George W. S. Bailey. prove that mental phenomena in general are not self- intimating in sense (3). Armstrong's argument is based on two claims: (a) Introspective awareness and its objects are distinct existences. (b) If introspective awareness ...

Without question, Process Philosophy and Political Liberalism: Rawls, Whitehead, Hartshorne, is Daniel Dombrowski's most important and well-argued treatise to date within his growing, prolific literary corpus. Bringing his expertise on John Rawls's political thought to bear on the process thinking of A. N. Whitehead and Charles Hartshorne, he explores commonalities of approach and ventures the interpretive hypothesis that Rawls is, at least broadly speaking, a process philosopher. He also argues that each of these philosophers appropriately shares the appellation “political liberal” (...) when that term is carefully defined. I find this strongly plausible. (shrink)

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

In this paper, we develop an understanding of recognition in terms of individuals’ capacity for conflict. Our goal is to overcome various shortcomings that can be found in both the positive and negative conceptions of recognition. We start by analyzing paradigmatic instances of such conceptions—namely, those put forward by Axel Honneth and Judith Butler. We do so in order to show how both positions are inadequate in their elaborations of recognition in an analogous way: Both fail to make intelligible the (...) fundamental nexus between relations of recognition and individuals’ capacity for conflict. We then move on to reconsider aspects of Hegel's view of recognition—ones that, from our viewpoint, have been unjustly neglected in the debate about recognition: his focus on the constitution of relations of recognition in conflict and on the status of being an author of acts of recognition. On this basis, we then spell out in a more systematic way what we take to be a more convincing conception of recognition. This puts us in the position to gesture at some consequences of this conception in practical contexts, above all with regard to the justification, role and structure of political institutions. (shrink)

S76 1992 305.8—dc20 92-25829 "The Ethnographer's Magic: Fieldwork in British Anthropology from Tylor to Malinowski" was originally published in Observers Observed: Essays on Ethnographic Fieldwork (History of Anthropology Vol. ... Toward a History of the Interwar Years" was originally published in Selected Papers from the American Anthropologist, 1921-45, edited by George W . Stocking, Jr., pp.

The obedience leitmotif complements the tension centered in the sacrifice and enables the good news of Isaac's salvation to stand as a reaffirmation of the patriarchal promise.

How is art both distinct and different from the rest of human life, while also mattering in and for it? This central yet overlooked question in contemporary philosophy of art is at the heart of Georg Bertram's new aesthetic. Drawing on the resources of diverse philosophical traditions – analytic philosophy, French philosophy, and German post-Kantian philosophy – his book offers a systematic account of art as a human practice. One that remains connected to the whole of life.

The first English translation of Hegel's important lectures on logic.

Since Kant, many philosophers have struggled to overcome the problems of an empiricist conception of the self. In this paper I argue that Heidegger’s philosophy in Being and Time has to be considered as one of the most powerful attempts to gain an anti-empiricist conception of the self and its unity. I highlight the power of Heidegger’s conception by contrasting it with contemporary empiricist conceptions, namely those of Dennett and Velleman. The basic aspect of Heidegger’s conception can be captured by (...) the claim that the unity of the subject is constituted by relations to an open future. (shrink)

Reason's Grief takes W. B. Yeats's comment that we begin to live only when we have conceived life as tragedy as a call for a tragic ethics, something the modern West has yet to produce. Harris argues that we must turn away from religious understandings of tragedy and the human condition and realize that our species will occupy a very brief period of history, at some point to disappear without a trace. We must accept an ethical perspective that avoids pernicious (...) fantasies about ultimate redemption but that sees tragic loss as a permanent and pervasive aspect of our daily lives, yet finds a way to think, feel and act with both passion and hope. Reason's Grief takes us back through the history of our thinking about value to find our way. The call is for nothing less than a paradigm shift for understanding both tragedy and ethics. (shrink)

As European colonies in Asia and Africa became independent nations, as the United States engaged in war in Southeast Asia and in covert operations in South America, anthropologists questioned their interactions with their subjects and worried about the political consequences of government-supported research. By 1970, some spoke of anthropology as “the child of Western imperialism” and as “scientific colonialism.” Ironically, as the link between anthropology and colonialism became more widely accepted within the discipline, serious interest in examining the history of (...) anthropology in colonial contexts diminished. This volume is an effort to initiate a critical historical consideration of the varying “colonial situations” in which (and out of which) ethnographic knowledge essential to anthropology has been produced. The essays comment on ethnographic work from the middle of the nineteenth century to nearly the end of the twentieth, in regions from Oceania through southeast Asia, the Andaman Islands, and southern Africa to North and South America. The “colonial situations” also cover a broad range, from first contact through the establishment of colonial power, from District Officer administrations through white settler regimes, from internal colonialism to international mandates, from early “pacification” to wars of colonial liberation, from the expropriation of land to the defense of ecology. The motivations and responses of the anthropologists discussed are equally varied: the romantic resistance of Maclay and the complicity of Kubary in early colonialism; Malinowski’s salesmanship of academic anthropology; Speck’s advocacy of Indian land rights; Schneider’s grappling with the ambiguities of rapport; and Turner’s facilitation of Kaiapo cinematic activism. “Provides fresh insights for those who care about the history of science in general and that of anthropology in particular, and a valuable reference for professionals and graduate students.”—Choice “Among the most distinguished publications in anthropology, as well as in the history of social sciences.”—George Marcus, Anthropologica. (shrink)

Although social contracts theory has been applied to organizations (Donaldson & Dunfee, 1994), rarely has the theory been tested empirically. This article uses the traditions of communitarianism and individualism to instantiate an ideal-type economic social contract. We asked 269 subjects to complete the Ideological Orientation Scale and to make judgments on eight downsizing scenarios. Using social judgment theory, we assess the direct and indirect influences of ideology on judgments of fairness. Our findings suggest that ideology indeed shapes individual’s conceptions of (...) organizational fairness. (shrink)

This essay critically evaluates the claim that competition in medicine destroys the moral integrity of the traditional patient-physician relationship. The author argues that the traditional patient-centered ethic is indefensible on moral grounds, and that it should be jettisoned in favor of a fiduciary ethic. A fiduciary ethic is found to provide the best defensible account of the patient-physician relationship because it takes seriously the roles economic efficiency, competition, and respect for individual self-determination play in fashioning moral health care delivery. Keywords: (...) competition, patient-physician relationship, fiduciary ethic, patient-centered ethic CiteULike Connotea Del.icio.us What's this? (shrink)

In this article, Shea aims to overturn Jürgen Habermas’s characterization of Nietzsche in The Philosophical Discourse of Modernity as a postmodern irrationalist. On Habermas’s account, Nietzsche employs Wille zur Macht both as a principle by which to invalidate the claims of metaphysics and as a primordial “other” to reason that unmasks reason as an expression of domination. If Habermas’s reading is correct, Nietzsche’s work is ultimately incoherent since it either lapses back into metaphysics or puts forward a self-refuting anti-metaphysics. Contrary (...) to Habermas, Shea argues that Nietzsche’s theoretical inquiries result from a considered methodological decision on the part of Nietzsche to suspend metaphysical interpretations. For this reason, Wille zur Macht can be read as the fabrication of a post-metaphysical principle for interpreting life rather than as a purported insight into the ultimate nature of reality and thus as a genuine alternative to the trappings of both metaphysical and anti-metaphysical philosophies. (shrink)

The thesis that art has ended is widespread in modernist philosophical aesthetics. Hegel and Arthur Danto are not the only ones to have claimed that art came to an end at some specific moment in history. The thesis of the end of art is intrinsic to the question of what art is. Danto is one of the most prominent proponents of the end‐of‐art thesis in recent debates in the philosophy of art. This chapter shows that both Hegel's and Danto's explanations (...) of what comes after the end of art allow us better to grasp some attributes essential to what art is. As for the highest vocation of art, Danto relies on a historical narrative according to which art is the first practice through which absolute spirit comes into existence. A key aspect of Danto's reading of Hegel's end‐of‐art thesis is that he understands it as a claim about a historical development. (shrink)

Surely one of the more remarkable, if not the most remarkable of the differences between the versions of Kant’s critical philosophy recently given us by Professor J. F. Bennett and Professor P. F. Strawson, lies in the diverse and even incompatible accounts of Kant’s transcendental idealism presented by these two first-rate analytic-philosophical interpreters of Kant. It is the purpose of this paper to set in the light and to explore some of the differences between these accounts.

In this paper, I discuss Adorno’s critique of jazz to develop a metacritique. I explain the basic objection of Adorno against jazz which states that jazz performances do not realize a law of form and therefore are not able to challenge subjects. According to my diagnosis, Adorno’s assessment of jazz is based on his conception of art for, firstly, Adorno excludes interactions of contributing to a law of form and, secondly, has a one-sided account of how art reflects subjectivity. If (...) one works out a conception of art that avoids these shortcomings it is possible to conceive of jazz as a paradigmatic form of art. (shrink)

How is aesthetic autonomy to be conceived if one does not want to lose an explanation of the connection between art and human practice in general? The starting point of the present paper is the claim that Hegel overlooks aesthetic autonomy because he wants to explain how art is operative within human practice. He does not conceive the sensuous-material aspects of art- works in their independence. Goodman’s notion of exemplification corrects this shortcoming. But his explanation of the relevance of independent (...) sensuous-material aspects of artworks fails to give us an understanding of aesthetic autonomy, too. I argue that it is possible to avoid such a negative conclusion if one understands the self-referential constitution of sensuous-material shapings in an artwork as the basis of aesthetic autonomy. At the same time, such an under- standing allows for a conception of the potency of art within human practice. (shrink)

This paper aims to offer a new and alternative perspective on the basic idea of Levinas’s philosophy. My claim is that the latter can be more appropriately understood not as a contribution to a new way of thinking about ethics or the realm of the ethical as such, but rather toward the theory of normativity. The goal of Levinas’s reflections on alterity is to exhibit the normativity that is in play in all modes of understanding. Levinas tries to understand how (...) intentional beings are normatively bound by one another. This paper tries to give answers to the questions of why Levinas addresses questions of alterity, what is distinctive about these questions according to his way of thinking, and why one should consider Levinas’ thought from the perspective of the articulation of a theory of normativity. (shrink)

This paper is a brief reply to Henry Simoni's ‘Divine passibility and the problem of radical particularity: does God feel your pain?’ in Religious Studies, 33 (1997). I treat his discussion of my paper entitled ‘Hartshorne and Creel on impassibility’, Process Studies, 21 (1992). I argue that Simoni's examples used to illustrate the purportedly contradictory nature of the experiences of a God who universally feels creaturely states fail. For Simoni tacitly employs an inadequate notion of the law of non-contradiction, and (...) thereby misses the relevant phenomenological fact that it is possible for human beings to have integrated mental states that contain spatially distinctive but conflicting hedonic properties. Thus, it is possible for God (at least under Hartshornean descriptions) to have such experiences. I also argue that I have not ‘exploited an isolated passage’ in Hartshorne to make his views seem more palatable. The point of the passage in question is in fact repeated by Hartshorne and is systematically connected with his doctrine of the ‘objective and subjective form of feeling’. (shrink)

"A very fine piece of work, essential reading for anyone concerned with Kant, Aristotelian ethics, practical reason, and more generally, the foundations of moral value and justification.... The examples are a real strength, insightful and very well-chosen."--Anthony Cunningham, St. John's University "The issues Harris has taken on are among the most important in contemporary moral thinking, and he has handled them systematically, innovatively, wisely, with wit and good sense."--J. K. Swindler, Wittenberg University.

My purpose in this essay is to provide a critical survey of arguments within recent analytic philosophy regarding the so-called “mind-body problem” with a particular view toward the relationship between these arguments and the philosophy of A.N. Whitehead (and Charles Hartshorne’s closely related views).1In course, I shall argue that Whitehead’s panexperientialist physicalism avoids paradoxes and difficulties of both materialist-physicalism and Cartesian dualismas advocated by a variety of analytic philosophers. However, and I believe that this point is not often sufficiently recognized, (...) analytic philosophy of mind is no monolith, and there are those who have found some form of panexperientialism to be attractive enough to merit serious consideration or even full-fledgedacceptance (David Chalmers, Thomas Nagel, Ralph Pred, William Seager, and Galen Strawson among them). A critical discussion of such thinkers should beincluded in any adequate survey of the relation between process panexperientialism and the analytic tradition. Moreover, the revisionary strain of the analyticaltradition which looks to natural science for its construction of worldviews (Broad, Russell, Bunge, Carnap, Quine, etc.) would move us in the direction of examining arguments concerning Whitehead’s view and contemporary empirical scientific considerations. (For a discussion of the basic nature of analytic philosophy and the descriptive and revisionary approaches contained within it, see my Process and Analysis, 5-9, 12-13, 57; and McHenry.) Here I shall argue that Whiteheadian panexperientialism very naturally accommodates important aspects of quantum theory, including the top-down causation involved in neuroplastic phenomena under a quantum mechanical interpretation of brain processes and in so-called Quantum Zeno Effect. The overall picture which emerges is that Whitehead’s position is (at the very least) a strongly plausible alternative in philosophy of mind.While I must confess that this essay can only represent the merest sketch—indeed an adequate treatment of the richly complex interpretive, comparative, and substantive philosophical issues here requires at the very least a monograph—I nonetheless hope to present a coherent and useful précis of major arguments and comparative conceptual relationships, especially for the reader who may not be readily familiar with this terrain. I thus hope that this essay will serve as a short expository and critical introduction to the interface between process and analytic philosophy of mind, and a presentation of the several theoretical advantages gained by listening to Whitehead’s theory as it connects with concerns of analytic philosophers.I shall proceed by first working though the main outlines of John Searle’s important and widely reaching “The Recent History of Materialism,” an essay which exposes critical flaws in a variety of materialist theories in ways which Whiteheadians should find especially fitting and congenial. I shall then examine defenses of dualism and the relation of Whitehead to such defenses, followed by a separate section on Chalmers, Nagel, and Pred. I will then consider a number ofimportant objections to process panexperientialism, including objections arising from the work of Jaegwon Kim and John Searle. I close with a discussion of thementioned empirical scientific arguments. (shrink)

Philosophers who have a conception of morality that allows for an ultimate conflict between duty and self-interest inherit a most difficult problem: the problem of the unity of practical reason. As long as duty is thought of as an extension of self-interest, as apparently both Plato and Hobbes thought, no theoretical difficulty arises; practical reason is unified simply because duty and interest have the same goal. But once this kind of conceptual connection between duty and self-interest is severed, the task (...) is to avoid the philosophical nemesis of dualism, a conception of practical reason in which an individual’s choice between doing his duty and securing his interests is necessarily arbitrary as a matter of practical justification. Moreover, the difficulty is compounded when morality is conceived in such a way that a person has a morality only if his moral concerns have justificatory priority among his practical concerns. When built into the concept of morality, this sort of justificatory priority might initially appear to restore the unity lost by practical reason with the severance of duty and interest. But so achieved, the unity bears all the marks of having been gained arbitrarily, for it can just as plausibly be said that a person is an egoist only if his own interests take justificatory priority among his practical concerns. Faced then with a decision about what he ought to do in a situation in which duty and interest are in conflict, the practical reasoner confronts a dilemma. In trying to decide what he ought to do, practical reason, in the form of morality, advises him to do one thing, yet in the form of self-interest, it advises him to do another. Therefore, like Humpty Dumpty, once practical reason is shattered by the separation of duty and interest, the practical reasoner’s problem is how to put things back together again. (shrink)

Relying on Heidegger’s ›Being and Time‹, the paper discusses music as a discrete form of thinking. It argues that music should be understood as the future-oriented articulation of humans’ fundamentally affective relatedness to the world. Conceiving of music as the articulation of fundamental affectivity allows us to combine formalist and expressivist approaches to music: Music must have form in order to articulate, but has significance only insofar as it articulates humans’ fundamentally affective relatedness to the world. By taking this approach (...) we are able to account for the discreteness of music as a form of thinking without limiting ourselves to art music. (shrink)