Motor learning can be defined as a process that leads to relatively permanent changes in motor behavior through repeated interactions with the environment. Different strategies can be adopted to achieve motor learning: movements can be overtly practiced leading to an amelioration of motor performance; alternatively, covert strategies (e.g., action observation) can promote neuroplastic changes in the motor system even in the absence of real movement execution. However, whether a training regularly alternating action observation and execution (i.e., Action Observation Training, AOT) (...) may surpass the pure motor practice (MP) and observational learning (OL) remains to be established. To address this issue, we enrolled 54 subjects requiring them to learn tying nautical knots via one out of three types of training (AOT, MP, OL) with the scope to investigate which element mostly contributes to motor learning. We evaluated the overall improvement of each group, along with the predictive role that neuropsychological indexes exert on each treatment outcome. The AOT group exhibited the highest performance improvement (42%), indicating that the regular alternation between observation and execution biases participants toward a better performance. The reiteration of this sequence provides an incremental, adjunct value that super-adds onto the efficacy of motor practice or observational learning in isolation (42% > 25% + 10%, i.e., OL + MP). These findings extend the use of the AOT from clinical and rehabilitative contexts to daily routines requiring the learning and perfectioning of new motor skills such as sports training, music, and occupational activities requiring fine motor control. (shrink)

V. Fabbri, Danse et philosophie. Une pensée en construction, Paris, L'Harmattan, 2007, 244 p. « La construction ne relève pas nécessairement de l'architecture : elle n'est pas architectonique mais rhapsodique, procédant par ajustement et montage de matériaux. » « En tant qu'elles construisent des formes d'expériences, les pratiques artistiques sont toutes traversées par une pratique du langage, y compris et surtout la danse. Ce qui est à construire en relation au langage lui reste au moins (...) - En librairie.

Ce volume présente une nouvelle édition et la première traduction dans une langue moderne du Lexique platonicien de Timée le Sophiste. Il présente également une histoire, riche de nouveaux matériaux, de la lexicographie platonicienne ancienne. Le texte est préfacé d’une longue introduction de Jonathan Barnes. This book contains a new edition of the Greek text of the Lexicon to Plato by Timaeus the Sophist. There is a rich commentary, and a French translation―the first translation of the work into a modern (...) language. The text is prefaced by a long introduction, by Jonathan Barnes. (shrink)

Proprioception is a crucial sensory modality involved in the control and regulation of coordinated movements and in motor learning. However, the extent to which proprioceptive acuity is influenced by local muscle fatigue is obscured by methodological differences in proprioceptive and fatiguing protocols. In this study, we used high resolution kinematic measurements provided by a robotic device, as well as both frequency and time domain analysis of signals captured via surface electromyography (sEMG) to examine the effects of local muscle fatigue on (...) wrist proprioceptive acuity in 16 physically and neurologically healthy young adults. To this end, participants performed a flexion/extension ipsilateral joint position matching test (JPM), after which a high-resistive robotic task was used to induce muscle fatigue of the flexor carpi radialis (FCR) muscle. The JPM test was then repeated in order to analyze potential changes in proprioceptive acuity. Results indicated that the fatigue protocol had a significant effect on movements performed in flexion direction, with participants exhibiting a tendency to undershoot the target before the fatigue protocol (-1.218°), but overshooting after the fatigue protocol (0.587°). In contrast, in the extension direction error bias values were similar before and after the fatigue protocol as expected (pre = -1.852°, post = -1.237°) and reflected a tendency to undershoot the target. Moreover, statistical analysis indicated that movement variability was not influenced by the fatigue protocol or movement direction. In sum, results of the present study demonstrate that an individual’s estimation of wrist joint displacement (i.e., error bias), but not precision (i.e., variability), is affected by muscular fatigue in a sample of neurologically and physically healthy adults. (shrink)

Medical imaging is predominantly a visual field. In this context, prenatal ultrasound images assume intense social, ethical, and psychological significance by virtue of the subject they represent: the fetus. This feature, along with the sophistication introduced by three-dimensional ultrasound imaging that allows improved visualization of the fetus, has contributed to the common impression that prenatal ultrasound scans are like photographs of the fetus. In this article we discuss the consistency of such a comparison. First, we investigate the epistemic role of (...) both analogic and digital photographic images as visual information-providing representations holding a high degree of objectivity. Second, we examine the structure and process of production of ultrasound scans and argue that a comparison between two-dimensional ultrasound and photography is justified. This is in contrast to 3D ultrasound images that, due to the intensive mathematical processing involved in their production, present some structural issues that obfuscate their ontological and epistemic status. (shrink)

In everyday reasoning - just as in science and art - knowledge is acquired more by "doing" than with long analyses. What do we "do" when we discover something new? How can we define and explore the pattern of this reasoning, traditionally called "synthetic"? Following in the steps of classic pragmatists, especially C.S. Pierce, Giovanni Maddalena's Philosophy of Gesture revolutionizes the pattern of synthesis through the ideas of change and continuity and proposes "gesture" as a new tool for synthesis. (...) Defining gesture as an action with a beginning and an end that carries on a meaning, Maddalena explains that it is a dense blending of all kinds of phenomena - feelings and vague ideas, actual actions, habits of actions - and of signs - icons, indexes, and symbols. When the blending of phenomena and signs is densest, the gesture is "complete," and its power of introducing something new in knowledge is at its highest level. Examples of complete gestures are religious liturgies, public and private rites, public and private actions that establish an identity, artistic performances, and hypothesizing experiments. A departure from a traditional Kantian framework for understanding the nature and function of reason, The Philosophy of Gesture proposes an approach that is more attuned with our ordinary way of reasoning and of apprehending new knowledge. (shrink)

We analyze the role of ethical values in the determination of the social cost of carbon, arguing that the familiar debate about discounting is too narrow. Other ethical issues are equally important to computing the social cost of carbon, and we highlight inequality, risk, and population ethics. Although the usual approach, in the economics of cost-benefit analysis for climate policy, is confined to a utilitarian axiology, the methodology of the social cost of carbon is rather flexible and can be expanded (...) to a broader set of social-welfare approaches. [Open access]. (shrink)

This paper wishes to clarify the definitions of the central terms relating to assessment. It argues that all assessment begins with summative assessment and that formative assessment is in fact summative assessment plus feedback which is used by the learner.

This paper wishes to clarify the definitions of the central terms relating to assessment. It argues that all assessment begins with summative assessment (which is a judgement) and that formative assessment is in fact summative assessment plus feedback which is used by the learner.

Au sein de la production de Cesare Lombroso, La Femme criminelle, ouvrage consacré à la criminalité féminine qu’il publie avec Guglielmo Ferrero en 1893, marque le moment où le criminaliste italien intègre de façon systématique l’univers animal dans ses explications de la déviance. Il mobilise alors une théorie générale de l’évolution centrée sur la féminité. L’article interroge le fonctionnement de ce dispositif sur le plan théorique et via un exemple précis : les brigandes. Il suggère que les stratégies textuelles et (...) visuelles de représentation, notamment de virilisation dont ces femmes font l’objet sont étroitement liées à la théorie de la « supériorité primitive de la femelle » et de l’indistinction entre les sexes chez les espèces animales « inférieures ». Paradoxalement, l’atavisme des criminelles les rapproche donc des qualités des hommes, en reprenant de façon perverse le chemin évolutif que la « femme normale », « homme arrêté dans son développement », a interrompu. (shrink)

In this paper I propose to read and understand gestures as logical tools within a synthetic paradigm of knowledge. This interpretation of gesture is drawn from a new pragmatist reading of reasoning in general, and synthetic reasoning in particular. Complete gestures are actions with a beginning and an end that bear a meaning. It is our regular way to embody vague ideas into singular actions with general meaning. The tool is forged by a dense blending of icons, indices, and symbols (...) and by a complexity of phenomenological characteristics as feelings, actual actions, general concepts and habits. The paper illustrates this new way to look at gestures and different kinds of complete and incomplete gestures. (shrink)

The 2003 SARS pandemic heralded the return of quarantine as a vital part of twenty-first century public health practice. Over the last two decades, MERS, Ebola, and other emerging infectious diseases each posed unique challenges for applying quarantine ethics lessons learned from the 2003 SARS-CoV-1 outbreak. In an increasingly interdependent and connected global world, the use of quarantine to contain the spread of SARS-CoV-2, or COVID-19, similarly poses new and unexpected ethical challenges. In this essay, we look beyond standard debates (...) about the ethics of quarantine and state power to explore a key quarantine principle, Reciprocity, and how it is being negotiated by healthcare workers, volunteers, and citizens in the context of the Wuhan, China, quarantine. We analyze Reciprocity through the lens of two Wuhan case studies: healthcare workers, particularly nurses, who are simultaneously essential workers and quarantined citizens, asked by their hospital administration to shave their heads because adequate PPE was not available, and citizen-to-citizen mutual aid societies attempting to fill gaps in essential supplies left unfilled by the state. We analyze social media and video-blogs from Wuhan, on the platforms of Douyin and Sina Weibo, to understand how people define and respond to ethical and legal obligations in the wake of COVID-19. It is no surprise that quarantine principles from the 2003 SARS outbreak are inadequate for COVID-19 and that both infectious disease outbreak responses and ethics must adapt to the virtual age. We offer ideas to strengthen and clarify Reciprocal obligations for the state, hospital administrators, and citizens as the globe prepares for the next wave of COVID-19 circulating now. (shrink)

We study a contemporary need to complement analytic philosophy with pendular, synthetic approaches. We provide new definitions of the dyad analytics/synthetics and complete it with a natural third, horotics. Some historical trends to support a synthetic/horotic paradigm are studied: (i) Peirce’s ideas around his logic of continuity – non Cantorian continuum and existential graphs – emphasizing the importance of mathematical gestures, (ii) Gödel’s understanding of intuitionism as a synthetic counterpart of classical logic, along with a new horotic approach to his (...) work, (iii) Contemporary mathematical achievements (1950-2000), difficult to understand from analytical philosophy perspectives. Finally, we indicate some main features that a systematical synthetic/horotic reasoning should enforce, in order to fulfill its historic sequence. (shrink)

The problematic issues connected to post-truth communication emerged in all their social relevance after the victory of Brexit and Donald Trump in 2016. Fake news, echo chambers, filter bubbles, and a crisis of experts are some of the phenomena of this epoch of digital revolution that everyone is forced to deal with on daily basis. Public media echoed the plea for a return to a connection between reality, truth, and communication that has been advocated for by philosophy and communication studies (...) since the beginning of the century. However, the strategy for effecting this return is not clear. The paper presents two of the most common strategies employed by practitioners of communication in the newsrooms: reliance on a new form of positivism and the necessity of inculcating critical media literacy into the general population. Concluding that both proposals are inadequate, the paper proposes a rich, relational realism stemming from Peirce’s semiotic and metaphysical studies. (shrink)

Chemical visualizations and models are special kinds of situated, inductive arguments. In this paper, I examine several historical case studies—an archive of images from museums, special collections, and popular magazines—as examples of emergent practices of physical modeling as theoretical play which became the basis for molecular biology and structural chemistry. Specifically, I trace a legacy of visualization tools that starts with Archibald Scott Cooper and Friedrich Kekulé in the late 1800s, crystallizes as material manipulatives in Kekulé’s student Jacobus Henricus Van’t (...) Hoff and his folded paper “toys,” is legitimized in the California lab of Linus Pauling, and is glorified in the popular imaginary with James Watson and Francis Crick’s model of DNA. My tracing then follows several threads into contemporary modeling practices. I ultimately argue that modeling play, originally outside of the boundary of deductive, positivist science, is now an accepted mode of inductive reasoning in these related chemical fields. (shrink)

We present the theory of Dirac spinors in the formulation given by Bohm on the idea of de Broglie: the quantum relativistic matter field is equivalently re-written as a special type of classical fluid and in this formulation it is shown how a relativistic environment can host the non-local aspects of the above-mentioned hidden-variables theory. Sketches for extensions are given at last.

As correctly noticed by Vincent Colapietro, one of the few authors who have approached the topic, pragmatism and psychoanalysis followed parallel paths. The most obvious comparison between James and Freud did not seem to cast new light neither on the understanding of psyche nor on the two movements of thought. However, a different and less obvious comparison between Peirce and Jung might be more fruitful, notwithstanding the progressive antipsychologism of Peirce’s approach to logic. As we are going to see, this (...) unusual comparison is due to the strong epistemic and philosophical import of Jung’s mature theories as well as to Peirce’s tendency to provide a general theory of the mind, both conscious and unconscious. Therefore, this paper will try to understand the attitude that Peirce had towards psychology (I), to recall the part of Jung’s theory that has to do with Peirce’s pragmatism (II), to assess the relationship between the two authors and the reciprocal advantage in mutually integrating their theories (III). (shrink)

Balthazar-Georges Sage (1740–1824), a chemist, mineralogist, and the founder of the École Royale des Mines (1783), owned two mineral collections: a mineralogy collection used for his research and teaching, which later became the property of the École Royale itself; and a private cabinet of objets d'art, consisting largely of artistically worked mineral objects. Although created for different purposes, Sage valued both for their utility and their aesthetics. This paper explores the dual character of the collections by presenting Sage as a (...) man of science and an art lover. It argues that his lifelong concern with aesthetics was the underlying link between the two collections, his teaching practices, and his aim in founding of the École Royale des Mines to improve France's mining industry. Through aesthetics, Sage sought to build a coherent whole, which he referred to as a “national monument,” consisting of the collections, the school, and his work as a teacher and a mineralogist. In the years leading up to the French Revolution, the collections—a central part within this coherent whole—were the key element in establishing the social identity of the new institution as well as that of Sage himself. In the context of political upheaval, the social, economic, and aesthetic value of the collections became tied to the political aims of the republic, in particular, its interest in building the new nation through its heritage as conserved in its national monuments: the new republican museums. Sage used the term museum to define both collections: this analysis of their relationship and the different functions he attributed to them reveals how profoundly collecting practices were changing in revolutionary and post-revolutionary France. (shrink)

This article describes a qualitative study of models of ethics consultation used by ethics consultants in Canada. We found four different models used by Canadian ethics consultants whom we interviewed, and one sub-variant. We describe the lone ethics consultant model, the hub-and-spokes sub-variant of this model; the ethics committee model; the capacity-building model; and the facilitated model. Previous empirical studies of ethics consultation describe only two or three of these models.

Comentario en contexto de Vincent M. Colapietro, Acción, sociabilidad y drama. Un retrato pragmatista del animal humano, La Plata, Edulp, 2020 reseña por Giovanni Maddalena. Traducción: Cristina Di Gregori, Livio Mattarollo y Giovanni Maddalena.

The idea of ‘gesture’ is present in the philosophical world in various forms. All of them might find an important theoretical grounding in pragmatist philosophy, if we combine pragmatism with some French philosophies of mathematics and read it as a way out of the Kantian philosophy of representation. The paper uses the insights of Jean Cavaillès to set out the problem of the weakness of the epistemic Kantian defense of mathematical and logical thought. Cavaillès rejected the possible amendments to Kant’s (...) explanation provided by both Husserl and Bolzano and their heirs. He used the word ‘gesture’ in order to explain the activity of mathematicians who have to act synthetically, following rules, with some physical representation, and being aware of the possibility of failure. Cavaillès conceived the use of gesture as an alternative to the Heidegerian idea of event defended by Albert Lautman. The paper then follows the idea of gesture in the French philosophy of mathematics of Gilles Châtelet and Giuseppe Longo. Finally, the paper illustrates how Peirce’s study of Existential Graphs and the main insights of pragmatism complete Cavaillès’s idea by giving to gestures a phenomenological and semiotic structure. The pragmatist philosophy of gesture is thus a new way of overthrowing Kant’s philosophy of representation without surrendering to irrationalism. (shrink)

Italy was one of the first places outside the US to manifest an interest in pragmatism. However, the reception of Peirce has been discontinuous and asymptotic at the same time. It grew over the time getting closer and closer to a complete acknowledgement of what Peirce had really written, but there were many periods in which studies on Peirce seemed quite stuck or absent. For clarity sake I will divide this reception in three big generational waves. 1. The First Wave: (...) Leonardo The first one i... (shrink)