Abstract:John Lachs considers his major philosophical contributions to be his work on mediation, the love of life, and his explication of George Santayana's philosophical and literary outlooks. All three are undergirded by Lachs's effort to make philosophy relevant to people's lives. This article examines these three contributions with both a critical eye and an admiration for Lachs's efforts. The conclusion provides an assessment often missed in critiques of Lachs's work.

Interpretations of Poetry and Religion is the third volume in a new critical edition of the complete works of George Santayana that restores Santayana's original text and provides important new scholarly information.Published in the spring of 1900, Interpretations of Poetry and Religion was George Santayana's first book of critical prose. It developed his view that "poetry is called religion when it intervenes in life, and religion, when it merely supervenes upon life, is seen to be nothing but poetry." This statement (...) and the point of view it espoused contributed significantly to the debate between science and religion at the turn of the century, and its eloquence and clearsightedness continue to have an impact on current discussions about the nature of religion.Interpretations of Poetry and Religion affronted Santayana's peers with its assault on literary and religious pieties of the cultivated classes. William James called its philosophy of harmonious and integral ideal systems nothing less than "a perfection of rottenness."In his insightful introductory essay, Joel Porte observes that while Santayana's theory of correlative objects, his espousal of the "ideal" - the normal human affinity for abstraction - and exaltation of the imagination may have offended some at Harvard, these ideas had a significant influence on other Harvard scholars T.S. Eliot and Santayana's "truest disciple," Wallace Stevens.Herman J. Saatkamp, Jr., heads the Department of Philosophy and Humanities at Texas A & M University. William G. Holzberger is a Professor of English at Bucknell University. Joel Porte is Whiton Professor of American Literature at Cornell University. (shrink)

In management research, theory testing confronts a paradox described by Meehl in which designing studies with greater methodological rigor puts theories at less risk of falsification. This paradox exists because most management theories make predictions that are merely directional, such as stating that two variables will be positively or negatively related. As methodological rigor increases, the probability that an estimated effect will differ from zero likewise increases, and the likelihood of finding support for a directional prediction boils down to a (...) coin toss. This paradox can be resolved by developing theories with greater precision, such that their propositions predict something more meaningful than deviations from zero. This article evaluates the precision of theories in management research, offers guidelines for making theories more precise, and discusses ways to overcome barriers to the pursuit of theoretical precision. (shrink)

We provide a new wrinkle to the Argument from Unfair Advantage, a rather popular one in the ethics of doping in sports discussions. But we add a new argument that we believe places the moral burden on those who favor doping in sports. We also defend our position against some important concerns that might be raised against it. In the end, we argue that for the time being, doping in sports ought to be banned until it can be demonstrated that (...) our concerns can be satisfied. (shrink)

This work examines the complex relationship between two influential modern thinkers, G.W.F. Hegel and Ernst Troeltsch, one of Hegel's interpreters and a figure who has not received the attention he deserves.

Interpretations of Poetry and Religion is the third volume in a new critical editionof the complete works of George Santayana that restores Santayana's original text and providesimportant new scholarly information.Published in the spring of 1900, Interpretations of Poetry andReligion was George Santayana's first book of critical prose. It developed his view that "poetry iscalled religion when it intervenes in life, and religion, when it merely supervenes upon life, isseen to be nothing but poetry." This statement and the point of view (...) it espoused contributedsignificantly to the debate between science and religion at the turn of the century, and itseloquence and clearsightedness continue to have an impact on current discussions about the nature ofreligion.Interpretations of Poetry and Religion affronted Santayana's peers with its assault onliterary and religious pieties of the cultivated classes. William James called its philosophy ofharmonious and integral ideal systems nothing less than "a perfection of rottenness."In hisinsightful introductory essay, Joel Porte observes that while Santayana's theory of correlativeobjects, his espousal of the "ideal" - the normal human affinity for abstraction - and exaltation ofthe imagination may have offended some at Harvard, these ideas had a significant influence on otherHarvard scholars T.S. Eliot and Santayana's "truest disciple," Wallace Stevens.Herman J. Saatkamp,Jr., heads the Department of Philosophy and Humanities at Texas A & M University. William G.Holzberger is a Professor of English at Bucknell University. Joel Porte is Whiton Professor ofAmerican Literature at Cornell University. (shrink)

Published in 1896, The Sense of Beauty secured Santayana's reputation as a philosopher and continued to outsell all of his books until the publication of his one novel, The Last Puritan. Even today, it is one of the most widely read volumes in all of Santayana's vast philosophical work. It is a large irony that Santayana disowned The Sense of Beauty from the beginning, and wrote it only to keep his job teaching at Harvard. In 1950 he met with the (...) philosopher Arthur Danto in the Roman convent clinic where he passed his final years, and reminisced that "they let me know through the ladies that I had better publish a book." "On what?" "On art, of course. So I wrote this wretched potboiler" In fact, the book was based on a well known course on the theory and history of aesthetics that Santayana gave at Harvard College from 1892 to 1895. Santayana approaches the study of aesthetics through a naturalistic basis in human psychology: "Beauty is pleasure regarded as the quality of a thing." As such, he observes, beauty does not reside in the object but in the individual's sense of beauty. This in no way reduces the importance or the value of art or aesthetic experience. For Santayana, beauty is not relegated to museum art or to some limited arena of aesthetic experience; rather, beauty informs the whole of human existence. Herman J. Saatkamp, Jr, heads the Department of Philosophy and Humanities at Texas A&M University. William G. Holzberger is a Professor of English at Bucknell University. Arthur C. Danto is a Professor of Philosophy at Columbia University. (shrink)

Rosoff and Schneiderman's essay “Irrational Exuberance: Cardiopulmonary Resuscitation as Fetish” (2017) raises an issue first posed by the then Chairman of the Federal Reserve Board, Alan Greenspan...

Herman J. Saatkamp’s _A Life of Scholarship with Santayana: Essays and Reflections_ gathers together his work of a lifetime. There are twenty-three pieces, in three sections: “Santayana and Philosophy,” “Editorship,” and “Genetic Concerns and the Future of Philosophy.”.

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:The Works of George Santayana, volume IX, Winds of Doctrine: Studies in Contemporary Opinion ed. by Martin A. Coleman, David E. Spiech, and Faedra Lazar WeissKrzysztof (Chris) Piotr SkowrońskiEdited by Martin A. Coleman, David E. Spiech, and Faedra Lazar WeissThe Works of George Santayana, volume IX, Winds of Doctrine: Studies in Contemporary Opinion Cambridge, MA, and London, England: The MIT Press, 2023; 359 pp., incl.indexIt is not merely (...) a re-edition of Santayana’s book that is at stake here. This ninth volume of The MIT Critical Edition of The Works of George Santayana is a next step in showing us his vast output with extensive range, depth, and, most importantly, significant stimulation for our generation of scholars and non-scholars. Just to illustrate the scope of Santayana’s work: volume V of the present MIT Critical Edition, published in the years 2001–2008, consists of eight thick books with Santayana’s correspondence throughout seventy years of intellectual activity (around 3000 letters to roughly 350 recipients, William James, Josiah Royce, Bertrand Russell, Sidney Hook, Horace Kallen, B.A.G. Fuller, Hugo Münsterberg, among them), containing philosophical and cultural insights that substantially compliment the views he expressed in his published texts.The original idea of the MIT Critical Edition was to present the published and unpublished works, followed by an elaborate editorial apparatus. As we can read in the present volume, “The goal of the editors is to produce texts that accurately represent Santayana’s final intentions regarding his works while recording all evidence on which editorial decisions have been based” (p. 307). How complex and fascinating the whole project has been we can also learn from a recently published book by Herman Saatkamp, who edited the Santayana edition for twenty-six years (Charles Padrón and Chris Skowroński, eds., Herman J. Saatkamp Jr., A Life of Scholarship with George Santayana: [End Page 462] Essays and Reflections, Brill/Rodopi, 2021). As we can read in Saatkamp’s book (p. 139), the story goes back to 1976, when John Lachs, top Santayana expert, asked Saatkamp to write the National Endowment for the Humanities (NEH) and put forward a proposal for The Works of George Santayana. As the latest of its results today, we have the ninth volume just published, while future volumes are still being prepared for publication (twenty volumes are currently projected).More specific answers to questions: Do we need a critical edition to do this? Is it not enough just to publish the original volume anew? depend largely on the target audience. For those who are unfamiliar with Santayana, having in hand Volume IX shows that it is just a part, although an important part, of a much larger project, and Paul Forster’s lengthy introduction would be very helpful. Forster competently outlines Santayana’s work and life, and subsequently analyzes the book, chapter by chapter, so that we have a penetrating insight into its whole substance. Also, further down in the volume (pp. 303–306), we find a “Chronology of the Life and Work of George Santayana” that is informative to those unfamiliar with Santayana.I suspect that those audiences who are familiar with Santayana have been waiting for this volume impatiently. The original 1913 publication, by Charles Scribner’s Son (New York)—which itself was a collection of rather independent texts in the form of chapters—has been expanded with Santayana’s preface to the second edition, of 1926. Most importantly, however, the whole text (these two editions: 1913 and 1926) have been re-edited, revised, and corrected according to the criteria of a critical edition. Some terms, phrases, names, as well as other issues are explained extensively in a 140-page part entitled “Notes to the Text” (pp. 159–302). Some of these notes are instructive indeed, not only because they explain passages in the text, but also because they refer to other works by Santayana where he explains the issue at hand into more detail or from a different viewpoint. From these notes we learn much more about the ideas discussed and the figures to which Santayana refers in his reflections than we would by reading... (shrink)

This bibliographical checklist has its origins in a conflation of two previous bibliographies, those of Shohig Terzian and Ceferino Santos Escudero, S.J. These basic listings were considerably amplified by materials discovered during research for the complete critical edition of Santayana's work, and this bibliography remains an essential resource for Santayana scholars.

A penetrating and illuminating exchange of views between Richard Rorty, a highly influential and sometimes controversial philosopher, and seven of his most thoughtful critics, providing new insights into the impact of his work on contemporary American philosophy.

Scepticism and Animal Faith marks a turning point in Santayana’s philosophy leading to the development of his complete naturalism, and, if followed, leads to a decisive change in philosophical inquiry that was a century ahead of his time. Indeed, much of what Santayana explicates in this book is now central to inquiries in the social and biological sciences that attempt to understand human behavior. In short, he turns philosophy on its head. Before Santayana, philosophers often thought humans were distinct from (...) other animals because of their reasoning and their ability to act based on thinking through difficulties and then deciding to proceed in the most beneficial way. This approach was widely endorsed from Plato to American pragmatism. However, Santayana’s orientation is dramatically different focusing on animal faith and not human reason. He is a complete non-reductive naturalist.In this article, I examine the implications of Santayana turning to animal faith as a basis for understanding human action. To the surprise of his contemporaries, he no longer considered humans unique from other animals nor perhaps even more complicated in their interactions with their environment. Mental consciousness or spirit is a reflection, an after effect, of animals acting and responding in a physical environment. He suggests an analogy to the sound of music produced by an orchestra. Consciousness or spirit is not causal. For the most part it is momentary, lasting only so long as it is generated by our physical being, what he calls psyche. Hence, rather than being a philosopher who recognizes reason and mind as unique in causing human action, he notes that our actions, like that of all animals, are caused by our psyche’s physical interaction with its environment. Such a move abandons philosophy as a discipline focusing on reason as the basis for action. One might think this lessens the value of consciousness, but not for Santayana. Spirit is celebrational and to be cherished. Indeed, a principal goal of human life is to cultivate a spiritual life. Santayana’s naturalistic approach also leads to a distinct understanding of human cultures, their value, and the political structures involved in various human organizations. There is no hierarchy of best or better, only the reality of human societies serving their constituents in differing ways, much as we might describe the social structures of other animals. If the goal is to provide the greatest range of opportunities for the greatest number of people, one may find evidence that some societies enable more people to live well, but no one political structure is likely to accomplish that in all human environments. Even so, Santayana explores the natural values of charity and justice as central to human societies enabling individual humans to flourish. (shrink)