Simon Critchley's first book, The Ethics of Deconstruction, was originally published to great acclaim in 1992. This edition contains three new appendices and a new preface where Critchley reflects upon the origins, motivation and reception of The Ethics of Deconstruction.

In lieu of an abstract, here is a brief excerpt of the content:diacritics 34.1 (2004) 3-17 [Access article in PDF] Universal Shylockery Money and Morality in The Merchant of Venice Simon Critchley Tom McCarthy What if Nietzsche were a Jew, and a mean-minded Venetian Jew at that? We'd like to begin with the thought experiment of imagining The Merchant of Venice as a genealogy of morality and imagining Shylock as Nietzsche. What is The Merchant of Venice about? What is (...) at stake in this oddly inside-out drama, where a piece of good old Elizabethan comic Jew-baiting rotates 180 degrees into a devastating study of Christian anti-Semitism only to flip back into what it seemed to deny? Our initial hypothesis is that it is nothing less than an inquiry into the origin of our moral concepts of justice, good and bad, and more particularly guilt, law, mercy, and love. It is here that a link with Nietzsche suggests itself, particularly with the Second Essay of On the Genealogy of Morals.* * *How do we breed an animal with the right to make promises? For Nietzsche, the human being is an originally forgetful creature, like a young child. To make this originally forgetful creature remember requires physical discipline; it behooves punishment. The teaching of morality is never gentle; it never droppeth from heaven like gentle rain. On the contrary, if something is to be retained in memory, it must be burned in. The origin of memory lies in pain and cruelty: "Man could never do without blood, torture and sacrifices when he felt the need to create a memory for himself" [GM 61]. Nietzsche's first, astonishing hypothesis in the Second Essay is that the origin of concepts like responsibility and conscience lies in cruelty—cruelty administered and maintained through a corporal and corporeal regime. Further, as religions are systems of cruelty, all forms of asceticism originate in the same painful place. "Consider the German punishments," Nietzsche proposes—and we all know that there's nothing quite like the German punishments: stoning, breaking on the wheel, piercing with stakes, tearing apart or trampling with horses, boiling in oil, flaying alive, cutting straps from the flesh, smearing the wrongdoer with honey and leaving him to the flies in the blazing sun. As Nietzsche quips, with magnificent understatement, "With the aid of such images and procedures one finally remembers five or six 'I will not's'" [GM 62]. It is on the basis of this burned-in memory of cruelty that good, decent, upright burghers such as ourselves acquired the habit of moral reasoning:Ah, reason, seriousness, mastery over affects, the whole sombre thing called reflection, all these prerogatives and showpieces of man: how dearly they have been bought! How much blood and cruelty lie at the bottom of all "good things." [GM 62] [End Page 3]"Dearly bought": let's hold onto that trope of purchasing. In another extraordinary passage of the Second Essay, Nietzsche explains the origin of thinking itself in terms of economic activity:Setting prices, determining values, contriving equivalences, exchanging—these preoccupied the earliest thinking of man to so great an extent that in a sense they are thinking [das Denken ist]. [GM 70] In the beginning was trade. Human activity begins with exchange, with the to and fro of buying and selling, which are forms of life older than all other social alliances and organization. It is from here, Nietzsche insists, that human beings arrive at the first moral canon of justice:"Everything has its price; all things can be paid for"—the oldest and most naïve moral canon of justice, the beginning of all "good-naturedness," all "fairness," all "good will," all "objectivity" on earth. [GM 70] Which brings us to the origin of das Bewusstsein der Schuld and schlechte Gewissen, the consciousness of guilt and bad conscience. Nietzsche's hypothesis here, and our theme is beginning to come into focus, is that the origin of guilty conscience lies in the relation between a creditor and debtor, Glaubiger und Schuldner. The spiritual concept of guilt, Schuld, originates in the very material concept of Schulden... (shrink)

On Heidegger's Being and Time is an outstanding exploration of Heidegger's most important work by two major philosophers. Simon Critchley argues that we must see Being and Time as a radicalization of Husserl's phenomenology, particularly his theories of intentionality, categorial intuition, and the phenomenological concept of the a priori. This leads to a reappraisal and defense of Heidegger's conception of phenomenology. In contrast, Reiner Schürmann urges us to read Heidegger 'backward', arguing that his later work is the key to (...) unravelling Being and Time . Through a close reading of Being and Time Schürmann demonstrates that this work is ultimately aporetic because the notion of Being elaborated in his later work is already at play within it. This is the first time that Schürmann's renowned lectures on Heidegger have been published. The book concludes with Critchley's reinterpretation of the importance of authenticity in Being and Time . Arguing for what he calls an 'originary inauthenticity', Critchley proposes a relational understanding of the key concepts of the second part of Being and Time : death, conscience and temporality. (shrink)

Levinas's idea of ethics as a relation of responsibility to the other person has become a highly influential and recognizable position across a wide range of academic and non-academic fields. Simon Critchley's aim in this book is to provide a less familiar, more troubling, and truer account of Levinas's work. He proposes a new dramatic method for reading Levinas, where the fundamental problem of his work is seen as the attempt to escape from the tragedy of Heidegger's philosophy and (...) the way in which that philosophy shaped political events in the last century. (shrink)

These essays provoke new responses to the work of the eminent French philosopher Emmanuel Levinas through an analysis of how the problematics of reading, deconstruction, feminism, and psychotherapy complicate and deepen Levinas's account of ...

Deconstruction and pragmatism constitute two of the major intellectual influences on the contemporary theoretical scene; influences personified in the work of Jacques Derrida and Richard Rorty. Both Rortian pragmatism, which draws the consequences of post-war developments in Anglo-American philosophy, and Derridian deconstruction, which extends and troubles the phonomenological and Heideggerian influence on the Continental tradition, have hitherto generally been viewed as mutually exclusive philosophical language games. The purpose of this volume is to bring deconstruction and pragmatism into critical confrontation with (...) one another through staging a debate between Derrida and Rorty, itself based on discussions that took place at the College International de Philosophie in Paris in 1993. The ground for this debate is layed out in introductory papers by Simon Critchley and Ernesto Laclau, and the remainder of the volume records Derrida's and Rorty's responses to each other's work. Chantal Mouffe gives an overview of the stakes of this debate in a helpful preface. (shrink)

In Ethics–Politics–Subjectivity, Simon Critchley takes up three questions at the centre of contemporary theoretical debate: What is ethical experience? What can be said of the subject who has this experience? What, if any, is the relation of ethical experience to politics? Through spirited confrontations with major thinkers, such as Lacan, Nancy, Rorty, and, in particular, Levinas and Derrida, Critchley finds answers in a nuanced “ethics of finitude” and defends the political possibilities of deconstruction. Democracy, economics, friendship, and technology (...) are all considered anew in Critchley’s bold excursions on the meaning and value of recent French philosophy. (shrink)

This essay attempts to sharpen significantly the critical debate around Levinas's work by focussing on the question of politics, which is, it is argued, Levinas's Achilles'heel. Five problems in Levinas's treatment of politics are identified and discussed: fraternity, monotheism, androcentrism, the family, and Israel. It is argued that Levinas 's ethics is terribly compromised by his conception of politics. In order to save Levinasian ethics from this compromise, two possibilities are explored: first, to follow Derrida 's separation of ethical form (...) from political content in his recent reading of Levinas, which allows for a notion of political invention linked to ethical responsibility, and second, to link Levinas's conception of ethics to what is called in the essay the anarchistic disturbance of politics. In conclusion, this anarchistic experience of ethics in linked to a quite different understanding of politics as the dissensual space of democracy. (shrink)

This essay attempts to sharpen significantly the critical debate around Levinas’s work by focussing on the question of politics, which is, it is argued, Levinas’s Achilles’heel. Five problems in Levinas’s treatment of politics are identified and discussed: fraternity, monotheism, and rocentrism, the family, and Israel. It is argued that Levinas’s ethics is terribly compromised by his conception of politics. In order to save Levinasian ethics from this compromise, two possibilities are explored: first, to follow Derrida’s separation of ethical form from (...) political content in his recent reading of Levinas, which allows for a notion of political invention linked to ethical responsibility, and second, to link Levinas’s conception of ethics to what is called in the essay the anarchistic disturbanceof politics. In conclusion, this anarchistic experience of ethics in linked to a quite different understanding of politics as the dissensual space of democracy. (shrink)

Does humour make us human, or do the cats and dogs laugh along with us? On Humour is a fascinating, beautifully written and funny book on what humour can tell us about being human. Simon Critchley skilfully probes some of the most perennial but least understood aspects of humour, such as our tendency to laugh at animals and our bodies, why we mock death with comedy and why we think it's funny when people act like machines. He also looks (...) at the darker side of humour, as rife in sexism and racism and argues that it is important for reminding us of people we would rather not be. (shrink)

Does humour make us human, or do the cats and dogs laugh along with us? _On Humour_ is a fascinating, beautifully written and funny book on what humour can tell us about being human. Simon Critchley skilfully probes some of the most perennial but least understood aspects of humour, such as our tendency to laugh at animals and our bodies, why we mock death with comedy and why we think it's funny when people act like machines. He also looks (...) at the darker side of humour, as rife in sexism and racism and argues that it is important for reminding us of people we would rather not be. (shrink)

There are two phrases in Heidegger's Sein und Zeit that provide a clue to what is going on in that book: Dasein ist geworfener Entwurf and Dasein existiert faktisch . I begin by trying to show how an interpretation of these phrases can help clarify Heidegger's philosophical claim about what it means to be human. I then try and explain why it is that, in a couple of important passages in Sein und Zeit, Heidegger describes thrown projection as an enigma (...) . After considering the meaning and etymology of the word ‘enigma’, I trace its usage in Sein und Zeit, and try and show how and why the relations between Heidegger's central conceptual pairings – state‐of‐mind and understanding , thrownness and projection, facticity and existentiality – are described by Heidegger as enigmatic. My thesis is that at the heart of Sein und Zeit, that is, at the heart of the central claim of the Dasein‐analytic as to the temporal character of thrown‐projective being‐in‐the‐world, there lies an enigmatic apriori. That is to say, there is something resiliently opaque at the basis of the constitution of Dasein's being‐in‐the‐world which both resists phenomenological description and which, I shall claim, is that in virtue of which the phenomenologist describes. In the more critical part of the paper, I try and show precisely how this notion of the enigmatic apriori changes the basic experience of understanding Sein und Zeit. I explore this in relation to three examples from Division II: death, conscience and temporality. I try and read Heidegger's analyses of each of these concepts against the grain in order to bring into view much more resilient notions of facticity and thrownness that place in doubt the move to existentiality, projection and authenticity. The perspective I develop can be described as originary inauthenticity. As should become evident, such an interpretation of Sein und Zeit is not without political consequences. (shrink)

There are two phrases in Heidegger's Sein und Zeit that provide a clue to what is going on in that book: Dasein ist geworfener Entwurf and Dasein existiert faktisch (Dasein is thrown projection and Dasein exists factically). I begin by trying to show how an interpretation of these phrases can help clarify Heidegger's philosophical claim about what it means to be human. I then try and explain why it is that, in a couple of important passages in Sein und Zeit, (...) Heidegger describes thrown projection as an enigma (ein Rätsel). After considering the meaning and etymology of the word ‘enigma’, I trace its usage in Sein und Zeit, and try and show how and why the relations between Heidegger's central conceptual pairings – state‐of‐mind (Befindlichkeit) and understanding (Verstehen), thrownness and projection, facticity and existentiality – are described by Heidegger as enigmatic. My thesis is that at the heart of Sein und Zeit, that is, at the heart of the central claim of the Dasein‐analytic as to the temporal character of thrown‐projective being‐in‐the‐world, there lies an enigmatic apriori. That is to say, there is something resiliently opaque at the basis of the constitution of Dasein's being‐in‐the‐world which both resists phenomenological description and which, I shall claim, is that in virtue of which the phenomenologist describes. In the more critical part of the paper, I try and show precisely how this notion of the enigmatic apriori changes the basic experience of understanding Sein und Zeit. I explore this in relation to three examples from Division II: death, conscience and temporality. I try and read Heidegger's analyses of each of these concepts against the grain in order to bring into view much more resilient notions of facticity and thrownness that place in doubt the move to existentiality, projection and authenticity. The perspective I develop can be described as originary inauthenticity. As should become evident, such an interpretation of Sein und Zeit is not without political consequences. (shrink)

Emmanuel Levinas is now widely recognised alongside Heidegger, Merleau-Ponty and Sartre as one of the most important Continental philosophers of the twentieth century. His abiding concern was the primacy of the ethical relation to the other person and his central thesis was that ethics is first philosophy. His work has also had a profound impact on a number of fields outside philosophy such as theology, Jewish studies, literature and cultural theory, psychotherapy, sociology, political theory, international relations theory and critical legal (...) theory. This volume, first published in 2002, contains overviews of Levinas's contribution in a number of fields, and includes detailed discussions of his early and late work, his relation to Judaism and talmudic commentary, and his contributions to aesthetics and the philosophy of religion. (shrink)

The return to religion has perhaps become the dominant cliche of contemporary theory, which rarely offers anything more than an exaggerated echo of a political reality dominated by religious war. Somehow, the secular age seems to have been replaced by a new era, where political action flows directly from metaphysical conflict. The Faith of the Faithless asks how we might respond. Following Critchley's Infinitely Demanding, this new book builds on its philosophical and political framework, also venturing into the questions (...) of faith, love, religion and violence. Should we defend a version of secularism and quietly accept the slide into a form of theism--or is there another way? From Rousseau's politics and religion to the return to St. Paul in Taubes, Agamben and Badiou, via explorations of politics and original sin in the work of Schmitt and John Gray, Critchley examines whether there can be a faith of the faithless, a belief for unbelievers. Expanding on his debate with Slavoj Zizek, Critchley concludes with a meditation on the question of violence, and the limits of non-violence. (shrink)

Wittgenstein asks a question, which sounds like the first line of a joke: 'How does one philosopher address another?' To which the unfunny and perplexing riposte is: 'Take your time'. Terrence Malick is evidently someone who takes his time. Since his first movie, Badlands, was premiered at the New York Film Festival in 1973, he has directed just two more: Days of Heaven , in 1979, and then nearly a 20 year gap until the long-awaited 1998 movie, The Thin Red (...) Line , which is the topic of this essay. (shrink)

In this article, I attempt to explore the relation between two sets of terms in Derrida's work: friendship and democracy, and ethics and politics. On the basis of a reading of Derrida's interpretation of Blanchot in The Politics of Friendship, I argue that Blanchot's notion of a non-traditional conception of friendship is a reconstruction of Levinas's notion of the ethical relation to the other, which in turn provides the basis for the formalistic ethical affirmation of Derrida's work, an affirmation found (...) most clearly in his remarks on justice. I then move from the The Politics of Friendship to Derrida's more recent text on Levinas, Adieu, and try to explore the relation between ethics and politics in Derrida's work, with particular reference to the question of democracy. My concluding thesis is that Derrida's recent work is attempting to articulate, through notions such as democracy to come and the new international, what I call 'a repoliticization of Marxism'. (shrink)

The question of how to lead a happy and meaningful life has been at the heart of philosophical debate since time immemorial. Today, however, these questions seem to be addressed not by philosophers but self–help gurus, who frantically champion the individual′s quest for self–expression and self–realization; the desire to become authentic. Against these new age sophistries, How to Stop Living and Start Worrying tackles the question of ′how to live′ by forcing us to explore our troubling relationship with death. For (...) Critchley, philosophy begins with the question of finitude and with his understanding of a key classical theme – that to philosophize is to learn how to die. Learning how to accept both our own and others′ mortality as a part of life also raises the question of how to love. Critchley argues that the act of love requires us to give up something of ourselves, to lose control so as to be open to the demands of love. We will never be equal to this demand and so we are brought face to face with our own limitations – one form of which is what Critchley calls our ′originary inauthenticity′. By scrutinizing the very nature of humour, Critchley explores what we need to laugh at ourselves and presents the need to confront the inescapable ridiculousness of life. Reflecting on the work of over 20 years, this book provides a unique, witty and erudite introduction to the thought of Simon Critchley. It includes a revealing biographical conversation with Critchley and a fascinating debate with the critically acclaimed novelist Tom McCarthy about the nature of authenticity. Taken together the conversations give an intimate portrait of one of the most lucid, provocative and engaging philosophers writing today. (shrink)

Over the last thirty years, the work of the political theorist Ernesto Laclau has reinvigorated radical political and social theory. Taking concepts previously ignored or unused within mainstream political theory, such as the political, hegemony, discourse, identity, and representation, he has made them fundamental to thinking about politics and social theory. Resisting the dead end of postmodern politics, his work has drawn in stimulating ways on Gramscian, poststructuralist and psychoanalytic theory. Laclau: A Critical Reader is the first full-length critical appraisal (...) of Laclau's work and includes contributions from several leading philosophers and theorists. The first section examines Laclau's theory that the contest between universalism and particularism provides much of the philosophical background to political and social struggle, taking up the important place accorded to, amongst others, Hegel and Lacan in Laclau's work. The second section of the book considers what Laclau's "radical democracy" might look like and reflects on its ethical implications, particularly in relation to Laclau's post-Marxism and thinkers such as Jurgen Habermas. The final section investigates the place of hegemony in Laclau's work, the idea for which he is perhaps best-known. This stimulating collection also includes replies to his critics by Laclau and the important exchange between Laclau and Judith Butler on equality, making it an excellent companion to Laclau's work and essential reading for students of political and social theory. (shrink)

Emmanuel Levinas has exerted a profound influence on 20th-century continental philosophy. This anthology, including Levinas's key philosophical texts over a period of more than forty years, provides an ideal introduction to his thought and offers insights into his most innovative ideas. Five of the ten essays presented here appear in English for the first time. An introduction by Adriaan Peperzak outlines Levinas's philosophical development and the basic themes of his writings. Each essay is accompanied by a brief introduction and notes. (...) This collection is an ideal text for students of philosophy concerned with understanding and assessing the work of this major philosopher. (shrink)

In this essay I respond to criticisms of my position on the question of the relation between deconstruction, ethics, and politics levelled at me by Richard Rorty and Ernesto Laclau. With regard to the latter, I argue that there is a normative deficit in Laclau's discourse theory' and with regard to the former, I argue that Rorty's reading of Derrida is at the least questionable and I attempt to criticize Rorty on the issues of the status of metaphysics and politics.

In this paper I give a detailed critical discussion of Derrida’s important 1994 book Specters of Marx. I begin by discussing the hypothesis advanced in the book and then make a number of remarks about its context. I then go on to discuss the central theme of Specters of Marx: the messianic. As a way of unpacking this theme, I address a number of subthemes in Specters of Marx: the injunction of différance, democracy to come, justice, religion and the es (...) spukt. As a consequence of this discussion, I turn to the theme of the political and address the subthemes of hegemony, the decision and the New International. I conclude the paper with a discussion of two more speculative themes that arise out of Specters of Marx: the question of the economic and the technological. (shrink)

This essay explores the philosophical significance of the history of mystical anarchism for contemporary ethics and politics. It examines the complex relationship between religion and politics, and elaborates the thesis that many of our contemporary political concepts are secularized theological concepts. After a critical discussion of Carl Schmitt's theory of sovereignty and John Gray's critique of liberal humanism, it examines the anarchist practices of medieval mystics such as Marguerite Porete and the heresy of the Movement of the Free Spirit, and (...) contrasts this mystical anarchist tradition with more recent forms of anarchism, such as Raoul Vaneigem's Situationism.Retrieving the mystical anarchist tradition might help us rethink the relationship between religion and politics and suggest ethically grounded forms of anarchism that avoid violence or abstraction. (shrink)

This article examines the ethical thought of the prominent French philosopher, Alain Badiou. His work is placed in the context of discussions of the sources of normativity in relation to Kant and Levinas and then the central category of the event in Badiou's work is critically discussed. The article claims that Badiou's talk of truth in relation to event is misplaced and argues that there is a residual heroism behind Badiou's political thinking.

_Laclau: A Critical Reader_ is the first full-length critical appraisal of Laclau's work and includes contributions from several leading philosophers and theorists. The first section examines Laclau's theory that the contest between universalism and particularism provides much of the philosophical background to political and social struggle, taking up the important place accorded to, amongst others, Hegel and Lacan in Laclau's work. The second section of the book considers what Laclau's 'radical democracy' might look like and reflects on its ethical implications, (...) particularly in relation to Laclau's post-Marxism and thinkers such as Jürgen Habermas. The final section investigates the place of hegemony in Laclau's work, the idea for which he is perhaps best-known. This stimulating collection also includes replies to his critics by Laclau and the important exchange between Laclau and Judith Butler on equality, making it an excellent companion to Laclau's work and essential reading for students of political and social theory. (shrink)

In this paper, I address the issue of Derrida’s influence on philosophy by focusing on the nature of deconstructive reading as double reading, and tracing thisto the specific reception of Heidegger’s thesis on the history of being. After reviewing some of the dubious and mistaken polemics against Derrida, I go on to describe what I see as the ethical and political richness of Derrida’s work, focusing in particular on the theme of democracy to come.

Simon Critchley discusses his views on education and philosophy, reflecting on his experiences as a student from childhood to the present, his anxieties about teaching, and what philosophical writing he wants from his students. By discussing his relationships with influential teachers in his life, Dr. Critchley explores the problem of teachers as masters; the need to develop philosophy’s approach to tradition while engaging problems posed to it by work on race and gender; his experience conducting online, public philosophy (...) through The Stone; and the politics of student and adjunct labor in higher education. (shrink)

Simon Critchley discusses his views on education and philosophy, reflecting on his experiences as a student from childhood to the present, his anxieties about teaching, and what philosophical writing he wants from his students. By discussing his relationships with influential teachers in his life, Dr. Critchley explores the problem of teachers as masters; the need to develop philosophy’s approach to tradition while engaging problems posed to it by work on race and gender; his experience conducting online, public philosophy (...) through The Stone; and the politics of student and adjunct labor in higher education. (shrink)

Simon Critchley (born 27 February 1960) is an English philosopher and the Hans Jonas Professor of Philosophy at the New School for Social Research in New York, USA.[2] Challenging the ancient tradition that philosophy begins in wonder, Critchley argues that philosophy begins in disappointment.[3] Two particular forms of disappointment inform Critchley's work: religious and political disappointment. While religious disappointment arises from a lack of faith and generates the problem of what is the meaning of life in the (...) face of nihilism, political disappointment comes from the violent world we live in and raises the question of justice in a violently unjust world.[4][5] In addition, to these two regions of research, Critchley's recent works have engaged in more experimental forms of writing on Shakespeare, David Bowie, suicide, Greek tragedy and association football. (shrink)

The 'death of man', the 'end of history' and even philosophy are strong and troubling currents running through contemporary debates. Yet since Nietzsche's heralding of the 'death of god', philosophy has been unable to explain the question of finitude. Very Little...Almost Nothing goes to the heart of this problem through an exploration of Blanchot's theory of literature, Stanley Cavell's interpretations of romanticism and the importance of death in the work of Samuel Beckett. Simon Critchley links these themes to the (...) philosophy of Emmanuel Levinas to present a powerful new picture of how we must approach the importance of death in philosophy. A compelling reading of the convergence of literature and philosophy, Very Little...Almost Nothing opens up new ways of understanding finitude, modernity and the nature of the imagination. (shrink)

In this paper, I address the issue of Derrida’s influence on philosophy by focusing on the nature of deconstructive reading as double reading, and tracing thisto the specific reception of Heidegger’s thesis on the history of being. After reviewing some of the dubious and mistaken polemics against Derrida, I go on to describe what I see as the ethical and political richness of Derrida’s work, focusing in particular on the theme of democracy to come.

This paper, originally read on the site of Plato’s dialogue Phaedrus, attempts to show how the two seemingly distinct themes of this dialogue, eros and rhetoric, are really one. Socrates there employs rhetoric, in which his decent but somewhat dull interlocutor, Phaedrus, takes great pleasure, in order to persuade the latter to assume philosophical eros, inclining his soul to truth. This aim contrasts vividly with the nihilistic one pursued by the greatest of the Sophist rhetoricians, Gorgias. Ultimately, philosophical eros conduces (...) to intimations of immortality. This could be demonstrated, if more time were available, by exploring certain works of contemporary literature and philosophy; for example, in his Totality and Infinity, Emmanuel Levinas cites the Phaedrus more frequently than any other text. (shrink)

Impossible objects are those about which the philosopher, narrowly conceived, can hardly speak: poetry, film, music, humor. Such "objects" do not rely on philosophy for interpretation and understanding; they are already independent practices and sites of sensuous meaning production. As Elvis Costello has said, "writing about music is like dancing about architecture." We don't need literary theory in order to be riveted by the poem, nor a critic's analysis to enjoy a film. How then can philosophy speak about anything outside (...) of itself, namely all of those things which actually matter to us in this world? In Impossible Objects, Simon Critchley - one of the most influential and insightful philosophers writing today - extends his philosophical investigation into non-philosophical territories, including discussions on tragedy, poetry, humor, and music. In a series of engaging and enlightening conversations, Critchley reflects on his early work on the ethics of deconstruction; the recurring themes of mortality and nihilism; his defense of neo-anarchism; and his recent investigation into secular faith, or "a faith of the faithless". Essential reading for artists, academics, and general readers alike, this book explores the relationship between the philosophical world and those complex and fascinating "impossible objects" which give life meaning. (shrink)

An experimental text of para-philosophical fragments working toward a poetic ontology. How does one write an experimental ABC: an impossible theory that would deal with a series of phenomena, concepts, places, sensations, persons, and moods? A para-philosophy? Returning to a once abandoned project of fragmented thoughts where the author's voice moves from the serious, to the pathetic, to the absurd, to the cynical, Simon Critchley's ABC of Impossibility finds new life in the form of this small encyclopedic and aphoristic (...) text where the reader bears witness to the slow emergence of an attempt at a poetic ontology. ABC of Impossibility is a unique undertaking that returns to the poetic site of the fragment as thought. Following a heritage of fragmented, aphoristic thinkers including Pascal, Nietzsche, Kierkegaard and Pessoa, Critchley revitalizes a para-philosophical thinking that can only be uttered by way of another, as he declares in the opening pages, "In writing this, I promise to tell the truth, but not to be myself. (shrink)