Julia Kristeva, herself a product of the famous May '68 Paris student uprising, has long been fascinated by the concept of rebellion and revolution. Psychoanalysts believe that rebellion guarantees our independence and creative capacities, but is revolution still possible? Confronted with the culture of entertainment, can we build and nurture a culture of revolt, in the etymological and Proustian sense of the word: an unveiling, a return, a displacement, a reconstruction of the past, of memory, of meaning? In the (...) first part of the book, Kristeva examines the manner in which three of the most unsettling modern writers--Aragon, Sartre, and Barthes--affirm their personal rebellion. In the second part of the book, Kristeva ponders the future of rebellion. She maintains that the "new world order" is not favorable to revolt. "What can we revolt against if power is vacant and values corrupt?" she asks. Not only is political revolt mired in compromise among parties whose differences are less and less obvious, but an essential component of European culture--a culture of doubt and criticism--is losing its moral and aesthetic impact. (shrink)

Based on archival and ethnographic data, this article analyzes the iconic-making, iconoclastic unmaking, and iconographic remaking of national identifications. The window into these processes is the career of Saint John the Baptist, patron saint of French Canadians and national icon from the mid-nineteenth century until 1969, when his statue was destroyed by protesters during the annual parade in his honor in Montréal. Relying on literatures on visuality and materiality, I analyze how the saint and his attending symbols were deployed in (...) processions, parades, and protests. From this analysis, I develop the sociological concept of aesthetic revolt, a process whereby social actors rework iconic symbols, redefining national identity in the process. The article offers a theoretical articulation and an empirical demonstration of how the context, content, and the form of specific cultural objects and symbols—national icons—are intertwined in public performance to produce eventful change, and shows why and how the internal material logic and the social life of these icons shape the articulation of new national identities. (shrink)

"The Spanish original, 'La rebelión de las masas,' was published by 1930; this translation, authorized by Sr. Ortega y Gasset, remains anonymous at the translator's request." Contents: 1. The Coming of the Masses 2. The Rise of the Historical Level 3. The Height of the Times 4. The Increase of Life 5. A Statistical Fact 6. The Dissection of the Mass-Man Begins 7. Noble Life and Common Life, or Effort and Inertia 8. Why the Masses Intervene in Everything, and Why (...) Their Intervention is Solely by Violence 9. The Primitive and the Technical 10. Primitivism and History 11. The Self-Satisfied Age 12. The Barbarism of “Specialisation” 13. The Greatest Danger, the State 14. Who Rules the World 15. We Arrive at the Real Question. (shrink)

Julia Kristeva, herself a product of the famous May '68 Paris student uprising, has long been fascinated by the concept of rebellion and revolution. Psychoanalysts believe that rebellion guarantees our independence and creative capacities, but is revolution still possible? Confronted with the culture of entertainment, can we build and nurture a culture of revolt, in the etymological and Proustian sense of the word: an unveiling, a return, a displacement, a reconstruction of the past, of memory, of meaning? In the (...) first part of the book, Kristeva examines the manner in which three of the most unsettling modern writers -- Aragon, Sartre, and Barthes -- affirm their personal rebellion. In the second part of the book, Kristeva ponders the future of rebellion. She maintains that the "new world order" is not favorable to revolt. "What can we revolt against if power is vacant and values corrupt?" she asks. Not only is political revolt mired in compromise among parties whose differences are less and less obvious, but an essential component of European culture -- a culture of doubt and criticism -- is losing its moral and aesthetic impact. (shrink)

Julia Kristeva, herself a product of the famous May '68 Paris student uprising, has long been fascinated by the concept of rebellion and revolution. Psychoanalysts believe that rebellion guarantees our independence and creative capacities, but is revolution still possible? Confronted with the culture of entertainment, can we build and nurture a culture of revolt, in the etymological and Proustian sense of the word: an unveiling, a return, a displacement, a reconstruction of the past, of memory, of meaning? In the (...) first part of the book, Kristeva examines the manner in which three of the most unsettling modern writers -- Aragon, Sartre, and Barthes -- affirm their personal rebellion. In the second part of the book, Kristeva ponders the future of rebellion. She maintains that the "new world order" is not favorable to revolt. "What can we revolt against if power is vacant and values corrupt?" she asks. Not only is political revolt mired in compromise among parties whose differences are less and less obvious, but an essential component of European culture -- a culture of doubt and criticism -- is losing its moral and aesthetic impact. (shrink)

The problem of self-deception lies at the heart of Nietzsche's account of the slave revolt in morality in the first essay of On the Genealogy of Morals. The viability of Nietzsche's genealogy of morality is thus crucially dependent on a successful explanation of the self-deception the slaves of the first essay are caught in. But the phenomenon of self-deception is notoriously puzzling. In this paper, after critically examining existing interpretations of the slaves’ self-deception, I provide, by drawing on Alfred (...) Mele's work on self-deception, a deflationary account of the slaves’ self-deception; an account which explains the slaves’ self-deceived predicament but without either the attribution of contradictory mental states or an intention to produce or to facilitate the production of the belief the self-deceived subjects end up holding. In light of my account of self-deception, I interpret Nietzsche's intriguing claim that the slaves’ revaluation of ressentiment amounts to their ‘most mendacious artistic.. (shrink)

Explores how the concept of revolution permeates and unifies Kristeva’s body of work.

Brief: Analysis on English and British Literature widely along-with creative genre, on using different styles of linguistic capability at different types of Essays, reflected now on recent book 'The Revolt in the Desert (Journey on English Literature from India to USA).

At the time of the fragile Weimar Republic, when the crisis of parliamentary democracy was accompanied by a “frightening massification of life” and of public opinion, Scheler posed a challenge: How to achieve a cultural and spiritual transformation that can contribute to a true rebirth of Germany and Europe? If this renaissance is to be achieved, Germany and Europe must be examined as a whole, and the ideas underlying their institutions must be renewed. Cosmopolitanism and the age of integration – (...) for example the integration of rationalism, which has traditionally characterized Europe, and irrationalism, of which the “revolt of pulsions” is, according to Scheler, an eloquent testimony – impose this renewal. Against this backdrop, this paper examines the possible “costs and benefits” of a Freudian-inspired sublimation from a Schelerian perspective, with particular attention to the problem of Bildung. (shrink)

Peter Blickle, the great scholar of the German Peasants' War of 1525, has asserted that “in the late Middle Ages Europe saw itself confronted with a phenomenon which had been unknown in the previous history of the west—the peasant rebellion.” Is it indeed true that there are no reports of peasant revolts before the fourteenth century and in the early Middle Ages in particular? If one were to answer this question based on the Western scholarship of popular uprisings that has (...) flourished over the last few decades, one might concur with Blickle, since this research has focused almost exclusively on the fourteenth through sixteenth centuries. Yet there are a few recorded examples of peasant rebellions from the early Middle Ages, although dramatically fewer than in the late Middle Ages and the early modern period. The early-medieval revolt about which we have the most information is the Saxon Stellinga uprising of 841–42. Gerward, the author of the Annals of Xanten, described this revolt with the following words: “That same year throughout all of Saxony the power of the slaves rose up violently against their lords. They usurped for themselves the name Stellinga [apparently Old Saxon for ‘companions’ or ‘comrades’], and they perpetrated much madness. And the nobles of that land were violently persecuted and humiliated by the slaves.” As the only recorded European popular revolt between the sixth and tenth century, the rebellion of the Saxon Stellinga demands an explanation. (shrink)

With unflinching gaze and uncompromising intensity Julius Evola analyzes the spiritual and cultural malaise at the heart of Western civilization and all that passes for progress in the modern world. As a gadfly, Evola spares no one and nothing in his survey of what we have lost and where we are headed. At turns prophetic and provocative, Revolt against the Modern World outlines a profound metaphysics of history and demonstrates how and why we have lost contact with the transcendent (...) dimension of being. The revolt advocated by Evola does not resemble the familiar protests of either liberals or conservatives. His criticisms are not limited to exposing the mindless nature of consumerism, the march of progress, the rise of technocracy, or the dominance of unalloyed individualism, although these and other subjects come under his scrutiny. Rather, he attempts to trace in space and time the remote causes and processes that have exercised corrosive influence on what he considers to be the higher values, ideals, beliefs, and codes of conduct--the world of Tradition--that are at the foundation of Western civilization and described in the myths and sacred literature of the Indo‑Europeans. Agreeing with the Hindu philosophers that history is the movement of huge cycles and that we are now in the Kali Yuga, the age of dissolution and decadence, Evola finds revolt to be the only logical response for those who oppose the materialism and ritualized meaninglessness of life in the twentieth century. Through a sweeping study of the structures, myths, beliefs, and spiritual traditions of the major Western civilizations, the author compares the characteristics of the modern world with those of traditional societies. The domains explored include politics, law, the rise and fall of empires, the history of the Church, the doctrine of the two natures, life and death, social institutions and the caste system, the limits of racial theories, capitalism and communism, relations between the sexes, and the meaning of warriorhood. At every turn Evola challenges the reader’s most cherished assumptions about fundamental aspects of modern life. A controversial scholar, philosopher, and social thinker, JULIUS EVOLA (1898-1974) has only recently become known to more than a handful of English‑speaking readers. An authority on the world’s esoteric traditions, Evola wrote extensively on ancient civilizations and the world of Tradition in both East and West. Other books by Evola published by Inner Traditions include Eros and the Mysteries of Love, The Yoga of Power, The Hermetic Tradition, and The Doctrine of Awakening. (shrink)

« Qu'est-ce qu'un homme révolté? Un homme qui dit non. Mais s'il refuse, il ne renonce pas : c'est aussi un homme qui dit oui, dès son premier mouvement. »[réf. nécessaire] D'apparence, il existe une limite à la révolte. Cependant, la révolte est un droit. La révolte naît de la perte de patience. Elle est un mouvement et se situe donc dans l'agir. Elle se définit par le « Tout ou Rien », le « Tous ou Personne ». En premier, (...) elle soumet l'idée d'égalité : position d'égal à égal entre le maître et l'esclave. Mais le révolté finit par imposer cette égalité qui se traduit souvent par une inversion des rôles (dialectique hégélienne). Suivant le raisonnement de Scheler, l'homme révolté n'est pas l'homme du ressentiment, c'est-à-dire qu'il ne baigne ni dans la haine ni dans le mépris. La révolte enfante des valeurs. De fait, « pour être, l'homme doit se révolter ». La révolte extirpe l'homme de la solitude puisqu'elle est collective, c'est l'« aventure de tous ». Néanmoins, faire l'expérience de la révolte, c'est faire l'expérience de l'ascèse. Les mythes de Prométhée, d'Achille (avec Patrocle), d'OEdipe et d'Antigone, sont des archétypes de révoltes antiques au même titre que la révolte de Spartacus. La révolte est souvent légitime, elle est l'expression la plus pure de la liberté et semble revêtir le visage de l'espoir. De surcroît, la révolte impose une tension, elle refuse donc formellement le confort de la tyrannie ou de la servitude. Le révolutionnaire a la volonté de « transformer le monde » (Marx) alors que le révolté veut « changer la vie » (Rimbaud). (shrink)

Crisis, social revolts, revolutionary moments in Marx and Lenin The examination of the link between crises and social revolts in Marxism is a task which is deeply problematic. « Revolt » would seem to have the status of a « hidden object » within the more general question of the relation between crises and revolutionary opportunities. The article begins by considering a series of preliminary questions : what do we mean by « crisis », « revolt » and (...) by « revolutionary conjuncture » ? What is the role played by revolts within the revolutionary conjunctures opened up by crises ? The article then focuses on the Marxian analysis of the conjunctures of 1848 and 1870 and on Lenin’s analysis of 1905 and 1917. Marx and Lenin put forward two strongly contrasting ways of dealing with the problem of articulating crisis, revolt and revolution. Whereas Marx envisages the passage from revolt to revolution as a process of self-transformation and self-emancipation accomplished through the praxis of the masses, Lenin envisages this passage as a « leap » that only accomplishes itself through the dialectical relation between the avant-garde Party and the masses. (shrink)

This book examines solutions to the crisis of modernity proposed by the Spanish philosopher Miguel de Unamuno and the Mexican philosopher Antonio Caso. Acceptance of the objective claims of modern scientific rationality and the consequent rejection of the objective validity of artistic, moral, and religious claims generates the crisis of modernity. The problem is that of justifying artistic, moral, and religious claims. Miguel de Unamuno in his classic work, _The Tragic Sense of Life_, addresses the conflict between the belief in (...) personal immortality and modern scientific rationality. Holding that there is no rational justification for the belief in immortality, Unamuno finds a solution in a “saving scepticism” to act “as if” he deserved immortality. In his book _Existence as Economy, as Art, and Charity _Caso attempts to create an _aposteriori _metaphysics based on the “current” results of science supplemented by the intuitions of art and morality. In doing so, Caso believes that he has enlarged the scope of the knowable to include objects of art, morality, and religion. Unamuno, by accepting the strict line of demarcation between faith and reason has no other recourse but to turn to decisionism. By turning to intuitionism, Caso believes that he has blurred the line of demarcation. Decisionism and intuitionism, therefore, are worthy of further exploration. (shrink)

Explores how the concept of revolution permeates and unifies Kristeva’s body of work.

What lies behind the amalgam of liberalism, elitism, anti-capitalism, and fascistic elements in today’s street politics? This essay analyzes this mixture in light of the shifting class locations of middle strata. Intensified business dominance has not only proletarianized some middle strata but has led to a dry life for even the privileged ones. Middle classes are now taking to the streets to reclaim their specialness. Their exact agendas might not be identical throughout the globe, but a kindred spirit of creativity (...) and aestheticized occupation unites disparate geographies of revolt. Liberal and radical analyses of the wave of revolt miss its most significant characteristics, which only a re-theorization of the new petty bourgeoisie can capture. The essay outlines a research agenda that would explore the multiple dimensions of middle-class formation, as well as the post-capitalist trajectories that might result from further politicization. (shrink)

This article contemplates symbols and values inscribed on Cairo’s landscape during the 2011 revolution and the period since, focusing on Tahrir Square and the role of the Egyptian flag in street discourses there. I start by briefly pondering how intertwined popular narratives readied the square and flag as emblems of dissent. Next I examine how these appropriations shaped protests in the square, and how military authorities who retook control in 2013 re-coopted the square and flag, with the reabsorption of each (...) critical to that of the other and executed in the same place: Tahrir. Pro-military factions have created the pretense that they were for the revolution by altering the square and structures around it. Furthermore, the square has remained open to the public, but ceased to be inviting. This relates to post-revolutionary alterations that psychologically repel entry. I consider these changes in light of affordance theory, value sensitive design research and especially the defensible space model, arguing that Tahrir Square has been symbolically cordoned and closed. (shrink)

In this first study of the social context that produced the Apocryphal Acts, Stevan L. Davies con­tends that women wrote the Acts and that the “Acts appear to have been a striving by Christian women for both a mode of self-expression and ...

Popular uprisings, indignant youth, toppled dictators, oligarchic presidents dismissed, hopes dashed, liberties crushed in prisons, fixed trials, and bloodbaths. How are we to read these images? Could revolt, or what is called “riot” on the Web, be waking humanity from its dream of hyperconnectedness? Or could it just be a trick played on us so that the culture of spectacle can last longer? But what “revolt” are we talking about? Is it even possible?

Enactivists frequently argue their account heralds a revolution in cognitive science: enactivism will unseat cognitivism as the dominant paradigm. We examine the lines of reasoning enactivists employ in stirring revolt, but show that none of these prove compelling reasons for cognitivism to be replaced by enactivism. First, we examine the hard sell of enactivism: enactivism reveals a critical explanatory gap at the heart of cognitivism. We show that enactivism does not meet the requirements to incite a paradigm shift in (...) the Kuhnian sense—there is no internal crisis in cognitivism. Nor does it provide inherently better explanations of cognition as some have claimed. Second, we consider the soft sell of enactivism: enactivism provides a more attractive, parsimonious, or clear-eyed lens on cognition. This move proves to boil down to a misunderstanding of how theories are selected in science. Instead we lend support to a broader and more desirable way to conceive of enactivism, the recent proposal that enactivism is a philosophy of nature. We explain how a philosophy of nature does more than support a single research paradigm by integrating scientific questions into a cohesive picture. (shrink)

Resumen: A mediados del siglo XX, Blanchot elabora una crítica minuciosa de algunos tópicos de Camus. Su interés, sobre todo, se centra en la renovación camusiana del cogito sintetizada en la fórmula Me rebelo, luego somos. Para Blanchot, el hombre desgraciado ha perdido el poder de decir “Yo” y, por ello, es una figura de lo impersonal que no puede ser reconducida a la persona. Sin embargo, esto no implica la renuncia a la insumisión: Blanchot recupera la figura de Sísifo (...) para mostrar que hay una rebeldía de lo impersonal que excede al hombre, marcando así el camino a la “resistencia de lo neutro” que sería reivindicada por la filosofía francesa e italiana del siglo XXI.: In the mid-20th century, Blanchot developed a thorough critique of some of Camus’ topics. His interest mainly focused on the renewal of the camusian cogito synthesized in the formula “I rebel, therefore we are.” For Blanchot, the hapless man has lost the power to say “I” and is thus a figure of the impersonal that cannot be redirected to the person. Nevertheless, this does not entail a waiver of rebelliousness: Blanchot recovered the figure of Sisyphus to show that there is a rebellion of the impersonal that exceeds man, indicating the way to the “resistance of the neutral” to be claimed by French and Italian philosophy of the 21st century. (shrink)

Les manifestations de jeunes de l’été 2023 dénoncent, de manière violente, l’impasse politique à laquelle a conduit le refus persistant des élus de reconnaître la condition de ces nouvelles générations post-ouvrières, et leur stigmatisation constante. Cet article montre la continuité des révoltes urbaines depuis les années 1980, mais aussi les transformations notables dans la manière dont ces jeunes s’opposent de manière virulente aux institutions.

Les Iraniens et Iraniennes ont développé une intelligence pratique du contournement des interdits. Une séparation ancienne du privé et du public ( andaruni/biruni)s’est transformée en un jeu subtil avec les valeurs, les modes de vie, les arts permis/prohibés. Illicites et présents partout mais à l’écart, la musique, les chants, les voix sont à la fois particulièrement prisés et contrôlés. Saisissant ce sujet, des cinéastes et des musiciens traitent de la censure et produisent en même temps ce qui est illicite : (...) la musique à travers des concerts, auditions, répétitions. Des chansons réfèrent à des poèmes soufis prônant l’ivresse et la révolte. (shrink)

An antipathy to absolutes has been a pervasive feature of twentieth-century philosophy: universality, necessity, objectivity and the like have figured prominently on its index of prohibitions. Ironically, this anti-absolutism itself represents an absolutism of sorts. And it is actually injurious to the interests of philosophizing where adequacy sometimes demands absoluteness. Certain philosophicallysignificant facts root in the non-negotiable necessities of things—the wickedness of inflicting needless pain, for one.

DUALISM AND THE PHYSICAL WORLD 257 IX. THE NATURE OF KNOWING AS A NATURAL EVENT . . 303 INDEX 323 PREFACE The principal purpose of this volume is not to present ...

This chapter attends to somaesthetic expressions occurring irrespective of knowledge of the movement, using Mandalay’s Water Festival and Cairo’s Arab Spring as case studies. These celebrations and protests feature bodies creatively gravitating around urban structures and according to emotional, cultural concerns, all of this together defining city spaces for a time. Bodies also become venues for artistic refashioning, for example, through creative conversion of injuries into celebratory badges of dissent. Geared almost therapeutically towards life-improvement—albeit sometimes implicitly—these celebrations and protests also (...) have meliorative aspects that mark the somaesthetic movement. Moreover, they have a shared, public character stressed by Shusterman, but arguably lost on many because of his interest in self-focused meditation and the popular appeal of such exercises among those interested in body practices. (shrink)