Although living conditions have improved throughout history, protest, at least in the last few decades, seems to have increased to the point of becoming a normal phenomenon in modern societies. Contributors to this volume examine how and why this is the case and argue that although problems such as poverty, hunger, and violations of democratic rights may have been reduced in advanced Western societies, a variety of other problems and opportunities have emerged and multiplied the reasons and possibilities for protest.

This paper explores the accounts of conceptual thought of Peter John Olivi (1248–1298) and Peter Auriol (1280–1322). While both thinkers are known for their criticism of representationalist theories of perception, it is argued that they part ways when it comes to analyzing conceptual cognition. To account for the human capacity for conceptual thought, Olivi is happy to make a number of concessions to indirect realist theories of representation. Insofar as he criticizes a specific branch of (...) indirect realism about conceptual thought, he does so for theological rather than strictly epistemological reasons. This goes to qualify recent philosophical interpretations of Olivi’s ‘Tractatus de verbo.’ By contrast, Auriol’s account of conceptual thought is thoroughly direct realist. According to Auriol, the natures of external things themselves appear to us directly in conceptual cognition, without the mediation of inner images or other representational devices. (shrink)

Abstract This paper studies Olivi's account of perceptual representation. It addresses two main questions: (1) how do perceptual representations originate? and (2) how do they represent their objects? Regarding (1), it is well known that Olivi emphasizes the activity of the soul in the production of perceptual representations. Yet it is sometimes argued that he overstresses the activity of the soul in a way that yields a philosophically problematic result. I argue that Olivi was well aware of (...) the problem that could be raised for his theory and that he sought to cope with it. Regarding (2), Pasnau argues that for Olivi, causal relationships with external objects determine the content of perceptual representations. I argue that, rather, perceptual representations are about their objects because they are their similitudes. This makes him an internalist about representational content. (shrink)

The ambition in what follows is to begin a consideration of the lessons that might be learnt from a reassessment of twentieth-century avant-gardist practice within the domain of musical composition. The goal here will not be an evaluation of the compositional outputs of this period but, rather, some reflections on the place and role of teaching within and among the musicians themselves, remembering that many of them gained a considerable reputation as teachers: Arnold Schoenberg, Olivier Messiaen, Karlheinz Stockhausen, and (...) class='Hi'>John Cage being the pre-eminent examples.And, as an aside, before too quickly assuming that the radical newness and futurism associated with much avant-gardism is somehow at odds with our... (shrink)

이 논문의 목적은 페트루스 요한네스 올리비를 중심으로 스콜라 경제철학에서 자본 개 념이 출현하는 맥락과 그 개념의 의미를 규명하는 것이다. 자본 개념이 생겨난다는 것은 대부 비판이 상대화된다는 것을 뜻하지 않는다. 대부는 여전히 규범적으로 비난받으며, 다 만 자본 개념은 대부 개념을 정교하게 제한하는 과정에서 등장한다. 자본을 단순한 돈과 구별 짓는 기준은 그 소유자가 상업적 투자 의도를 확고하게 가지고 있었는지 여부다. 자 본이라는 종자적 원인 은 자본가의 손에서 상업과정 속으로, 더 구체적으로 말하면 상인 의 손으로 이전되어 이윤 창출의 운동을 실현할 수 있는 도구적 (...) 힘 에 해당한다. 상업자본 의 운동과 투척운동에 대한 올리비의 유비적 분석은, 자본 개념이 임페투스 이론이라는 14세기 역학적 패러다임 분석에 따라 나타난 경제학적 범주임을 말해준다. (shrink)

The aim of this paper is to present a reconstruction of Olivi's account of signification of common names and to highlight certain intrusion of pragmatics into this account. The paper deals with the question of how certain facts, other than original imposition, may be relevant to determine the semantical content of an utterance, and not with the question of how we perform actions by means of utterances. The intrusion of pragmatics into Olivi's semantics we intend to point out (...) may seem minimal today, but was of a certain importance at his time. Even if the conventional codes still play a role in his explanation of how words acquire a semantical content, both the intention of the speaker and the communication context in which this intention is being effectuated are essential features of the actual signification of names. (shrink)

Communication plays a vital and unique role in society-often blamed for problems when it breaks down and at the same time heralded as a panacea for human relations. A sweeping history of communication, _Speaking Into the Air_ illuminates our expectations of communication as both historically specific and a fundamental knot in Western thought. "This is a most interesting and thought-provoking book.... Peters maintains that communication is ultimately unthinkable apart from the task of establishing a kingdom in which people can live (...) together peacefully. Given our condition as mortals, communication remains not primarily a problem of technology, but of power, ethics and art." —Antony Anderson, _New Scientist_ "Guaranteed to alter your thinking about communication.... Original, erudite, and beautifully written, this book is a gem." —_Kirkus Reviews_ "Peters writes to reclaim the notion of authenticity in a media-saturated world. It's this ultimate concern that renders his book a brave, colorful exploration of the hydra-headed problems presented by a rapid-fire popular culture." —_Publishers Weekly_ What we have here is a failure-to-communicate book. Funny thing is, it communicates beautifully.... _Speaking Into the Air_ delivers what superb serious books always do-hours of intellectual challenge as one absorbs the gradually unfolding vision of an erudite, creative author." —Carlin Romano, _Philadelphia Inquirer_. (shrink)

Communication plays a vital and unique role in society-often blamed for problems when it breaks down and at the same time heralded as a panacea for human relations. A sweeping history of communication, _Speaking Into the Air_ illuminates our expectations of communication as both historically specific and a fundamental knot in Western thought. "This is a most interesting and thought-provoking book.... Peters maintains that communication is ultimately unthinkable apart from the task of establishing a kingdom in which people can live (...) together peacefully. Given our condition as mortals, communication remains not primarily a problem of technology, but of power, ethics and art." —Antony Anderson, _New Scientist_ "Guaranteed to alter your thinking about communication.... Original, erudite, and beautifully written, this book is a gem." —_Kirkus Reviews_ "Peters writes to reclaim the notion of authenticity in a media-saturated world. It's this ultimate concern that renders his book a brave, colorful exploration of the hydra-headed problems presented by a rapid-fire popular culture." —_Publishers Weekly_ What we have here is a failure-to-communicate book. Funny thing is, it communicates beautifully.... _Speaking Into the Air_ delivers what superb serious books always do-hours of intellectual challenge as one absorbs the gradually unfolding vision of an erudite, creative author." —Carlin Romano, _Philadelphia Inquirer_. (shrink)

did roger bacon and peter john olivi ever meet? We suggest a positive answer to this question. After he became a Franciscan in 1257, Roger Bacon spent ten years at the Franciscan Paris convent. In those years he wrote the De multiplicatione specierum —his most thought-out piece—the Opus majus, Opus minus, and Opus tertium, which he completed by early 1268. It is not clear whether Bacon returned to England after 1268, or remained in Paris until 1280.1 (...) class='Hi'>Peter John Olivi wrote the Summa questions in several phases.2 According to Sylvain Piron's chronology, Olivi's questions on Physics should be dated before 1270, and his theory of... (shrink)

This is the first comprehensive commentary on the Athenaion Politeia since that of J.E. Sandys in 1912. The Introduction discusses the history of the text; the contents, purpose and sources of the work; its language and style; its date, and the evidence for revision after the completion of the original version; and the place of the work in the Aristotelian school. The Commentary concentrates on the historical and institutional facts which the work sets out to give, their sources and their (...) relation to other accounts. Textual and linguistic questions are also addressed. (shrink)

Is biblical messianism essentially androgynous? This paper aims to explore examples of gender-ambivalent characters in the Hebrew Bible and to assert the presence of a trend in the character development of messianic figures.1 This trend indicates intent to subvert mytho-sacrificial social norms, or what René Girard has called the sacrificial world.2 I argue that in the following select texts we encounter the promotion of gender nondifferentiation and equality, at least in certain critical circumstances. In this manner, the Hebrew Bible includes (...) the countercultural assertion that nondifferentiation is not the real threat to cosmos, to life and peace, as the prevailing mythological worldview suggests. Rather it can... (shrink)

According to a standard interpretation of Aristotle, a material substance, like a dog, is a hylomorphic composite of matter and form, its “essential” parts. Is such a composite some thing in addition to its essential parts as united? The moderate reductionist says “no,” whereas the anti-reductionist says “yes.” In this paper, I will clarify and defend Durand of St.-Pourçain’s surprisingly influential version of moderate reductionism, according to which hylomorphic composites are nothing over and above their essential parts and the union (...) of those parts, where this union is explained by the presence of two modes: a mode of inherence on the side of form and a mode of substanding on the side of matter. (shrink)

What is an occurrent mental state? According to a common scholastic answer such a state is at least in part a quality of the mind. When I newly think about a machiatto, say, my mind acquires a new quality. However, according to a view discussed by John Buridan (who rejects it) and John of Mirecourt (who is condemned in 1347 for considering it “plausible”), an occurrent mental state is not even in part a quality. After sketching some of (...) the history of this position, I will present two common arguments against it—the argument from change and the argument from agency. I will then turn to Mirecourt’s own position on the matter. Mirecourt, I show, in fact offers us two different theories about occurrent mental states. The first, which I call the conservation theory, accepts that mental states are in part qualities. However, a mental state is a quality together with an action on the side of the mind, namely, its conservation of a quality within itself. The second position, which I will call the pure-action theory, holds that an occurrent mental state is not even in part a quality; instead, it is an action the mind performs which is neither the production nor the conservation of a quality within itself. Mirecourt characterizes such pure actions as “modes” of the mind, and it is this position which is condemned in 1347. In the final section, I turn to an objection that both Buridan and Mirecourt raise against the pure-action theory: if accidental states of the mind are mere modes of the mind, then why not suppose that all accidents are mere modes of the subjects which they qualify? (shrink)

This chapter discusses Peter John Olivi’s conception of the role of dispositions in sensory cognition from metaphysical and psychological perspectives. It shows that Olivi makes a distinction between two general types of disposition. Some of them account for the ease, or difficulty, with which different persons use their cognitive powers, while others explain why people react differently to things that they perceive or think. This distinction is then applied to Olivi’s analysis of three different psychological (...) operations, where the notion of disposition figures prominently; estimative perception, perceptual clarity, and the perception of pain and pleasure. The chapter argues that Olivi uses cognitive dispositions in an interesting way to explain individual differences between persons, and that they reveal the dynamic nature of his conception of human psychology. (shrink)

In his commentary on the first chapter of 'Gaudium et Spes', Joseph Ratzinger writes the following: '[The] organ by which God can be seen cannot be a non-historical.

This chapter discusses Peter John Olivi’s conception of the role of dispositions in sensory cognition from metaphysical and psychological perspectives. It shows that Olivi makes a distinction between two general types of disposition. Some of them account for the ease, or difficulty, with which different persons use their cognitive powers, while others explain why people react differently to things that they perceive or think. This distinction is then applied to Olivi’s analysis of three different psychological (...) operations, where the notion of disposition figures prominently; estimative perception, perceptual clarity, and the perception of pain and pleasure. The chapter argues that Olivi uses cognitive dispositions in an interesting way to explain individual differences between persons, and that they reveal the dynamic nature of his conception of human psychology. (shrink)

This book explores this crucial phenomenon thereby introducing urgent questions of human interaction, the binding and breaking of time and space, and the entanglement of the material and the immaterial.

"Angeleitet durch Marx’ Thesen über Feuerbach untersucht der Artikel die linkshegelianischen Triebgründe des Programms der ›Operativen Ontologien‹. Bernhard Siegerts Versuch, »ontologische Unterscheidungen« auf »ontische Operationen« zurückzuführen, findet eine überraschende Parallele in Feuerbachs Unternehmen, »die religiöse Welt in ihre weltliche Grundlage aufzulösen«. Zugleich lässt sich im Postulat einer Vorgängigkeit kulturtechnischer Operationen ein technisch verstärktes Echo der Marxschen Rede vom Primat der Praxis vernehmen. Directed by Marx’s Theses on Feuerbach, the article examines the Left Hegelian motives of the agenda of ‘operational ontologies.’ (...) Bernhard Siegert’s attempt to attribute “ontological distinctions” to “ontical operations” finds a surprising parallel in Feuerbach’s enterprise “to dissolve the religious world into its secular foundation.” At the same time, a technically amplified echo of Marx’s idea of the primacy of practice can be perceived in the postulate of a precedence of cultural technological operations.". (shrink)

Under the sumptuous immensity of the sky, the snow covered the endless forests, the frozen rivers, the plains of an immense country, obliterating the landmarks, the accidents of the ground, levelling everything under its uniform whiteness, like a monstrous blank page awaiting the record of an inconceivable history.Increased interest in the experience of space in literature in recent decades has resulted in numerous commentaries on such topics as colonial space, geographical space, gendered space, liminal space, psychic space, and signifying space. (...) In fact, Con Coroneos suggests that Homi Bhabha’s “DissemiNation”1 considers as many as forty different types of space.2Conrad studies have not been silent during this... (shrink)

_Courting the Abyss_ updates the philosophy of free expression for a world that is very different from the one in which it originated. The notion that a free society should allow Klansmen, neo-Nazis, sundry extremists, and pornographers to spread their doctrines as freely as everyone else has come increasingly under fire. At the same time, in the wake of 9/11, the Right and the Left continue to wage war over the utility of an absolute vision of free speech in a (...) time of increased national security. _Courting the Abyss_ revisits the tangled history of free speech, finding resolutions to these debates hidden at the very roots of the liberal tradition. A mesmerizing account of the role of public communication in the Anglo-American world, _Courting the Abyss_ shows that liberty's earliest advocates recognized its fraternal relationship with wickedness and evil. While we understand freedom of expression to mean "anything goes," John Durham Peters asks why its advocates so often celebrate a sojourn in hell and the overcoming of suffering. He directs us to such well-known sources as the prose and poetry of John Milton and the political and philosophical theory of John Locke, Adam Smith, John Stuart Mill, and Oliver Wendell Holmes Jr., as well as lesser-known sources such as the theology of Paul of Tarsus. In various ways they all, he shows, envisioned an attitude of self-mastery or self-transcendence as a response to the inevitable dangers of free speech, a troubled legacy that continues to inform ruling norms about knowledge, ethical responsibility, and democracy today. A world of gigabytes, undiminished religious passion, and relentless scientific discovery calls for a fresh account of liberty that recognizes its risk and its splendor. Instead of celebrating noxious doctrine as proof of society's robustness, _Courting the Abyss_ invites us to rethink public communication today by looking more deeply into the unfathomable mystery of liberty and evil. (shrink)

Fundamental differences between current and past knowledge in the field of biotechnology mean that we now have at our disposal the means to irreversibly change what is meant by ‘human nature’. This paper explores some of the ethical issues that accompany the attempt to increase scientific control over the human genetic code in what amounts to a diminishing of difference and the reduction of human life to scientific explanations at the expense of spiritual, cultural and communal considerations. Within such a (...) limited view, the critical role of education is reduced in favour of promoting psychological efficiency, with the possibility of accelerating learning and increasing intellectual capacity through genetic manipulation. A major concern expressed in the paper is the fine line between corrective therapy and psychological enhancement: Who should be defining the normal range of human difference? And what degree of caution should be required in redesigning future generations? The unknown dangers inherent in the application of genetic technology to human life suggests that current precautions may not go far enough in recognising that education is a contestable field. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Spirometer, Whale, Slave:Breathing Emergencies, c. 1850John Durham Peters (bio)Breath dramatically starts with a slap at birth and ceases with death and yet we typically ignore it until it is under duress. Unlike marine mammals such as whales and dolphins who can never fully automate breathing—they sleep one brain hemisphere at a time so as to keep conscious watch, like yogis, over their respiration—we humans are mostly somnambulists with regard (...) to breath. Unlike our briny cousins, we won't drown if we neglect our breath. Our relatively accommodating habitat at the fold of lithosphere and atmosphere enables a Lethe of oblivion, though many elements of our world are hostile to breath: water, fire, earth, extremes of height, heat, or cold. Nothing could be more fundamental for aerobic terrestrial creatures than breathing. So its routine cloaking in impercipience must somehow be functional and require a great deal of nervous expenditure. (It always takes a lot of work to make an infrastructure invisible.)Breathing is a good test case for the notion, common to many variants of critical theory, that nature for humans is always second nature: what would it mean to find culture, history, and politics in something that is so relentlessly universal and given? The intensity of the urge for drink, food, sex, or sleep pales compared to that of taking a breath withheld or expelling a breath too long held. Here, it seems, desire and need converge. Breathing morphs into awareness, art and artifice when threat, absence or curiosity rouse it from its slumber—when we swim, have a coughing fit, sing, or challenge someone to a breath-holding contest. Under the earth in a mine, high in the air on a mountain or airplane, ill with a respiratory disease, or in other extreme situations, we need techniques and technologies to breathe. Like everything supposedly natural, we can't leave breathing in peace. We mold breath in techniques of speech, song, and prayer and in technologies of diving, medicine, and air travel. A full accounting of such would form a full encyclopedia of human ingenuity.1 [End Page 85]With typical flamboyance, Peter Sloterdijk declared that the atmosphere first ceased to be taken for granted, i.e., became technical, a matter of art, on 22 April 1915, with the German deployment of poison gas in World War I. On a world-historical scale, he takes this weaponization of the environment as an "air-quake" that launched modern air-conditioning in its most literal sense of climatization (as French and German has it) and not just interior cooling (Sloterdijk 89-110 passim). We need a history of comparative breathing emergencies! Every era, like every life, has its encounters with the precarity of breathing, even if not as conveniently dated or climate-change prognostic as 22 April 1915. The urban concentration of human population starting a few thousand years ago, for instance, made people co-breathers (con-spirators) in new ways and thus more prone to the contagious respiratory illnesses that have long ravaged our species.I want to look at one such moment—one marked by a deadly global respiratory illness, new instruments for producing data, worries about radical alterations to the atmosphere, comparative interest in nonhuman forms of life, and the politicization of breathing. 1850, like 2020, was a moment when breath awoke from its autonomic quiet. The nineteenth century was the great age of tuberculosis, the tragic and romantic lung disease. It was a time of fog, smoke, and mud, of climate-changing volcanic eruptions and a year without a summer, and of a mysterious, brooding "storm-cloud" that John Ruskin complained of so bitterly. Medical instruments, the whaling industry, and struggles for the abolition of slavery all brought the lungs into the foreground.SpirometerThe nineteenth century was also the great age of instrumentation. Light and sound were only the two most famous dynamic processes to yield to new graphic methods of inscription such as photography and phonography. The spirometer was one of many devices designed to render visual data of physiological functions, such as the myograph, the flame manometer, sphygmomanometer, and the kymograph. Many of them are still in use. The invention... (shrink)

Name der Zeitschrift: Klio Jahrgang: 99 Heft: 2 Seiten: 694-697.