Search results for 'Art and technology' (try it on Scholar)

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  1. Barry Allen (2008). Artifice and Design: Art and Technology in Human Experience. Cornell University Press.score: 192.0
    The book concludes that it is a mistake to think of Art as something subjective, or as an arbitrary social representation, and of Technology as an instrumental ...
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  2. Charlie Gere (2006). Art, Time, and Technology. Berg.score: 192.0
    This book explores how the practice of art, in particular of avant-garde art, keeps our relation to time, history and even our own humanity open. Examining key moments in the history of both technology and art from the beginnings of industrialisation to today, Charlie Gere explores both the making and purpose of art and how much further it can travel from the human body.
     
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  3. Rolf-Dieter Herrmann (1973). Art, Technology, and Nietzsche. Journal of Aesthetics and Art Criticism 32 (1):95-102.score: 156.0
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  4. Roy Ascot (2002). Plenary Echnoethics: Art, Technology and Consciousness. Art Inquiry. Recherches Sur les Arts 4:7-18.score: 156.0
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  5. Hubert Dreyfus, Heidegger on the Connection Between Nihilism, Art, Technology Andpolitics.score: 150.0
    Martin Heidegger's major work, Being and Time, is usually considered the culminating work in a tradition called existential philosophy. The first person to call himself an existential thinker was Soren Kierkegaard, and his influence is clearly evident in Heidegger's thought. Existential thinking rejects the traditional philosophical view, that goes back to Plato at least, that philosophy must be done from a detached, disinterested point of view. Kierkegaard argues that our primary access to reality is through our involved action. The way (...)
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  6. Curtis Carter, On the Future of the Present: Art, Technology, and Popular Culture.score: 150.0
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  7. Oliver Lowenstein (1998). Consciousness Reframed: Art, Technology and Consciousness in the Post Biological Era. Journal of Consciousness Studies 5 (5-6):5-6.score: 150.0
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  8. Robert E. Wood (unknown). Architecture: The Confluence of Art, Technology, and Nature. :79-93.score: 150.0
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  9. Don Ihde (2004). Has the Philosophy of Technology Arrived? A State‐of‐the‐Art Review. Philosophy of Science 71 (1):117-131.score: 144.0
    Using the occasion of the publication of a Blackwell anthology in the philosophy of technology, Philosophy of Technology: The Technological Condition (2003), as a key to the contemporary role of this subdiscipline, this article reviews the current state-of-this-art. Both philosophy of science and philosophy of technology are twentieth century inventions, but each has followed a somewhat different set of philosophical traditions and pursued sometimes divergent questions. Here the primary developments of recent philosophy of technology are examined (...)
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  10. Nuket Ornek Buken & Serap Sahinoglu (2012). Gender, Infertitlity, Motherhood, and Assisted Reproductive Technology (ART) in Turkey. Human Reproduction and Genetic Ethics 16 (2):218-232.score: 132.0
    In Turkey, as in many other countries, infertility is generally regarded as a negative phenomenon in a woman’s life and is associated with a lot of stigma by society. In other words, female infertility and having a baby using Assisted Reproductive Technologies (ART) have to be taken into consideration with respect to gender, motherhood, social factors, religion and law. Yet if a woman chooses to use ART she has to deal with the consequences of her decision, such as being ostracized (...)
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  11. John Andrew Fisher & Jason Potter (1997). Technology, Appreciation, and the Historical View of Art. Journal of Aesthetics and Art Criticism 55 (2):169-185.score: 126.0
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  12. Sergio Roncallo Dow (2011). Art and technology: The ethical and political challenges of transgenic art. [Spanish]. Eidos 11:188-213.score: 126.0
    Normal 0 21 false false false ES-CO X-NONE X-NONE MicrosoftInternetExplorer4 El propósito de este artículo es poner sobre la mesa los problemas éticos y políticos a los que nos enfrentamos en el momento de pensar el arte transgénico. El texto consta de tres partes que buscan dar al lector, en primer lugar, las herramientas conceptuales necesarias para pensar el arte transgénico inserto dentro del panorama de la estética contemporánea; con este fin se presentan dos obras de Eduardo Kac, principal exponente (...)
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  13. Robert Rosenberger (2008). Seeing the World Through Technology and Art. Techné: Research in Philosophy and Technology 12 (1):90-97.score: 126.0
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  14. Kurt Hiibner (2001). Philosophy of Modern Art and Philosophy of Technology. In Hans Lenk & Matthias Maring (eds.), Advances and Problems in the Philosophy of Technology. Lit. 5--39.score: 126.0
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  15. J. Manuel & O. P. Misra (2005). Buddhist Society: Their Use and Sustenance of Trade Routes, Technology and Art Forms on the Basis of Antiquarian Remains From Madhya Pradesh. In G. Kamalakar & M. Veerender (eds.), Buddhism: Art, Architecture, Literature & Philosophy. Sharada Pub. House. 1--215.score: 126.0
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  16. Antoni Porczak (2008). Art as Technology. Art Inquiry. Recherches Sur les Arts 10:113-118.score: 126.0
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  17. Edward A. Shanken (2001). Information Technology and Conceptual Art. Art Inquiry. Recherches Sur les Arts 3:107-134.score: 126.0
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  18. Andrea Polli (2007). Eco-Media: Art Informed by Developments in Ecology, Media Technology and Environmental Science. Technoetic Arts: A Journal of Speculative Research 5 (3):187-200.score: 122.0
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  19. Krzysztof Ziarek (1998). Powers to Be: Art and Technology in Heidegger and Foucault. Research in Phenomenology 28 (1):162-194.score: 120.0
  20. Ann E. Moyer (2014). Mathematics, Technology, and Art in Later Renaissance Italy. Metascience 23 (2):281-284.score: 120.0
    Andrew Marr has built this masterful study of Mutio Oddi on a set of ironies. He begins with a bitter blow of fortune: Oddi, in the middle of an apparently promising life as mathematician and architect in his native Urbino, had fallen afoul of his lord the Duke, accused of participating in a plot to depose him. After years of apparently unjust imprisonment, he was released in 1610, but into exile. Yet Oddi managed to recast his career in Milan and (...)
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  21. Paul T. Durbin (1981). Aquinas, Art as an Intellectual Virtue, and Technology. New Scholasticism 55 (3):265-280.score: 120.0
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  22. Maurizio Diana (1994). On Art and Technology. World Futures 40 (1):119-121.score: 120.0
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  23. Kathleen Wright (1984). The Place of the Work of Art in the Age of Technology. Southern Journal of Philosophy 22 (4):565-582.score: 120.0
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  24. Barry Allen (2006). Prometheus and the Muses on Art and Technology. Common Knowledge 12 (3):354-378.score: 120.0
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  25. David Goldblatt (2010). Review of Barry Allen, Artifice and Design: Art and Technology in Human Experience. [REVIEW] Notre Dame Philosophical Reviews 2010 (6).score: 120.0
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  26. Anthony O'Hear (1995). Art and Technology: An Old Tension. Royal Institute of Philosophy Supplement 38:143-158.score: 120.0
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  27. Otto Pöggeler (1985). Rationality, or Art in the World of Technology. Irish Philosophical Journal 2 (1):3-14.score: 120.0
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  28. Jacques Ellul & Daniel Hofstadter (forthcoming). Remarks on Technology and Art. Social Research.score: 120.0
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  29. Anne Collins Goodyear (2004). Gyorgy Kepes, Billy Klüver, and American Art of the 1960s: Defining Attitudes Toward Science and Technology. Science in Context 17 (4):611-635.score: 120.0
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  30. Kurt Hübner (1998). Philosophy of Modern Art and Philosophy of Technology. Epistemologia 21:3-16.score: 120.0
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  31. Sandro Matosevic (2012). Synthesizing Artificial Cells From Giant Unilamellar Vesicles: State‐of‐the Art in the Development of Microfluidic Technology. Bioessays 34 (11):992-1001.score: 120.0
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  32. Thomas Munro (1959). Art and Scientific Technology. Philosophy and Phenomenological Research 19 (3):399-401.score: 120.0
  33. Barbara D. Palmer (1998). Clifford Davidson, Technology, Guilds, and Early English Drama. (Early Drama, Art, and Music Monograph Series, 23.) Kalamazoo, Mich.: Medieval Institute Publications, Western Michigan University, 1996. Pp. X, 128; 102 Black-and-White Figures and 1 Table. [REVIEW] Speculum 73 (3):827-827.score: 120.0
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  34. Serap Sahinoglu & Nuket Ornek Buken (2010). Gender, Infertility, Motherhood, and Assisted Reproductive Technology (ART) in Turkey. Human Reproduction and Genetic Ethics 16 (2):218.score: 120.0
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  35. L. Timofeev (1982). Black Market Technology in the U.S.S.R.: Or, The Peasants' Art of Starving. Telos 1982 (51):5-21.score: 120.0
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  36. Theological Aesthetics After von Balthasar (2008). Allen, Barry. Artifice and Design: Art and Technology in Human Experience. Ithaca, NY: Cornell University Press. 2008. Pp. 232.£ 17.95 (Hbk). Brooks, Peter. Realist Vision. London: Yale. [REVIEW] British Journal of Aesthetics 48 (4).score: 120.0
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  37. Wang Zhen (2011). On the Integration of Art Education with Science and Technology. Journal of Aesthetic Education 3:011.score: 120.0
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  38. Laura Ahonen & Home Studio Aesthetics : Tracking Cultural Processes of Popular Music Production (2006). Music and Technology. Virtuality and Metadesign : Sound Art in the Age of Connectivity / Paulo C. Chagas ; "When New Media Was the Big Idea" : Internet and the Rethinking of Pop-Music Languages / Gianni Sibilla ; Mediated Stardom, Constructed Images : The Value and Functioning of Authorship in Popular Music. In Erkki Pekkilä, David Neumeyer & Richard Littlefield (eds.), Music, Meaning and Media. University of Helsinki.score: 120.0
     
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  39. Carl F. Barnes (1995). Robert Mark, Ed., Architectural Technology Up to the Scientific Revolution: The Art and Structure of Large-Scale Buildings.(New Liberal Arts Series.) Cambridge, Mass., and London: MIT Press, 1993. Pp. Xvi, 254; Frontispiece, Many Black-and-White Illustrations, Tables, Errata Sheet. $39.95. [REVIEW] Speculum 70 (2):399-399.score: 120.0
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  40. P. Beilharz (2001). RL Rutsky, High Techne: Art and Technology From the Machine Aesthetic to the Posthuman. Thesis Eleven 64:97-98.score: 120.0
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  41. Victorian Britain (2008). Allen, Barry. Artifice and Design: Art and Technology in Human Experience. Cornell University Press. 2008. Pp. 213. Armstrong, Susan J. And Richard G. Botzler. The Animal Ethics Reader. Routledge. 2008. Pp. 588.£ 18.99. Badiou, Alain. Numbers and Numbers. Polity. 2008. Pp. 240.£ 16.99,£ 50. [REVIEW] Philosophy 83.score: 120.0
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  42. James F. Childress (1998). The Art of Technology Assessment. In Stephen E. Lammers & Allen Verhey (eds.), On Moral Medicine: Theological Perspectives in Medical Ethics. William B. Eerdmans Pub.. 298.score: 120.0
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  43. Michael T. Davis (2012). Olson, Ed., Working with Limestone: The Science, Technology and Art of Medieval Limestone Monuments. (AVISTA Studies in the History of Medieval Technology, Science and Art 7.) Farnham, Surrey, UK: Ashgate, 2011. Pp. Xxii, 263; 115 B&W Figs. $119.95. ISBN: 9780754662464. [REVIEW] Speculum 87 (4):1235-1237.score: 120.0
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  44. Shane Denson (2009). Between Technology and Art: Functions of Film in Transitional-Era Cinema. In Daniel M. Feige, Tilmann Köppe & Gesa Zur Nieden (eds.), Funktionen von Kunst. Peter Lang. 127--142.score: 120.0
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  45. J. V. Field, Frank A. J. L. James & C. R. Hill (1998). Reviews: Institutions; Education, Libraries, Museums-Science in Art: Works in the National Gallery That Illustrate the History of Science and Technology. [REVIEW] Annals of Science 55 (4):425-426.score: 120.0
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  46. Christian Freigang (2005). Nancy Y. Wu, Ed., Ad Quadratum: The Practical Application of Geometry in Medieval Architecture. (AVISTA Studies in the History of Medieval Technology, Science and Art, 1.) Aldershot, Eng., and Burlington, Vt.: Ashgate, 2002. Pp. Xviii, 272; Black-and-White Figures. $79.95. [REVIEW] Speculum 80 (1):350-352.score: 120.0
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  47. Sandro Gaycken (2011). Update on Technology To Date Philosophical Art Research. Philosophische Rundschau 58 (3):185 - 202.score: 120.0
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  48. John Hollander (2004). Literature and Technology: Nature's" Lawful Offspring in Man's Art". Social Research: An International Quarterly 71 (3):753-778.score: 120.0
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  49. Hollander John (1997). Literature and Technology: Nature's'lawful Offspring in Man's Art'. Social Research 64 (3).score: 120.0
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  50. Stephen Murray (2011). Carl F. Barnes Jr., The Portfolio of Villard de Honnecourt (Paris, Bibliothèque Nationale de France, MS Fr 19093): A New Critical Edition and Color Facsimile. Glossary by Stacey L. Hahn. A Special Publication in the Series AVISTA Studies in the History of Medieval Technology, Science and Art. Farnham, Eng., and Burlington, Vt.: Ashgate, 2009. Pp. Xxvi, 266 Plus 48 Black-and-White Plates and 71 Color Facsimiles; 49 Black-and-White Figures and Tables. $144.95. [REVIEW] Speculum 86 (1):160-162.score: 120.0
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