Le principe de raison, le fait de rendre raison de toutes choses en les référant à un principe fondamental inquestionné, commande, pour Heidegger, la mobilisation totale et la computation universelle du monde par la technique. La critique de ce principe semble conduire Heidegger à une pensée du délaissement des choses et à une épistémologie de l'innocence, affranchies de tout effet de pouvoir métaphysique, politique ou sociologique. Mais l'innocence est ici ambiguë. Elle rappelle le jeu héraclitéen de l'enfant-roi et annonce le (...) retour d'une souveraineté mystérieuse. Le pouvoir de la technique est conjuré au profit d'une autre puissance non moins impérieuse et absolue, une « surpuissance » qui pourrait bien à son tour signifier, d'une façon plus décisive encore que le devenir-technique de la pensée, l'accomplissement et la fin de la métaphysique. (shrink)

Cet article constitue le second volet d’une même réflexion consacrée aux rapports de l’art et plus particulièrement de l’architecture avec les mathématiques à la Renaissance. Après une première étude consacrée à la place des mathématiques dans la constitution de l’opérativité architecturale, l’auteur renverse sa perspective en examinant l’influence que l’architecture, dans son usage des mathématiques, a pu avoir sur la constitution même des mathématiques, comme si l’architecture de la Renaissance s’érigeait finalement en métamathématique.

Architecture is the key mediator between time or duration and production. Creating architecture consists of spacing, leaving intervals, dilating. Space contributes to the construction of time, just as time contributes to the construction of space. This mutual construction of space and time by the means of architecture offers a new approach of the transcendental aesthetic, a transcendental aesthetic which determines the conditions of the productive system to promote the sustainable development.

Les Archives Internationales d’Histoire des Sciences présentent les Actes du colloque international sur Pline à la Renaissance : transmission, réception et relecture d’un encyclopédiste antique, organisé à Besançon les 27 et 28 mars 2009 par l’Institut des sciences et des techniques de l’Antiquité de l’université de Besançon sous la direction d’Alfredo Perifano. Ce recueil extrêmement riche, qui aborde en vingt-quatre contributions, toutes inédites et bien informées, les principales questions...

« Jamais une vérité n’a été découverte en vertu d’une méthode. » C’est là un des thèmes majeurs du pamphlet anti-baconien de Joseph de Maistre1. Pour résumer le fond de sa critique, les caractères propres du génie sont la grâce et l’inspiration ; la découverte est le fruit d’un tâtonnement heureux, irréductible à toute forme de rationalisation, qui restera toujours..

Il Rinascimento è un atelier nel quale si compongono in maniera originale esperienze e concetti radicati in tradizioni antiche ed eterogenee e destinati a esiti diversi. Saperi nuovi o rinnovati si caricano di valenze dottrinali inattese e concorrono ad arricchire il patrimonio concettuale degli uomini. Nella propensione a diffondere e frantumare la filosofia in una pluralità di artes e nel dialogo reciproco al quale queste sono richiamate, sta una peculiarità del pensiero rinascimentale, del quale i saggi qui pubblicati sono esemplificazione.

Notre siecle se place sous le signe de la fin des totalites, de la dissemination, de la realite atomisee, des multiplicites pures. Autrement dit, l'etre prend conge de l'un. Mais il est aise de constater que la domination n'a pas pris fin pour autant. La multiplicite a son tour impose son regne, qui a pour nom mondialisation. Ce n'est donc pas le multiple qui nous libere, mais au contraire l'un, si du moins celui-ci se libere de l'etre comme l'etre s'est (...) libere de l'un : une unite qui ne conduit donc pas necessairement a l'unitotalite. A cette fin, Comme un nouvel Atlas noue le dialogue entre les trois grands philosophes (Plotin, Proclus, Damascius) du neoplatonisme, qui seul, dans l'histoire de la philosophie, a ose penser la difference radicale de l'un par rapport a l'etre. Dans cette perspective, l'un apparait comme une philosophie de la liberte, susceptible de repondre au primat actuel du monde sensible et du devenir autant et mieux qu'aux formes intelligibles et aux idees eternelles de la cosmologie antique a laquelle cette pensee originellement se rattache. Se definit alors un principe, qui tient et maintient le monde sans pour autant le determiner et moins encore le dominer : un principe meilleur que la puissance. (shrink)

Le chaos définit notre siècle. Rien d'apocalyptique dans cette affirmation, qui ne condamne pas nécessairement le monde à l'état de cendre et de poussière. Le chaos définit simplement l'imprévisibilité, l'imprédictibilité et l'incertitude de nos sociétés complexes et instables dont l'homme maîtrise de moins en moins l'évolution. Jusqu'à aujourd'hui notre morale reposait essentiellement sur la maîtrise. Il nous faut maintenant apprendre à vivre autrement, c'est-à-dire en fonction de l'immaîtrisable. Ce qui ne signifie pas qu'il faut consentir au chaos comme s'il nous (...) était destiné. Le chaos n'est ni bon ni mauvais, il n'est ni pour l'homme ni contre l'homme: il lui est étranger. Et c'est pourquoi il requiert au fond de nous une force qui, sans prétendre accéder à la maîtrise du monde, nous permette d'assumer et d'affronter son étrangeté. Cette force, je l'appelle "l'Empire de soi". L'Empire de soi se distingue de la maîtrise de soi. Il s'agit non pas pour l'homme de dompter les énergies et les pulsions qui le traversent, mais, au contraire, de faire l'expérience initiale de son impuissance face au chaos du monde, afin de construire, à l'épreuve de sa faiblesse et de ses fragilités originaires, sa force la plus propre. Morale et chaos décrit ainsi les étapes de la constitution de cette force que le sentiment même de notre impuissance permet de constituer, sans fondement, mais par notre seule capacité à endurer le temps et à s'y maintenir pour mieux y passer et le faire passer à travers lui-même. (shrink)

Silence et sagesse montre combien les innombrables expériences et ascèses du silence, à travers la littérature ou les arts aussi bien que la philosophie ou la théologie, ont contribué à la constitution de la culture des hommes et de leur hominisation, au-delà ou en deça du logos et de son primat.

This classic work in the philosophy of physical science is an incisive and readable account of the scientific method. Pierre Duhem was one of the great figures in French science, a devoted teacher, and a distinguished scholar of the history and philosophy of science. This book represents his most mature thought on a wide range of topics.

Comment devient-on philosophe? Par quel sursaut un Aristoclès se fait-il Platon, jusqu'à s'imposer dans la liste des " auteurs philo " Il faut enquêter, non pas sur la vie privée, mais sur la vie intime : rumination intellectuelle, ton sur lequel on parle, motivations amoureuses... Ce qui fait un philosophe, c'est un immense travail sur soi, et la rencontre d'autres philosophes, vivants, de leurs problématiques. Mémoire sémantique + obsession métaphysique, voilà le code génétique du philosophe. Il débute par un attentat (...) religieux, puisqu'il commence sa carrière en niant tel ou tel sacré. Bien sûr, il vaut mieux être mâle, communiquer par les livres adopter la langue dominante, écrire quand on est célibataire. Comment gagner sa vie? Pas forcément en étant enseignant, comme c'est le cas aujourd'hui. Le profil du philosophe nous le révèle orphelin, vivant à l'étranger, souvent laid, jamais fou, et serial thinker, prêt à changer de philosophie pourvu qu'il reste, lui, à menacer le monde donnera ou donnera pas du sens à notre vie? Le philosophe est l'être inquiet qui pense inquiéter l'Être par deux trois mots bien aiguisés. (shrink)

Synthesizing forty years' work by France's leading sociologist, this book exemplifies Bourdieu's unique ability to link sociological theory, historical information, and philosophical thought. It makes explicit the presuppositions of a state of 'scholasticism', a certain leisure liberated from the urgencies of the world. Philosophers have brought these presuppositions into the order of discourse, more to legitimate than analyze them, and this is the primary systematic, epistemological, ethical, and aesthetic error that Bourdieu subjects to methodological critique. Pascalian because he, too, was (...) concerned with symbolic power, he refused the temptation of foundationalist thinking, attended to 'ordinary people', and was determined to seek the reason for seemingly illogical behavior rather than simply condemning it. Bourdieu charts a negative philosophy, whose intellectual debt to such other 'heretical' philosophers as Wittgenstein, Austin, Dewey, and Peirce, renews traditional questioning of concepts of violence, power, time, history, the universal, and the purpose and direction of existence. (shrink)

During the last two decades, sociologist Pierre Bourdieu has become a dominant force in cultural activity ranging from taste in music and art to choices in food and lifestyles. _The Field of Cultural Production_ brings together Bourdieu's major essays on art and literature and provides the first introduction to Bourdieu's writings and theory of a cultural field that situates artistic works within the social conditions of their production, circulation, and consumption. Bourdieu develops a highly original approach to the study (...) of literary and artistic works, addressing many of the key issues that have preoccupied literary art and cultural criticism in the last twentieth century: aesthetic value and canonicity, intertextuality, the institutional frameworks of cultural practice, the social role of intellectuals and artists, and structures of literary and artistic authority. Bourdieu elaborates a theory of the cultural field which situates artistic works within the social conditions of their production, circulation, and consumption. He examines the individuals and institutions involved in making cultural products what they are: not only the writers and artists, but also the publishers, critics, dealers, galleries, and academies. He analyzes the structure of the cultural field itself as well as its position within the broader social structures of power. The essays in his volume examine such diverse topics as Flaubert's point of view, Manet's aesthetic revolution, the historical creation of the pure gaze, and the relationship between art and power. The Field of Cultural Porduction will be of interest to students and scholars from a wide range of disciplines: sociology and social theory, literature, art, and cultural studies. (shrink)

Written with verve and intensity (and a good bit of wordplay), this is the long-awaited study of Flaubert and the modern literary field that constitutes the ...

Examining in detail the work of consecration carried out by elite education systems, Bourdieu analyzes the distinctive forms of power—political, intellectual, bureaucratic, and economic—by means of which contemporary societies are governed.

Replete with madwomen, murderers, musicians, and mystics, "Lonely Woman" dramatically interweaves the lives of five women. It remains Takako Takahashi's most sustained and multifaceted fictional realization of her concept of "loneliness.".

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain (...) in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. (shrink)

Martin Heidegger's overt alliance with the Nazis and the specific relation between this alliance and his philosophical thought - the degree to which his concepts are linked to a thoroughly disreputable set of political beliefs - have been the topic of a storm of recent debate. Written ten years before this debate, this study by France's leading sociologist and cultural theorist is both a precursor of that debate and an analysis of the institutional mechanisms involved in the production of philosophical (...) discourse. Though Heidegger is aware of and acknowledges the legitimacy of purely philosophical issues (in his references to canonic authors, traditional problems, and respect for academic taboos), Bourdieu points out that the complexity and abstraction of Heidegger's philosophical discourse stems from its situation in the cultural field, where two social and intellentual dimensions - political thought and academic thought - intersect. Bourdieu concludes by suggesting that Heidegger should not be considered as a Nazi ideologist, that there is no place in Heidegger's philosophical ideas for a racist conception of the human being. Rather, he sees Heidegger's thought as a structural equivalent in the field of philosophy of the 'conservative revolution', of which nazism is but one manifestation. (shrink)

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain (...) in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. (shrink)

The Meditations of Marcus Aurelius are treasured today--as they have been over the centuries--as an inexhaustible source of wisdom. And as one of the three most important expressions of Stoicism, this is an essential text for everyone interested in ancient religion and philosophy. Yet the clarity and ease of the work's style are deceptive. Pierre Hadot, eminent historian of ancient thought, uncovers new levels of meaning and expands our understanding of its underlying philosophy. Written by the Roman emperor for (...) his own private guidance and self-admonition, the Meditations set forth principles for living a good and just life. Hadot probes Marcus Aurelius's guidelines and convictions and discerns the hitherto unperceived conceptual system that grounds them. Abundantly quoting the Meditations to illustrate his analysis, the author allows Marcus Aurelius to speak directly to the reader. And Hadot unfolds for us the philosophical context of the Meditations, commenting on the philosophers Marcus Aurelius read and giving special attention to the teachings of Epictetus, whose disciple he was. The soul, the guiding principle within us, is in Marcus Aurelius's Stoic philosophy an inviolable stronghold of freedom, the "inner citadel." This spirited and engaging study of his thought offers a fresh picture of the fascinating philosopher-emperor, a fuller understanding of the tradition and doctrines of Stoicism, and rich insight on the culture of the Roman empire in the second century. Pierre Hadot has been working on Marcus Aurelius for more than twenty years; in this book he distills his analysis and conclusions with extraordinary lucidity for the general reader. (shrink)

avec de nombreux textes inédits Pierre Dugac. APPENDICE XVII Wilhelm WEBER : Brie)'e an Richard Dedekind (Cod. Ms. Richard Dedekind 14, II; Niedersàchsische Staats- und Universitàts- bibliothek Gôttingen) Gôttingen 10. Aug.

Developing earlier studies of the system of numbers in Mundurucu, this paper argues that the Mundurucu numeral system is far more complex than usually assumed. The Mundurucu numeral system provides indirect but insightful arguments for a modular approach to numbers and numerals. It is argued that distinct components must be distinguished, such as a system of representation of numbers in the format of internal magnitudes, a system of representation for individuals and sets, and one-to-one correspondences between the numerosity expressed by (...) the number and its metrics. It is shown that while many-number systems involve a compositionality of units, sets and sets composed of units, few-number languages, such as Mundurucu, do not have access to sets composed of units in the usual way. The nonconfigurational character of the Mundurucu language, which is related to a property for which we coin the term 'low compositionality power', accounts for this and explains the curious fact that Mundurucus make use of marked one-to-one correspondence strategies in order to overcome the limitations of the core system at the perceptual/motor interface of the language faculty. We develop an analysis of a particular construction, parallel numbers, which has not been studied before, elucidating the whole system. This analysis, we argue, sheds new light on classical philosophical, psychological and linguistic debates about numbers and numerals and their relation to language, and more particularly, sheds light on few-number languages. (shrink)

(From Liberty Fund:) The topics of church and state, religious toleration, the legal enforcement of religious practices, and religiously motivated violence on the part of individuals have once again become burning issues. Pierre Bayle’s Philosophical Commentary was a major attempt to deal with very similar problems three centuries ago. His argument is that if the orthodox have the right and duty to persecute, then every sect will persecute, since every sect considers itself orthodox. The result will be mutual slaughter, (...) something God cannot have intended. -/- The Philosophical Commentary takes its starting point from the words attributed to Jesus Christ in Luke 14:23, “And the lord said unto the servant, Go out into the highways and hedges, and compel them to come in, that my house may be full.” Bayle contends that the word compel cannot mean “force.” From this perspective, he constructs his doctrine of toleration based on the singular importance of conscience. His point is not that coercion usually is ineffective in matters of faith but that, even when effective, it is wrong because it ignores the indispensability of the free conscience. (shrink)

Tied to the apron strings of the church -- Researcher, teacher, philosopher -- Philosophical discourse -- Interpretation, objectivity and nonsense -- Unitary experience and philosophical life -- Philosophical discourse as spiritual exercise -- Philosophy as life and as a quest for wisdom -- From Socrates to Foucault : a long tradition -- Inacceptable? -- The present alone is our happiness.

Pierre Bayle’ın Tarihsel ve Eleştirel Sözlük adlı eserindeki “Spinoza” maddesi, Spinoza felsefesinin temel meselelerine dair genel bir bakış sunar. Söz konusu maddenin burada çevirisi sunduğumuz “N Çıkması”nda ise Bayle, özellikle Spinoza’nın Ethica adlı eserine odaklanarak kip, değişiklik, töz ve Tanrı gibi Spinoza metafiziğinin temel kavramlarına yönelik eleştiriler getirir.

Qu'est-ce que la 'déconstruction'? Quelles sont les origines philosophiques de ce mot magique, brandi par tous ceux dont le but, déclaré ou non, est de criminaliser l'Occident en le réduisant à une expression du racisme, de l'esclavagisme, de l' 'hétéro-patriarcat' et de l'impérialisme colonial? Cette civilisation redoutable dont les proies seraient les peuples dominés, racisés, opprimés, et les minorités essentialisées en tant que victimes systémiques? Ainsi la civilisation occidentale se trouve-t-elle convoquée devant un nouveau grand Tribunal de l'Histoire pour répondre (...) de ses crimes, imaginaires ou réels, et, surtout, elle est la seule civilisation à être mise au banc des accusés. Au croisement de la recherche universitaire et du militantisme politique, le décolonialisme, l'intersectionnalité, la 'théorie critique de la race', la 'théorie queer', la 'théorie du genre', mais aussi le 'wokisme', né d'une corruption idéologique de l'antiracisme et du féminisme importée des campus étatsuniens, se sont peu à peu diffusés dans les médias et dans la société tout entière grâce à une propagande violente et culpabilisante puisant dans un imaginaire victimaire. Dans ce livre incisif et documenté, qui part d'une réflexion sur la pensée de Nietzsche et sur ses mésusages par les disciples français de Heidegger, Pierre-André Taguieff analyse ces théories aussi foisonnantes qu'inconsistantes et dénonce l'émergence de ce nouvel esprit totalitaire qu'il faut se garder de réduire à ses effets les plus médiatisés, comme ces 'déboulonnages' spectaculaires illustrant la violence purificatrice de la 'cancel culture'. De fait, ce néo-puritanisme obscurantiste, inquisitorial et punitif représente, dans les démocraties occidentales, un défi majeur pour les défenseurs de la liberté d'expression, de pensée et de création."--Back cover. (shrink)

This work by Pierre Bourdieu develops the anthropological theory which has formed the basis of his scientific research. It discusses the problems posed by "structuralist" philosophers in order to solve or dissolve them.

The authors develop an analysis of education. They show how education carries an essentially arbitrary cultural scheme which is actually based on power. More widely, the reproduction of culture through education is shown to play a key part in the reproduction of the whole social system.

_Democracy Past and Future_ is the first English-language collection of Pierre Rosanvallon's most important essays on the historical origins, contemporary difficulties, and future prospects of democratic life. One of Europe's leading political thinkers, Rosanvallon proposes in these essays new readings of the history, aims, and possibilities of democratic theory and practice, and provides unique theoretical understandings of key moments in democracy's trajectory, from the French Revolution and the struggles for universal suffrage to European unification and the crises of the (...) present. In so doing, he lays out an influential new theory of how to write the history of politics. Rosanvallon's historical and philosophical approach examines the "pathologies" that have curtailed democracy's potential and challenges the antitotalitarian liberalism that has dominated recent political thought. All in all, he adroitly combines historical and theoretical analysis with an insistence on the need for a new form of democracy. Above all, he asks what democracy means when the people rule but are nowhere to be found. Throughout his career, Rosanvallon has resisted simple categorization. Rosanvallon was originally known as a primary theorist of the "second left", which hoped to stake out a non-Marxist progressive alternative to the irresistible appeal of revolutionary politics. In fact, Rosanvallon revived the theory of "civil society" even before its usage by East European dissidents made it globally popular as a non-statist politics of freedom and pluralism. His ideas have been shaped by a variety of influences, ranging from his work with an influential French union to his teachers François Furet and Claude Lefort. Well known throughout Europe as a historian, political theorist, social critic, and public intellectual, Pierre Rosanvallon was recently elected to a professorship at the Collège de France, Paris, a position held at various times by Claude Lévi-Strauss, Michel Foucault, and Pierre Bourdieu. _Democracy Past and Future_ begins with Rosanvallon's groundbreaking and synthetic lecture that he delivered upon joining this institution. Throughout the volume, Rosanvallon illuminates and invigorates contemporary political and democratic thought. (shrink)

Examines differences in taste between modern French classes, discusses the relationship between culture and politics, and outlines the strategies of pretension.