In the postscript of Limited Inc., entitled “Vers une éthique de la discussion”, Jacques Derrida says: “The phrase which for certain individuals has become a sort of generally misunderstood deconstructionist slogan — il n’y a pas de hors texte — means nothing more than il n’y a pas de hors contexte”. He adds to this that while the latter formulation might perhaps be a little less shocking it is also less thought provoking. In any case, both formulations according to Derrida (...) mean “exactement la même chose” .The danger nevertheless remains that the second formulation might either through wear and tear — and concepts are frequently prey to wear and tear — or through overhasty analysis — and the average reader is always in a hurry — end up becoming trivial. Everything depends on what is meant by the terms ‘text’ and ‘context’ and what issues are at stake. (shrink)

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This volume gathers together for the first time are all the key texts in a crucial debate in modern philosophy, centered on Leibniz's famous 1695 essay, the "New System of the Nature of Substances and their Communication," in which he introduced his strikingly original theory of metaphysics. His "system" became increasingly famous and drew him into discussion and development of these ideas, both in public and in private, with a variety of thinkers, most notably the great French philosopher Pierre Bayle. (...) Woolhouse's and Francks's new English edition gives the only full representation of this debate, and will therefore be essential reading for anyone who wishes to gain a proper understanding of Leibniz's philosophy and its intelletual context. All the texts are newly translated and extensively annotated; many appear in English for the first time. (shrink)

Interviews met de Nederlandse hoogleraar Filosofie en Literatuur in Leuven (1932).

I THE REHABILITATION OF RHETORIC The ancients denned rhetoric as the art of speaking and writing both well and convincingly: ars bene dicendi and ars ...

Mimesis is one of the root words of Ancient Philosophy and again plays an important role in contemporary French thought. In this essay, an original interpretation of mimesis is given which throws new light on art and literature, reading and writing, the mirror and the example, identity and difference, and last but not least on the traditional opposition between reality and illusion, between appearing and being.

,Etwa zwei Monate vor dem Tode sagte Husserl:,Man solle seine Vergangenheit nicht trivialisieren. ' "1 Die Herausforderung dieser Worte lieB sich nur schwer abschatzen, als ich dem Stifter des Husserl-Archivs, meinem Freund Pater Van Breda, im Januar I974- zwei Monate vor seinem unzeitigen Hingang- den von ihm so sehr begruBten und geforderten EntschluB, eine Husserl-Bio­ graphie zu schreiben, naher erlauterte. Mancherlei ware darin ein­ zubringen gewesen: Ubersicht uber die Geschicke des Bismarck­ Staates und das aufkommende Hitler-Reich, Vertrautheit mit Stifter und (...) Hofmannsthal, Kenntnis der Theorie mathematischer Funktionen wie der Psychologie der Wurzburger Schule, Einsicht in die Einfuhlungslehre von Lipps wie auch Heideggers Seins­ frage. Aber solche Absicht erwies sich hauptsachlich deswegen als undurchfiihrbar, weil es derzeit noch am Notigsten fehlt: an einer verlaBlichen Durcharbeitung von Husserls Denken und seiner Entwicklung, wie sie sich in den veroffentlichten Werken, vor al­ lem aber im Meer bewahrter Manuskripte niederschlug. Hier galt es, da viel bisher im Dunkeln liegt, die Materialien zu einer Bio­ graphie erst einmal bereitzustellen und, wenn auch oft nur um­ riBhaft, fur die Zukunft sicherzustellen. Ergebnis dieser Beschei­ dung ist die vorliegende Chronik. GewiB, Husserl ware selbst der befugteste interpres sui gewe­ sen. Doch was er unterm 20. Juni rg2r an den Meiner Verlag schrieb - der,Stand seiner Lebensarbeit" erlaube es ihm zur Zeit nicht, zu der in diesem Verlag erscheinenden Reihe von Selbstdarstellungen einen Beitrag zu liefern (F I r8/r + 25) -, galt, wie gerade unsere Chronik deutlich macht, fur ihn zeitlebens. (shrink)

t. 1. Apo ton prōto skeptomeno anthrōpo mechri ton 6. aiōna M.Ch. -- t. 2. Apo ton 7. aiōna M.Ch. mechri to sēmera.

Plato's dialogues frequently criticize traditional Greek myth, yet Plato also integrates myth with his writing. Daniel S. Werner confronts this paradox through an in-depth analysis of the Phaedrus, Plato's most mythical dialogue. Werner argues that the myths of the Phaedrus serve several complex functions: they bring nonphilosophers into the philosophical life; they offer a starting point for philosophical inquiry; they unify the dialogue as a literary and dramatic whole; they draw attention to the limits of language and the limits of (...) knowledge; and they allow Plato to co-opt cultural authority as a way of defining and legitimating the practice of philosophy. Platonic myth, as a species of traditional tale, is thus both distinct from philosophical dialectic and similar to it. Ultimately, the most powerful effect of Platonic myth is the way in which it leads readers to participate in Plato's dialogues and to engage in a process of self-examination. (shrink)

We propose a formal framework for interpretable machine learning. Combining elements from statistical learning, causal interventionism, and decision theory, we design an idealised explanation game in which players collaborate to find the best explanation for a given algorithmic prediction. Through an iterative procedure of questions and answers, the players establish a three-dimensional Pareto frontier that describes the optimal trade-offs between explanatory accuracy, simplicity, and relevance. Multiple rounds are played at different levels of abstraction, allowing the players to explore overlapping causal (...) patterns of variable granularity and scope. We characterise the conditions under which such a game is almost surely guaranteed to converge on a optimal explanation surface in polynomial time, and highlight obstacles that will tend to prevent the players from advancing beyond certain explanatory thresholds. The game serves a descriptive and a normative function, establishing a conceptual space in which to analyse and compare existing proposals, as well as design new and improved solutions. (shrink)

Capital punishment—the legally authorized killing of a criminal offender by an agent of the state for the commission of a crime—stands in special need of moral justification. This is because execution is a particularly severe punishment. Execution is different in kind from monetary and custodial penalties in an obvious way: execution causes the death of an offender. While fines and incarceration set back some of one’s interests, death eliminates the possibility of setting and pursuing ends. While fines and incarceration narrow (...) one’s routes to happiness, death eliminates its possibility. Not surprisingly, there is much debate about the moral permissibility of capital punishment. This entry maps the terrain of this debate. The first section discusses justifications of the death penalty as they appear in major theories of punishment. The second section surveys moral objections to execution that apply to most justifications. The third addresses procedural criticisms, which do not target the morality of execution so much as the justice of its implementation. (shrink)

Since the launch of applications such as DALL-E, Midjourney, and Stable Diffusion, generative artificial intelligence has been controversial as a tool for creating artwork. While some have presented longtermist worries about these technologies as harbingers of fully automated futures to come, more pressing is the impact of generative AI on creative labour in the present. Already, business leaders have begun replacing human artistic labour with AI-generated images. In response, the artistic community has launched a protest movement, which argues that AI (...) image generation is a kind of theft. This paper analyzes, substantiates, and critiques these arguments, concluding that AI image generators involve an unethical kind of labour theft. If correct, many other AI applications also rely upon theft. (shrink)