In den Meditationes de prima philosophia (1641) erweist Descartes die Tauglichkeit der von ihm gefundenen erkenntnistheoretischen Methode für die Grundlegung gewisser Erkenntnis. Husserl über das Werk, das die Philosophie der Neuzeit begründete: "Die Cartesianischen Meditationes wollen nicht zufällige subjektive Besinnungen Descartes' sein oder gar eine literarische Kunstform für die Übermittlung der Gedanken des Autors. Vielmehr geben sie sich offenbar als die in der Art und Ordnung ihrer Motivation notwendigen Besinnungen, die das radikal philosophierende Subjekt als solches notwendig durchmachen (...) muß [...] Darin also liegt die Ewigkeitsbedeutung der Cartesianischen Meditationes. Sie zeichnen [...] den notwendigen Stil des philosophischen Anfangens." Die vorliegende deutsche Übersetzung enthält neben dem Haupttext sämtliche Einwände von Caterus, Mersenne, Hobbes u.a. sowie Descartes' Erwiderungen nach der Maßgabe des Textbestandes der lateinischen Erstausgabe von 1641 und der erweiterten zweiten Auflage von 1642. Grundlage für die Übersetzung bildet der lateinische Text in der Standardausgabe von Adam und Tannery, Bd. VII. Vergleichend hinzugezogen wurde die von Descartes selbst durchgesehene französische Übertragung der "Meditations Metaphysiques" von C. Lerselie R. (Paris 1647). (shrink)

René Descartes, Discourse on Method, Optics, Geometry, and Meteorology. Trans., with an Introduction, by Paul J. Olscamp. Indianapolis: The Bobbs-Merrill Co., 1965. Pp. xxxvi + 361. = The Library of Liberal Arts, 211. Paper, $2.25. -/- From the notice in Journal of the History of Philosophy 5 (1967), 311: "In the introduction, Professor Olscamp calls attention to the fact that Descartes intended the other three pieces in this volume to serve as examples of the method set forth in (...) the Discourse. I t is only just that Descartes' intentions should now be fulfilled in fairly clear, if occasionally awkward English versions. Seeing these pieces brought together in this way also sheds light on Descartes' philosophical opinions, frequently distorted by over-simplified distinctions like that between empiricist and rationalist. 0lscamp succeeds in showing that Descartes is better thought of as a forerunner to modern-day hypothetico-deductive theories of scientific explanation. Perhaps it is what we should have realized all along in one so preoccupied with methodology. --A. R. Louch". (shrink)

Linking the process of rational decision making to emotions, an award-winning scientist who has done extensive research with brain-damaged patients notes the dependence of thought processes on feelings and the body's survival-oriented regulators. 50,000 first printing.

En este artículo se examina de qué forma los investigadores de la Inteligencia Artificial han asumido un desafío propuesto por Descartes: la imposibilidad de construir máquinas programadas que, al entender lenguaje, evidencien que son pensantes. Tal desafío, que se enmarca en la filosofía metafísica cartesiana, distingue entre cosa pensante y extensa, siendo imposible la existencia de pensamiento en esta última. El lenguaje evidencia la imposibilidad de la inteligencia de máquina, de hecho. Como se examina, al enfrentar el desafío cartesiano, (...) dichos investigadores han debido suponer como verdadera parte de la teoría cartesiana, a saber, que el uso flexible de lenguaje implica la existencia de pensamiento. Por ello califico de ambivalente la relación que tiene la Inteligencia Artificial con el filósofo francés: por una parte, rechazan la imposibilidad en principio de la inteligencia de máquina; por otra, están de acuerdo con Descartes en que el uso flexible de lenguaje es suficiente para mostrar que alguien piensa. Si bien el carácter ambivalente entre la IA y Descartes parece anecdótico, no lo es. El hecho de que aún se considere el Test de Turing como una evaluación adecuada de la inteligencia corrobora la compleja relación entre la IA y el pensamiento cartesiano. (shrink)

Abstract: Heidegger's Sein und Zeit (SZ) is commonly viewed as one of the 20th century's great anti-Cartesian works, usually because of its attack on the epistemology-driven dualism and mentalism of modern philosophy of mind or its apparent effort to ‘de-center the subject’ in order to privilege being or sociality over the individual. Most who stress one or other of these anti-Cartesian aspects of SZ, however, pay little attention to Heidegger's own direct engagement with Descartes, apart from the compressed discussion (...) in SZ§§19–21. I here show through a careful reading of Heidegger's lectures on Descartes from the years immediately preceding SZ that, while he has sharp criticisms of Descartes and certain ‘Cartesian’ aspects of modern philosophy along the lines commonly recognized, he also aims to disclose what he calls the ‘positive possibilities’ in Descartes and the philosophy he inspired. I detail a number of these and then show that they force us to see Heidegger's own early project as largely unconcerned with dualism and mentalism per se, and much more with questions of the philosophical methodology that gives rise to them. Moreover, I show that a careful reading of Heidegger's treatment of the cogito makes clear that he is no serious way attempting to ‘de-center the subject’ and that the fundamental question of the ‘analytic of Dasein’ is one that takes Descartes as an immediate jumping off point: how can I articulate what I understand myself to be as the general kind of entity I am, and on what besides me does my being depend? (shrink)

Descartes’s Method: The Formation of the Subject of Science provides a systematic interpretation of Descartes’s method in Rules for the Direction of the Mind and related texts. The book reconstructs Descartes’s method in its entirety and concretely demonstrates both the efficacy of the method in the sciences as well as the unity of the method from Rules for the Direction of the Mind (1620s) to Principles of Philosophy (1644). The principal thesis of the book is that (...) class='Hi'>Descartes’s method is a problem-solving cognitive disposition (or habitus) that can be actualized in a variety of well-defined ways, depending always on the nature of problem. The book divides into five parts and eleven chapters. Parts I–II (Chapters 1–4) develop an interpretation of the historical and conceptual foundations of Descartes’s method (its operations and acquisition), while the remainder of the book (Parts III–V, which include Chapters 5–11) demonstrates the fruits of the method in solutions to problems in the sciences (above all, mathematics and optics). (shrink)

The seventeenth century witnesses the demise of two core doctrines in the theory of perception: naive realism about color, sound, and other sensible qualities and the empirical theory, drawn from Alhacen and Roger Bacon, which underwrote it. This created a problem for seventeenth century philosophers: how is that we use qualities such as color, feel, and sound to locate objects in the world, even though these qualities are not real? -/- Ejecting such sensible qualities from the mind-independent world at once (...) makes for a cleaner ontology, since bodies can now be understood in purely geometrical terms, and spawns a variety of fascinating complications for the philosophy of perception. If sensible qualities are not part of the mind-independent world, just what are they, and what role, if any, do they play in our cognitive economy? We seemingly have to use color to visually experience objects. Do we do so by inferring size, shape, and motion from color? Or is it a purely automatic operation, accomplished by divine decree? -/- This volume traces the debate over perceptual experience in early modern France, covering such figures as Antoine Arnauld, Robert Desgabets, and Pierre-Sylvain Regis alongside their better-known countrymen Rene Descartes and Nicolas Malebranche. (shrink)

'Most of us are still groping for answers about what makes life worth living, or what confers meaning on individual lives', writes Charles Taylor in Sources of the Self. 'This is an essentially modern predicament.' Charles Taylor's latest book sets out to define the modern identity by tracing its genesis, analysing the writings of such thinkers as Augustine, Descartes, Montaigne, Luther, and many others. This then serves as a starting point for a renewed understanding of modernity. Taylor argues that (...) modern subjectivity has its roots in ideas of human good, and is in fact the result of our long efforts to define and attain the good. The modern turn inwards is far from being a disastrous rejection of rationality, as its critics contend, but has at its heart what Taylor calls the affirmation of ordinary life. He concludes that the modern identity, and its attendant rejection of an objective order of reason, is far richer in moral sources that its detractors allow. Sources of the Self provides a decisive defence of the modern order and a sharp rebuff to its critics. (shrink)

This paper attempts to explore the idea of mind on the basis of René Descartes and Gilbert Ryle’s vision. Descartes, a 17thcentury philosopher, developed a dualistic theory that posits the mind and body as distinct entities. According to him, the mind is an immaterial, non- extended entity with consciousness and rational thought, while the body is a material substance subject to physical laws. In contrast, 20th-century philosopher Ryle rejected the idea of a separate mental realm and argued for (...) the unity of mind and body. He criticized Cartesian dualism, proposing that mental states and mental processes are not separate from bodily behavior but are intricately intertwined with it. This comparative analysis delves into Descartes’s arguments for dualism, including the interaction between mind and body through the pineal gland and his ideas on the mind’s independence from the body. On the other hand, Ryle’s critique of dualism is examined, with a focus on his concept of “category mistake” and his advocacy for behaviorism, which prioritizes observable behavior over unobservable mental states. By exploring these two contrasting perspectives, this paper aims to comprehensively understand the historical development and implications of the notion of mind. It highlights the influence of Descartes’s dualistic framework on philosophical discourse and Ryle’s efforts to challenge it, emphasizing the importance of considering the relationship between mind, body, and behavior in understanding human cognition and experience. (shrink)

"The philosophy of mind is unique among contemporary philosophical subjects," writes John Searle, "in that all of the most famous and influential theories are false." In Mind, Searle dismantles these famous and influential theories as he presents a vividly written, comprehensive introduction to the mind. Here readers will find one of the world's most eminent thinkers shedding light on the central concern of modern philosophy. Searle begins with a look at the twelve problems of philosophy of mind--which he calls " (...) class='Hi'>Descartes and Other Disasters"--problems which he returns to throughout the volume, as he illuminates such topics as the freedom of the will, the actual operation of mental causation, the nature and functioning of the unconscious, the analysis of perception, and the concept of the self. One of the key chapters is on the mind-body problem, which Searle analyzes brilliantly. He argues that all forms of consciousness--from feeling thirsty to wondering how to translate Mallarme--are caused by the behavior of neurons and are realized in the brain system, which is itself composed of neurons. But this does not mean that consciousness is nothing but neuronal behavior. The main point of having the concept of consciousness, Searle points out, is to capture the first person subjective features of the phenomenon and this point is lost if we redefine consciousness in third person objective terms. Described as a "dragonslayer by temperament," John Searle offers here a refreshingly direct and open discussion of philosophy, one that skewers accepted wisdom even as it offers striking new insights into the nature of consciousness and the mind. (shrink)

Heidegger’s early project aims to articulate the form of our being as Dasein, and he says that for this usually hidden form to become accessible, a certain kind of “mood” is required of the philosopher. This “ground-mood” he identifies in Sein und Zeit as anxiety. He also, however, presents anxiety as a mood anyone, philosopher or not, experiences when there is some significant breakdown in the living of her life. I argue here that there are largely unrecognized problems with this (...) conflation of methodological and “existential” moods, but that there is nevertheless a compelling methodological account of anxiety that can be teased apart from the existentialist one: methodologically understood, anxiety is a self-affected state of the ontologist, one that results from her asking ontological questions of herself, and, by imagining crisis or breakdown, withdrawing from her determinate situation to a position where she can see the form of her own activity as questioner and imaginer. I draw out some consequences this has for how we should understand the place of ontological understanding in living one’s life, and I conclude by briefly showing how my reading helps us see Heidegger as developing key elements in the work of Descartes and Kant. (shrink)

I argue that Descartes explains physiology in terms of whole systems, and not in terms of the size, shape and motion of tiny corpuscles (corpuscular mechanics). It is a standard, entrenched view that Descartes’ proper means of explanation in the natural world is through strict reduction to corpuscular mechanics. This view is bolstered by a handful of corpuscular–mechanical explanations in Descartes’ physics, which have been taken to be representative of his treatment of all natural phenomena. However, (...) class='Hi'>Descartes’ explanations of the ‘principal parts’ of physiology do not follow the corpuscular–mechanical pattern. Des Chene has identified systems in Descartes’ account of physiology, but takes them ultimately to reduce down to the corpuscle level. I argue that they do not. Rather, Descartes maintains entire systems, with components selected from multiple levels of organization, in order to construct more complete explanations than corpuscular mechanics alone would allow. (shrink)

I argue that Descartes is not a reductionist about life, but dissolves or eliminates the category entirely. This is surprising both because he repeatedly refers to the life of humans, animals, and plants and because he appears to rely on the category of life to construct his physiology and medicine. Various attempts have been made in the scholarship to attribute a principled concept of life to Descartes. Most recently, Detlefsen has argued that Descartes “is a reductionist with (...) respect to explanation of life phenomena but not an eliminativist with respect to life itself”. I show that all these attempts either result in arbitrariness or force Descartes's wider philosophical project into incoherence. I argue that Descartes's ontological commitments make a principled concept of life impossible, that he does not need such a concept, and that his project ends up more coherent without one. (shrink)

Descartes's notion of subjectivity changed the way characters would be written, performed by actors, and received by audiences. His coordinate system reshaped how theatrical space would be conceived and built. His theory of the passions revolutionized our understanding of the emotional exchange between spectacle and spectators. Yet theater scholars have not seen Descartes's transformational impact on theater history. Nor have philosophers looked to this history to understand his reception and impact. After Descartes, playwrights put Cartesian characters on (...) the stage and thematized their rational workings. Actors adapted their performances to account for new models of subjectivity and physiology. Critics theorized the theater's emotional and ethical benefits in Cartesian terms. Architects fostered these benefits by altering their designs. _The Mind-Body Stage_ provides a dazzlingly original picture of one of the most consequential and confusing periods in the histories of modern theater and philosophy. Interdisciplinary and comparatist in scope, it uses methodological techniques from literary study, philosophy, theater history, and performance studies and draws on scores of documents from several countries. (shrink)

This intelligent and often subtle introduction to rationalist metaphysics focuses on the development of the concept of substance in Descartes, Spinoza, and Leibniz. After briefly reviewing the Aristotelian background in the introduction, Woolhouse spends the first three chapters presenting the broad outlines of each thinker’s account of substance. These are followed by three chapters devoted more specifically to the metaphysics of extended substance and to foundational issues in early modern physics. Next come two chapters on thinking substance and its (...) relation to extended substance, and finally a chapter on the relation between created and uncreated substance, which Woolhouse describes as "an organizing centre of the whole book". (shrink)

It has long been maintained that Descartes believed animals are nothing more than complex living machines. Throughout the centuries many have criticized Descartes for holding such a doctrine, for it has been used by others to justify a total disregard for the well-being of animals. However, a trend in Cartesian scholarship suggests that Descartes’s reputation for justifying cruelty to animals is undeserved because Descartes apparently lacked confidence in the truth of his own doctrine. This paper reviews (...) the arguments calling for a revision of the standard interpretation, examines Descartes’s statements about animal intelligence and consciousness, considers his treatment of animals, and reaffirms the standard interpretation. (shrink)