The Enchantment of Words is a study of Wittgenstein's early masterpiece, the Tractatus Logico-Philosophicus. Recent years have seen a great revival of interest in the Tractatus. McManus's study of the work offers novel readings of all its major themes and sheds light on issues in metaphysics, ethics and the philosophies of mind, language, and logic.

It is a commonplace that the modern world cannot be experienced as enchanted--that the very concept of enchantment belongs to past ages of superstition. Jane Bennett challenges that view. She seeks to rehabilitate enchantment, showing not only how it is still possible to experience genuine wonder, but how such experience is crucial to motivating ethical behavior. A creative blend of political theory, philosophy, and literary studies, this book is a powerful and innovative contribution to an emerging interdisciplinary conversation (...) about the deep connections between ethics, aesthetics, and politics. As Bennett describes it, enchantment is a sense of openness to the unusual, the captivating, and the disturbing in everyday life. She guides us through a wide and often surprising range of sources of enchantment, showing that we can still find enchantment in nature, for example, but also in such unexpected places as modern technology, advertising, and even bureaucracy. She then explains how everyday moments of enchantment can be cultivated to build an ethics of generosity, stimulating the emotional energy and honing the perceptual refinement necessary to follow moral codes. Throughout, Bennett draws on thinkers and writers as diverse as Kant, Schiller, Thoreau, Kafka, Marx, Weber, Adorno, and Deleuze. With its range and daring, The Enchantment of Modern Life is a provocative challenge to the centuries-old ''narrative of disenchantment,'' one that presents a new ''alter-tale'' that discloses our profound attachment to the human and nonhuman world. (shrink)

Current debates on recognition and domination tend to be characterized by two polarized positions. Where the “anti-recognition” camp views recognition as a tool for establishing and reproducing relations of power, the “pro-recognition” camp conceives it as a way for dominated individuals and social groups to lay stake to intersubjective relations that are more just. At first glance, Honneth’s normative theory of recognition and Bourdieu’s critical sociology of domination also divide along these lines. Honneth takes the pro-recognition stance, criticizing the French (...) sociologist for adopting a “fragmented” conception of the social world that ignores the “moral consensus” underlying each claim for mutual recognition. In contrast, Bourdieu accuses the German philosopher of endorsing an “enchanted” view of the social world that misrecognizes the way that recognition perpetuates symbolic domination. However, through a close and nuanced reading of their works, this article suggests that, in spite of this difference, Honneth’s and Bourdieu’s theories nonetheless converge on the idea that recognition is neither “good” nor “bad” per se, but “structurally ambiguous” in its relations to symbolic domination. (shrink)

The title of this book was inspired by a passage in Charles Sherrington's Man on his Nature.

In Beyond Enchantment, Mark Kipperman attempts to define the dialectic in philosophical idealism between the actively creative mind and the horizon of the world. Through an analysis of the texts of Kant, Fichte, and Schelling and then an examination of works by Coleridge, Shelley, and Byron, he shows that this dialectic operates not only explicitly in philosophical texts but also implicitly in the structure of Romantic long poems.

“Disenchantment” has been a popular trope in the social sciences since Max Weber's appropriation of the term nearly a century ago. In recent years, however, scholars have come to argue that, in contrast to the standard modernization story of unabated rationalization, organizations have long been subject to countervailing forces. In this essay, David Diehl uses modern reinterpretations of the “disenchantment” thesis to suggest that the structure of contemporary schooling is the product of ongoing cultural efforts to re-enchant public life by (...) infusing rational bureaucracy with Romantic impulses in order to combat alienation and social fragmentation. Moreover, Diehl argues that the changing relationship between rationality and Romanticism has taken a unique form in the contemporary period and that recognizing this helps us to better understand the paradoxical modern push for schools to achieve seemingly incompatible goals such as diversity and standardization, community and accountability, and creativity and efficiency. (shrink)

Through the historical portrait of Galen, I argue that even an enchanted nature does not prevent the performance of violence against nature. Galen, the great physician-philosopher of antiquity, is best known for his systematization and innovation of the Hippocratic medical tradition, whose thought was the reigning medical orthodoxy from the medieval period into the Renaissance. His works on anatomy were the standard that Vesalius’ works on anatomy overturned. What is less known about Galen’s study of anatomy, however, is its philosophical (...) and theological edge. In this paper, I show that it is precisely because nature is enchanted that Galen undertakes the grisly practices of anatomical dissection and vivisection, which entail violence against nature. First, I illustrate the violent character of Galen’s anatomical experiments. Second, I elucidate Galen’s anatomical methodology as a form of philosophizing and theologizing with a scalpel. Third, I explicate the importance of the demonstration of divine teleology that anatomical dissection reveals. Fourth, I sketch how anatomical dissection as a way of knowing nature and God becomes a kind of anatomical, liturgical theology. I conclude that, at least for Galen, an enchanted nature is not in itself exempt from violence. (shrink)

Although Nietzsche accepted a distant cousin of Brian Leiter’s “Doctrine of Types,” according to which, “Each person has a fixed psycho-physical constitution, which defines him as a particular type of person,” the details of his actual view are quite different from the flat-footed position Leiter attributes to him. Leiter argues that Nietzsche thought that type-facts partially explain the beliefs and actions, including moral beliefs and actions, of the person whom those type-facts characterize. With this much, I agree. However, the Doctrine (...) of Types as formulated by Leiter, is manifestly unsupported both by Nietzsche’s texts and as an empirical hypothesis. Although Leiter has teamed up with Joshua Knobe to shore up the empirical credentials of his version of the Doctrine of Types, and although Knobe is one of the best experimental philosophers currently working in moral psychology, their account of the Doctrine is wrong both textually and empirically. That is to say, Nietzsche did not hold the version of the Doctrine they attribute to him, and it’s a good thing he didn’t, because the version that he actually did hold is better empirically supported than the version that they attribute to him. For Nietzsche – and in reality – types are not immutable or fixed. Although not everyone is endowed with the same type, which type someone belongs to can (though needn’t) evolve over the course of her lifetime. In particular, whereas I agree with Leiter that the neo-Aristotelian account of character development is empirically inadequate, I do so not because I think no character development occurs but because I think that character development occurs in a different way. In addition, for Nietzsche – and in reality – types on their own are not normative. Character, which is normatively evaluable, only arises through the refinement, calibration, and development of temperament. It might seem like I’ve just set myself an ambitious-enough goal, but I want to do more in this paper. The main point I want to argue is that Nietzsche held a person-type-relative unity of virtue thesis, according to which what’s intrinsically good for a particular person is to develop and act from particular character traits that “fit” her type. (shrink)

Responding to Max Weber’s modern diagnosis of nature, science, and medicine as disenchanted, this article aims to reenvision nature and medicine with a sense of enchantment drawing from the Christian themes of creation, Christology, suffering, and redemption. By reenvisioning nature as enchanted with these theological themes, the vocation of medicine might be revitalized in terms of suffering presence, healing care, and works of mercy toward the neighbor in need.

This interview with Charles Taylor explores a central concern throughout his work, viz., his concern to confront the challenges presented by the process of ‘disenchantment’ in the modern world. It focuses especially on what is involved in seeking a kind of ‘re-enchantment.' A key issue that is discussed is the relationship of Taylor’s theism to his effort of seeking re-enchantment. Some other related issues that are explored pertain to questions surrounding Taylor’s argument against the standard secularization thesis that (...) views secularization as a process involving the ineluctable fading away of religion. Additionally, the relationship between Taylor’s religious views and his philosophical work is discussed. (shrink)

Au cours de cet entretien mené par Yala Kisukidi, Achille Mbembe revient sur les thèmes clés de son ouvrage Brutalisme (2020) : la définition de l’idée d’« Afrique », la nécessité de sortir d’une « histoire de la prédation » et de réinvestir des utopies par le « ré-enchantement », la revalorisation d’une « politique du soin » tandis que la terre est endommagée, la création d’un espace africain de libre circulation sont évoquées tour à tour. Convoquant les écrivains Amos (...) Tutuola et Sony Labou Tansi, Mbembe souligne le rôle de l’imaginaire, et singulièrement de la littérature, dans la fabrique des utopies de demain. L’art, entendu comme réserve de vie et de possibles, constitue une ressource pour penser les migrations contemporaines et imaginer d’autres modèles alternatifs au modèle actuel néolibéral. Face à la criminalisation des circulations, le pillage des ressources, la violence du « brutalisme » contemporain, Mbembe en appelle à une « politique du soin » capable d’inclure, depuis l’Afrique, la question du commun et du partage de la Terre. (shrink)

Tales of “disenchantment” dominate modern intellectual life, and especially accounts of the cultural history of capitalism. Yet Weberian sociology, and especially Marxist notions of “commodity fetishism”, point to the persistence of “enchantment” in the capitalist imagination. If we reformulate these notions of “enchantment” and “disenchantment” in theological terms of sacrament, then we can write new histories of capitalism, as well as articulate new forms of political and cultural criticism. Borrowing from “radical orthodoxy”, the author takes a Cook's Tour (...) of “disenchantment”, explores the possibilities afforded by “sacramental” conceptions of materialism, and gestures toward an account of American cultural history shaped by a sacramental materialism. (shrink)

The launch of this important book appropriately takes place near Collingwood's childhood home in the Lake District-- a book decorated by illustrations from the work of his own father who taught him so much. It is a pleasure that his daughter Teresa is here, whose own memoir 'Early Influ-ences' helped in our thinking about her father. I join the edi-tors whose skill deserves the highest praise, in expressing gratitude both for Teresa's encouragement throughout the preparation of this book and for (...) her permission to publish her father's previously unpublished papers. (shrink)

This paper defends what the philosopher Merleau Ponty coins 'the imaginary texture of the real'. It is suggested that the imagination is at work in the everyday world which we perceive, the world as it is for us. In defending this view a concept of the imagination is invoked which has both similarities with and differences from, our everyday notion. The everyday notion contrasts the imaginary and the real. The imaginary is tied to the fictional or the illusory. Here it (...) will be suggested, following both Kant and Strawson, that there is a more fundamental working of the imagination, present in both perception and the constructions of fictions. What Kant and Strawson failed to make clear, however, was that the workings of the imagination within the perceived world, gives that world, an affective logic. The domain of affect is that of emotions, feelings and desire, and to claim such an affective logic in the world we experience, is to point out that it has salience and significance for us. Such salience suggests and demands the desiring and sometimes fearful responses we make to it; the shape of the perceived world echoed in the shapes our bodies take within it. (shrink)

In this article, against the background of a notion of ‘assembled’ truth, the evolutionary progressiveness of a theory is suggested as novel and promising explanation for the success of science. A new version of realism in science, referred to as ‘naturalised realism’ is outlined. Naturalised realism is ‘fallibilist’ in the unique sense that it captures and mimics the self-corrective core of scientific knowledge and its progress. It is argued that naturalised realism disarms Kyle Stanford’s anti-realist ‘new induction’ threats by showing (...) that ‘explanationism’ and his ‘epistemic instrumentalism’ are just two positions among many on a constantly evolving continuum of options between instrumentalism and full-blown realism. In particular it is demonstrated that not only can naturalised realism redefine the terms of realist debate in such a way that no talk of miracles need enter the debate, but it also promises interesting defenses against inductive- and under-determination-based anti-realist arguments. (shrink)

This work represents Murray Bookchin's riposte to the antihumanism, mysticism and antirationalism which are influencing many people's attitudes to environmental problems. Bookchin offers a critique of, among others, social Darwinists, deep ecologists, new agers, technophobes, Foucault, Derrida and Baudrillard.

This paper defends what the philosopher Merleau Ponty coins‘the imaginary texture of the real’.It is suggested that the imagination is at work in the everyday world which we perceive, the world as it is for us. In defending this view a concept of the imagination is invoked which has both similarities with and differences from, our everyday notion. The everyday notion contrasts the imaginary and the real. The imaginary is tied to the fictional or the illusory. Here it will be (...) suggested, following both Kant and Strawson, that there is a more fundamental working of the imagination, present in both perception and the constructions of fictions. What Kant and Strawson failed to make clear, however, was that the workings of the imagination within the perceived world, gives that world, anaffective logic. The domain of affect is that of emotions, feelings and desire, and to claim such an affective logic in the world we experience, is to point out that it has salience and significance for us. Such salience suggests and demands the desiring and sometimes fearful responses we make to it; the shape of the perceived world echoed in the shapes our bodies take within it. (shrink)

This article draws attention to the importance of enchantment in business ethics research. Starting from a Weberian understanding of disenchantment, as a force that arises through modernity and scientific rationality, we show how rationalist business ethics research has become disenchanted as a consequence of the normalization of positivist, quantitative methods of inquiry. Such methods absent the relational and lively nature of business ethics research and detract from the ethical meaning that can be generated through research encounters. To address this (...) issue, we draw on the work of political theorist and philosopher, Jane Bennett, using this to show how interpretive qualitative research creates possibilities for enchantment. We identify three opportunities for reenchanting business ethics research related to: moments of novelty or disruption; deep, meaningful attachments to things studied; and possibilities for embodied, affective encounters. In conclusion, we suggest that business ethics research needs to recognize and reorient scholarship towards an appreciation of the ethical value of interpretive, qualitative research as a source of potential enchantment. (shrink)

I argue here that Weberian disenchantment is manifest in the triumph of instrumental reason and the expansion of analytic enquiry, which now dominates not simply those sciences upon which medicine depends, but medical practice itself. I suggest ways that analytic enquiry, also referred to here as anatomical reasoning, are part of a particular ideology—a way of seeing, speaking about, and inhabiting the world—that often fails to serve the health of patients because it is incapable of “seeing” them in the moral (...) sense described by Iris Murdoch and others. I use the work of James Elkins and Wendell Berry to call for the recovery of a way of seeing the human body as both other and more than an object of scientific enquiry and social control. (shrink)

La notion d'enchantement se prête à une grande diversité d'usages qui ne se réduisent pas à des antonymes du "désenchantement du monde" au sens de Max Weber. Qu'en est-il de ces approches contemporaines et quelles en seraient les vertus heuristiques? S'agit-il de poser un constat sur le monde contemporain, tour à tour enchanté et désenchanté? D'évoquer des expériences spécifiques, au caractère quelque peu magique? De s'intéresser à des lieux, scènes, processus, "modes d'être" ou régimes d'interactivité particuliers? La labilité du terme (...) ouvre à de multiples terrains d'investigation, tant théoriques que pratiques. De telles questions ont traversé un colloque organisé à Cerisy (2021) où cette notion d'enchantement a été explorée dans ses liens avec le vivant ; ses proximités avec les notions voisines d'ambiance, de présence et/ou de résonance ; la rencontre avec des fictions, des formes d'arts ou de vies alternatives ; des descriptions de fantasmagories urbaines ; ou encore au travers de quelques manifestations des puissances de l'imaginaire. (shrink)

Within capitalist modernity, `children' and `culture' were ideologically positioned as `sacred' in opposition to the `profane' sphere of commerce and industry. In the last quarter of the 20th century, this romantic construction of childhood as a time of enchantment was appropriated by the `children's culture industry' and re-inscribed as a marketing strategy. Capitalist childhood was reconstituted as a time of consumption. In invoking the myth of the `sacred child', however, capital also elicits ambivalence about the `profanity' of commercial intrusion (...) into the domain of childhood. Similarly, the narratives of `good' versus `evil' through which children's culture is organized can be deployed in opposition to the conditions under which global capital produces children's consumer goods. While the cultural tension surrounding the commercialization of childhood has diminished as money itself takes on the aura of the `sacred', the residual power of romantic mythology creates potential for critical engagement on the terrain of capitalist childhood. (shrink)

June grass at sunset, Indian grass at sunrise, hawk moths and monarch butterflies nectaring on purple fringed orchids and rough blazing star, little bluestem and saw-tooth sunflowers and butterfly milkweed in hill prairies and sand prairies, and blue skies and one bright rainbow arching over them all. Bill Witt has been photographing Iowa’s wild places for more than thirty years, and the result is this collection of splendid images that reveal the glorious beauty and diversity of the state’s prairie remnants. (...) Witt gives us close-ups of pasque flower shoots covered with ice in spring, coneflowers dancing in a summer breeze, and prairie dropseed in its autumn colors as well as such prairie companions as sandhill cranes, northern harriers, and bison. His panoramic visions of prairie landscapes in all seasons focus on the personal pleasure and spiritual sustenance that connecting with prairies, even small and neglected ones, can bring us. Osha Davidson’s essay compares today’s prairie remnants with yesterday’s expanses and calls for us to restore balance to this damaged landscape. Altogether, Enchanted by Prairie celebrates today’s prairie landscape and encourages us, in Davidson’s words, to restore its “beauty and scents and textures and sounds.”. (shrink)

If indeed aestheticization and enchantment are perennial traits of state discourses and practices in China, it is perhaps unsurprising that a countertradition in modern literature should emphasize disenchantment. Cultural productions that originate from outside the sphere of the state have often questioned its authority. Where the state seeks to enchant, literature has sometimes sought to kindle doubt, to arouse debate. Although such debates have often been curtailed or suppressed, it is worth reexamining the connections between literary production and political (...) debates in different historical contexts throughout twentieth-century China. Drawing on theories that stress the intentionality of literature and the speech act value of the literary text, the present essay attempts to characterize the communicational dynamics both within the text and in the context of its reception. In this perspective, it revisits some of the literary debates that took place in China in the May Fourth and Republican periods (represented by Lu Xun), the early postwar years and the ROC—PRC transition (Lao She), in certain works written during the Cultural Revolution (Jin Fan/liu Qingfeng), as well as post-1979 literature on the mainland (Yan Lianke). It does so by selecting texts that seem to have been produced with the intention of challenging the aesthetics of enchantment, using literary devices to interrupt readers’ enjoyment and thus open a space for public discussion of both aesthetics and politics. (shrink)

The Really Hard Problem: Meaning in a Material World is my attempt to explain whether and how existential meaning is possible in a material world, and how such meaning is best conceived naturalistically. Neuroexistentialism conceives of our predicament in accordance with Darwin plus neuroscience. The prospects for our kind of being-in-the-world are limited by our natures as smart but fully embodied short-lived animals. Many find this picture disenchanting, even depressing. I respond to four criticisms of my relentless upbeat naturalism: that (...) naturalism can make no room for norms, for values; that I overvalue truth at the expense of happiness; that I underestimate the extent to which supernaturalism has made peace with naturalism; and that I can give no account for why humans as finite animals should want to overcome our given natures and seek impersonal, self-transcendent value. (shrink)

Scholars of the Middle Ages are reflecting productively on the sound not only of the text, but of the book.1 Formed from the skins of dead animals, parchment pages have a positive and intimate bond with silence in a way that paper does not. And yet the same or similar animal membranes are used for drum skins, tambourines, or the bellows of bagpipes, while the body of the human reader, enveloped in a skin that closely resembles parchment and is near (...) kin to it, is notable for its own resonating surfaces. Hearing ranges over and within these membranes where silence oscillates with sound and pleasure with discomfort, their reverberations alternately welcomed or shunned.In grappling with the question of how to read... (shrink)

The Australian nature conservation movement is effectively entering its second century of existence and this transition has prompted a degree of reflection about the strategies used hitherto. After going through boom years – as part of a broader environmental movement – from the 1970s until the early 1990s, a more difficult political environment in the second half of the 1990s has sparked a semi-public discussion about priorities and future strategies. This article argues that the debate about future conservation strategies needs (...) to tackle two important legacies that have become increasingly problematic: a lingering 'frontier mentality' that fosters a separation between people and 'pristine nature'; and a heavy reliance on scientific expertise and rational arguments for conservation. This dual legacy has blinded the movement to the aesthetic appeal of the romantic philosophical tradition in ecology and the importance of sensuous, embodied experiences of the 'more than human' world. In rethinking the legacy of the romantic philosopher Henry David Thoreau, the article argues for a shift of emphasis from wilderness to wildness in order to bring conservation home to more people. It suggests that we can learn from the ability of Australian Aborigines to listen to the land in order to 'sing up' the stories that are embedded in landscapes. Learning to read and create landscape stories provides creative ways of building more affective bonds between people and the land. Non-rational approaches to nature conservation can help to re-enchant conservation ' work '. (shrink)

Explores how we might think and live in the enchantment of the secular, modern world.

_Explores how we might think and live in the enchantment of the secular, modern world._.

Oscar Wilde remarked in The Picture of Dorian Gray that, ‘It is only the shallow people who do not judge by appearances.’ Over three centuries of natural science show that, at least as far as the study of the natural world is concerned, Wilde's epigram is itself shallow. Weber used the term ‘disenchantment’ to mean the elimination of magic from the modern scientific world view: the intellectual rationalisation of the world embodied in modern science has made it impossible to believe (...) in magic or an invisible God or gods, without a ‘sacrifice of the intellect’. (shrink)

La fin du marxisme en tant qu'"horizon de notre temps" a ouvert une période souvent appelée "post-moderne". Elle couvre approximativement les années 1970 à 2000 et se caractérise par la déconstruction. On observe ensuite un attrait renouvelé de la synthèse, pour diverses raisons : l'expérience totalitaire n'est plus aussi centrale, pour les nouvelles générations ; la multiplication des approches et la déconstruction généralisée a aussi fait perdre le sens global de notre époque, débouchant sur ce que certains auteurs appellent le (...) parcellitarisme ; l'émergence des anciens pays en développement sur la scène internationale apporte un regard neuf et partiellement extérieur à l'Occident, mettant en lumière ce que cette zone culturelle a de particulier et mettant à mal l'universalisme revendiqué. Cet ouvrage entend contribuer à l'effort et tenter un bilan synthétique et dialectique de la question de l'émancipation, à l'époque de la mondialisation et de la crise écologique. Il procède en trois étapes : un bilan du libéralisme, dans sa critique du conservatisme (thèse) ; un bilan des marxismes et post-marxismes, dans leur critique du libéralisme (antithèse) ; et une troisième partie de synthèse, se situant dans le prolongement théorique d'un ouvrage précédent sur l'écologisme, où l'auteur propose de réarticuler des concepts tels qu'autorité, religion, politique, science, culture et sacré, afin d'éclairer d'un jour nouveau la question de l'émancipation. La conclusion rejoint Gramsci et d'autres pour qui l'émancipation réside dans le fait d'agir en vérité. Cette affirmation apparemment simple se fonde sur un concept cosmologique de vérité élaboré principalement sur la base des travaux de Laclau, Sartre et de Whitehead. Il ouvre des pistes pour penser l'articulation de l'un et du multiple, dans une perspective résolument non relativiste."--Page 4 of cover. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Enchantment of Art: Abstraction and Empathy from German Romanticism to ExpressionismDavid MorganA familiar tradition since the eighteenth century has invested art with the power to heal a decadent human condition. Inheriting this ability from religion—the romantic enthusiast Wilhelm Wackenroder considered artistic inspiration to originate in “divine inspiration” in the case of his hero, Raphael 1 —art eventually replaced institutionalized belief in an evolutionary schedule of cultural development (...) determined by German idealism. Hegel, for instance, theorized the evolution of spirit from religion to art as a qualitative advancement over time. Rejecting the metaphysics of German idealism, Friedrich Nietzsche nevertheless contended that “Art raises its head where religions decline.” By assuming the “feelings and moods” of religion which had been dismantled by enlightenment, Nietzsche claimed that art gave new form to the life of feeling and imbued human endeavors with a “loftier, darker coloration.” 2 In the early twentieth century Wassily Kandinsky believed that the “spiritual in art” was the historical manifestation of an “inner necessity” that was in itself timeless and universal. Kandinsky portrayed the “life of the spirit” as “a large acute-angled triangle divided horizontally into unequal parts.” In a kind of “trickle down” aesthetic, the compartments of the triangle move slowly upward toward the apex, which is inhabited by the solitary genius of an age whose vision gradually elevates all those who occupy the lower stages. 3 [End Page 317]The point for proponents of the spiritual in art from romanticism to expressionism (and beyond) was to find in works of art what can best be described as an enchantment. 4 As the negotiation of the gaps or disjunctures separating human beings from complete power over their lives, enchantment conjoins the plane of immediate human experience to a desirable state of affairs through the mediation of such symbolic devices as rituals, incantations, or charms. Thus, evil can be warded off by the use of an apotropaic amulet, and fertility can be enhanced by the recitation of a suitable prayer or the performance of a certain ritual. In a modern analogy a sense of impotence is often alleviated by a trip to the mall where the bored therapeutically lose themselves in symbolic acts of self-renewing consumption. In the traditions of philosophy and science, systems of representation such as astrology, the microcosm, the harmony of the spheres, the great chain of being, the celestial hierarchies, or the mechanisms of theurgy and divination situate humanity within a cosmos that follows a particular order accessible to and in some degree manipulable by human beings. Enchantment consists of an apparatus of belief whose form of representation or enactment is thought to exert influence over the realities it configures.But enchantment is not limited to the spells and magic of premodern metaphysics (or modern consumerism). By means of religion, morality, and aesthetics, Nietzsche once averred, “man likes to believe that... he is touching the heart of the world.” 5 This study will focus on the manner in which art as constructed within the idealist tradition of German art theory functioned as an enchantment. Specifically, it will explore what the history of ideas about abstraction and empathy has to tell us about the spiritualization or enchantment of art. After identifying the philosophical and aesthetic wherewithal of enchantment in nineteenth-century Germany, attention focusses on Franz Marc’s early twentieth-century theorization of abstraction. It is certainly more customary to study Kandinsky, whose writings and early efforts at abstraction are much better known, but Marc’s ideas offer more immediate connections to German intellectual history and clarify the aims of his abstract art as a strategy of enchantment. Moreover, Marc was unusually articulate and wrote often, exploring ideas and artistic efforts with great insight. Focusing on Marc therefore offers a corrective to the historiography that has favored Kandinsky’s writings. Finally, Marc differed from his Russian friend over the cause of the war. Manifesting a difference that is portentous for this study, Kandinsky left Germany for Russia in 1914, while Marc enthusiastically took up arms for the fatherland. Given these circumstances and the unfortunate tendency of art historians to valorize expressionist art rather than situate it in the ideological context of... (shrink)

The article investigates the potential of mysticism to revitalise theology. It firstly traces how aesthetics was understood in theology and provides reasons for this view. It then investigates how the predominant epistemological approach in theology privileged conceptual knowledge and relativised aesthetics as being subjective and therefore unreliable. It gives special attention to this epistemology by spelling out how the intellectualisation of contemporary theology intensified the process of obfuscating and sidelining aesthetics. In a third part, the article spells out the consequences (...) of this position by analysing how theology is becoming a disenchanted enterprise. The article then investigates how aesthetics often is taking over the role of theology and its formative role in social discourse. It focuses on the epistemological nature of this turn towards aesthetics, arguing that aesthetics with its profound notion of beauty, is increasingly reappraised as a legitimate, but different kind and source of knowledge. The article then argues how aesthetics can reinvigorate theology as a source of knowledge together with conceptual knowledge. It ends by investigating how theology can be re-enchanted by learning from the prominent role and invigorating forms of aesthetics in mysticism. (shrink)

Socio-spatial diversity of environmental ethics and regional-ethnic identity in northern Brazil is examined with the aim of presenting a culturally complex account of Amazonian worldviews in the making. These worldviews involve the variable merging of Amerindian, riverine peasant and new settler beliefs. Interpretative and empiricist textual strategies are juxtaposed in order to explore both broad human-environmental relations, as seen through the prism of enchanted and disenchanted worldviews, as well as the subtlety of belief and disbelief in specific elements of worldview, (...) which reflect the different social backgrounds of individuals. The first part deals with the cultural significance of what is believed while the second part treats the socio-environmental implications of who believes and why. (shrink)

Anthropologists have long documented rituals that reinforce the social and spiritual aspects of killing and eating animals. The historical processes of modernization, industrialization, and the spread of market capitalism have driven many such references to sacredness out of meat production in North America, leading dominant social relations around meat into what Max Weber famously termed “disenchantment.” In this article, I argue that re-enchanting discourses are one technique being used to develop the alternative production models of ethically raised meat—animals raised for (...) human consumption with priority on sustainability and well-being. As people redesign a food system that resists the meat industry’s churn of pigs, cows, and chickens from feed lot to factory, they are not just rearranging the material structures of production. They also foster discourses and practices of sacredness, mutuality, and wonder. Ethical meat advocates use these discourses particularly to make sense of conflicts regarding the non-commodifiable nature of mortality and harmony. This article draws on ethnographic research among Southern Wisconsin butchers, farmers, and customers as well as public discourse analysis to trace meaning-making strategies that powerfully counter the commercial meat industry by re-enchanting meat. (shrink)

In this dissertation I examine the topics of ethics, religion, and their relationship in the work of Charles Taylor. I take Taylor's attempt to confront modern disenchantment by seeking a kind of re-enchantment as my guiding thread. Seeking re-enchantment means, first of all, defending an `engaged realist' account of strong evaluation, i.e., qualitative distinctions of value that are seen as normative for our desires. Secondly, it means overcoming self-enclosure and achieving self-transcendence, which I argue should be understood in (...) terms of transcending a `lower' mode of selfhood for a `higher' one in concern for `strong goods'. One of the main issues that Taylor raises is whether re-enchantment requires theism for its full adequacy. He advances - often as `hunches' - controversial claims regarding the significance of theism (1) for defending strong evaluative realism and (2) for motivating an ethic of universal human concern. I seek to fill out his hunches in terms of a theistic teleological perspective that is centered on the `telos of communion'. I argue that such a view is important for overcoming the problem of what Bernard Williams calls the `radical contingency' of ethical beliefs, which seems to undermine their normative authority. However, I argue that if a non-theistic view of cosmic purpose (e.g., Thomas Nagel's view) can be regarded as a viable option, then it could also help to address this problem and support a kind of re-enchantment. Taylor also advances the controversial view that (3) there is an ineradicable draw to `transcendence' in human life in connection to the quest for the meaning of life. Here he opposes certain mainstream theories of secularization that see it as a process involving the ineluctable fading away of the relevance of religion. I seek to fill out and defend Taylor's view in this matter. Besides providing a reading of Taylor's work as a whole and advancing further some of the issues he raises, I also examine his general evaluative framework based on his account of strong evaluation. In doing so I show how he provides a distinct and important perspective among contemporary moral philosophers. (shrink)