Results for 'art and technology'

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  1. Artifice and design: art and technology in human experience.Barry Allen - 2008 - Ithaca: Cornell University Press.
    The book concludes that it is a mistake to think of Art as something subjective, or as an arbitrary social representation, and of Technology as an instrumental ..
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  2. Art and technology, the right of expression to define itself through progress.Dimitrios Dacrotsis - 2022 - Days of Art in Greece 13 (Days of art in Greece):90-121.
    We are all privy, or rather participants, in an unprecedented scientific and technological outbreak whose rules have been taken in even by cultures ideologically deviating from the standards of the West, even though this revolution started there. So, we cannot refer to a heterogeneity of cultures or to conflicts, whether constant, manifest or underlying, since the theoretical mind and its logical reasoning have been universally accepted. Είμαστε όλοι κοινωνοί ή μάλλον συμμέτοχοι, μιας άνευ προηγουμένου επιστημονικής και τεχνολογικής έκρηξης, η οποία, (...)
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  3.  82
    Art and Technology: An Old Tension.Anthony O'Hear - 1995 - Royal Institute of Philosophy Supplement 38:143-158.
    This is not the first time the title ‘Art and Technology’ has been used, but to distinguish what I have to say from Walter Gropius's Bauhaus exhibition of 1923, I am subtitling my paper ‘an old tension’, where the architect spoke of ‘a new unity’. In a way, Gropius has been proved right; the structures of the future avoiding all romantic embellishment and whimsy, the cathedrals of socialism, the corporate planning of comprehensive Utopian designs have all gone up and (...)
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  4.  19
    Photographic art and technology in contemporary India.Aileen Blaney - 2019 - Philosophy of Photography 10 (1):23-40.
    The algorithmic turn in photography raises the question of whether an algorithmically generated image is even a photograph at all. This paradox is abundant on India's urban streets, where the pedestrian or road user is met with giant photo saturated flex hoardings printed with political and community messages and photo-shopped portraits of gods, chief ministers and party workers. In this article, attention to photo-based political posters alongside art practices sharing common elements of digital capture and postproduction contextualizes a reading of (...)
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  5.  45
    On art and technology.Maurizio Diana - 1994 - World Futures 40 (1):119-121.
  6.  22
    Art and technology: The ethical and political challenges of transgenic art. [Spanish].Sergio Roncallo Dow - 2009 - Eidos: Revista de Filosofía de la Universidad Del Norte 11:188-213.
    Normal 0 21 false false false ES-CO X-NONE X-NONE MicrosoftInternetExplorer4 El propósito de este artículo es poner sobre la mesa los problemas éticos y políticos a los que nos enfrentamos en el momento de pensar el arte transgénico. El texto consta de tres partes que buscan dar al lector, en primer lugar, las herramientas conceptuales necesarias para pensar el arte transgénico inserto dentro del panorama de la estética contemporánea; con este fin se presentan dos obras de Eduardo Kac, principal exponente (...)
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  7.  13
    Art and Technology: Exploring the Aisthetic Dimensions of the Life-World.Yvonne Förster - 2018 - Yearbook for Eastern and Western Philosophy 2018 (3):122-134.
    AbstractThe world we live in is shaped by technology and its development. This process is observed and debated in the humanities as well as in computer science and cognitive sciences. Narratives of human life being merged with and transcended by technology not only belong to science fiction but also to science: Theorists like Katherine Hayles or Mark B. N. Hansen speak of a technogenesis of consciousness. These accounts hold that our cognitive abilities are deeply influenced by technology (...)
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  8.  18
    Consciousness displaced: Art and technology education/collaboration for an aesthetic of liberation.Alejandro Quinteros - 2014 - Technoetic Arts 12 (2):263-271.
    Modernity’s grand plans were designed far from where we stand today. The prerogative of progress as an ideological imperative that defined colonialism as a natural balance between the ‘developed’ societies’ moral duty to rescue ‘underdeveloped’ peoples from their fate of myth and superstition created education. Education that functions as an instrument that is used to facilitate the integration of generations into the logic and aesthetics of the status quo and to bring about conformity to the hegemonic cultural form of western (...)
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  9.  18
    Martin Heidegger: politics, art, and technology.Karsten Harries & Christoph Jamme (eds.) - 1994 - New York: Holmes & Meier.
    This volume has its origins in the colloquium 'Art, Politics, Technology -- Martin Heidegger 1889-1989' held at Yale University in 1989. The centenary provided the obvious occasion: regardless of whether deplored or welcomed, the far-reaching influence of Heidegger today is beyond question, an influence underscored in that centenary year by the literally scores of conferences that took place all over the world.
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  10.  54
    Powers to be: Art and technology in Heidegger and Foucault.Krzysztof Ziarek - 1998 - Research in Phenomenology 28 (1):162-194.
  11. RL Rutsky, High Techne: Art and Technology from the Machine Aesthetic to the Posthuman.P. Beilharz - 2001 - Thesis Eleven 64:97-98.
     
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  12.  17
    Colour Histories. Science, Art, and Technology in the 17th and 18th Centuries.Magdalena Bushart & Friedrich Steinle (eds.) - 2015 - De Gruyter.
    Knowledge about colour it properties, methods of fabrication, meanings, and uses has always been the purview of a wide range of individuals, from painters and architects to dyers, printers, pigment manufacturers, chemists. This volume discusses how different communities interacted with respect to knowledge and practices surrounding colour, thus contributing to a better understanding of an important current in cultural history.".
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  13. Epistemic practices in arts and technology.Andrew Newman, Matthias Tarasiewicz & Sophie-Carolin Wagner - 2015 - Journal for Research Cultures 1 (1).
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  14.  27
    Art, time, and technology.Charlie Gere - 2006 - New York: Berg.
    This book explores how the practice of art, in particular of avant-garde art, keeps our relation to time, history and even our own humanity open. Examining key moments in the history of both technology and art from the beginnings of industrialisation to today, Charlie Gere explores both the making and purpose of art and how much further it can travel from the human body.
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  15.  19
    High Techne: Art and Technology from the Machine Aesthetic to the Posthuman (review).Craig J. Saper - 2002 - Symploke 10 (1):229-231.
  16. Music and technology. Virtuality and metadesign : Sound art in the age of connectivity.Laura Ahonen - 2006 - In Erkki Pekkilä, David Neumeyer & Richard Littlefield (eds.), Music, Meaning and Media. University of Helsinki.
     
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  17.  27
    Cybernetics and systems art in Latin America: the art and communication center (CAyC) and its pioneering art and technology network.José-Carlos Mariátegui - 2022 - AI and Society 37 (3):1071-1084.
    Towards the end of the 1960s—a period of intense creative, technological and political changes—the Argentinian art critic and entrepreneur Jorge Glusberg founded the CAyC in Buenos Aires. CAyC was an interdisciplinary experimental project that explored the relationship between art, technology and society. It sought to articulate a network of discussions and productions by a new style of Latin American artist, deeply influenced by science, technology and society. Glusberg defined such practice as Systems Art, which appeared in three ways, (...)
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  18.  15
    Art and the Revolution in Science and Technology.V. S. Rozov - 1977 - Russian Studies in Philosophy 16 (1):33-39.
    In my opinion, the so-called revolution in science and technology has virtually no influence on art.
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  19.  41
    Art and scientific technology.Thomas Munro - 1958 - Philosophy and Phenomenological Research 19 (3):399-401.
  20.  49
    Prometheus and the Muses on art and technology.Barry Allen - 2006 - Common Knowledge 12 (3):354-378.
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  21.  20
    Introduction to Perspectives on the Arts and Technology.Patrick Maynard - 1997 - Journal of Aesthetics and Art Criticism 55 (2):95-106.
  22.  23
    Technoaesthesis: The morning after the deluge (of technical images) – thoughts on perception, art and technology in our moistmedia times.Sérgio Roclaw Basbaum - 2015 - Technoetic Arts 13 (1-2):125-136.
    The article aims to approach the concept of moistmedia and the role of art practices in contemporary culture by combining ideas about perception, technology and art, through different authors like media theorist Marshall McLuhan, philosophers Maurice Merleau-Ponty, Martin Heidegger and Vilém Flusser, and anthopologists such as Constance Classen and David Howes. Thus, if we can understand perception as the genesis of sense and meaning (Merleau-Ponty), which is also culturally shaped (Classen, Howes), understanding the very nature of technology demands (...)
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  23.  9
    Literature and technology: Nature's'lawful offspring in man's art'.Hollander John - 1997 - Social Research: An International Quarterly 64 (3).
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  24.  50
    "Literature and Technology: Nature's" Lawful Offspring in Man's Art".John Hollander - 2004 - Social Research: An International Quarterly 71 (3):753-778.
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  25.  29
    Reflections on art, nature and technology: The role of technology, algorithm, nature, psyche and imagination in the aspiration of an aesthetic experience.Paola Lopreiato - 2014 - Technoetic Arts 12 (2):423-428.
    There is something frustrating in the concept of algorithm that can even worry: its limitations. An algorithm does not need the time to define itself, it possesses in its structure everything that defines it and can work exclusively in a site, such as a computer, which is itself another finite system. Whenever a particular algorithm will be executed it will always be inexorably equal to itself because the number of possible states is finite. A logical­mathematical algorithm is essentially very different (...)
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  26.  26
    Progress in Science and Technology in Relation to Art.M. N. Rutkevich - 1963 - Russian Studies in Philosophy 2 (3):44-50.
    The twentieth century has been called the age of science. Indeed, one of its most salient features is a continuous and accelerating advance in our knowledge of nature, accompanied by progress in technology and engineering. The middle of the century witnessed a new revolution in science and technology which brought about radical changes in economic production and everyday life, which brought nature under further control on our planet and ventured into outer space. These advances in science and (...) in an age of automation and electronic "brains," of nuclear energy and artificial satellites, exercise a growing influence on all aspects of social life, including the way in which art develops. (shrink)
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  27.  6
    Aesthetic perspectives on interactive art and Text-to-Image technologies (TTI).Lorenzo Manera - forthcoming - Aisthesis: Pratiche, Linguaggi E Saperi Dell’Estetico.
    By reconstructing the connections between different artistic forms, such as Art Sociologique, cybernetic, media and digital art, the paper addresses of how the concept of interactivity has evolved in relation to the development of aesthetic paradigms. Firstly, the paper problematizes the concept of interactive art, by discussing connections and differences with media and digital art. Secondly, the paper shows how Flussers’ concept of participatory media, influenced by the artistic work of Fred Forest, together with the theoretical perspective developed by members (...)
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  28. Art and the Future: A History/Prophecy of the Collaboration between Science, Technology and Art.Douglas Davis - 1974 - Journal of Aesthetics and Art Criticism 32 (4):570-571.
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  29.  22
    Science and Technology Ethics.Dr Raymond E. Spier & Raymond E. Spier - 2001 - Routledge.
    Science and Technology Ethics re-examines the ethics by which we live and asks the question: do we have in place the ethical guidelines through which we can incorporate these developments with the minimum of disruption and disaffection? It assesses the ethical systems in place and proposes new approaches to our scientific and engineering processes and products, our social contacts, biology and informatics, the military industry and our environmental responsibilities. The volume is multidisciplinary and reflects the aim of the book (...)
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  30.  15
    Art, Poetry, and Technology: Heidegger Reexamined.Hubert L. Dreyfus & Mark A. Wrathall (eds.) - 2002 - Routledge.
    First published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
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  31.  12
    Social Domains of Knowledge: Technology, Art, and Religion.Lambert Zuidervaart - 2019 - Philosophia Reformata 84 (1):79-101.
    This essay asks whether and how a Reformational epistemology should distinguish different types of knowledge within a unified conception of knowledge as a whole. I begin with the thesis that knowledge, in its deepest meaning, is not a thing to possess but a complex relationship to inhabit. It encompasses human knowers, practices of knowing, the knowable, known results, guiding principles, and procedures of confirmation. Within this complex relationship, humans achieve insight of various sorts. After briefly distinguishing artistic from scientific knowledge, (...)
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  32.  15
    Review of Barry Allen, Artifice and Design: Art and Technology in Human Experience[REVIEW]David Goldblatt - 2010 - Notre Dame Philosophical Reviews 2010 (6).
  33.  30
    Heidegger and the Art of Technology.Brendan Mahoney - 2014 - Environmental Philosophy 11 (2):279-306.
    This article critiques Eric Katz’s claim that technology and artifacts are intrinsically anthropocentric, and thus essentially aimed at controlling and dominating nature. Drawing on Martin Heidegger’s philosophy of technology, I argue Katz’s position is founded on a narrow ‘means-end’ concept of technology. Building on Heidegger’s work, I propose rethinking technology through the broader ancient Greek concept of techne. I then claim the concept of techne enables us to develop an understanding of technology that is not (...)
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  34.  22
    Art and postcapitalism: aesthetic labour, automation and value production.Dave Beech - 2019 - London: Pluto Press.
    Artistic labour was exemplary for Utopian Socialist theories of 'attractive labour', and Marxist theories of 'nonalienated labour', but the rise of the anti-work movement and current theories of 'fully automated luxury communism' have seen art topple from its privileged place within the left's political imaginary as the artist has been reconceived as a prototype of the precarious 24/7 worker. 'Art and Postcapitalism' argues that art remains essential for thinking about the intersection of labour, capitalism and postcapitalism not insofar as it (...)
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  35.  13
    Barry Allen. Artifice and Design: Art and Technology in Human Experience. ix + 213 pp., illus., index. Ithaca, N.Y./London: Cornell University Press, 2008. $35. [REVIEW]Albena Yaneva - 2010 - Isis 101 (4):929-930.
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  36. Part 5. Embodiment and technology ; The work of art in the age of the mechanical reproduction.Walter Benjamin - 2000 - In Clive Cazeaux (ed.), The Continental Aesthetics Reader. New York: Routledge.
     
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  37.  22
    Tangential Thoughts on Travel and Technology: Robert Bork, and Andrea Kann , The Art, Science, and Technology of Mediaeval Travel. AVISTA Studies in the History of Medieval Technology, Science and Art No. 6. Aldershot: Ashgate, 2008. Pp. xiv + 225. £55.00 HB.Alfred Hiatt - 2009 - Metascience 18 (3):427-431.
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  38.  9
    Art and Cosmotechnics.Yuk Hui - 2020 - Minneapolis, Minnesota, USA: University of Minnesota Press.
    Charting a course through Greek tragic thought, cybernetic logic, and the aesthetics of Chinese landscape painting (山水, shanshui— mountain and water painting), Art and Cosmotechnics addresses the challenge to art and philosophy posed by contemporary technological transformation. How might a renewed understanding of the varieties of experience of art be possible in the face of discourses surrounding artificial intelligence and robotics? Departing from Hegel’s thesis on the end of art and Heidegger’s assertion of the end of philosophy, Art and Cosmotechnics (...)
  39. Philosophy of modern art and philosophy of technology.Kurt Hübner - 1998 - Epistemologia 21 (1):3-16.
     
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  40.  6
    Philosophy of Modern Art and Philosophy of Technology.Kurt Hübner - 1998 - Society for Philosophy and Technology Quarterly Electronic Journal 4 (1):21-27.
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  41. Philosophy of modern art and philosophy of technology.Kurt Hiibner - 2001 - In Hans Lenk & Matthias Maring (eds.), Advances and Problems in the Philosophy of Technology. Lit. pp. 5--39.
     
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  42. Digital Art and Their Uniqueness without Aura.Ahmad Ibrahim Badry & Akhyar Yusuf Lubis - 2018 - In Melani Budianta, Manneke Budiman, Abidin Kusno & Mikihiro Moriyama (eds.), Cultural Dynamics in Globalized World. Routledge. pp. 89-95.
    Modern technology plays an important role in our daily lives. Many people use technology for their works, interactions, and special interests such as art. Art as a discipline, which expresses human emotion and creative side, takes a new form for its contextualization with the help of information technology. A neologism for this discipline is “digital art.” Some experts who employ a traditional value in their aesthetical perspective consider this new approach unlikely. Walter Benjamin, an eminent figure from (...)
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  43.  8
    Art and artificial intelligence.Göran Hermerén - 2024 - [New York]: Cambridge University Press.
    The overriding question discussed in this Element can be stated simply as: Can computers create art? This Element presents an overview of the controversies raised by various answers to this question. A major difficulty is that the technology is developing rapidly, and there are still many uncertainties and knowledge gaps as to what is possible today and in the near future. But a number of controversial issues are identified and discussed. The position taken on controversial issues will depend on (...)
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  44.  7
    Margarete Vöhringer, Avant-Garde and Psychotechnics: Science, Art and Technology in the Early Soviet Union London: Routledge, 2023. Pp. 254. ISBN 978-1-032-53264-6. £104.00 (hardback). [REVIEW]Roger Smith - 2024 - British Journal for the History of Science 57 (1):133-134.
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  45.  13
    Through the Scope of Life: Art and (Bio)Technologies Philosophically Revisited.María Antonia González Valerio & Polona Tratnik (eds.) - 2023 - Springer Verlag.
    This book offers intriguing philosophical inquiries into biotechnological art and the life sciences, addressing their convergences as well as their epistemic and functional divergences. Rooted on a thorough understanding of the history of philosophy, this work builds on critical and ontological thought to interpret the concept of life that underscores first-hand dealings with matter and experimentation. The book breaks new ground on the issue of animality and delivers fresh posthumanist perspectives on the topics addressed. The authors embark on a deep (...)
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  46.  20
    Gyorgy Kepes, Billy Klüver, and American Art of the 1960s: Defining Attitudes Toward Science and Technology.Anne Collins Goodyear - 2004 - Science in Context 17 (4):611-635.
    ArgumentThis essay aims to broaden our understanding of relationships between art, science, and technology during the 1960s by juxtaposing two of the most important, and under-examined, figures of this period, the artist Gyorgy Kepes and the engineer Billy Klüver. While these two are generally linked due to their similarities, a closer examination demonstrates significant differences in their outlook. Comparing the organizations they nurtured, Kepes, the Center for Advanced Visual Studies at the Massachusetts Institute of Technology, and Klüver, Experiments (...)
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  47.  20
    Conceiving Virtuality: From Art to Technology.Joaquim Braga (ed.) - 2019 - Cham: Springer.
    This book provides new theoretical approaches to the subject of virtuality. All chapters reflect the importance of extending the analysis of the concept of “the virtual” to areas of knowledge that, until today, have not been fully included in its philosophical foundations. The respective chapters share new insights on art, media, psychic systems and technology, while also presenting new ways of articulating the concept of the virtual with regard to the main premises of Western thought. Given its thematic scope, (...)
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  48.  6
    The art and craft of political theory.Leslie Paul Thiele - 2018 - New York, NY: Routledge.
    The Art and Craft of Political Theory provides a critical overview of the discipline's core concepts and concerns and its development of critical thinking and practical judgment. The field's interdisciplinary strengths are deployed to grapple with emerging issues and engage afresh enduring ideals and quandaries. While conventional definitions of key concepts are provided, original and controversial perspectives are also explored, revealing continuity in a tradition of thought while emphasizing its diversity and innovations. The Art and Craft of Political Theory illustrates (...)
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  49.  16
    Design My Music Instrument: A Project-Based Science, Technology, Engineering, Arts, and Mathematics Program on The Development of Creativity.Li Cheng, Meiling Wang, Yanru Chen, Weihua Niu, Mengfei Hong & Yuhong Zhu - 2022 - Frontiers in Psychology 12.
    Creativity is an essential factor in ensuring the sustainable development of a society. Improving students’ creativity has gained much attention in education, especially in Science, Technology, Engineering, Arts, and Mathematics education. In a quasi-experimental design, this study examines the effectiveness of a project-based STEAM program on the development of creativity in Chinese elementary school science education. We selected two fourth-graders classes. One received a project-based STEAM program, and the other received a conventional science teaching over 6 weeks. Students’ creativity (...)
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    Of Art and Wisdom: Plato’s Understanding of Technê.David Roochnik - 1996 - Pennsylvania State University Press.
    A comprehensive discussion of Plato's treatment of techne, which shows that the final goal of Platonic philosophy is nontechnical wisdom. The Greek word "techne," typically translated as "art," but also as "craft," "skill," "expertise," "technical knowledge," and even "science," has been decisive in shaping our "technological" culture. Here David Roochnik comprehensively analyzes Plato's treatment of this crucial word. Roochnik maintains that Plato's understanding of both the goodness of techne, as well as its severe limitations and consequent need to be supplemented (...)
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