Search results for 'Art and technology' (try it on Scholar)

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  1. Richard Francis, Homi K. Bhabha, Yve Alain Bois & Museum of Contemporary Art (1996). Negotiating Rapture the Power of Art to Transform Lives.
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  2.  5
    Marc Van den Bossche (forthcoming). Releasement and Nihilism in the Art of Living with Technology. Foundations of Science:1-7.
    In this contribution the author tries to formulate an approach to the art of living with technology based on Heidegger’s The Principle of Reason, a work often overlooked by contemporary commentators in the philosophy of technology. This approach couples the concept of releasement to insights hailing from Wolfgang Schirmacher concerning Heidegger’s nihilism.
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  3.  79
    Barry Allen (2008). Artifice and Design: Art and Technology in Human Experience. Cornell University Press.
    The book concludes that it is a mistake to think of Art as something subjective, or as an arbitrary social representation, and of Technology as an instrumental ..
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  4.  6
    Yoni Van Den Eede, Gert Goeminne & Marc Van den Bossche (forthcoming). The Art of Living with Technology: Turning Over Philosophy of Technology’s Empirical Turn. Foundations of Science:1-12.
    In this article we seek to lay bare a couple of potential conceptual and methodological issues that, we believe, are implicitly present in contemporary philosophy of technology. At stake are the sustained pertinence of and need for coping strategies as to ‘how to live with technology ’ notwithstanding PhilTech’s advancement in its non-essentialist analysis of ‘technology’ as such; the issue of whether ‘living with technology’ is a technological affair or not ; and the tightly related question (...)
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  5.  5
    Charlie Gere (2006). Art, Time, and Technology. Berg.
    This book explores how the practice of art, in particular of avant-garde art, keeps our relation to time, history and even our own humanity open. Examining key moments in the history of both technology and art from the beginnings of industrialisation to today, Charlie Gere explores both the making and purpose of art and how much further it can travel from the human body.
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  6.  68
    Rolf-Dieter Herrmann (1973). Art, Technology, and Nietzsche. Journal of Aesthetics and Art Criticism 32 (1):95-102.
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  7. Roy Ascot (2002). Plenary Echnoethics: Art, Technology and Consciousness. Art Inquiry. Recherches Sur les Arts 4:7-18.
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  8. R. John Williams (2014). The Buddha in the Machine: Art, Technology, and the Meeting of East and West. Yale University Press.
    The famous 1893 Chicago World’s Fair celebrated the dawn of corporate capitalism and a new Machine Age with an exhibit of the world’s largest engine. Yet the noise was so great, visitors ran out of the Machinery Hall to retreat to the peace and quiet of the Japanese pavilion’s Buddhist temples and lotus ponds. Thus began over a century of the West’s turn toward an Asian aesthetic as an antidote to modern technology. From the turn-of-the-century Columbian Exhibition to the (...)
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  9.  90
    Hubert Dreyfus, Heidegger on the Connection Between Nihilism, Art, Technology Andpolitics.
    Martin Heidegger's major work, Being and Time, is usually considered the culminating work in a tradition called existential philosophy. The first person to call himself an existential thinker was Soren Kierkegaard, and his influence is clearly evident in Heidegger's thought. Existential thinking rejects the traditional philosophical view, that goes back to Plato at least, that philosophy must be done from a detached, disinterested point of view. Kierkegaard argues that our primary access to reality is through our involved action. The way (...)
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  10.  3
    Doris Oltrogge (2015). Writing on Pigments in Natural History and Art Technology in Sixteenth-Century Germany and Switzerland. Early Science and Medicine 20 (4-6):335-357.
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  11.  3
    Curtis Carter, On the Future of the Present: Art, Technology, and Popular Culture.
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  12.  2
    Oliver Lowenstein (1998). Consciousness Reframed: Art, Technology and Consciousness in the Post Biological Era. Journal of Consciousness Studies 5 (5-6):5-6.
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  13. Michael Murray (1974). Art, Technology, and the Holy: Reflections on the Work of J. M. W. Turner. Journal of Aesthetic Education 8 (2):79.
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  14. Robert E. Wood (1996). Architecture: The Confluence of Art, Technology, and Nature. Proceedings of the American Catholic Philosophical Association 70:79-93.
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  15.  71
    Don Ihde (2004). Has the Philosophy of Technology Arrived? A State‐of‐the‐Art Review. Philosophy of Science 71 (1):117-131.
    Using the occasion of the publication of a Blackwell anthology in the philosophy of technology, Philosophy of Technology: The Technological Condition (2003), as a key to the contemporary role of this subdiscipline, this article reviews the current state-of-this-art. Both philosophy of science and philosophy of technology are twentieth century inventions, but each has followed a somewhat different set of philosophical traditions and pursued sometimes divergent questions. Here the primary developments of recent philosophy of technology are examined (...)
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  16.  7
    Brendan Mahoney (2014). Heidegger and the Art of Technology. Environmental Philosophy 11 (2):279-306.
    This article critiques Eric Katz’s claim that technology and artifacts are intrinsically anthropocentric, and thus essentially aimed at controlling and dominating nature. Drawing on Martin Heidegger’s philosophy of technology, I argue Katz’s position is founded on a narrow ‘means-end’ concept of technology. Building on Heidegger’s work, I propose rethinking technology through the broader ancient Greek concept of techne. I then claim the concept of techne enables us to develop an understanding of technology that is not (...)
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  17.  4
    M. N. Rutkevich (1963). Progress in Science and Technology in Relation to Art. Russian Studies in Philosophy 2 (3):44-50.
    The twentieth century has been called the age of science. Indeed, one of its most salient features is a continuous and accelerating advance in our knowledge of nature, accompanied by progress in technology and engineering. The middle of the century witnessed a new revolution in science and technology which brought about radical changes in economic production and everyday life, which brought nature under further control on our planet and ventured into outer space. These advances in science and (...) in an age of automation and electronic "brains," of nuclear energy and artificial satellites, exercise a growing influence on all aspects of social life, including the way in which art develops. (shrink)
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  18.  3
    V. S. Rozov (1977). Art and the Revolution in Science and Technology. Russian Studies in Philosophy 16 (1):33-39.
    In my opinion, the so-called revolution in science and technology has virtually no influence on art.
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  19.  4
    Anthony O'Hear (1995). Art and Technology: An Old Tension. Royal Institute of Philosophy Supplement 38:143-158.
    This is not the first time the title ‘Art and Technology’ has been used, but to distinguish what I have to say from Walter Gropius's Bauhaus exhibition of 1923, I am subtitling my paper ‘an old tension’, where the architect spoke of ‘a new unity’. In a way, Gropius has been proved right; the structures of the future avoiding all romantic embellishment and whimsy, the cathedrals of socialism, the corporate planning of comprehensive Utopian designs have all gone up and (...)
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  20. Janet Donohoe (2008). The Place of Tradition: Heidegger and Benjamin on Technology and Art. Journal of the British Society for Phenomenology 39:226-227-260-274.
    Ziarek's claim concerning a more poetic thought appearing in the later Heidegger is echoed by Janet Donohoe. In her essay The Place of Tradition: Heidegger and Benjamin on Technology and Art she argues that notwithstanding the many differences between Heidegger and Benjamin, they share a commitment to a thinking which returns them to a more original poiesis at the root of the philosophical tradition. Both react to a crisis in the European tradition of thought and both see the expression (...)
     
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  21. S. G. Lofts (ed.) (2013). The Warburg Years : Essays on Language, Art, Myth, and Technology. Yale University Press.
    Jewish German philosopher Ernst Cassirer was a leading proponent of the Marburg school of neo-Kantianism. The essays in this volume provide a window into Cassirer’s discovery of the symbolic nature of human existence—that our entire emotional and intellectual life is configured and formed through the originary expressive power of word and image, that it is in and through the symbolic cultural systems of language, art, myth, religion, science, and technology that human life realizes itself and attains not only its (...)
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  22.  1
    Michael E. Zimmerman (1990). Heidegger's Confrontation with Modernity: Technology, Politics, and Art. Indiana University Press.
    "Writing in a lively and refreshingly clear American English, Zimmerman provides an uncompromisingly honest and judicious account... of Heidegger’s views on technology and his involvement with National Socialism.... One of the most important books on Heidegger in recent years." —John D. Caputo "... superb... " —Thomas Sheehan, The New York Review of Books "... thorough and complex... " —Choice "... excellent guide to Heidegger as eco-philosopher." —Radical Philosophy "... engrossing, rich in substance... makes clear Heidegger's importance for the issue (...)
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  23.  52
    John Andrew Fisher & Jason Potter (1997). Technology, Appreciation, and the Historical View of Art. Journal of Aesthetics and Art Criticism 55 (2):169-185.
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  24.  1
    Michael E. Zimmerman (1990). Heidegger’s Confrontation with Modernity: Technology, Politics, and Art. Indiana University Press.
    "Writing in a lively and refreshingly clear American English, Zimmerman provides an uncompromisingly honest and judicious account... of Heidegger’s views on technology and his involvement with National Socialism.... One of the most important books on Heidegger in recent years." —John D. Caputo "... superb... " —Thomas Sheehan, The New York Review of Books "... thorough and complex... " —Choice "... excellent guide to Heidegger as eco-philosopher." —Radical Philosophy "... engrossing, rich in substance... makes clear Heidegger's importance for the issue (...)
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  25.  9
    Robert Rosenberger (2008). Seeing the World Through Technology and Art. Techné: Research in Philosophy and Technology 12 (1):90-97.
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  26. Kurt Hiibner (2001). Philosophy of Modern Art and Philosophy of Technology. In Hans Lenk & Matthias Maring (eds.), Advances and Problems in the Philosophy of Technology. Lit 5--39.
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  27. J. Manuel & O. P. Misra (2005). Buddhist Society: Their Use and Sustenance of Trade Routes, Technology and Art Forms on the Basis of Antiquarian Remains From Madhya Pradesh. In G. Kamalakar & M. Veerender (eds.), Buddhism: Art, Architecture, Literature & Philosophy. Sharada Pub. House 1--215.
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  28. Antoni Porczak (2008). Art as Technology. Art Inquiry. Recherches Sur les Arts 10:113-118.
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  29. Edward A. Shanken (2001). Information Technology and Conceptual Art. Art Inquiry. Recherches Sur les Arts 3:107-134.
     
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  30. Barbara Maria Stafford (2008). The Enlightenment “Catholization” of Projective Technology: Theurgy and the Media Origins of Art. In Jan Lazardzig, Ludger Schwarte & Helmar Schramm (eds.), Theatrum Scientiarum - English Edition, Volume 2, Instruments in Art and Science: On the Architectonics of Cultural Boundaries in the 17th Century. De Gruyter 127-151.
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  31.  43
    John Hollander (2004). "Literature and Technology: Nature's" Lawful Offspring in Man's Art". Social Research: An International Quarterly 71 (3):753-778.
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  32.  11
    Babette Babich (forthcoming). Heidegger on Technology and Gelassenheit: Wabi-Sabi and the Art of Verfallenheit. AI and Society.
  33.  17
    Sergio Roncallo Dow (2011). Art and technology: The ethical and political challenges of transgenic art. [Spanish]. Eidos: Revista de Filosofía de la Universidad Del Norte 11:188-213.
    Normal 0 21 false false false ES-CO X-NONE X-NONE MicrosoftInternetExplorer4 El propósito de este artículo es poner sobre la mesa los problemas éticos y políticos a los que nos enfrentamos en el momento de pensar el arte transgénico. El texto consta de tres partes que buscan dar al lector, en primer lugar, las herramientas conceptuales necesarias para pensar el arte transgénico inserto dentro del panorama de la estética contemporánea; con este fin se presentan dos obras de Eduardo Kac, principal exponente (...)
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  34.  17
    Barry Allen (2006). Prometheus and the Muses on Art and Technology. Common Knowledge 12 (3):354-378.
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  35.  18
    Ann E. Moyer (2014). Mathematics, Technology, and Art in Later Renaissance Italy. Metascience 23 (2):281-284.
    Andrew Marr has built this masterful study of Mutio Oddi on a set of ironies. He begins with a bitter blow of fortune: Oddi, in the middle of an apparently promising life as mathematician and architect in his native Urbino, had fallen afoul of his lord the Duke, accused of participating in a plot to depose him. After years of apparently unjust imprisonment, he was released in 1610, but into exile. Yet Oddi managed to recast his career in Milan and (...)
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  36.  7
    Michael T. Davis (2012). Olson, Ed., Working with Limestone: The Science, Technology and Art of Medieval Limestone Monuments. (AVISTA Studies in the History of Medieval Technology, Science and Art 7.) Farnham, Surrey, UK: Ashgate, 2011. Pp. Xxii, 263; 115 B&W Figs. $119.95. ISBN: 9780754662464. [REVIEW] Speculum 87 (4):1235-1237.
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  37.  3
    Sérgio Roclaw Basbaum (2015). Technoaesthesis: The Morning After the Deluge – Thoughts on Perception, Art and Technology in Our Moistmedia Times. Technoetic Arts 13 (1):125-136.
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  38. Karsten Harries & Christoph Jamme (1994). Martin Heidegger Politics, Art, and Technology.
     
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  39.  29
    Krzysztof Ziarek (1998). Powers to Be: Art and Technology in Heidegger and Foucault. Research in Phenomenology 28 (1):162-194.
  40.  8
    Otto Pöggeler (1985). Rationality, or Art in the World of Technology. Irish Philosophical Journal 2 (1):3-14.
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  41.  5
    Stephen Murray (2011). Carl F. Barnes Jr., The Portfolio of Villard de Honnecourt (Paris, Bibliothèque Nationale de France, MS Fr 19093): A New Critical Edition and Color Facsimile. Glossary by Stacey L. Hahn. A Special Publication in the Series AVISTA Studies in the History of Medieval Technology, Science and Art. Farnham, Eng., and Burlington, Vt.: Ashgate, 2009. Pp. Xxvi, 266 Plus 48 Black-and-White Plates and 71 Color Facsimiles; 49 Black-and-White Figures and Tables. $144.95. [REVIEW] Speculum 86 (1):160-162.
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  42.  7
    Andrea Polli (2007). Eco-Media: Art Informed by Developments in Ecology, Media Technology and Environmental Science. Technoetic Arts 5 (3):187-200.
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  43.  7
    Anne Collins Goodyear (2004). Gyorgy Kepes, Billy Klüver, and American Art of the 1960s: Defining Attitudes Toward Science and Technology. Science in Context 17 (4):611-635.
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  44.  2
    Paola Lopreiato (2014). Reflections on Art, Nature and Technology: The Role of Technology, Algorithm, Nature, Psyche and Imagination in the Aspiration of an Aesthetic Experience. Technoetic Arts 12 (2):423-428.
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  45.  2
    Alejandro Quinteros (2014). Consciousness Displaced: Art and Technology Education/Collaboration for an Aesthetic of Liberation. Technoetic Arts 12 (2):263-271.
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  46.  7
    Thomas Munro (1959). Art and Scientific Technology. Philosophy and Phenomenological Research 19 (3):399-401.
  47.  12
    Paul T. Durbin (1981). Aquinas, Art as an Intellectual Virtue, and Technology. New Scholasticism 55 (3):265-280.
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  48.  5
    Barbara D. Palmer (1998). Clifford Davidson, Technology, Guilds, and Early English Drama. (Early Drama, Art, and Music Monograph Series, 23.) Kalamazoo, Mich.: Medieval Institute Publications, Western Michigan University, 1996. Pp. X, 128; 102 Black-and-White Figures and 1 Table. [REVIEW] Speculum 73 (3):827-827.
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  49.  11
    Maurizio Diana (1994). On Art and Technology. World Futures 40 (1):119-121.
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  50.  10
    Kathleen Wright (1984). The Place of the Work of Art in the Age of Technology. Southern Journal of Philosophy 22 (4):565-582.
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