The first part of the paper examines the significance of shame values in South Asian societies and the implications of this for schools. The second section considers the common anthropological distinction and disjunction between ‘shame culture’ and guilt culture. The third section draws on the recent study of Ancient Greece by Bernard Williams. Williams suggests that the conflict between shame values and autonomy is not inevitable. In fact, shame values may have much to contribute to ethical thought, exposing weaknesses in (...) contemporary Kantian moral outlooks and contributing to fuller conceptions of personal autonomy and personal identity, thus holding, as the final section indicates, important educational implications. (shrink)

This article sets out the rationale for a United Nations Regulation for Artificial Intelligence, which is needed to set out the modes of engagement of the organisation when using artificial intelligence technologies in the attainment of its mission. It argues that given the increasing use of artificial intelligence by the United Nations, including in some activities considered high risk by the European Commission, a regulation is urgent. It also contends that rules of engagement for artificial intelligence at the United Nations (...) would support the development of ‘good artificial intelligence’, by giving developers clear pathways for authorisation that would build trust in these technologies. Finally, it argues that an internal regulation would build upon the work in artificial intelligence ethics and best practices already initiated in the organisation that could, like the Brussels Effect, set an important precedent for regulations in other countries. (shrink)

_Threshold Concepts in Problem-based Learning_ provides a critical discussion and guidance for educational researchers, teachers, innovators and policy makers wanting to explore the interrelationship of PBL and threshold concepts.

Sperm motility and respiration are tightly coupled processes, both activated by an increased intracellular pH (pHi). As the sperm pHi increases, the flagellar motor driving motility is activated, leading to ATP consumption. Energy for motility is provided by mitochondrial respiration; energy transport from sperm mitochondrion to tail involves distinct isozymes of creatine kinase that effect a phosphorylcreatine shuttle. The activation of sperm motility and respiration can be described as a linked series of biochemical reactions that form a cell behavioural pathway (...) analogous to the reaction sequences of intermediary metabolism. (shrink)

Sperm motility and respiration are tightly coupled processes, both activated by an increased intracellular pH (pHi). As the sperm pHi increases, the flagellar motor driving motility is activated, leading to ATP consumption. Energy for motility is provided by mitochondrial respiration; energy transport from sperm mitochondrion to tail involves distinct isozymes of creatine kinase that effect a phosphorylcreatine shuttle. The activation of sperm motility and respiration can be described as a linked series of biochemical reactions that form a cell behavioural pathway (...) analogous to the reaction sequences of intermediary metabolism. (shrink)

"This volume on a provocative set of topics presents papers from the 1997 conference on Religion and Sexuality at Roehampton Institute London. The papers do not confine themselves to contemporary discussion of the topics concerned, but range widely in their discourse and discuss this relationship in social, theological and political contexts."--Bloomsbury Publishing.

Socrates’ burial is dismissed as philosophically irrelevant in Phaedo 115c-e although it had previously been discussed by Plato’s older contemporaries. In Antisthenes’ Kyrsas dialogue describes a visit to Socrates’ tomb by a lover of Socrates who receives protreptic advice in a dream sequence while sleeping over Socrates’ grave. The dialogue is a metaphysical explanation of how Socrates’ spiritual message was continued after death. Plato underplays this metaphorical imagery by lampooning Antisthenes philosophy and his work (Phd. 81b-82e) and subsequently precludes (...) him from an active role in the Phaedo. A similar case is the exclusion of Euclides of Megara. Fragments of a lost Socratic dialogue depict Apollodorus citing an unnamed Megarian in order to justify care for the remains of the dead. Similar mistaken notions explain Kyrsas’ belief when he lusts after Socrates even though he was dead. In spite of these disputes, the philosophers (Euclides, Antisthenes and Plato) each attempted to present Socrates’ moral influence as a force that continued after his death and burial. (shrink)

A far-reaching reinterpretation of Plato’s Timaeus and its engagement with time, eternity, body, and soul that in its original French edition profoundly influenced Derrida The Tomb of the Artisan God provides a radical rereading of Timaeus, Plato’s metaphysical text on time, eternity, and the relationship between soul and body. First published in French in 1995, the original edition of Serge Margel’s book included an extensive introductory essay by Jacques Derrida, who drew on Margel’s insights in developing his own concepts (...) of time, the promise, the world, and khōra. Now available in English with a new preface by Margel, this engagement with Platonic thought proceeds from two questions that span the history of philosophy: What is time? What is the body? Margel’s twinned interrogation centers around Plato’s concept of the demiurge (divine artisan or craftsman): its body, its anthropomorphic attributes, its productive capacities and regulatory functions in the ordering/organization/assembling of the world. He posits that this paradoxical figure is not merely a cosmological metaphor for the living body but also the site of its destruction, dissolution, and disappearance. Torn between the finite and the infinite, being and becoming, the concept of demiurge also poses metaphysical questions about time, time before time, and the end of time. The ontological status of the demiurge’s body, Margel argues, would become increasingly decisive in the history of philosophy, particularly in Christianity and the dogma of incarnation. (shrink)

The Tomb of Jesus and His Family? Exploring Ancient Jewish Tombs near Jerusalem’s Walls. Edited by James H. Charlesworth. Grand Rapids, Mich.: William B. Eerdmans Publishing Co., 2013. Pp. xx + 585, illus. $48.

On présente ici la fouille d'une tombe taillée MR IIIA2 de Pankalochori (Réthymnon) qui, dans trois larnakes, renfermait des sépultures, des vases en terre cuite et en bronze, des bijoux et des objets de toilette. Parmi les trouvailles, on citera une larnax et un alabastre en terre cuite pour leurs symboles religieux, ainsi qu'un miroir en bronze à manche d'ivoire de type mycénien, portant une représentation de génies minoens. Ces objets sont attachés à la sépulture d'une femme enceinte qui semble (...) avoir occupé une position sociale éminente. La tombe qui, en dépit des influences mycéniennes, a bien gardé la tradition minoenne, a une importance toute particulière du fait qu'elle a été trouvée dans une région éloignée des centres connus de l'époque. (shrink)

The bus dropped off the researchers at the 401 recreational facility at Xiaohong mountain where they were to undergo temporary training.

Fustel de Coulanges' thesis that ancient society was founded upon the cult of ancestral tombs has had, for a thoroughly self-contradictory argument, a remarkably successful career. Neither Fustel himself nor the many subsequent scholars who have quoted his views with approval faced clearly the difficulty of deriving a social structure dominated by corporate descent groups from the veneration of tombs placed in individually owned landed property. On the whole, historians have tended to play down Fustel's insistence on the relation between (...) ancestor-cult and property and to exaggerate the role of the corporate kin group. This tendency, which assimilates Fustel to Sir Henry Maine and other lawyers interested in the reconstruction of Indo-European institutions has in my view considerably impeded understanding of the role of kinship in early Greek society; it also obscures one of the most individual aspects of Fustel's work which, thanks to the researches of Philippe Ariès on the development of the modern tomb-cult in the nineteenth century, can now be placed in its historical context. (shrink)

“In 1968-69 I wanted to die, that is to say, stop living, being killed, but it was blocked on all sides,” wrote Hélène Cixous, esteemed French feminist, playwright, philosopher, literary critic, and novelist. Instead of suicide, she began to dream of writing a tomb for herself. This tomb became a work that is a testament to Cixous’s life and spirit and a secret book, the first book she ever authored. Originally written in 1970, _Tombe_ is a Homerian recasting (...) of Shakespeare’s _Venus and Adonis_ in the thickets of Central Park, a book Cixous provocatively calls the “all-powerful-other of all my books, it sparks them off, makes them run, it is their Messiah.” Masterfully translated by Laurent Milesi, _Tombe_ preserves the sonic complexities and intricate wordplay at the core of Cixous’s writing, and reveals the struggles, ideas, and intents at the center of her work. With a new prologue by the author, this is a necessary document in the development of Cixous’s aesthetic as a writer and theorist, and will be eagerly welcomed by readers as a crucial building block in the foundation of her later work. (shrink)

"Instead of suicide, [Hélène Cixous] began to dream of writing a tomb for herself. This tomb became a work that is a testament to Cixous's life and spirit and a secret book, the first book she ever authored"--Jacket.

Sophocles' Oedipus at Colonus has traditionally been regarded as the poet's primary tragedy involving hero cult; this essay explores the more subtle but no less ritually explicit hero cult of the Aias first outlined by Burian. The passage, as Burian saw, occurs when the young Eurysakes kneels at his father's body and Teukros conducts an unusual combination of rites: supplication, curse, offering of hair, and magic . One crucial direction to the child, kai phulasse , however, is here not understood (...) to be a paradox of the suppliant who "protects" what he seizes but rather his physical attachment to the locus where he abides as well as his ritual dependence on the source of protection . By saying a curse and obtaining protection, Teukros and Eurysakes indicate how the still-warm body of the dead hero has already acquired special powers after death: specifically, the power to bestow both blessings and curses on mortals. The argument turns from the body to the tomb, the physical and lasting monument of hero cult, which the Sophoclean audience would know. The preceding scene ends with a pivotal choral passage where the hero's burial and cult are prescribed in highly Homeric terms . This passage forms an important link between the opposing views of the fate of the corpse and also between the hero's death and burial. This choral celebration of the hero's future status is cast in traditional Homeric language, but with some revealing inversions. One is the reversal of the verb whereby the earth "holds" or possesses heroes in Homer, while Aias occupies and possesses his tomb . The evolution of Homeric views of death is traced . In Sophocles' Aias the chorus performs the burial as a ritual act establishing a cult, long before it happens at the end of the play. The article concludes with a discussion of the historical cults of Aias known to the Athenians and of the more significant way that Aias becomes a hero: not self-consciously, as Oedipus did, but through rituals performed by his family and community. In the Aias, the poet's sense of hero cult lies closer to Homer and the epic tradition than it does, for instance, to Aeschylus. (shrink)

II s'agit de la tombe la plus riche du MR III Β à la Canée. Le personnage inhumé était probablement d'un niveau social très élevé. Il apparaît aussi de cette tombe, que la région de la Canée n'a pas été affectée par la destruction du début du MR III B, ce qui confirme la continuité observée dans la fouille de l'habitat de Kastelli-Canée.

What was the process by which an antiquity found on the streets of Rome became the subject of a Renaissance engraving? How did engraving preserve the memory of such antiquities as they vanished into the homes of private collectors, were plundered or destroyed? This article focuses on Marcantonio Raimondis Lion Hunt to explore the relationship between ancient sculpture and the medium of print in Raphaels Rome.

Fossils and tombs in museums fascinate us and haunt us with their secrets. The discovery of the remains of Homo naledi, found, as argued by some, in an ancient burial chamber, promises to reveal secrets of an unremembered past, thus offering clues concerning our present-day humans and maybe influence our human future. The paper will not engage directly with what Homo naledi might contribute to the various science-religion and/or theology conversations but rather engage with the grammars of these conversations, by (...) asking the question, why do tombs and fossils haunt us? This article will bring into the conversation Derrida's interpretation on tombs and fossils, his hauntology, as well as the fascination with secrets. It will not offer an interpretation of Naledi, but rather ask the question why she inspires the belief that she has something to offer the science-religion conversation, or why she inspires the belief that such discoveries make no difference to the religious views on creation, for example. Whichever way, the dead, and specifically those dead to human memory, when 'recalled', haunt us and disturb us with their secrets. (shrink)

Twentieth-century art historians have primarily regarded the interior of medieval churches aesthetically, in part as a result of the impression these churches left after the turmoil of the French Revolution and their subsequent rebuilding and reconstruction in the spirit of bourgeois enlightenment. The choir screens had disappeared, and reformed cathedral chapters and monastic communities installed themselves as best they could in the remaining space, but the real centerpieces of medieval piety could no longer shape the interior of these churches. On (...) Paris's Place de Grève in 1793 the bones of St. Geneviève were publicly burned and her golden shrine melted down; in similar ways the remaining churches of France—and, in the wake of the Napoleonic occupation, other countries—lost their saints' relics . What remained of the medieval saints' bodies the church, in the aftermath of the Enlightenment, no longer dared to display. (shrink)

Retrouvée sur le territoire du Koinon des Bylliones, dans l’arrière‑pays d’Apollonia, l’épitaphe de Megallis non seulement enrichit le corpus des inscriptions grecques de la région, mais pose aussi le problème de l’identité des occupants de la nécropole. En effet, le mobilier funéraire, ainsi que le rite de l’incinération, renvoient à un contexte indigène, alors que le nom de la défunte est grec. Deux hypothèses sont alors envisageables ; la première fait de Megallis une Grecque d’origine qui se serait installée dans (...) la région. Dans ce cas on est dans une problématique qui est plutôt celle des mobilités en contexte colonial. La seconde est de faire de Megallis une indigène originaire du lieu, et dans ce cas on est dans une problématique d’acculturation, avec une « hellénisation » de l’onomastique illyrienne, comme conséquence de l’expansion du royaume épirote et de l’intensification des échanges avec les colonies grecques de la côte. (shrink)

The Early Bronze Age Tombs of Jebel Hafit. By Bo Madsen. Aarhus: Jutland Archaeological Society and Moesgaard Museum, 2017. Pp. 245, illus. DKK 350. [Distributed by Aarhus University Press].

Aeneas' encounter with Deiphobus forms a critical juncture in Vergil's "Aeneid". In the underworld Aeneas retraces his past to its beginning; so too Vergil's audience returns to its starting point: the fall of Troy. Deiphobus himself is a metonym of Troy, embodying her guilt and punishment. But Aeneas is frustrated in his attempt to reconcile himself to this past. Aeneas attempts the Homeric rites of remembrance-heroic tumulus and epic fama-but these prove to be empty gestures. The aition of Deiphobus' (...) class='Hi'>tomb is revealed to have miscarried. Rhoeteum was known as the tomb and shrine of Telamonian Ajax, not Deiphobus, and Octavian's recent restoration of the Rhoetean memorial would have strengthened the already close association between Rhoeteum and Ajax in the mind of Vergil's audience. Vergil exploits Rhoeteum's resonance with Telamonian Ajax and Odysseus, Antony and Octavian, to reflect on the process of constructing national memory, a process of which epic is an integral part. Vergil suggests that one hero's memorial frequently involves the appropriation and effacement of another. In a similar vein, the heroic fama of Deiphobus which Aeneas had heard in Troy is proven false. Deiphobus' narrative of his death is replete with Odyssean allusions which critique both Homeric heroism and Homeric kleos. Evocative allusions to Catullus' laments for his brother suggest eternal elegiac mourning as an alternate generic model for memorial and reconciliation with the past. But Aeneas is denied this option. At the center of the epic, at high noon, on a cosmic crossroads, Aeneas is poised between past and future, between mourning and hope, between Deiphobus and Deiphobe, between epic and elegiac. The Sibyl interrupts and moves Aeneas forward. Aeneas is not purged of his past, but rather denied the opportunity for true reconciliation, which is bestowed not by forgetting but by remembrance. (shrink)

In a recent paper, Andrew Jaeger and Jeremy Sienkiewicz attempt to provide an answer consistent with Thomistic hylemorphism for the following question: what was the ontological status of Christ’s dead body? Answering this question has christological anthropological import: whatever one says about Christ’s dead body, has implications for what one can say about any human’s dead body. Jaeger and Sienkiewicz answer the question this way: that Jesus’ corpse was prime matter lacking a substantial form; that it was existing form-less matter. (...) I argue that their argument for this answer is unsound. I say, given Thomistic hylemorphism, there was no human body in Jesus’s tomb between his death and resurrection. Once I show their argument to be unsound, I provide a christological anthropological upshot: since there was no human body in Christ’s tomb, there are no human bodies in any tomb. (shrink)