Aristotle claims that the virtuous person acts for the sake of to kalon. To understand this idea, I examine the analogy he draws between craft and virtue. I argue that the kalon is a formal feature of well-ordered wholeness and that the virtuous person takes intellectual pleasure in perceiving (or remembering or imagining) the kalon-in-action, akin to pleasure in observing artworks or works of nature. However, the virtuous person’s pleasure in kalon action is primarily a pleasure of practical reason. In (...) these ways, Aristotle’s concept of the kalon is and is not like the modern aesthetic concept of the beautiful. (shrink)

Gabriel Richardson Lear presents a bold new approach to one of the enduring debates about Aristotle's Nicomachean Ethics: the controversy about whether it coherently argues that the best life for humans is one devoted to a single activity, namely philosophical contemplation. Many scholars oppose this reading because the bulk of the Ethics is devoted to various moral virtues--courage and generosity, for example--that are not in any obvious way either manifestations of philosophical contemplation or subordinated to it. They (...) argue that Aristotle was inconsistent, and that we should not try to read the entire Ethics as an attempt to flesh out the notion that the best life aims at the "monistic good" of contemplation. In defending the unity and coherence of the Ethics, Lear argues that, in Aristotle's view, we may act for the sake of an end not just by instrumentally bringing it about but also by approximating it. She then argues that, for Aristotle, the excellent rational activity of moral virtue is an approximation of theoretical contemplation. Thus, the happiest person chooses moral virtue as an approximation of contemplation in practical life. Richardson Lear bolsters this interpretation by examining three moral virtues--courage, temperance, and greatness of soul--and the way they are fine. Elegantly written and rigorously argued, this is a major contribution to our understanding of a central issue in Aristotle's moral philosophy. (shrink)

The prelims comprise: To Kalon as Effective Teleological Order The Visibility of the Fine Pleasure and Praise The Value of the Fine Conclusion Acknowledgments Notes References Further reading.

This chapter contains section titled: Beauty and Goodness Patterns of Beautiful Poetry Human Excellence and the Standard of Poetic Beauty Moral Psychology Love of Beauty and Being Just Conclusion.

This chapter contains sections titled: The Good Conceived as an End The Good as a Convergent End The Meaning of “Eudaimonia” Happiness vs. the Happy Life The Finality Criterion The Self‐sufficiency Criterion Inclusivism The Shape of the Happy Life Concluding Remarks Notes Bibliography.

Our first encounter with Socrates in the Symposium is bizarre. Aristodemus, surprised to run into Socrates fully bathed and with his sandals on, asks him where he is going “to have made himself so beautiful (kalos)” (174a4, Rowe trans.). Socrates replies that he is on his way to see the lovely Agathon, and so that “he has beautified himself in these ways in order to go, a beauty to a beauty (kalos para kalon)” (174a7–8). Why does Socrates, who in just (...) a few moments will be lost in contemplation out on the front porch, care about being beautiful? His remark to Aristodemus is clearly in some sense ironic, but on the other hand, he really has taken unusual care with his physical appearance. Later, in his encomium to love, he will claim that beauty has this effect on lovers: the beauty of the beloved causes the lover to disdain his former way of life and “give birth” to beautiful “offspring.” Is the image of the squat and snub-nosed Socrates all freshly scrubbed and kitted out a comic foreshadowing, or a debunking, of his serious speech? Does Socrates really believe in the transformative power of beauty? (shrink)

I review Gabriel Richardson Lear's excellent essay on Aristotle’s conception of the human good. She solves some long-standing problems in the interpretation of Aristotle’s ethics by drawing on resources in his natural philosophy and Plato’s conception of love. Her interpretation is a compelling and, to my mind, largely true account of Aristotle’s view. In this review, I summarize the book's main argument and then explain two fundamental points on which I have concerns.

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Happy Lives and the Highest Good: An Essay on Aristotle’s Nicomachean EthicsCharles M. YoungGabriel Richardson Lear. Happy Lives and the Highest Good: An Essay on Aristotle’s Nicomachean Ethics. Princeton: Princeton University Press, 2004. Pp. ix + 238. Cloth, $35.00.Suppose that you and I are friends. I need a ride to the airport; you offer to take me. You might do this for any of a number (...) of reasons: because you want to place me in your debt, because you want to impress bystanders, etc. But you might also do it for none of these reasons. You might do it, instead, because, understanding what resources are and what resources are for, you see taking me to the airport as an appropriate use of your resources (your time and your car), given our relationship and the circumstances in which we find ourselves.That's the Readers' Digest version of one story one might tell, on Aristotle's behalf, by way of connecting up friendship, virtuous action, practical and theoretical wisdom, action for its own sake, and action for the sake of the fine in the Nicomachean Ethics. I myself think it is a good story. It is also a story, I think, that Gabriel Richardson Lear tells, at least some of the time, in Happy Lives and the Highest Good, though she tells it with respect to courage, temperance, and magnanimity, not liberality and friendship.Most of the time, however, Lear tells another story. According to it, your taking me to the airport makes clear your commitment to make use of your resources to promote my good. Since we are friends, however, my good is bound up with yours, so in promoting my good you also promote your own good. But according to Aristotle the good for each of us is a life in which rationality is realized in thought and action. Hence your taking me to the airport counts as fine because it shows your commitment to that sort of life. But, again according to Aristotle, the centerpiece, and source of value, of that sort of life is contemplative activity, so you act for the sake of contemplation, whether you know this or not. And, in view of its expression of practical reason and truthfulness, your liberal activity is structurally similar to and so approximates to contemplative activity, and this allows us to say that you did what you did for the sake of contemplation.This is, so far as I know, an entirely new approach to the problems raised by Aristotle's identification of happiness with contemplation in NE X. Lear's story, and the arguments in its support, deserve and will repay serious attention. I limit myself here to four concerns about some of the details.First, our first story locates what is fine about virtuous action in the fit exhibited among the agent, her action, and her situation. Lear's story locates what is fine about virtuous action in its promotion of a certain kind of life. The first story thus sees what is fine about [End Page 118] virtuous action as something intrinsic to it, while Lear's story sees it as something external to it that it promotes. The first story seems to me to be looking in the right place.Second, the first story has it that virtuous activity is an expression of understanding, Lear's story that it is an expression of a commitment to understanding. Again, the first story seems to me to be looking in the right place.Third, Lear thinks that the liberal person can be said to act for the sake of contemplation when contemplation is the source of value for what she does, even when it is not the conscious aspiration of her action. That may be true, but I do not see that it is enough. What needs explanation is rather that she can be said to choose liberal activity for the sake of contemplation, and it is unclear how this could be unconscious.Finally, Lear's appeal to approximation may prove too much. The crafts, according to Aristotle, involve practical reason and truthfulness. But Aristotle doesn't believe that craft... (shrink)

This is the inaugural volume of the Plato Dialogue Project: it offers the first collective study of the Philebus - a high point of philosophical ethics, containing some of Plato's most sophisticated discussions of human happiness. The contributors work through the text, discussing pleasure, knowledge, philosophical method, and the human good.

ObjectiveHead and neck cancer treatments are known to significantly affect functionality and appearance, leading to an increased risk for body image disturbances. Yet, few longitudinal studies exist to examine body image in these patients. Based on a conceptual model, the current study aimed to determine, in patients newly diagnosed with HNC: the prevalence, level, and course of body image concerns; correlates of upon cancer diagnosis body image concerns; predictors of immediate post-treatment body image concerns; and association between body image concerns (...) and levels of anxiety, depression, suicidal ideation, support, and alcohol and drug misuse.MethodsTwo hundred and twenty-three, newly diagnosed with a primary HNC were assessed using structured clinical interviews and psychometric measures at three, and 6 months after diagnosis. Primary outcome was 3-month, as it was most salient to body image disturbance. Multiple linear regression analyses were conducted on the potential body image predictors, based on the model.ResultsSixty-eight percent of patients with HNC presented some level of body image concerns. Body image concerns at baseline and post-treatment were significantly related and significantly increased from pre- to post-treatment. Immediately post-treatment, 89% presented some level of body image concerns. Correlates of body image concerns in patients with HNC at baseline included: physical symptom burden, difficulties with communication and eating, coping with the cancer diagnosis using denial, suicidal ideation, and having had a past anxiety diagnosis. When controlling for sociodemographic and medical variables, body image concerns in patients with HNC in the immediate post-treatment were predicted by: baseline body image, physical symptom burden, and neuroticism.ConclusionThis longitudinal study helps identify patients more susceptible to experience body image disturbance following head and neck cancer. Clinicians ought to pay special attention to body image concerns upon cancer diagnosis, physical symptom burden, and neuroticism, and may want to target these factors in future preventive interventions. (shrink)

El presente trabajo se propone subrayar la relevancia filosófica del amor acudiendo al desarrollo analítico que del mismo realiza Harry G. Frankfurt. Para ello nos valdremos de la categorización que establece Bennett Helm y encuadraremos la teoría de Frankfurt dentro de una categoría concreta: la del amor como «gran preocupación» [«robust concern»]. Esto nos servirá para atender a la psicología moral de dicho autor y al peso decisivo que el amor juega en la misma; revestido aquel, como afirma Frankfurt, de (...) una autoridad tal que dota de sentido último a nuestro razonamiento práctico. Finalmente, y expuesta la relevancia del amor dentro de todo este proceso, se procederá a discutir de la mano de Jonathan Lear si el amor posee la autoridad que Frankfurt le asigna. (shrink)

Psychology may have to get seriously political as human aims in living and selfhood itself are increasingly influenced in a deleterious manner by the vicissitudes of living in a neoliberal political economy and one-sided “enterprise culture” (Martin & McLellan, 2013; Sugarman, 2015). This article reviews recent writings of several social critics, including Jackson Lears (2015), Sebastion Junger (2015), Philip Blond (2010), and Christopher Lasch (1995), who richly flesh out the picture of this detrimental state of affairs. We note that many (...) of these critics have little to say about credible alternatives to neoliberalism. The article then seeks to identify resources within theoretical and philosophical psychology, including hermeneutic philosophy and interpretive social science, for helping to overcome neoliberalism. They might help clarify and nurture a renewed democratic populism or engaged democratic politics and contribute to gaining what Lasch termed a much-needed “wisdom of limits” in today’s society. (shrink)

Plato’s Philebus is motivated by a question concerning the relationships among pleasure, wisdom, knowledge, and the good human life. Something of a philosophical tour de force, it also contains discussions of numerous important Platonic subjects like cosmic intelligence, distinctions among intellectual capacities, and the method of dialectical inquiry through division and collection. But the riches of the dialogue are obscured by its exceptional difficulty, a frequent grievance from commentators beginning at least with Galen. Plato’s Philebus: A Philosophical Discussion is an (...) indispensable new contribution to our understanding of this important and challenging dialogue, containing a wealth of new... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Plato and the PoetsCatalin ParteniePierre Destrée and Fritz-Gregor Herrmann, editors. Plato and the Poets. Mnemosyne Supplements: Monographs on Greek and Latin Language and Literature, 328. Leiden-Boston: Brill, 2011. Pp. xxii + 434. Cloth, $217.00.This beautifully produced volume is a collection of nineteen essays, half of them being initially presented as papers given at a 2006 conference in Louvain. Seven chapters focus on the Republic and address a variety (...) of issues: the ancient quarrel between philosophy and poetry (Glenn W. Most); Plato’s criticism of poetry and his negative attitude toward women (Penelope Murray); mimêsis as appearance-making (Gabriel Richardson); the meaning of mimêsis (Jera Marušič); Plato’s criticism and appreciation of poetry (Stephen Halliwell); thumos and the criticism of poetry (Pierre Destrée); painting, poetry, and the cognitive division of the soul (Rachel Singpurwalla). One chapter deals with myth, invented story, and true account in the Timaeus (Gretchen Reydams-Schils). Two are devoted to the Laws—mimetic correctness and choric poetry (Antony Hatzistavrou), and tragedy and philosophy (Susan Sauvé Meyer). The remaining nine chapters deal with other dialogues, although they are often discussed in connection with the Republic; the topics they discuss include: theia moira, enthousiasmos, and mimêsis in Gorgias (Fritz-Gregor Herrmann); divine possession, inspiration, and mimêsis in Ion and Republic (with references to Plato’s entire corpus, Catherine Collobert); the poet and the rhapsode as hermêneus in Ion (Carlotta Capuccino); the poet, the mad lover, and the mad philosopher as the true interpreter in Ion and Phaedrus (Francisco Gonzalez); inspiration and Plato’s psychology in Ion, Phaedrus, Politicus, Philebus, Timaeus (Stefan Büttner); theia moira in Ion and Meno, and the poets’ incomplete ascension in Symposium (Dominic Scott); Plato’s use of poetry and poets in Symposium (Elizabeth Bel-fiore); poetry and image-making in Republic and Sophist (Noburu Notomi); and poetry, the tripartition of the soul and the Form of Beauty in Phaedrus (Elizabeth Pender).As Stephen Halliwell put it in his essay, there is the seemingly Platonic attitude “which criticizes, censors and even ‘banishes’ poets, and which speaks in terms of unmasking the false pretensions and the damaging influence of poetry. But there is also the Platonic stance which never ceases to allow the voices of poetry to be heard in Plato’s own writing, which presupposes not only extensive knowledge but also ‘love’ of poetry on the part of Plato’s readers, and which at certain key junctures claims for itself nothing less than the status of a new kind of philosophical poetry and art: the status, indeed, of ‘the greatest music’ [Phaedo 61a; cf. Phaedrus 248d, 259b] and even of ‘the finest and best tragedy’ [Laws 817b]” (241). All the contributors address, in one way or another, the puzzling contrast between these two views on poetry. Halliwell, for instance, claims that Book X of the Republic “offers not a simple repudiation of the best poets but a complicated counterpoint in which resistance and attraction to their work are intertwined, a counterpoint which (among other things) explores the problem of whether, and in what sense, it might be possible to be a ‘philosophical lover’ of poetry” (244). While Most argues that “there is little or no evidence for any consciousness” of a generic opposition between philosophy and poetry tout court before Plato, “this opposition may even be in the process of being constructed” in his Republic (19) (Notomi, too, discusses this topic, and refers to the view according to which the “ancient quarrel” was Plato’s invention). [End Page 291]In reading the nineteen essays of this volume, one realizes that in Plato there is not just one poetics, or two contrasting views on poetry, but—as the editors put it—“several models of what poetry is and what the poets do” (xxii). One would have liked that these several models be explicitly discussed in a concluding chapter. The editors, however, acknowledge that neither they nor their authors aimed at achieving a unified vision of the subject: “While certain recurring themes crystallize themselves with increasing complexity in the course of the various discussions, there remain both contradictions and incompatibilities between results... (shrink)

It is common to distinguish two great families of representation. Symbolic representations include logical and mathematical symbols, words, and complex linguistic expressions. Iconic representations include dials, diagrams, maps, pictures, 3-dimensional models, and depictive gestures. This essay describes and motivates a new way of distinguishing iconic from symbolic representation. It locates the difference not in the signs themselves, nor in the contents they express, but in the semantic rules by which signs are associated with contents. The two kinds of rule have (...) divergent forms, occupying opposite poles on a spectrum of naturalness. Symbolic rules are composed entirely of primitive juxtapositions of sign types with contents, while iconic rules determine contents entirely by uniform natural relations with sign types. This distinction is marked explicitly in the formal semantics of familiar sign systems, both for atomic first-order representations, like words, pixel colors, and dials, and for complex second-order representations, like sentences, diagrams, and pictures. (shrink)

What is it for a picture to depict a scene? The most orthodox philosophical theory of pictorial representation holds that depiction is grounded in resemblance. A picture represents a scene in virtue of being similar to that scene in certain ways. This essay presents evidence against this claim: curvilinear perspective is one common style of depiction in which successful pictorial representation depends as much on a picture's systematic differences with the scene depicted as on the similarities; it cannot be analyzed (...) in terms of similarity alone. The same problem arises for many other kinds of depiction. The essay concludes that depiction in general is not grounded in resemblance but geometrical transformation. (shrink)

Economic theory teaches that it is in every country’s interest to trade. Trade is a voluntary activity among consenting parties. On this view, considerations of justice have little bearing on trade, and political philosophers concerned with global justice should stay largely silent on trade. According to a very different view that has recently gained prominence, international trade can only occur before the background of an international market reliance practice shaped by states. Trade is a shared activity among states, and all (...) participating states have in principle equal claims to gains from trade. Trade then becomes a central topic for political philosophers. Both views are problematic. A third view about the role of trade in a theory of global justice is then presented, which gives pride of place to a notion of exploitation. The other two views should be abandoned. (shrink)

Because humans cannot know one another’s minds directly, every form of communication is a solution to the same basic problem: how can privately held information be made publicly accessible through manipulations of the physical environment? Language is by far the best studied response to this challenge. But there are a diversity of non-linguistic strategies for representation with external signs as well, from facial expressions and fog horns to chronological graphs and architectural renderings. The general thesis of this dissertation is that (...) there is an impressively wide spectrum of conventional systems of representation, corresponding to the many ways that the problem of communication can be solved, and that these systems can be described and explained using the tools of contemporary mathematical semantics. As a partial corrective to the countervailing norm, this work concentrates on the class of systems arguably most different from language— those governing the interpretation of pictorial images. Such representations dominate practical communication: witness the proliferation of maps, road signs, newspaper photographs, scientific illustrations, television shows, engineering drawings, and even the fleeting imagery of manual gesture. I argue that systems of depiction and languages embody a parallel technologies of communication. Both are based on semantics: systematic and conventional mappings from signs to representational content. But I also provide evidence that these semantics are profoundly divergent. Whereas the semantics of languages are based on arbitrary associations of signs and denotations, the semantics of systems of depiction are based on rules of geometrical transformation. Drawing on recent research in computer graphics and computational vision, I go on to develop a precise theory of pictorial semantics. This in turn facilitates a detailed comparison of iconic, image-based representation, and symbolic, language-based representation. A consequence of these conclusions is that the traditional, language-centric conception of semantics must be overhauled to allow for a more general semantic theory, one which countenances the wide variety of interpretive mechanisms actually at work in human communication. (shrink)

This essay argues for a model of pictorial representation which aims to explain the relationship between pictorial content and pictorial accuracy. Focusing on cases where pictures are intended to convey accurate information, the model distinguishes between two fundamental representational relations: on one hand, a picture expresses a content; on the other, it aims at a target scene. Such a picture is accurate when the content it expresses fits the target scene it aims at. In addition, the model follows the traditional (...) division of content into two aspects: singular content specifies the particular individuals which a picture is of, and attributive content specifies the properties and relations which the picture ascribes to those individuals. For a picture to be accurate, both aspects must be matched in the target. I call this the Three-Part Model because it distinguishes between the triad of factors, singular content, attributive content, and target, which together determine pictorial accuracy. Though previous work on depiction has not recognized the distinctive role played by target, I will argue that it is essential in order to make sense of accuracy judgements across a range of central cases. (shrink)