In this unique volume, some of today's most eminent political philosophers examine the thought of John Rawls, focusing in particular on his most recent work. These original essays explore diverse issues, including the problem of pluralism, the relationship between constitutive commitment and liberal institutions, just treatment of dissident minorities, the constitutional implications of liberalism, international relations, and the structure of international law. The first comprehensive study of Rawls's recent work, The Idea of Political Liberalism will be indispensable for political philosophers (...) and theorists interested in contemporary political thought. (shrink)

Filmphilosophie ist ein – im deutschsprachigen Raum noch junges – Spezialthema der Ästhetik. Der Chicagoer Philosoph Robert B. Pippin, ein international anerkannter Interpret Hegels und Nietzsches analysiert in seinen Filmbüchern – Hollywood Western and the American Myth und Fatalism in Film Noir – zwei zentrale Filmgenres und untersucht in seinen neuesten Forschungen das Kino der belgischen Brüder Dardenne. Im vorliegenden Band beschäftigen sich, nach einem Beitrag Pippins zu den Dardennes, zwölf Autorinnen und Autoren aus Europa, den USA und Kanada (...) mit Pippins Filmphilosophie: 1) allgemein mit dem Themenraum „Film und Philosophie“; 2) mit Lektüren des Western, u.a. mit der Darstellung des „American South“ in diesem Genre; 3) mit dem Film Noir, wobei Pippins Analysen mit den Interpretationen von Deleuze und Žižek verglichen werden, und eine der Schlüsselfiguren der Schwarzen Serie, die Femme Fatale, ausführlich fokussiert wird. Das Buch ist der weltweit erste Diskussionsband zur Pippinschen Filmphilosophie und von Interesse für die Disziplinen Philosophie, Amerikanistik, Filmwissenschaft, Cultural und Gender Studies. (shrink)

Beitrage von Ludwig Nagl, Richard Heinrich, Arthur C. Danto, Barry Stroud, Peter F. Strawson, Herbert Hrachovec, Richard Rorty, Stanley Cavell, Hubert L. Dreyfus und Stuar E. Dreyfus, Kurt R. Fischer und Franz M. Wimmer.

A sourcebook for developing and facilitating collaborative groups capable of continuously adapting to anticipate the evolving learning needs of students. Based on a theoretical foundation of schools as complex systems in which linear management models are no longer sufficient.

Develops a theory of culture based on a metaphysics that elaborates on the Platonic and Confucian traditions. In Metaphysics of Goodness, Robert Cummings Neville extends Alfred North Whitehead’s project of cultural studies, which was based on a new metaphysics that Whitehead developed in Adventures of Ideas. Neville’s focus is value or goodness in many modes. The metaphysics treated in this book derive from the Platonic and Confucian traditions, with significant modifications of Whitehead, Peirce, Dewey, Confucius, Xunzi, and Zhou Dunyi. (...) Part one develops a theory of form based on a metaphysics of harmony. Part two elaborates a theory of art based on a metaphysics of beauty. Part three sketches a theory of personhood based on a metaphysics of obligation. Part four discusses civilization in a systematic way based on a metaphysics of flourishing. Throughout the book, Neville elaborates a theory of interpretation that is inspired by Peirce, Dewey, and Xunzi but is not limited to their ideas. While the reasoning of the book is concise, it employs methodologies from many kinds of philosophy, art criticism, ethics, and cultural studies, and sees philosophy as needing to learn from all these disciplines. “Neville’s work is informed by a lifelong engagement with the most important philosophers in history, including Plato, Aristotle, Whitehead, and Dewey. Here, he offers an important argument that there is beauty not only in how people see the world, but also in the world itself.” — Kevin Schilbrack, Appalachian State University. (shrink)

es ist eine häufig übersehene These der Hegelschen Ästhetik, dass die künstlerische Arbeit ein Ort der Selbstverständigung einer Gesellschaft ist. Schon in seinem ersten Hauptwerk, der "Phänomenologie des Geistes", sind Hegels Überlegungen zur Kunst eingebunden in den Versuch einer Bestimmung der Moderne, und auch in den später publizierten Texten Hegels sowie in seinen Berliner Vorlesungen zur Philosophie der Kunst ist die Deutung der Geschichte der Kunst integraler Bestandteil seiner Theorie der Moderne. Hat die Standortbestimmung, die Hegel im Blick auf die (...) Kunst seiner Zeit formuliert, auch für das heutige Selbstverständnis noch Relevanz? Im Zeichen dieser Frage wird in den Beiträgen des Buchs die Stellung der Kunst nach dem "Ende der Kunst", die Interrelationen von Kunst, Religion und Philosophie unter Bedingungen radikalisierter subjektiver Freiheit, sowie die Spannung zwischen Individualität und Allgemeinheit am Ort der Kunst und die Bedeutung der ästhetischen Theorie im Kontext der Moderne erörtert. Mit Beiträgen von: István Fehér, Annemarie Gethmann-Siefert, Francesca Iannelli, Ludwig Nagl, Herta Nagl-Docekal, Alain Patrik Oliver, Sándór Radnóti, Erzsébet Rózsa, Alberto L. Siani, Gerrit Steunebrink, Klaus Vieweg, János Weiss und Elisabeth Weisser-Lohmann. (shrink)

Robert Batterman examines a form of scientific reasoning called asymptotic reasoning, arguing that it has important consequences for our understanding of the scientific process as a whole. He maintains that asymptotic reasoning is essential for explaining what physicists call universal behavior. With clarity and rigor, he simplifies complex questions about universal behavior, demonstrating a profound understanding of the underlying structures that ground them. This book introduces a valuable new method that is certain to fill explanatory gaps across disciplines.

Renowned scholar Robert Adams explores the relation between religion and ethics through a comprehensive philosophical account of a theistically-based framework for ethics. Adams' framework begins with the good rather than the right, and with excellence rather than usefulness. He argues that loving the excellent, of which adoring God is a clear example, is the most fundamental aspect of a life well lived. Developing his original and detailed theory, Adams contends that devotion, the sacred, grace, martyrdom, worship, vocation, faith, and (...) other concepts drawn from religious ethics have been sorely overlooked in moral philosophy and can enrich the texture of ethical thought. (shrink)

Are we in a post-feminist era? Has the term, feminist, grown out of its resisted stance? What from today's standpoint is an appropriate concept of feminist philosophy? And is it not the case that all people thinking democratically must share its central concern? In Feminist Philosophy , internationally acclaimed philosopher Herta Nagl-Docekal discusses and critiques the theories of today. Her study ranges across philosophical anthropology, aesthetics, philosophy of science, the critique of reason, political theory, and philosophy of law. Feminist Philosophy (...) confronts the entire field with the problem of the hierarchical relations of the sexes. Throughout her work, Nagl-Docekal affirms the importance of feminist thought as she presses for new approaches to common problems. (shrink)

Seit 2014 erscheinen die Bände der renommierten Wiener Reihe bei De Gruyter. Das äußere Layout der Bände wurde modernisiert, inhaltlich und personell jedoch ist das Profil der seit mehr als zwei Jahrzehnten erscheinenden Buchreihe von Kontinuität geprägt. Die Bände sind jeweils einer aktuellen philosophischen Fragestellung gewidmet. Eine internationale Autorenschaft und die Veröffentlichung fremdsprachiger Beiträge sind Elemente des Programms. Die Reihe will dazu beitragen, dogmatische Abgrenzungen zwischen philosophischen Schulen und Traditionen abzubauen.

It is a near truism of philosophy of language that sentences are prior to words--that they are the only things that fundamentally have meaning. Robert's Stainton's study interrogates this idea, drawing on a wide body of evidence to argue that speakers can and do use mere words, not sentences, to communicate complex thoughts.

In this essay I distinguish four different modes of feminist critique of reason. Discussing the work of authors such as Keller, Irigaray, and Butler, I point out that the issue of masculine connotations has been addressed with regard to different concepts-or at least different aspects-of reason. In view of a tendency to overdraw the objections, I suggest to reformulate the feminist critique of reason. I also argue that a rediscovery of those philosophical concepts of reason that do not restrict this (...) term to instrumental rationality might be useful for this purpose. (shrink)