essential reading for anyone interested in Husserl, phenomenology and Twentieth century philosophy. (shrink)

Husserl’s Idea of Phenomenology is his first systematic attempt to show how phenomenology differs from natural science and in particular psychology. He does this by the phenomenological reduction. One of his achievements is to show that the formal structures of intentionality are more akin to logic than to psychology. I claim that Husserl’s argument can be made more intuitive if we consider phenomenology to be the study of truth rather than knowledge, and if we see the reduction as primarily a (...) modification in our vocabulary and discourse and not as simply a change in attitude. I briefly compare Husserl’s concept of philosophy with those of Plato and Kant. (shrink)

This paper has two motivations. First, I want to delineate structurally the dimensions of phenomenological method: not merely the static and genetic methods, but along with them I want to introduce the new ideas of generativity and generative method (Section 2). Second, because these dimensions cannot merely be treated structurally, I want to examine their dynamic interrelation, that is, the system of motivations obtaining between them. I will do this by elaborating the phenomenological concept of "leading clue" (Section 3). Finally, (...) I will conclude by addressing the relation of phenomenology to generativity (Section 4). (shrink)

Lembecks Philosophiebegriff ist keine Zumutung Content Type Journal Article Pages 1-9 DOI 10.1007/s10743-011-9098-6 Authors Matthias Wille, Institut für Philosophie, Fakultät für Geisteswissenschaft, Universität Duisburg-Essen, Universitätsstraße 12, 45117 Essen, Germany Journal Husserl Studies Online ISSN 1572-8501 Print ISSN 0167-9848.

This study is a phenomenological inquiry into several relatively unexplored phenomena, including certain key methodological issues. It seeks to elicit and explicate the grounds of free-fantasy variation, which Husserl insists contains his “fundamental methodological insight” since it articulates “the fundamental form of all particular transcendental methods…” In the course of pursuing the full sense of this method and its grounds, the essay also uncovers the origins and eventual presence of “self” and explores the multiple connections among self, mental life, embodiment (...) and the surrounding world. To that end, it is necessary to take seriously Husserl’s otherwise odd declaration that “‘feigning’ [‘Fiktion’] makes up the vital element of phenomenology as of every other eidetic science…”, and thus that every philosopher must “fertilize” his or her “fantasy” through works of art and history as well as other areas and practices of human life. The essay offers an in-depth probing of several striking but largely unexplored phenomena: exemplifying and possibilizing, and concludes with an exploration of one of the most pervasive themes in phenomenological inquiry: intersubjectivity. (shrink)