. The purpose of this article is to analyze the specifics of the mythologizing of time in the historical period dramas "Downton Abbey" and "The Crown" in the context of the transition from the postmodern paradigm to a new metamodern sensibility. The article summarizes the experience of domestic and foreign studies of the metamodern tendencies of the modern TV series and analyzes the theoretical issues of the mythological temporality of TV series production. On the basis of the theoretical concept (...) of retrotopia by Z. Bauman, the concept of layers of cinematic temporality by N.E. Marievskaya and the critical discourse analysis of S. Jäger, the features of the mythologization of horizontal, vertical time, as well as the biographical time of characters in selected period dramas have been analyzed. The scientific novelty of the article lies in the problematization and analysis of the discursive environment of the deployment of the temporal mythology of the modern period drama. The modern historical period drama demonstrates the specifics of turning to retrotopia, as it seeks to represent the current problems of the present through an imaginary past. In the case of the “Downton Abbey”, this happens through the harmonization in the viewer's mind of nostalgia for an imaginary English aristocratic past and an unstable future. In the case of the “The Crown”, the presentation of the private life of the British royal family against the backdrop of historical events contributes to the formation of a more multidimensional image of the present and responds to the demands of the mass audience in the emotional representation of historical events. The result of this representation is a kind of mythology of time, which arises between the cultural demand for retrotopia and the development of modern technologies for the production of cinematographic products, which makes it possible to fully realize the intention of modern metamodernist discourse to achieve a “new sensibility”. This allows us to consider the modern historical period drama not only as a "commercial project", but also as a tool for the development of historical culture, an instrument of cultural orientation in social space and time. (shrink)

Este texto aborda la última parte de la producción teórica de León Rozitchner, en donde se tematiza el mito estructurante de nuestra cultura: el cristianismo. Mediante una interpretación freudiana de las Confesiones de San Agustín, Rozitchner retoma con originalidad la idea marxista que considera a la crítica de la religión como el presupuesto de toda crítica. Se ponen de relieve los núcleos religiosos encubiertos en la secularización moderna que el capitalismo obstaculiza y se arriba a una idea de cuerpo que (...) permite revisar críticamente antiguas dicotomías transidas de religión, para abrir espacio a nuevos modos de contar la Historia. Desde la perspectiva del materialismo histórico, se intenta aquí dar cuenta del pasaje de la crítica de la ideología a la crítica de la mitología. Esta última propicia la reflexión sobre los fundamentos simbólicos que podrían dar lugar a procesos emancipatorios. Finalmente, se muestra que la voluntad de construir una teoría del sujeto y una crítica cultural es, en la obra de Rozitchner, el correlato de una permanente reflexión sobre la propia identidad. This text focuses on the last part of the theoretical production of León Rozitchner, in which he assesses the structuring myth of our culture: Christianism. By means of a Freudian interpretation of Saint Augustin’s “Confessions”, Rozitchner retakes in an original way the Marxist idea of criticism of religion as the presumption of every criticism. The religious core hidden by modern secularization, hindered by capitalism, is revealed, and the notion of a corpus emerges, which allows critical revision of ancient dichotomies beset by religion, in order to open paths towards new ways of telling History. From the perspective of historical materialism, we try to put forward the passage from criticism of ideology to criticism of mythology. The latter promotes a reflection on the symbolic foundations that may give way to emancipatory processes. Finally, we show that in Rozitchner´s work, the will to construct a theory of the subject and the criticism of culture is the result of a perennial reflection on identity in itself. (shrink)

The promised paradises of colonial capitalism and neoliberalism are set in a perpetually elusive future (Fitzpatrick 1992). This future is not a set destination, but an endless linear journey set to the thrum of ‘progress’ and ‘development’. This paper considers, in the context of recent cases relating to development in the Athabasca tar sands region, what the law of the Canadian settler state does when it is faced with interruptions and ruptures in its timescape. Drawing on Fitzpatrick’s seminal work, The (...) Mythology of Modern Law, I argue that a conceptualisation of law’s behaviour in these contexts as functionally mythological highlights some of the elusive ways that settler law maintains a stranglehold over legal imaginaries of oil and gas developments: by distorting and flattening the pasts and presents of Indigenous societies that pre-dated (and continue to co-exist with) the settler state on ‘Canadian’ land, by mediating between the ‘origin’ of the settler state and the daily rhythms of colonial time through ‘Eternal Objects’ such as property and economic development, and by asserting a general ‘objectivity’ of law to evade any direct grappling with the stark possibilities of the ‘end of the world’ created by the climate crisis. I conclude, drawing on Indigenous scholarship and the work of de Goede and Randalls, that a meaningful response to the climate crisis requires re-enchanted attachments to life that necessitate a departure from the one-dimensional temporality of the mythologies of settler law. (shrink)

Human beings as self-conscious, aesthetic, sympathetic, and empathetic beings develop various ways to live in this world. They continue to aspire for a better version of themselves and their lives. In this process, they developed certain ethical norms, social practices, and ways to perceive and understand this world. These qualities become the basis for proactive steps of spirituality which in turn become the foundation of religion. In human history, religion has helped individuals to fulfill various human needs irrespective of their (...) culture. Despite differences in the content of various religious philosophies, mythological structures, and religious ceremonies, it gave a sense of meaning and purpose to human beings. Because of its omnipresence, many philosophers along with biological and cultural evolutionary researchers have suggested coming up with a universal explanation for religion. -/- Nevertheless, religion was also employed as a means of exploitation by the powerful elites in various societies. Thus, many times, it worked as an orthodox, deceptive, and enslaving force for humanity. Modern thought emphasized the later effects of religion and found it less emancipatory. -/- Hence, enlightenment philosophy focused on rationality as a significant aspect of human beings. Besides, the development of science has unfolded various hidden and hitherto mysterious natural phenomena to mankind. This change has brought rationality to the forefront of human existence every institution began to build around this notion of human being. Even the death of God was announced by Nietzsche with grief in 1885. -/- Was it really the death of God? Can human beings live without religion sanely? These questions become very relevant particularly in recent times when we see resurgence of religious identities in the political and social discourses. However, consumer mythology and consumer culture remain at the forefront while making decisions in our daily lives across cultures. Even sometimes, religious identities are absorbed by powerful market forces; how to understand this contradictory phenomenon? -/- Between both these understandings, this paper sets three objectives for itself – first, to analyze the human need for religion from a psychological and existential perspective. Second, it critically evaluates the secular thesis as put forward by European enlightenment thinkers in the light of contemporary consumerist mythology. The third objective involves a brief description of universal religion and its relevance at this time. (shrink)

Jamake Highwater is a master storyteller and one of our most visionary writers, hailed as "an eloquent bard, whose words are fire and glory" (Studs Terkel) and "a writer of exceptional vision and power" (Ana"is Nin). Author of more than thirty volumes of nonfiction, fiction, and poetry, Highwater--considered by many to be the intellectual heir of Joseph Campbell--has long been intrigued by how our mythological legacies have served as a foundation of modern civilization. Now, in The Mythology of Transgression, he (...) uses his remarkable narrative powers to offer a personal and extraordinarily far-ranging examination of how people who stand outside of society--by dint of their sexual orientation, physical appearance, ideas, artistic inclinations, or ethnic heritage--often achieve lasting, even profound influence upon the culture at large. Drawing from a stunningly rich variety of sources ranging from the arts and literature to biology, physics, psychology, and anthropology, Highwater looks at his own outsider status--as a gay man, an artist, and an orphaned Native American--in an attempt to explore how mythologies from ancient times to the present have shaped the ways we think about social "abnormality" and alienation. Throughout, he points to a paradox at the center of Western values--the competing notions that the outsider is at once sinful and wise, that in everyday life the transgressor is ostracized, while in our most durable folklore and religious legends, heroes must break the rules to achieve greatness. Focusing in particular on homosexuality as a modern metaphor of transgression, Highwater brilliantly mixes personal anecdotes with wide ranging research, leading us on a tour through the history of social conformity and rejection, citing examples that span from Judeo-Christian-Islamic doctrines of good and evil, to the Navajo Nation's ambivalence toward the nature of sexuality, to Carson McCullers's treatment of physical deformity in the novella Member of the Wedding, to Descartes's theories of dualism. He also pays special attention to the debates currently raging in science regarding the biology of homosexuality and provides an engaging discussion of why we are motivated to seek a genetic basis of sexual orientation in the first place. Jamake Highwater has long been celebrated as a writer uniquely suited to give voice to the social outsider. Often provocative, always fascinating, The Mythology of Transgression is a tour de force of eloquent scholarship, a book that will prompt discussion and debate on the subject for years to come. (shrink)

The Iliad is rich in references to stories that have only incidental relevance to the main narrative. These digressions, as they are often called, have usually been assumed to reflect a wealth of pre-Homeric legend, some of which must a have been embodied in poetry. The older Analysts tended to explain the digressions in terms of interpolation. Whether regarded as genuinely Homeric or as interpolated these myths were considered as something existing in an external tradition. More recent scholars have been (...) prepared to admit that Homer may invent from time to time. For example, Sir Maurice Bowra observes that ‘the poet seems sometimes to invent a detail which looks as if it referred to some story outside his immediate subject but is in fact an invention brought to serve a passing need’. (shrink)

Appearing in English for the first time, Schelling’s 1842 lectures develop the idea that many philosophical concepts are born of religious-mythological notions.

The ancient Thracian megalithic and stone-hewn sacred places are full of symbols closely connected with the Thracian mythology and ancient cult practices which were typical for this area. Among them the most numerous are the huge stone-hewn human footprints, which in Bulgarian folklore were regarded as the footprints of the hero Krali Marko, who was thought of as the guardian of the people in Bulgaria. In the contemporary science studying Thrace he is believed to have been the folklore successor of (...) the Thracian Dionysus.Marking the sacred place with a stone-hewn footstep altar of the hero was authentic evidence for the believers in ancient times that the god had been there in primordial mythological times. In this way, through the contact with the divine, the monumental rock turns into sacred and the place turns into a sanctuary. The raw becomes boiled, Nature becomes culture. With the establishment of Christianity as the sole religion in the Roman Empire since the 4th century, some of the Thracian megalithic sanctuaries have been abandoned. Others have been Christianized. Later, others in the Middle Ages were converted into Islamic sacred places. In this way they became permanently sacred places on the Balkans. Part of the signs-symbols in them have a new meaning in the spirit of the new religions.Key words: anthropology; history of culture; religion; mythology; archaeology. (shrink)

We aim to understand how different conceptions of the world coexisted, were created and maintained, and to understand the differences between classical and contemporary mythology in the art context. Are we living in post-mythological times? Is there a pattern or a semblance of structure in both classical mythology and contemporary myths such as the cyborg? Can we stretch the definition of mythology so that it encompasses everything that in some way tries to imbue a sense of order in the chaos (...) of human life? (shrink)

In this article, the authors introduce the concept of a “queer counter-mythology.” They do so by discussing a speculative song they wrote as an enactment of research-creation. Research-creation names an interdisciplinary scholarly praxis where artist-scholars create the artefacts they want to think-with, rather than analysing existing cultural productions. The song discussed in this article, “Cosmic Beavers,” proposes a queer counter-mythology that reimagines the historical, colonial archive by foregrounding the stories of giant, trans-dimensional beavers who shred Lewis and Clark and use (...) them to reinforce their Time-Dam. Drawing on this song, as well as queer theories of time and anti-colonial thinkers, the authors suggest that artistic interventions invoke speculative lures that, while not changing history, can complicate state-sanctioned archives and narratives of the past and future: they frame this intervention as a queer counter-mythology. (shrink)

The Gods and Typhon.—The story of how the gods took bestial shape to hide from the fury of Typhon is several times told in Hellenistic and Latin authors. There seems no room for doubt that it is an aetiological myth, intended to explain the cult of beasts in Egypt, and also, in one or two versions, the sacredness of fish in Syria. That in one form, that given by Antoninus Liberalis, it goes back to Nikandros is reasonably certain. The doubtful (...) point, to my mind, is whether it can be traced much further, and, in particular, whether it was known to Pindar, as is commonly assumed. The authority for supposing that he knew and referred to it is a single passage of Porphyry, de abstinentia III. 16 . It runs: Πίνδαρος δ ν προσοδίοις παντας τος θεος ποίησεν τε ύπ Τυνος διώκοντα οủκ νθρώποις όμοιωθέντας λλ τοις λοις ζοις έρασθέντα δ Πασιάης Δία γενέσθαι μν ταρον νν δ ετν και κύκνον. (shrink)

The problem of the place and significance of the phenomena of fear and horror in the world-view of man has a long but unexplored history in science. Since ancient philosophy, these phenomena have been regarded as feelings that depend on the object-subjective perception of the phenomena of the socio-cultural life of society. However, none of the ancient authors put forward the original scientific hypothesis of the phenomenon and its justification. In modern times, fear in scientific circulation and everyday outlook has (...) become purely natural-physiological reaction of the nervous system of man to external danger. From the period of separation of psychology into a separate science and under the influence of the achievements of experimental psychophysiology of the early twentieth century. such a dominant awareness of fear has finally established itself and dominates the contemporary Western European outlook. (shrink)

When Dewey started working on Unmodern Philosophy and Modern Philosophy (UPMP), he was well aware that the main aim of his new book should have been that of providing a clear and comprehensive exposition of the philosophical views that he had formulated in his previous works. At that time – around 1939 – Dewey was in his eighties and he had already published almost all the great books that contributed to establish his reputation as the most distinguished American philosopher. (...) However, his tho... (shrink)

The Mahapuranas embody the received tradition of Hindu mythology. This anthology contains fresh translations of these myths, only a few of which have ever been available in English before, thus providing a rich new portion of Hindu mythology. The book is organized into six chapters. "Origins" contains myths relating to creation, time, and space. "Seers, Kings and Supernaturals" relates tales of rivers, trees, animals, demons, and men, particularly heroes and sages. Myths about the chief gods are dealt with in (...) three separate chapters: "Krsna," "Visnu," and "Siva." The chapter "The Goddess" presents stories of the wives and lovers of the gods, as well as of Kali, the savage battle goddess. In their introductions, the editors provide a historical setting in which to discuss Hindu mythology as well as a full analysis of its basic sources. The many names given the gods and goddesses in the Sanskrit texts have been retained since their multiplicity is an essential part of the richness of the original. The editors have provided a thorough glossary to make these names accessible. (shrink)

Sport, in modern times, finds its roots in the mythological sources of ancient Greece, where it was born as a sacred game to be performed in the honour of Zeus in Olympia or of other gods elsewhere during the Panhellenic games. Since the beginning of the twentieth century and until the 1970s sport was mythogenic (Barthes 1975). But is sport still mythogenic in the twenty-first century? Our analysis attempts to answer two questions: (i) what has been the influence of doping (...) and sponsorship on contemporary sport; and (ii) how (if at all) have both influenced the symbolic contemporary forms of the sportsman/woman myth. We argue that modern sport has become increasingly dependent upon the industrial and entertainment worlds, thus losing along the way the imprinting of symbolic innocence that the myth conferred in the recent past. Moreover, the contemporary perception of sportsmen/women by the general public has changed in so far as it concerns the symbolic aspect of the performer. If their function as social link appears to be intact, sportsmen seem to have lost the classical Olympic symbolism that was generally accepted among spectators until a few decades ago. It does not appear that the mythical aura of sport has been lost but rather the symbols that it has previously carried. Popular admiration is nowadays more concentrated on the sportsman's capacity to acquire fame and fortune by means that appear to be in everybody's reach, including doping. Consequently, the commoner identifies him/her self with the sportsman/woman but does not see him/her any longer as a hero carrying classical moral values. (shrink)

In this work, I present a selection of mythological and cultural insights from Ancient Greece that make our ambiguous relationship with memory and oblivion explicit. From Plato to Dante, or from Orphism to Nietzsche, and even today, the experiences of memory and forgetting appear as two sides of one essential nucleus in our cultural tradition in general and in the history of philosophy in particular. I intend to present a panoramic view of the main mythological sources that mention these two (...) experiences as well as their unequal consideration. I will thus stress the personifications of both figures, taking up their features and the moral, gnoseological, and even political implications that historically have been associated with them. This is especially apparent in the strong Platonic legacy latent in the history of philosophy, where every time it insists on defining knowledge as a form of memory, the peculiar attributes of forgetting unexpectedly surface, not as a mistake or cognitive error, but as an experience which is truly saving and therapeutic. (shrink)

The articles assembled in this volume present an important selection of Professor Jao Tsung-i’s research in the fields of comparative mythology, early Chinese hemerology and the interrelation between divination, morals and ritual in early Chinese thought.

Mongolian philosophical underpinnings of well‐being were expressed in the form of mythology, shamanism and Mongolian Buddhism before the development of modern nursing in Mongolia. Among these forms, the philosophical underpinnings of well‐being, mythology and shamanism were formed as a result of the roots of Mongolian philosophy, whereas Buddhism spread relatively late. As a result of Mongolian mythology, an alternative approach called dom zasal was formed, and it remains one of the important foundations of the idea of well‐being among people. Among (...) the various concepts of shamanism, the concept of sunesu best expresses the underpinning of well‐being, and the idea that healing and nursing care can be provided not only by those living in this world but also by spirit beings. Since Mongolians still use these ideas even in modern times, it should be noted that following them too narrowly may conflict with concepts based on scientific evidence. Along with the development of Buddhist philosophy in Mongolia, the Oriental philosophical underpinnings of well‐being have spread. One of the most important concepts is the five basic elements of life (tavan mahabhutas) and three elements of the body (khii, shar and badgan). While developing the concepts of life and the body, the arga‐bileg model (yin‐yang in Chinese), developed at the theoretical level in Chinese philosophy, has become a popular basis for culture and customs among Mongolians. Therefore, it has been difficult to judge whether the origin of the arga‐bileg model is Mongolian or Chinese; however, this is undeniably an important underpinning for well‐being in both countries. (shrink)

Within the pantheon of the great television series of recent decades, "The Wire" (D. Simon & E. Burns, HBO, 2002-2006) undoubtedly occupies a prominent place for critics and audiences. “The Wire”, disguised as a police thriller, is a serial story that stands out for its cyclical structure, tragic archetypes and a choral look that makes the difference from the rest of current television content. Three characteristics (the corality, the tragedy, and the cyclical time) that make up the essence of (...) Greek theater. And as soon as we start analyzing The Wire we see what is hidden in the characters and plots of one of the most prestigious series in history owe their essence to the cosmogony and Greek mythology, the root of all our culture. (shrink)

The article fits into the debate regarding space, time and nature in dialogue with the world lived by subjects that build up themselves or are built as mythological heroes, source of speech and spacial concrete practices. It's a poorly explored field in Geography that recently approaches to the cultural dynamic debate, to the symbolic field and also to their spacialization processes. The aim is to discuss the possibility of understanding in the present time about the space organization processes (...) related to the society's previous moments, in a space/time dialectics which articulate the present and past times in a complex and non linear way. Methodologically, starting from a literature review about the theme, the present study was linked to the field and documental research about migration to the vicinal ways of Transamazônica Highway (BR-230 Highway), the creation of the "Centro Espírita União do Vegetal", a religion that arises in the Amazon and set up its headquarters in Brasília and the construction of Brasilia as a modern metropolis without a past. The conclusion points at the possibility of space/time nexuses linking the Myth of Nature to the Creation of Heroes, constantly appropriated and with new meanings, in order to support speeches and new actions dialectically throughout the Brazilian contemporaneous space. (shrink)

The time of the landscape is not the time when people started describing landscapes in poems or representing gardens in works of art: it is the time when the landscape imposed itself as a specific object of thought. This object of thought was constituted through quarrels about how gardens were to be arranged, through accounts of travels to solitary lakes and remote mountains, or through evocations of mythological or rustic paintings. Jacques Rancière retraces these narratives and quarrels, (...) showing how they gave rise to a form of sensibility capable of modifying the existing configuration of modes of perception and objects of thought. The time of the landscape is the time when both the harmony of arranged gardens and the disharmony of wild nature contributed to a revolution in the criteria of the beautiful and the meaning of the word ‘art’. It coincided with the birth of aesthetics, understood as a regime for the perception of and thinking about art, and also with the French Revolution, understood as a revolution in the very idea of what binds a human community. The time of the landscape was the time when the conjunction of these two upheavals brought into focus, however hazily, a common horizon: that of a revolution that no longer concerns only state laws or artistic norms, but the very forms of sensible experience. This brilliant and wide-ranging book will be of interest to students and scholars in philosophy, literature, the visual arts and the humanities generally, and it will appeal to anyone interested in critical theory and philosophy. (shrink)

ABSTRACT This article reevaluates Hölderlin’s social and political thought in the 1790s. Against Georg Lukács, it argues that Hölderlin’s politics of the new mythology, while utopian, are not mystical. In the Fragment of Philosophical Letters and the Oldest System-Programme of German Idealism, Hölderlin instead articulates two fundamental claims. Socially, the new mythical collectivity must elevate (erheben) the social relations produced by bourgeois society, exalting them in aesthetic-religious form, rather than sublating (aufheben) them, modifying both their form and their content. Politically, (...) realizing this new collectivity requires transcending the state, and so is essentially revolutionary. Hölderlin’s prosaic writings thus supplement Hyperion’s romantic critique of modernity. They take as their point of departure a sober exposition of the social relations of the market emerging in Hölderlin’s time and, from within these relations, excavate a new mythical collectivity capable of suturing the fragmentary divisions of modern life. (shrink)

Hindu texts call into question our own gender conceptions; they tell us that desire for bisexual pleasure and the wish to belong to both sexes at the same time are very real, but unrealizable, except by those with magic gifts. Many myths bear witness to the existential perception of human beings as bisexual and to active bisexual transformations. Some may show the desire to be androgynous and, contrary to the dominant homophobic paradigm, present veiled images of a bisexuality fulfilled (...) in happiness and satisfaction. The episode evoking Chudala as a mistress of initiation and some variants in the magical forests of Shiva and Parvati illustrate this carefree, joyous way of crossing the gender barrier. (shrink)

In all cultures and at all times, humans have been telling stories about who they were, what the world and human life is about. To the insider, myths may contain Truth, revelation and the history of ourselves; whereas to the outsider it may be considered anything from folly and pre-logical mentality, to neurotic, infantile and wishful thinking. Such judgements aside, myths tell us about human creativity, the impact of narrativity on human ways of understanding, on cultural epistemologies and the many (...) ways of world making. These issues also spark considerations concerning the linguistic and philosophical notions of meaning and truth and the peculiarities of religious language. The controversial issue of myth has been studied from many different angles. In this volume the contributions are edited according to their theoretical perspectives: 1. philosophical, 2. psychological, 3. sociological, 4. semiological and 5. cognitivist, all with introduction by the editor. This volume will be an indispensable tool for anyone with a serious interest in this field of study. (shrink)

This article is an attempt at understanding the use that Abhinavagupta, the Kashmiri Śaiva philosopher and scholar of poetics, makes of a few concepts and theories stemming from the tradition of Vedic ritual exegesis. Its starting point is the detailed analysis of a key passage in Abhinavagupta’s commentary on the “aphorism on rasa” of the Nāṭyaśāstra, where the learned commentator draws an analogy between the operation of the non-prescriptive portions of the Veda in the ritual and the “generalisation” taking place, (...) according to him, in the appreciation of a work of art. Arguing against the tendency of modern historiography to explain this analogy exclusively in terms of Kumārila’s theory of effectuation in its two modalities, the article endeavours to show how Abhinavagupta relies on a variety of other textual sources he knew extensively and presumably first-hand. Some of them belong to the great Mīmāṃsaka tradition ; others, to different trends of medieval Brahmanism claiming exegetical heritage, as in the case of Jayanta Bhaṭṭa’s Nyāyamañjarī The nature of Abhinavagupta’s debt to Bhaṭṭa Nāyaka and his concept of bhāvanā is also reconsidered in light of these new findings. This investigation finally leads to identify, in the Abhinavabhāratī, an original theory of scriptural narratives and their efficacy, irreducible to any of its exegetical sources. According to this theory, mythological passages of the Veda directly prompt action, through the same capacity of abstraction or “de-temporalisation” that is at work in our appraisal of literature and theatre. (shrink)

_Appearing in English for the first time, Schelling’s 1842 lectures develop the idea that many philosophical concepts are born of religious-mythological notions._.

Explores the mythology of memory, involuntary memory, and the relation between time and memory in the context of questions prominent in contemporary thought.

This paper asserts that the dominant mental models of a social system are shaped by the conditions at the time when the society first gains its identity and unity,and that the basic traits of these models are maintained to a great extent throughout that society’s subsequent social evolution. Based on this assumption, some basic traits of the mental models’ characteristics of today’s civilisations are expected to have their origins in the mental models of early human agricultural societies and city-states. (...) Since Mesopotamian myths constitute some of the earliest available records originating from that ancient period, several of these myths are analysed here to examine the roots of some fundamental epistemological assumptions of our contemporary society. (shrink)

Essays on a Science of Mythology is a cooperative work between C. Kerényi, who has been called "the most psychological of mythologists," and C. G. Jung, who has been called "the most mythological of psychologists." Kerényi contributes an essay on the Divine Child and one on the Kore, together with a substantial introduction and conclusion. Jung contributes a psychological commentary on each essay. Both men hoped, through their collaboration, to elevate the study of mythology to the status of a science.In (...) "The Primordial Child in Primordial Times" Kerényi treats the child-God as an enduring and significant figure in Greek, Norse, Finnish, Etruscan, and Judeo-Christian mythology. He discusses the Kore as Athena, Artemis, Hecate, and Demeter-Persephone, the mother-daughter of the Eleusinian mysteries. Jung speaks of the Divine Child and the Maiden as living psychological realities that provide continuing meaning in people's lives.The investigations of C. Kerényi are continued in a later study, Eleusis: Archetypal Image of Mother and Daughter. (shrink)

The analysis concerns the interpretation of the story about Helen of Troy in the Goethe tragedy “Faust” and in the Hofmannsthal mythological opera “The Egyptian Helen” in terms of succession and development of philosophical and aesthetic conception of image. For the first time the work on the opera “The Egyptian Helen” is considered as a fruitful period of the combined creation of Hugo von Hofmannsthal and Richard Strauss on the basis of Nietzsche’s antiquity reception. It is proved, that in (...) the Hofmannsthal’s philosophical and aesthetic views the conception of the opera “Helen” is the symbol of synthesis of opposite view points on antique perception of the world and the basic sources of the ancient Greek art. The light Olympic Greece of Winckelmann and Goethe and the spontaneous titanism, Dionysus’s ecstasy and Nietzsche’s, Burckhardt’s, Bachofen’s archaic mysticism merged in Helen’s “Mystic wedding”. The basis for such unification serves an invincible life instinct of an ancient Greek, who becomes apparent in ability to moral transformation and revival by force of overcoming inevitable things in human existence of suffering. (shrink)

Snake or serpent is one the most widespread and oldest symbols which is known among different cultures folklore and mythology. As the role of symbolic notions is at the center of understanding any mythology, we would like to determine imagery meanings of the snake which could help researchers for knowing the myths more accurate and descriptive. Sometimes this motif represents the cycle of time and sometimes it does refer to Evil and even could be the symbol of divinity and (...) eternity. So this should be noted that how we can grasp any meaning from the narrations in which applied snake notion. These properties had roots in what they could be aware of snake nature and its biological attributes. As the same time, these properties are meaningful under the conditions that culture and, in some cases, religious thought prepared. The mixture of these end to some image that could be found in the mythology of their region.The very article discusses mythological aspects of snake notion in Indian and Wikings folklore, similarly to those which research on the Indo-Europian and Vikings cultural relationship and connections; except that our research is not focused on ontological and historical debates but only on the descriptive analyzing of mythological semantics. Meanwhile, it can be counted as some base which useful for whom like to dig up relations between two far distance cultures of Indians and Wikings. (shrink)

Revelation according to Schelling is not the possession of any institutional form of Christianity; it is not even bound to faith or confession. Rather, revelation disseminates itself freely and universally throughout history. It now inextricably permeates modernity. Schelling’s Philosophy of Revelation does not look backwards to an event in the first century of the common era, it looks forward to the genuine singularity, the moment when humanity will become adequate to the divine subjectivity which lives in it, that is, the (...) penultimate eschaton proclaimed by Paul and the author or the Book of Revelation, the age of righteousness prior to the general resurrection.1 By bringing mythological consciousness to an end and drawing real limits to rationalism, revelation first establishes a free relation of the human being to the divine. At the same time, revelation liberates philosophy and culture from religion and inaugurates secular consciousness. History, according to the late Schelling, which he undeniably reads Eurocentrically, is moving toward this third age of revelation, in which all of humanity will pass over into absolute or true monotheism. With the universalization of the revelation, the free and philosophical appropriation of its content, all historical forms of religion will be overcome, including, it should be added, all historical forms of institutional Christianity. The complete secularization of the world will be achieved, and the sundered human community unified, without expense of historical or cultural diversity. (shrink)

The evolutionist theories of Bachofen on the priority of matriarchy are today no more than one of the most unusual pieces of the historical museum of anthropology. The wealth and diversity of historical and literary sources therein are juxtaposed with the construction of a conjectural chronology organizing the relationship between the sexes in a progressive mode and in accordance with an immanent finality. But it is also necessary to distinguish, on the one hand, Bachofen's historicism as an expression of the (...) evolutionist tendencies of that time, based on natural sciences and the results of Darwin's work, and, on the other, interest in the inter-sexual relationship within the social institution. For the invention of successive stages in order to propose a social history of sexuality is based as much on evolutionism as on constitutive psychic representations of the individual. By projecting these representations into a pseudo-historical period and by ordering them, at each level, in terms of the two parameters of domination / subjection and collectivity / individuality, Bachofen assigned semantics to history and an evolutionary sense to transformations in marriage and the family. And by conferring historical validity on the myths of Antiquity, he set forth an implicit denial both of the work of the imagination (not to say sub-conscious, which would be an anachronism for this pre-Freudian period) as well as of ideological ruses in the political field. Bachovian evolutionism thus developed a new myth out of the ancient myths, false witnesses of the past but authentic representatives of the ahistorical present of the psyche, endowing with scientific color the image of humanity progressing from dominance of the mother and collectivism to the triumph of the father and individualism. The idea of “matriarchy” (Mutterrecht) in Bachofen is indeed to be taken in the sense of “maternal dominance” (as the German expression better suggests), and not that of political power of women. (shrink)

The articles in this volume present an important selection of Jao Tsung-i's research in the field of the early Chinese intellectual tradition, especially as concerns the question of the conditio humana. Whether his focus is on myth, religion, philosophy or morals, Jao constantly aims at describing the Chinese version of a series of developments that are broadly associated with the Axial Age in the study of the ancient world in general. He is particularly interested in showing how early China had (...) developed its own notion of transcendence as well as a system of prediction and morals that allowed man to act on his own account, without having to rely on divine providence. (shrink)

History was a continuous cycle driven by the gods. Societies began by being small, impoverished, and insignificant, then became great, then proud and decadent, and finally were overthrown by a different small, impoverished people, with the cycle beginning anew. Herbert's historical universe in Dune is bound within a series of ever repeating cycle. Herbert's themes about human action, fatalism versus free will, and the repetition of religious motifs across vast distances of space and time. Greek mythology and tragedy appear (...) on the very first page of Dune with the use of a single word: Atreides. Much like in the Dune series, History emerged in the ancient Greek world by combining mythology, epic narrative, and tragedy. The Golden Path is the death of the constant cycles of imperialism and the freeing of humanity from constantly repeating old mistakes. (shrink)

Bart Keunen’s boldly comprehensive theory of literature springs from the synthesis between narrative time and space forms called the chronotope. The originator of the theory, Mikhail Bakhtin, argued that each literary culture and each genre uses a family of chronotopes that endow the cultures and genres with their specific aesthetic charm, as well as their cognitive and moral strength. After constructing an archeology of the chronotope, Keunen proposes a remarkably original description of the various types of chronotopes. Chronotypes that (...) emphasize conflict are using Greek mythological names to explain equilibrium, or reconciliation, and conflict chronotopes. He then develops a plot typology that covers the whole history of Western narrative culture. With examples and resonances both ancient and modern, Keunen’s Time and Imagination will equip theorists in a wide range of fields with powerful tools for years to come. (shrink)

The paper suggests that the birth of an artwork as an open dynamic system can be described through the axiomatics of the theory of metabolic time. Alexander Levich’s theory of metabolic time and Nikolai Kozyrev’s theory of generated time flows, describing universal laws of the birth of the new, allow for the rethinking of the main categories of literature and aesthetics. The paper takes the rhythmic fractal as a natural referential unit of time in literature, as (...) well as the analogue of the generating fluent in arts. The first part of the paper introduces Chekhov’s “depth poetics” through a body of research, addressing the problems of artistic creativity and the genesis of an artistic work as a new integral space–time unit. The second part of the paper brings “depth poetics” into a larger theoretical context: the theory of artistic creativity by Gej and the theory of metabolic time by Alexander Levich. The final part of the paper, “Rhythmic fractals,” draws the conclusion concerning the perspective of studying the wave nature of “generating fluent.” Using Chekhov’s play The Cherry Orchard as an illustrative example, the rhythmic fractal—“the sound of a burst string”—is considered. In Kozyrev’s formulation, it is the “compression of the flow.” The rhythmic source itself is beyond the limits of the play and can only be found through an in-depth analysis of the neo-mythological structure of the Hamlet–Macbeth code. (shrink)

A certain mythology has been perpetuated in discussions of philosophy of time. It has been contended that the adoption of a particular theory of time, what I will call the “Non-dynamic Theory of Time” results in a commitment to Fatalism. This unwanted, if not intolerable baggage, is said to be avoided only by jettisoning NDTT and espousing what I will call the “Dynamic Theory of Time”. What I hope to show is that the truth of the (...) matter is almost completely the reverse; while NDTT has absolutely no Fatalistic ramifications, DTT, when it is conjoined with a most plausible supposition, does. (shrink)

Dennis Hutchinson, Master of the New Collegiate Division and Senior Lecturer in Law, delivered the annual "Aims of Education" lecture at Rockefeller Chapel on September 19, 1999. He took this occasion to defend the recent changes in the Core Curriculum, which have reduced the requirement from 21 courses to 18 or 15 (if language requirements are discounted). He did the same on the Milt Rosenberg radio program "Extension 720," on WGN Radio (720 AM), February 18, 1999, at which time (...) he acted as an administrative spokesman with Dan Garber. (shrink)

Dr Schaffer outlines the development of the mythological school of European Biblical criticism, especially its German origins and its reception in England, and studies the influence of this movement in the work of specific writers: Coleridge Hölderlin, Browning, and George Eliot. The 'higher criticism' treated sacred scripture as literature and as history, as the product of its time, and the highest expression of a developing group consciousness; it challenged current views on the authorship and dating of the Pentateuch and (...) the Gospels, on inspiration, prophecy, and canonicity, and formulated a new apologetics closely linked with the growth of Romantic aesthetics. The importance of this study is that it shows that readings of specific literary texts can intersect with general movements of thought and action through the scrutiny of a clearly defined intellectual discipline, here the higher criticism, which developed as a particular expression of the larger trends in the history of the period. Dr Shaffer throws light on individual works of literature, the formation between England and Germany, and the bases of European Romanticism. (shrink)

Melusine the Serpent Goddess in Myth and Literature examines how women were once worshipped as the life force, but later suppressed with the introduction of monotheism and a changing attitude regarding the sexes. It connects the literary conception of the Melusine story to myths and legends of the snake or dragon goddess, from ancient to contemporary times.

Largely neglected today, the work of Karl Philipp Moritz was a highly influential source for Early German Romanticism. Moritz considered the form of myth as essential to the absolute nature of the divine subject. This defence was based upon his aesthetic theory, which held that beautiful art was “disinterested”, or complete in itself. For Moritz, Myth, like art, constitutes a totality providing an idiom free from restriction in the imitation of the divine. This examination offers a consideration of Moritz’s aesthetics (...) and mythography, before turning briefly to consider his influence on the authors of Early German Romanticism. An understanding of the role of Moritz’s thought supports a number of recent claims that challenge the conventional reading of Romanticism. At the same time it allows us to see Romanticism’s unconventional realist theological programme, permitting us to overcome the problematic secularising readings of the movement. I would like to thank Kurt Mueller-Vollmer, as well as Fredrick Beiser and Lars Fischer for their help with this project. (shrink)

The text discusses the importance of religion as a symbolic construct which derives from fundamental human needs. At the same time, religious symbolism can function as an explanation for the major crises existent in the lives of individuals or their communities, even if they live in a democratic or a totalitarian system. Its presence is facilitated by the assumption of the biographical element existent in the philosophical and theological reflection and its extrapolation in a biography which concerns the communities (...) and its governmental resorts. It is in this context that we discuss the way in which the myth concerning the death of God can influence the formation of political ethics relevant for the contemporary man. From the analysis of the signification of the death of God in the contemporary Judaic theology and philosophy emerges a series of important elements for the creation of a political ethics situated between biblical morals and the extermination of the innocents in the 20th century. (shrink)

The postulate of the decisive role of social factors in the formation of a way of life, the creation of a spiritual climate and the general semantic field of culture has long and firmly entered in our literature as universally recognized. At the same time it is worth noting the fact that the prevalence of the use of this category in research works oftencombined with its meaningful blurriness, indistinctness. The point is that the category of "social factors" or "social (...) factors" is a commonplace, abstraction, which in different cultural systems and in different historical situations, present themselves very different from each other phenomena. (shrink)

Totemic myths are one of the most common types of myth-making activity of human tribal society. At the same time, they are one of the types of myths that have previously fallen into view of ethnographic researchers, psychologists and psychiatrists, philosophers and literary critics.

ABSTRACT This project seeks to put material culture, craft, and community in conversation with the long-standing American mythology of self-sufficiency referenced not only in elite discourse by the founding statesmen of the United States but also in contemporary popular iterations of the “Green” and urban homesteading movements. Indeed, many of the individuals involved in these movements identify not only as artists but also as advocates of a form of social activism referred to as “craftivism” that explicitly links this American iconographic (...) tradition of self-sufficiency to contemporary mandates for a politics of sustainability, particularly in urban life. Accordingly, I examine the ways in which urban craftivists are preserving and/or reintroducing traditional folkways ranging from subsistence farming to blacksmithing and welding, hand-sewing, knitting and crocheting, and film photography. Offering specific case studies related to these practices, I argue that practitioners of contemporary American craftivisms lean heavily on discourses of memory and tradition, as well as on the material practices and folkways associated therewith, but do so with the intention of creating a new world order that embraces both local and global perspectives as well as resources to support a politics of ethical production reconciling discourses of “tradition” and “sustainability” within the United States and abroad. (shrink)

Reflecting on the many challenges facing Christianity as a religion, and particularly Christian philosophy as a way of thinking in modern, strange and unfamiliar times, one encounters time and again the grim realization that many of such challenges are simplyprovided by the current culture, the cultural sphere. Without idealizing Europe’s Christocentric culture and remembering that it was not homogeneous, we must recognize that it once existed, it was the ruling cultural norm. Today, such norms are indeed very different and (...) vary greatly depending on the geographic region we have in mind and change from decade to decade. After the Renaissance, the Enlightenment, modernity and the postmodern era, we observe that what governs our cultural world today is pluralism more than anything else. But there are still some traces of Christocentrism in our culture and in what it has become during this period, namely popular culture. Among other aspects, research has focused on the analysis of one idea – that of the Christ-figure, which has come a long way from theology to culture to pop culture over the centuries. In this article, I will try to show why this complicated legacy can be seen, at least in part, as a challenge to Christianity in light of contemporary Christian philosophy. -------------------------- Received: 14/03/2023. Reviewed: 16/04/2023. Accepted: 30/04/2023. (shrink)

Goethe’s studies of natural form have occupied generations of scholars and the discussion on the relationship between Goethe’s thought and evolutionary theory has never ceased since Haeckel’s claims in the late nineteenth century. In scholarship which has aimed to address the question of change in Goethe’s concept of nature, the focus has been primarily on his scientific writings. Aiming for a comprehensive understanding of Goethe’s thought on reproduction, this article sets out to contribute to the ongoing debate by focusing on (...) his literary text The New Melusine, a story centred on a dwarf figure. Examining texts by naturalists such as Buffon, Humboldt, and Darwin, the article demonstrates how Goethe, in the speculative framework of a literary text, explores patterns of transformation by means of sexual reproduction which did not make it into his better known scientific writings on plant morphology and comparative anatomy. I argue that the Melusine story becomes for Goethe a space to consider a new understanding of reproduction, its transformative power, and biopolitical possibilities, while at the same time providing an opportunity to reflect critically on its consequences for the individual. (shrink)

The Reveries sur la nature primitive de l'homme are one of the important books of the dawn of the nineteenth century. In this text, Senancour limns an image of the world in accordance with the scientific thought of his time. It is a disenchanted image, dominated by mechanical necessity, and in it the distinction between good and evil no longer holds. God is absent; the world is not his creation. And Senancour expresses no regret:Everything in nature is indifferent, for (...) everything is necessary: all is beautiful, for all is determined. The individual is nothing, as a being apart: his cause and his end lie beyond him. Only the whole exists absolutely, invincibly, with no other cause, with no other end beyond itself, with no laws but those of its nature, with no other product than its permanence…. The beautiful, the true, the just, evil, and disorder exist only for the weakness of mortals…. The same earth contains happy orchards and ruinous volcanoes. The villain triumphs, the hero dies; the orchard withers, the volcano is snuffed out; one and the same destruction devours both the animate and the inanimate, shrouded in the same oblivion; and in a world reborn, there remains not a trace of what was abhorred or deified in a bygone world. (shrink)

Le théâtre, au lendemain même de la prise de la Bastille, s'était affirmé comme tribune révolutionnaire et « école du citoyen ». La décision, de la part des assemblées révolutionnaires, de transporter les cendres de Voltaire au Panthéon, ne pouvait manquer d'être une occasion pour célébrer le philosophe au théâtre et cinq pièces, toutes sur l'Affaire Calas, furent représentées entre le 17 décembre 1790 et le 31 juillet 1791. Les cinq auteurs centrent leur action sur le drame familial et sur (...) le climat de fanatisme religieux dans lequel elle s'était déroulée. Deux mots, fanatisme et fanatique, représentent la pierre de touche et font le passage entre l'époque réelle de l'Affaire Calas et l'époque de sa représentation théâtrale . Ils recouvrent l'événement et son moment historique précis, ils constituent une notion pour laquelle les philosophes s'étaient battus et prennent la valeur d'un symbole paradigmatique que la Révolution prétendait achevé. Les pièces s'articulent selon un continuel renvoi entre le temps réel et le temps de la représentation : le passé — le temps du fanatisme et du despotisme — annonce l'avenir — l'anéantissement de l'un et de l'autre — qui est le présent des spectateurs.The morning after the fall of the Bastille, theatre imposed itself as both a revolutionary pulpit and an "école du citoyen" . The revolutionary assemblies' decision to transfer Voltaire's ashes to the Panthéon was the occasion to celebrate the philosopher at the theatre : five plays, all regarding the Affaire Calas, where offered to the public between 17 December 1790 and 3 July 1791. All five authors based their plays on both the family drama and on the climate of religious fanaticism in which the former occurred. Fanaticism and fanatic are the words which act as the touchtone and which allow the transition from the historical period which is that of the Affaire Calas to its presentation on the stage . The plays acquire structure through constant cross-reference opposing the historical period and the time of the dramatic representation : the past, a time of fanaticism and despotism, foreshadows the abolishment of both in the future; that is, the spectator's present. (shrink)