Mr B. H. Slater distinguishes between various pairs of questions: 1 Did they agree either that they would go to the pictures or that they would go out for a meal? 1 Did they agree that either they would go to the pictures or they would go out for a meal? 2 Is it known either that Jones was guilty or that Smith was guilty? 2 Is it known that either Jones was guilty or Smith was guilty? 3 Did he (...) say either that he would get the puzzle solved or that he would eat his hat? 3 Did he say that either he would get the puzzle solved or he would eat his hat? According to Slater, if we can only say ‘Yes’ to 1 or 3), then we immediately know what was agreed, namely, that either they would go to the pictures or they would go out for a meal; but if we can just say ‘Yes’ to 1 or 3), then we cannot immediately say what was agreed; all we know is that either they agreed to go to the pictures or they agreed to go out for a meal. Or, generalizing somewhat, a ‘Yes’ answer to the question ‘Did they agree that either p or q?’ tells us that they agreed that either p or q; but, with the question ‘Did they agree either that p or that q?’, while ‘Yes, they agreed that p’, and ‘Yes they agreed that q’ are possible answers , there is no answer, ‘Yes they agreed that r’, which is invariably correct, when ‘Yes’ is correct. In particular, the answer certainly cannot be ‘Yes, they agreed that p or q’. (shrink)

There is a consensus that satire cannot be defined, but is best characterized by a cluster account. However, I argue that a cluster account does not acknowledge the artistically and politically significant distinction between real satire and some forms of frivolous topical comedy which are casually labeled ‘satire’ in international media contexts. To uphold this distinction, I introduce a weak proposal that satire is a genre which necessarily sets out to critique and entertain (with the qualification that these purposes necessarily (...) interact, although neither is wholly instrumental to the other). I further argue that this proposal also provides necessary and sufficient conditions for a definition of satire. (shrink)

This chapter establishes the concept of a “symbolic system of representation“ to make clear how it is possible that humans use not only the language-based system of representation for cognitive contents but also a many layered non-linguistic system, a system which we probably share with other species. A symbolic system of representation denotes a general concept of a performance of which our language is only one single case, but which nevertheless is most easily explained through the case of language. A (...) system of representation should enable us to form and manipulate an idea of a state of affairs or of an event without having the appropriate intuition of it. We usually think that we do this only using linguistic expressions, but this is not the whole truth. Language is one system of representation, but we can in principle conceive of other systems of representation with the same performance. Husserl’s theory of meaning already reveals this possibility. A phenomenological analysis reveals that a non-linguistic system of representation is in fact still functioning in our own consciousness. We simultaneously use different means of representation, the most prominent of which are language, gestures, feelings and scenic images. It is especially fruitful to investigate the scenic mode of daydreaming as a central form of non-linguistic thinking. Through a close comparison of alternative systems of representation, the systematic difference of usual semantics in normal language systems based on convention and the more natural similarity semantics of some non-linguistic systems of representation is revealed. (shrink)

Irony has a suspicious moral reputation, especially in popular media and internet culture. Jonathan Lear (2011) introduces a proposal which challenges this suspicion and identifies irony as a means to achieve human excellence. For Lear, irony is a disruptive uncanniness which arises from a gap between aspiration and actualisation in our practical identity. According to Lear, such a disruptive experience of ironic uncanniness reorients us toward excellence, because it passionately propels us to really live up to that practical identity. However, (...) Lear’s understanding of irony is idiosyncratic and his proposal overlooks that disruption often results from value incompatibility between different practical identities. The disruption which follows from value incompatibility does not inherently reorient us toward excellence. The point is exactly that achieving excellence in one practical identity is sometimes incompatible with excellence in the other. Pace Lear, I do not identify this disruptive experience as a central example of irony. Instead, I consider irony a virtuous coping strategy for such disruption, because it introduces the necessary distance from our moral imperfection to sustain practical deliberation and maintain good mental health. Such virtuous irony negotiates a golden mean between too little disruption (complete insensitivity toward one’s imperfection) and too much disruption (a complete breakdown of practical deliberation and mental health). I argue that ironic media in popular culture provide a rich source of such virtuous irony, which I demonstrate through analysis of satirical examples. (shrink)

Den an den gewaltigen Umwälzungen unserer Zeit Interessierten bewegen heute in erster Linie die Probleme des sozialen Wandels - oder besser des dringend not wendigen Umbaus unserer Welt. Erst dahinter tritt seit einiger Zeit die Forderung nach dem Umbau des Menschen auf 1. Sie ist von der öffentlichkeit noch relativ wenig beachtet und offenbar als unangenehm fast tabuiert. Von den die Frage initiierenden Biologen ist diese Forderung aber durchaus ernst gemeint. Ihre Ten denz ist radikal. Außerhalb dieser Tendenz laufen aber (...) bereits unentwegt Prozesse, die zuerst Eingriff in die Physis und Psyche des Menschen, dann eben doch schon Veränderung bedeuten oder bedeuten können. Der Massenausstoß von Chemikalien bis ins Trinkwasser und in die Zahnpasta hinein und die permanente massenhafte Massenbeeinflussung teilgeplanter Art, zum Beispiel durch Werbung, deren Wirkung (besonders insgesamt!) völlig unbekannt ist, ist damit gemeint. Hier setzt unser Interesse ein. Die Idee einer Veränderung des Menschen ist einmal überhaupt bewegend. Zum anderen gilt ihr deshalb unser Fachinteresse, weil eine an der Kulturanthropologie und der sogenannten Philosophischen Anthropologie orientierte Soziologie durch die Behauptung und Verbreitung des Konzeptes von der »Offenheit« und »Plasti zität«, der unbegrenzten Beeinflußbarkeit und Lernfähigkeit des Menschen, zu sammen mit einer untheoretischen Evolutionstheorie erst den Hintergrund für die Idee der Möglichkeit eines »Umbaus« des Menschen geliefert hat. Ist der Mensch total offen, nicht festgelegt, dann kann er auch beliebig angepaßt werden. (shrink)

Theodor W. Adorno’s writings are often categorized as either political, aesthetic or critical. While all of these characteristics are legitimate, it is problematic to view Adorno from only one of these angles. In fact, many literary critics consider his thoughts about literature to be simple cultural criticism, i.e., something that leaves the realm of pure scholarship by defiling the argumentation with philosophy or politics. Political theorists and philosophers, on the other hand, often view his literary concerns as superfluous. It is (...) my thesis that Adorno’s way of thinking can only be adequately understood when these categories are not seen as mutually exclusive. In order to demonstrate this point, I will concentrate on his use of the term realism which can be seen as paradigmatic for this question. (shrink)

In der 1970 gegründeten Reihe erscheinen Arbeiten, die philosophiehistorische Studien mit einem systematischen Ansatz oder systematische Studien mit philosophiehistorischen Rekonstruktionen verbinden. Neben deutschsprachigen werden auch englischsprachige Monographien veröffentlicht. Gründungsherausgeber sind: Erhard Scheibe (Herausgeber bis 1991), Günther Patzig (bis 1999) und Wolfgang Wieland (bis 2003). Von 1990 bis 2007 wurde die Reihe von Jürgen Mittelstraß mitherausgegeben.

Constitutionalism: Past, Present, and Future will offer a definitive collection of Professor Dieter Grimm's most important scholarly writings on constitutional thought and interpretation. The essays included in this volume explore the conditions under which the modern constitution could emerge; they treat the characteristics that must be given if the constitution may be called an achievement, the appropriate way to understand and interpret constitutional law under current conditions, the function of judicial review, the remaining role of national constitutions in a (...) changing world, as well as the possibility of supra-national constitutionalism.Many of these essays have influenced the German and European discussion on constitutionalism and for the first time, much of the work of one of German's leading scholars of public law will be available in the English language. (shrink)

The following pages contain a partial edition of Husserl’s manuscript A I 35, pages 1a-28b. The first few pages are dated on May 1927 and are included mostly for completeness’ sake. The bulk of the manuscript convolute, however, is from 1912. Four pages of the convolute, 31a-34b, have been published as Beilage XII (210, 2–216, 2) in Hua XXXII. The manuscript was excluded from the text selection of Husserliana XXI3 based on its much later date of composition. A I 35/24a (...) is mentioned in Husserliana XXII (p. xxi, n. 4) as confirmation for Zermelo’s 1902 “oral report” to Husserl of his own independent discovery of the paradox. The text presented here for the first time has already been the target of at least three extensive commentaries, while still unpublished, by Claire Ortiz Hill and Guillermo Rosado Haddock. These present a good survey in english of the central issues on the text and contain many translated quotations. (shrink)

In diesem Aufsatz wird zunächst der Begriff ›Fragment‹ im Kontext einer Theorie des ›Werks‹, also des abgeschlossenen Artefakts, geklärt. Es wird gezeigt, dass Fragmente im Gegensatz zu Werken in mindestens einer Hinsicht defiziente Artefakte sind. Im folgenden Schritt wird herausgearbeitet, wo das Fragment an seine Grenzen kommt. Gemeint ist dabei einerseits die materielle Abgrenzung des Fragments von seiner Umgebung durch Schnitte, Brüche und Konturen, andererseits die begriffliche Abgrenzung des Fragments von benachbarten literarischen Formen der Prosa und der Lyrik wie Aphorismus, (...) Skizze, Entwurf, Montage und Monostichon. Ferner wird ein Blick auf ›totale Fragmente‹ (George Steiner), also Extremformen der Fragmentierung, geworfen, vor allem auf solche Fälle, in denen Artefakte ganz oder nahezu ganz gescheitert, verloren oder zerstört sind, also ein Maximum an Defizienz aufweisen. Der Schwerpunkt der Überlegungen liegt im Bereich der Literatur; andere Künste und Medien werden jedoch durchgehend vergleichend herangezogen. (shrink)

In Spescha and Strahm [15], a system of explicit mathematics in the style of Feferman [6] and [7] is introduced, and in Spescha and Strahm [16] the addition of the join principle to is studied. Changing to intuitionistic logic, it could be shown that the provably terminating operations of are the polytime functions on binary words. However, although strongly conjectured, it remained open whether the same holds true for the corresponding theory with classical logic. This note supplements a proof of (...) this conjecture. (shrink)

Review text: "... ist diese Einführung als solche uneingeschränkt zu empfehlen, da sie ihrem "analytischen? Charakter im besten Sinne des Wortes gerecht wird."Werner Wolbert in: Salzburger Theologische Zeitschrift 2/2008.

The readymades conceived and selected by Marcel Duchamp be- tween the years 1914–1917 have, with very few exceptions, not survived until the present day as ‘original.’ A variety of forms, in- cluding documentary photos, objects chosen and approved later by Duchamp as well as remakes of the historical objects comprise the readymades’ legacy. Duchamp’s remakes of his readymades as a limited edition of multiples from 1964, commemorating the 50-year anniversary of his selection of the Bottle Dryer in 1914, mark the (...) beginning of the second half of the “Readymade Century.” In contrast to their widespread visibility, the paradoxical ‘construct- edness’ of these objects is rarely discussed. The representational impact and the conceptual specificity of these multiples goes far beyond the oeuvre of Marcel Duchamp, and can be seen as a pre- monition of artistical appropriation strategies from the 1980s to the present day. (shrink)

There are many treatises concerning the soul. Plato was not the first to write on the subject. From Greek philosophy and religion the soul wandered over to Christianity. According to this religion, the soul accompanies the body, which it inhabits for a short while in order to then return to its primary homeland embodied in areas of primary existence and truth. There are many treatises concerning the soul. Plato was not the first to write on the subject. Wisława Szymborska, in (...) her collection of poems published in 2002 and titled A Moment, poses the most essential questions: Why does man exist? Why isn’t there nothingness? She also asks: What is the soul? Does man really possess a soul? What is the relationship between man and soul – to whom does the soul really belong? This is a treatise in the form of a poem which appears to be plain and modest, yet the questions it asks are fundamental. This interpretation aims to develop and translate from the language of poetry the religious and philosophical questions embraced by Szymborska’s poem. (shrink)

The paper outlines the debate on European state socialism as a social and political order. There are different attempts to obtain a better understanding of the core principles of this type of society and a continuing public debate on it. Following the end of the decade of the transition from “socialism to capitalism” we can observe a renewal in the debates on the “Ancient regime” and its heritage. There are different reasons for this phenomenon; these include new insights from the (...) archives and the recent politics on history in post-socialist societies. The new “zeitgeist” following the world financial crisis of 2008 might be an additional reason. The issues that developed are discussions on the nature of state socialism, some hypotheses on the role of reformers within the changes to late socialism from the perspective of political science, and some assumptions on the methods adopted by former reform socialists after 1989. (shrink)

Although living conditions have improved throughout history, protest, at least in the last few decades, seems to have increased to the point of becoming a normal phenomenon in modern societies. Contributors to this volume examine how and why this is the case and argue that although problems such as poverty, hunger, and violations of democratic rights may have been reduced in advanced Western societies, a variety of other problems and opportunities have emerged and multiplied the reasons and possibilities for protest.