This essay aims to identify a semiotic consciousness found in New England Transcendentalism, consisting of the worldview that signs are pervasively present throughout nature and society. It finds that this worldview exists as a historical strand of thought stretching through the 19th century and, ultimately, further beyond, thereby making up an early movement in American semiotics. In this context, I furthermore see Transcendentalist thought informing the backdrop of Charles Peirce’s groundbreaking theory of signs later in the century, especially his (...) metaphysical claims about a “universe... perfused with signs”1 (1906: EP 2.394). In order to bring into full view the presence of a semiotic consciousness in Transcendentalism, I first address the intellectual history and genealogical roots that helped shape the minds of the Transcendentalists. Relevant influences include those both local to New England and imported from abroad, in particular the theologies of Jonathan Edwards and of Emanuel Swedenborg. Next, I directly examine the ideas of the figurehead of the Transcendentalist movement, Ralph Waldo Emerson, together with his Concord peers, Amos Bronson Alcott and Henry David Thoreau. Taking them as my case studies, I track the different ways a like-minded interest in signs takes shape within their individual projects. Focus-ing on their descriptions of nature, we find it in their experiences of the natural environment, their understanding of phenomena as representational and poetic, and their belief in the dialogical sharing of ideas across minds and species. Along the way, I further work out some of the aspects of a general theory of signs identifi-able within the Transcendentalist perspective, as well as distinguish it from other theoretical alternatives. Ultimately, I contend that the Transcendentalists held a similar idea of nature existing as a sign representing deep and varied meanings. (shrink)

My thesis is that there is an aesthetic dimension of nature that is metaphysically significant, qualitatively pluralistic, and artistically creative, and that this accounts for the sensuous complexity of experience, as well as the possibility of discovering new qualitative features about the world and expressing them in novel forms, as exemplified in art. I call the philosophy that endorses the reality of this dimension Transcendentalist Aesthetics. The term "Transcendentalist" recalls the philosophy of New England Transcendentalism with its core in (...) Ralph Waldo Emerson, and which influenced the philosophical writings of Charles S. Peirce and the art of the nineteenth-century American landscape painters of the Hudson River School and Luminism. The primary overall goal is to present and argue for a Transcendentalist Aesthetics by making use of the philosophy of Emerson and Peirce, together with the writings and landscapes of the painters. More specifically, Emerson's claims about nature and art and the painters' representations of nature provide various poetic observations of nature that provide an empirical starting point concerning the rich aesthetic complexity of the world. This complexity finds a theoretical ground in Peirce's metaphysical cosmology, which presents a rationally coherent account of the greater structures and processes of the universe while possessing important aesthetic consequences for lived experience and art. The landscape paintings also have a role in that they are expressive of the Transcendentalist philosophy itself, serve as case studies for theoretical interpretation, and are concrete evidence that new qualitative features about the world may be discovered and realized in novel artistic ways. (shrink)

In the “Critique of Pure Reason” and subsequent “Prolegomena to Any Future Metaphysics...”, “Metaphysical Principles of Natural Science”, “Opus Postumum” Kant develops one of the modes of his transcendentalism, the metaphysics of possible experience, whose task is to study the transcendental conditions for the possibility of our (cognition), which, according to Kant, has a priori character. P. Strawson calls this mode of metaphysics ‘ descriptive metaphysics ’ and connects it with the analyzing the ‘conceptual structure’ of our thinking about (...) the world. The contemporary realistic trend (primarily within the framework of the analytical philosophical tradition) in the interpretation of Kant’s transcendental philosophy is associated with the modern theory of “two aspects” (80s of the 20th century), which replaced the classical theory of “two objects/worlds” (compare also with the opposition “ theory of appearance vs. theory of appearances ”). Within the framework of this theory, the Kantian ‘appearance’ receives an objectified status, it is not our mental representation, but corresponds (as its signs) to really existing things, or Kantian ‘objects of experience’. The article traces the formation of the historical and conceptual background of the ‘ metaphysics of experience ’ (H. Paton's original expression). Historically, the metaphysics of experience inherits the neo-Kantian approach to interpreting Kant's transcendentalism as a ‘theory of experience’ (H. Cohen, E. Cassirer), then it develops in logical positivism/empiricism (H. Reichenbach, R. Carnap; further in post-posivivism: the theory of I. Lakatos and T. Kuhn), analytical philosophy of science (W. Sellars, G. Buchdal, H. Putnam), and at present the metaphysics of experience is developing in a number of contemporary works of an analytical orientation (P. Strawson, K. Ameriks, L. Allais and etc.). (shrink)

One of the more superficially perplexing features of Lacan’s notion of objet petit a is the fact that he simultaneously characterizes it as both non-specularizable (i.e., incapable of being captured in spatio-temporal representations) and specular (i.e., incarnated in visible avatars). This assignment of the apparently contradictory attributes of visibility and invisibility to object a is a reflection of this object’s strange position at the intersection of transcendental and empirical dimensions. Indeed, this object, which Lacan holds up as his central psychoanalytic (...) discovery, raises important philosophical questions about the transcendental-empirical distinction, arguably short-circuiting in interesting, productive ways this dichotomy and many of its permutations. This article seeks to achieve two aims: one, to clarify how and why Lacan situates object a between the specular and the non-specular; and, two, to extract from the results of this clarification a preliminary sketch of a post-Lacanian transcendentalism that is also thoroughly materialist. (shrink)

In the 1970s, Peter Hacker and Bernard Williams argued that Wittgenstein was a Kantian transcendental idealist. In the 1980s, Hacker officially rescinded this interpretation and Williams in any case regarded Wittgenstein's transcendental idealism as a philosophical mistake. And ever since, there has been a lively debate about Wittgenstein's Kantianism, anti‐Kantianism, or non‐Kantianism. No one doubts that throughout his philosophical writings, Wittgenstein saw a fundamental connection between language and human life. Jonathan Lear's critical judgment on the later Wittgenstein's transcendental anthropology is (...) that it is ultimately a failure, due to an incoherence between the prima‐facie‐opposed 'transcendental' and 'anthropological' levels of reflection. According to Kant, a mental representation is transcendental when it is either part of, or derived from, our nonempirical innately specified spontaneous cognitive capacities. Then Kant's transcendental idealism (TI) can be formulated as a two‐part philosophical equation: representational transcendentalism, cognitive idealism. (shrink)

Kant’s transcendental philosophy of Kant is the metaphysics of possible experience related to the solution of the [semantic] problem set in his famous letter to M. Hertz (02.21.1772): “What is the ground of the relation of that in us which we call 'representation' to the object?” There are two possible ways to solve it: empiricism and apriorism, – and Kant chooses the second of them, thus making his “Copernican Revolution”. In the Preface to the 2nd ed. Critique Kant correlates his (...) Copernican turn/revolution with "altered method of our way of thinking [in metaphysics]" [BXVIII] and considers it as an analogue of the hypothetico-deductive scientific method of Copernicus – Galileo – Newton. The analysis of structure of the Copernican Revolution shows that it is possible to pick out two vectors: the empirical (from the thing-in-itself to representations) and the noumenal ones (from the transcendental unity of apperception [or transcendental object] to objects of experience). The introduction of an a priori vector (resp. a priori forms) means that Kant's conception is not empirical, but Kant’s keeping empirical vector says that it is compatible with empirical realism [A370–1]. Thus, Kantian transcendentalism is a synthesis of realism (basic level) and transcendental idealism (as a meta-level superstructure above it), whose task is to find out and analyze the transcendental conditions [possibility] of our knowledge of objects. (shrink)

At the present time, there are several interpretations and modes of Kant’s transcendental philosophy (TP). Which of these interpretations and modes of transcendentalism most adequately express the spirit of TP, i.e. can claim the title of the transcendental ones? For the explication of the ‘idea of transcendental philosophy’ [KrV, A1], here I distinguish two transcendental shifts: methodological and metaphysical ones, which in their totality predetermine the essence and set the specificity of Kant’s transcendental idealism. The methodological transcendental shift that (...) Kant postulates in his definitions of TP in the Critique of Pure Reason [KrV, A11; B25] represents a shift from studying of objects to the analysis and justification of our mode of cognition of objects. This shift sets a fairly wide range of a la Kantian a priori doctrines and predetermines the transcendental turn (Re–Transcendentalising) of modern philosophy. The metaphysical transcendental shift that can be correlated with “the altered method of our way of thinking [in metaphysics]” [KrV, BXVIII], is associated with the splitting of the “thing” into the actual object (or Kantian thing-in-itself) and object of experience (or Kantian appearance), and involves a transition from the study of thing-in-itself to the analysis of the appearance. More precisely, this shift finds its expression in the transcendental triad “object (thing-in-itself; Ding an sich) – appearance (Erscheinung) – representation (Vorstellung)”, which determines the ‘idea’ (essence) of transcendental idealism/metaphysics. (shrink)

Norbert Wiener’s idea of “cybernetics” is linked to temporality as in a physical as in a philosophical sense. “Time orders” can be the slogan of that natural cybernetics of time: time orders by itself in its “screen” in virtue of being a well-ordering valid until the present moment and dividing any totality into two parts: the well-ordered of the past and the yet unordered of the future therefore sharing the common boundary of the present between them when the ordering is (...) taking place by choices. Thus, the quantity of information defined by units of choices, whether bits or qubits, describes that process of ordering happening in the present moment. The totality (which can be considered also as a particular or “regional” totality) turns out to be divided into two parts: the internality of the past and the externality of the future by the course of time, but identifiable to each other in virtue of scientific transcendentalism (e.g. mathematical, physical, and historical transcendentalism). A properly mathematical approach to the “totality and time” is introduced by the abstract concept of “evolutionary tree” (i.e. regardless of the specific nature of that to which refers: such as biological evolution, Feynman trajectories, social and historical development, etc.), Then, the other half of the future can be represented as a deformed mirror image of the evolutionary tree taken place already in the past: therefore the past and future part are seen to be unifiable as a mirrorly doubled evolutionary tree and thus representable as generalized Feynman trajectories. The formalism of the separable complex Hilbert space (respectively, the qubit Hilbert space) applied and further elaborated in quantum mechanics in order to uniform temporal and reversible, discrete and continuous processes is relevant. Then, the past and future parts of evolutionary tree would constitute a wave function (or even only a single qubit once the concept of actual infinity be involved to real processes). Each of both parts of it, i.e. either the future evolutionary tree or its deformed mirror image, would represented a “half of the whole”. The two halves can be considered as the two disjunctive states of any bit as two fundamentally inseparable (in virtue of quantum correlation) “halves” of any qubit. A few important corollaries exemplify that natural cybernetics of time. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Philosophy and Literature 25.2 (2001) 295-313 [Access article in PDF] The Ecology of Victorian Fiction Joseph Carroll I In the past ten years or so, ecological literary criticism--that is, criticism concentrating on the relationship between literature and the natural environment--has become one of the fastest-growing areas in literary study. Ecocritics now have their own professional association, their own academic journal, and an impressive bibliography of scholarly studies. Ecocritical scholars (...) divide their attention between "nature writing" and ecological themes within all literature. In other words, some scholars write on Thoreau, John Muir, Aldo Leopold, and Annie Dillard; others write on topics such as the representation of nature in romantic poetry, the American West as a symbol, metaphors of landscape, or Dante's Inferno as a polluted ecosystem. Ecocritics have a distinct subject matter, and they share in a certain broad set of attitudes, values, and public policy concerns, but they do not yet have a firmly established framework of commonly accepted theoretical principles. In the absence of any overarching theory, ecocritics have usually sought to incorporate their ecological subject matter within other, already established theoretical schools: feminism, Bakhtin's dialogism, Lacanian psychoanalysis, or English romantic and American transcendentalist, idealist philosophy. Most commonly, ecocritics have affiliated themselves with the standard contemporary blend of Foucauldian ideological criticism--a blend that is vaguely Marxist and Freudian, generally radical, and strongly tinctured with deconstructive irrationalism and textualism. 1Given its specialized themes and topics and its ready affiliation with the standard theoretical blend, ecocriticism might seem little more than a special topic area within the general field of contemporary [End Page 295] literary study. But ecocritics do not see their approach that way. They share in a feeling of being at the forefront of critical response to an urgent practical problem of world-historical magnitude: the prospect of irreversible environmental devastation. They thus have a strong sense of a political mission, and they often feel that the urgency of their environmental concerns should sanction realigning the canon to give much greater prominence to nature writers and to the study of ecological themes. In their view, the natural world claims a special status as the ultimate ground and frame of all existence. It is an object of peculiar veneration and of primary experiential importance.The special conceptual status of ecology as a theme and a topic necessarily raises a question about its theoretical import. If the subject of ecocriticism is the relation of literature and the natural world, and if this relation is more important and more elemental than any other concern, does it not follow that ecocriticism should identify itself as a matrix for all literary study? To put the question operationally, in what way could ecology, as a subject matter and a concept, generate a theory of literature? Since the relation between organisms and natural environments is a necessary precondition of all experience, one could reasonably argue that the special topic of ecocriticism is more elemental than the topics of feminism, Marxism, or any other form of political criticism, and that the basic physical conditions of organic life take conceptual precedence over semiotics and theories of "culture" and "discourse."I shall argue that ecology cannot by itself generate a theory of literature or serve as the basis for a theory of literature, but I shall also argue that responsiveness to the sense of place is an elemental component of the evolved human psyche and that it thus can and should be integrated into a Darwinian literary theory. E. O. Wilson's notion of "biophilia" provides a Darwinian alternative to the ecological transcendentalism of "deep ecology," and the evolutionary epistemology of Konrad Lorenz provides a Darwinian rationale for locating the human psyche within its physical world. In constructing a bridge between the evolutionary epistemology of Lorenz and the idea of place within verbal narrative, I shall make use of a new branch of Darwinian aesthetics, Joseph Anderson's "ecological" version of "cognitive film theory."In order to illustrate the ways in which setting can be integrated into a Darwinian literary criticism, in the latter part of the essay... (shrink)

W. Dilthey’s program of “criticism of historical reason” was formed in a polemic with the legacy of I. Kant on the basis of transcendental reflection of the data of descriptive psychology. It was focused on understanding the radical difference between the sciences of the spirit and the sciences of nature. Starting from a critical rethinking of Kant's legacy within the boundaries of his own version of the academic philosophy of life, Dilthey began to talk about the fact that the reason, (...) directing the cognitive activity of the subject, is characterized, first of all, not by the theoretical “purity”, but by its involvement in the “open” flow of history, which it gives meaning and sense through language. It interacts with historical experience, which arises through the synthesis of actual events perception in the time flow and memory images with real categories and concepts constructed by the intellect of the human subject. The ability to judge what is happening in history, its assessment in a humanistic perspective, is also considered by Dilthey as inseparable from the work of historical reason. The reason involved in the flow of time and life cannot be a carrier of theoretical “purity” and acts as inherently hermeneutic in its nature. Dilthey presented an interesting analysis of the main levels of hermeneutical procedure - emotional perception, expression and understanding, aimed at comprehension of the diversity of spiritual and cultural worlds in synchrony and diachrony of their existence. Denying the possibility of comprehending the meaning and sense of history by constructing substantialist schemes, he asserted the importance of narrative representation of the past in the light of the present. Dilthey's project of “criticism of historical reason” was based on the idea of the “openness” of the meaning of the past, due to its rootedness in the very way of human existence in time. This idea was inherited and further developed in the horizon of the fundamental ontology of M. Heidegger and other contemporary thinkers of hermeneutical orientation. (shrink)

Hans Lipps’s originality lies in a tension between his hermeneutical and existential philosophy on the one hand, and his analysis of themes belonging to classical logic, on the other. To understand this tension, it must be examined at its point of origin – when Lipps discusses Husserl’s philosophy. The purpose of this text is to explain the opposition between Lipps and his first Master. Lipps’s critique of Husserl concerns transcendental idealism, the transcendental reduction, and the concept of intentionality, which appear (...) to Lipps as an escape from the realm of facticity. Husserlian idealism is then similar to Kant’s critical philosophy. Pursuing his inquiry from the perspective of facticity, Lipps refutes Kant’s and Husserl’s transcendentalism and their focus on the realm of representation. He tries nevertheless to analyse the classic problems of phenomenology and Kantian logic from the point of view of facticity. (shrink)

"Time. Perception. Imagination. Phenomenological Studies on the Question of Time by Augustine, Kant and Husserl". (rus), SPb, 2013. Summary: The monograph is devoted to the key elements of the philosophy of time which determine the necessity of historicism in the analysis of subjectivity. The main idea which defined the composition and design of this work is to trace how the Kantian definition of time as the “form of inner sense” is revealed in Husserl’s phenomenology. The original intention was to understand (...) all three components of this definition. Firstly, what is the inner form, in terms of phenomenology, what are the principles of its constitution and how one can talk about the property of formation? Secondly, what is the meaning of the term "inner" in philosophy, where the division into internal and external has always been a formality, not affecting the essence of things? And finally, what sort of “sensibility” is assumed in transcendental science, bound to become the basis of understanding the history and culture. Presumably, these three Kantian concepts constituted the original plan to analyze the nature of cognitive capabilities of the subject, claiming the gnoseological stage on which the philosophy of time is unfolded. In other words, this work deals with the historical and philosophical analysis of the phenomenological principles by which the concept of time as developed in the twentieth century emerged in the framework of phenomenology. The analyze of the structure of the subject assumes that time, perception and imagination combine in a special type of inner synthesis, which may not be relevant to certain aspects of the method but maintain the basis for a kind of anthropology of time, in continuation of the traditional “inner” contemplation. I consider the inner structure of time with the account of philosophy of St. Augustine, who in many respects not only anticipated the conclusions of phenomenology, but also in his reflections encompassed deeper layers of inner experience. The first chapter is devoted to the doctrine of St. Augustine, in which the theory of time is analyzed in conjunction with the doctrine of “inner word”, specifics of memory representations and notion of inner sense. Additionally, I consider St. Augustine’s reflections about numbers that constitute the basis of aesthetic perception of music (De Musica). Thus, the philosophy of St. Augustine already covers the whole spectrum of anthropology of time, including the question of relation between time and eternity, which remains practically unexplored in phenomenology and serves as the proof of that in interactions between philosophy and theology the tradition remains important. The second chapter of this study is devoted to analysis of the transcendental aesthetic of Kant, which includes all the methodological possibilities of considering the category of time as a formal condition for any experience, consequentially serving as a foundation for further logical development by Husserl, which includes the critical disengagement of the founder of phenomenology from Kant's transcendentalism. Particular attention is paid to the origin of the concept of inner sense, as well as possible interpretations of the function of imagination, which as a transcendental ability remains the most interesting type of synthesis. Handwritten fragments of Kant’s works are also of interest to the character of the imagery as considered in detail by Husserl. Chapter three discusses the phenomenology of inner time consciousness, represented in those important aspects, without which it is impossible to speak about the internal structure of temporal experience - the subjectivity of time, retention, "living present", and the character of synthesis. Particular attention is paid to Husserl's polemics with those representatives of psychological branch in the studies of consciousness, whose ideas greatly influenced the very motivation for creating the method. Apart from the well-known criticism of Brentano, the third chapter highlights the rarely analyzed psychological ideas that motivated the choice of Husserl’s terminology - the "Präsenzzeit” by W. Stern, the "psychological analysis" by A. Meinong, and the “fusion” (Verschmelzung) by K. Stumpf. Chapter four deals with the need to analyze the specifics of image as an element of consciousness and imagery as such, which includes a system of objectified acts. Thus is revealed the very nature of synthetic connections in the acts of consciousness, as well as the presumably imaginative character of the constitution of temporal form. (shrink)

From the book Difference and Repetition, I intend to discuss the extent to which Deleuze's proposal to restore difference in sensibility, preventing difference from being confused with the diverse, as proposed by Kant, in order to remove difference from submission to representation in the ambit of sensibility. This sets up a new perspective to think about the issue of difference in sensitivity, reformulating notions of transcendental thinking and ontology, through an unusual alliance between science and philosophy. Therefore, the proposed objectives (...) are: I) expose Deleuze's critique of Kant's transcendental philosophy, regarding difference as the diverse in sensibility and question the very concept of transcendental as a condition for experience; II) to argue Deleuze's way out of the problem of the representation of difference in sensitivity from the notion of being of the sensible; III) explore Deleuze's appropriation of Gilbert Simondon's concept of individuation: IV) to express why the notions of will to power and eternal return, from Nietzsche's philosophy, contribute, together with individuation, to compose the concept of difference in response to the limits of transcendentalism. (shrink)

Prevailing philosophical genealogies of modernity trace its origin to Descartes’s metaphysics of representation. This is true of both Hegel and Heidegger. By contrast, Reiner Schürmann’s Broken Hegemonies links modernity to the theological thinking of MartinLuther. I ask what is at stake philosophically in this difference. What Schürmann’s reading shows is that, under the figure of a passive transcendentalism, Luther inaugurates the epoch in which self-consciousness reigns as an ultimate principle. The broader importanceof Schürmann’s reading is to identify a “recessed” (...) and “obedient” side of modernity—a side tragically and covertly linked to its more familiar self-assertive side. Schürmann’s resituating of modernity allows a crucial corrective to many contemporary efforts at a critiqueof the modern. In particular, it suggests that to restrict one’s critique of modernity to the critique of representational or egological consciousness (as happens for example in Heidegger, Levinas and Marion) is to run the risk of a repetition of its obedient, recessed side. (shrink)

Prevailing philosophical genealogies of modernity trace its origin to Descartes’s metaphysics of representation. This is true of both Hegel and Heidegger. By contrast, Reiner Schürmann’s Broken Hegemonies links modernity to the theological thinking of MartinLuther. I ask what is at stake philosophically in this difference. What Schürmann’s reading shows is that, under the figure of a passive transcendentalism, Luther inaugurates the epoch in which self-consciousness reigns as an ultimate principle. The broader importanceof Schürmann’s reading is to identify a “recessed” (...) and “obedient” side of modernity—a side tragically and covertly linked to its more familiar self-assertive side. Schürmann’s resituating of modernity allows a crucial corrective to many contemporary efforts at a critiqueof the modern. In particular, it suggests that to restrict one’s critique of modernity to the critique of representational or egological consciousness (as happens for example in Heidegger, Levinas and Marion) is to run the risk of a repetition of its obedient, recessed side. (shrink)

This paper begins by addressing the following question: Given the importance of the Platonism of the school of Plotinus to Augustine’s development, why didn’t he adopt apophatic theology in his early writings? That question leads to a consideration of the role of apophasis in the theology of the Roman Platonist school and in its framing of pagan monotheism. Attention then turns to the Cassiciacum treatises and their representation of interior contemplation. There we find the record of Augustine’s discovery of transcendence (...) within the interior self. But Augustine understands transcendence after his own fashion, incorporating it into his newly recovered Catholicism without entirely obscuring the outlines of Platonic transcendentalism. Thus in these early treatises the outlines of Augustine’s mature understanding of Christian contemplation can be seen already to emerge. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Jews and Gender: Responses to Otto WeiningerBéla SzabadosJews and Gender: Responses to Otto Weininger, edited by Nancy A. Harrowitz and Barbara Hyams; 341 pp. Philadelphia: Temple University Press, 1995, $54.95 cloth, $24.95 paper.“Every artist has been influenced by others and shows traces of that influence yet his significance for us is nothing but his personality. What he inherits from others can be nothing but eggshells,” said Wittgenstein, listing (...) Weininger as a seminal influence on his work, “a seed out of which his plant grew.” Weininger’s influence fell on other leading cultural figures early this century such as Kraus, Kafka, Freud, Joyce, Lawrence, Canetti, Stein and others. This book aims to retrieve that influence and provide a broad interdisciplinary representation of new critical readings of Weininger’s legacy.The fact and extent of Weininger’s influence seems puzzling: his fame stems from his misogyny and anti-Semitism. In Sex and Character Weininger claims that: humans are bisexual, a mixture of male and female; woman is nothing but sexuality; individuals must choose between the masculine and feminine elements within themselves; sexual abstinence is a precondition of spirit and genius; there can be no justification for sex even for procreation within marriage; furthermore, “the Jew is saturated with femininity and has little sense of good and evil.” How could an author with such odd and odious views exert any influence at all?Yet Weininger was pivotal: his writing erases boundaries between discipline, genre, and nationality, revealing tensions and contradictions in Viennese and Western culture. So many ‘isms’ mark him as a patriarch of the tradition: [End Page 548] essentialism, transcendentalism, dualism, theism, and his belief in a rational self. Yet this is juxtaposed with postmodernist themes: deconstruction of sexual and gender dichotomies, rejection of essentialism concerning individuals, an emphasis on difference and the personal, the ethical primacy of practice over theory. His influence is felt in literature, philosophy, science, history, and because of Jehoshua Sobol’s play, The Soul of a Jew, in theatre.Jews and Gender divides into three parts. The first introduces readers to Weininger research and provides new bibliographic information. To begin with, the editors offer us the necessary background with a concise critical essay on the history of Weininger reception. This is followed by Jacques Le Rider revisiting Weininger scholarship subsequent to the publication of his own book, The Otto Weininger Case. The section ends with Hannelore Rodlauer’s efforts to piece together fragments from Weininger’s education. The second section, “In Context,” focuses on Weininger in the context of his contemporaries. Allan Janik starts off with his examination of the riddle of Weininger’s influence on Wittgenstein. Next, Nancy Harrowitz sketches and discusses affinities between Weininger and his nineteenth-century forerunner Lomboroso. Then Steven Beller explores the surprising question of whether Weininger was a liberal in an ethos when European liberalism exerted immense pressure on Jews to assimilate the whole set of social, religious, national, cultural values of a community. Sander Gilman in turn traces connections between Freud and Weininger on questions of race and gender. In her essay on “Characterology,” Katherine Arens situates Weininger in relation to Austrian “scientific” racism. In his contribution, John Hoberman reflects on Weininger’s critique of Jewish masculinity, locating its source in the stereotypes prevalent in those times.The third section of the volume looks at Weininger and his impact on modern literature. In “A Scientific Image of Woman,” Gisela Brude-Firnau discusses the way in which Weininger’s work can be seen as a contentious response to the women’s movement. Jeffrey Mehlman discerns Weininger in one of Apolinnaire’s major poems, “La Chanson du Malaimé,” where the anger against woman is quirkily actualized as a fury against the Jews. Gerald Stieg goes on to draw affinities between Kafka and Weininger. Then Marilyn Reizbaum, Natania Rosenfeld, and Elfriede Pöder explore in separate essays Weininger’s influence on James Joyce’s Ulysses by probing Bloom’s Jewish self-hatred, the figure of the womanly wandering Jew, and Molly as pure sexuality, respectively. Alberto Cavaglion proceeds to trace the appearance of Weininger’s thought in Italo Svevo’s novel The Confessions of Zeno... (shrink)

This book is a rich and provocative synthesis of the history and the doing of philosophy. In that synthesis, the author's detailed analysis of four principal figures converges on his own representation of philosophy in "the logic of reflection"--a version of transcendentalism that Roberts traces to its Kantian source. The provocations of the book are no less clear and usually, although not uniformly, fruitful.

This book is not a conventional introduction to the philosophy of mind, nor is it a contribution to the physicalist/ dualist debate. Instead The Representational Theory of Mind demonstrates that we can construct physicalist theories of important aspects of our mental life. Its aim is to explain and defend a physicalist theory of intelligence in two parts: the first six chapters consist of an exposition, elaboration and defence of human sentience (the functionalist theory of mind), and the second part (...) considers rivals and objections to this theory. Kim Sterelny aims to introduce people to this area of philosophy by exemplifying it, to show that philosophical and empirical investigations can be synthesized to the benefit of both. --From publisher's description. (shrink)

Transcendentalism was a philosophical movement that arose prior to Darwin publishing The Origin of Species. It arose out of the Enlightenment, in which the importance of natural law in the working of the universe was recognized. Ralph Waldo Emerson was interested in exploring religious questions from the point of view of the enlightenment. For him, the human faculty of intuition was very interesting. After Darwin was published, most of science lost interest in exploring human intuition partly because no naturalistic (...) basic for it was known. Today, it is appropriate to return to the study of transcendentalism, building on what was done in the 19th century, but with a 21st century understanding of the laws of nature. Much work can be done from this perspective, possibly developing a new philosophy of the humanities. This is the defining work by the author of this approach to philosophy. (shrink)

. E. O. Wilson writes that the “choice between transcendentalism and empiricism” is this century's “version of the struggle for men's soul” . The transcendentalist argues for theism—that there is a God, a creator of the world. The empiricist instead makes the point that the notion of God, including morality and ethics, are adaptive structures of human evolution. Before entering the debate of the transcendentalist/empiricist controversy I analyze how things exist and suggest that all that is exists as united (...) diversity, as identity in difference. I argue that oneness by itself is intangible because wholes are concrete only through their tangible parts. I briefly discuss this understanding of existence in the realm of art to show that transcendence and immanence are not mutually exclusive but constitute each other. I conclude that existence, the hypostasis of unity in diversity, might be seen as a gift from absolute existence. In this view, the world might reveal itself as a gift that reflects the trinitarian existence of the Giver. (shrink)

One afternoon in 1836 the Transcendental Club held its first meeting in Boston. The membership was noteworthy not only for the list of impressive personages, headed by Emerson, but for the general youthfulness of the group (Thoreau was only twenty-two) and for the fact (unusual for the day) that several women were invited to attend. The club consisted mainly of "bright young Unitarians seeking to find meaning, pattern, and purpose in a universe no longer managed by a genteel and amiable (...) Unitarian God." The club met irregularly for three years and then passed into oblivion. The intellectual activity it engendered continues to affect American thought and values even today. The transcendentalists concerned themselves with problems of law, truth, individuality, theology, mysticism, pantheism, and personality, to mention only a few. Moreover, they were prolific writers and produced reams of letters, essays, poems, sketches, and memoirs. Historian Paul Boller traces the movement from its earliest stirrings through its height as a powerful movement to its decline in the aftermath of the Civil War. Whenever possible, he lets the transcendentalists speak for themselves. He sorts the permanent from the transient and demonstrates the immeasurable importance of a body of ideas which still live a century and a half after their inception.--From publisher description. (shrink)

Andrews explores spiritual practices that were the vital source from which everything else about Transcendentalism-texts, ideas, and social action-flowed. These practices are eminently available to spiritual seekers today, both those who are connected to conventional forms of religiosity and those who are allergic to 'religion.

American Transcendentalism is a sweeping narrative history of America's first group of public intellectuals, the men and women who defined American literature and indelibly marked American reform in the decades before and following the American Civil War. Philip F. Gura masterfully traces their intellectual genealogy to transatlantic religious and philosophical ideas, illustrating how these informed the fierce theological debates that, so often first in Massachusetts and eventually throughout America, gave rise to practical, personal, and quixotic attempts to improve, even (...) perfect the world. The transcendentalists would painfully bifurcate over what could be attained and how, one half epitomized by Ralph Waldo Emerson and stressing self-reliant individualism, the other by Orestes Brownson, George Ripley, and Theodore Parker, emphasizing commitment to the larger social good. By the 1850s, transcendentalists turned ever more exclusively to abolition, and by war's end transcendentalism had become identified exclusively with Emersonian self-reliance, congruent with the national ethos of political liberalism and market capitalism. (shrink)

In recent literature, it has been suggested that Lange’s social and political philosophy is separate from his neo-Kantian program. Prima facie, this interpretation makes sense given that Lange argues for an account of social norms that builds on Darwin and Smith rather than on Kant. Still, this paper argues that elements of psychophysiological transcendentalism can be found in Lange’s social and political philosophy. A detailed examination of the second edition of the History of Materialism, Schiller’s Poems, and the second (...) edition of The Worker’s Question reveals that Lange sought to develop a systematic foundation of psychophysiological transcendentalism that is presupposed in his social and political philosophy. This allows for a more detailed understanding of Lange’s practical philosophy and assures him a position in the tradition of neo-Kantian socialism. (shrink)

American transcendentalism is essentially a kind of practice by which the world of facts and the categories of common sense are temporarily exchanged for the world of ideas and the categories of imagination. The point of this exchange is to make life better by lifting us above the conflicts and struggles that weigh on our souls. As these chains fall away, our souls rise to heightened experiences of freedom and union with the good. Emerson and Thoreau are the two (...) most significant nineteenth century proponents of American transcendentalism. (shrink)

The first major study since the 1930s of the relationship between American Transcendentalism and Asian religions, and the first comprehensive work to include post-Civil War Transcendentalists like Samuel Johnson, this book is encyclopedic in scope. Beginning with the inception of Transcendentalist Orientalism in Europe, Versluis covers the entire history of American Transcendentalism into the twentieth century, and the profound influence of Orientalism on the movement--including its analogues and influences in world religious dialogue. He examines what he calls "positive (...) Orientalism," which recognizes the value and perennial truths in Asian religions and cultures, not only in the writings of major figures like Thoreau and Emerson, but also in contemporary popular magazines. Versluis's exploration of the impact of Transcendentalism on the twentieth-century study of comparative religions has ramifications for the study of religious history, comparative religion, literature, politics, history, and art history. (shrink)

The purpose of the paper is an analysis of the transformation of the concept “transcendentalism” in history of modern philosophy. I first reconstruct the Kantian idea of transcendental philosophy. After that I analyze the notion of transcendentalism, its definition and functions in the theories of Cohen and Cassirer and demonstrate that Neo-Kantian understanding of transcendentalism distinguishes itself from the Kantian and receives some features which allow for a transition from theory of knowledge to theory of culture and (...) prepare the so called “cultural turn”. Finally, I briefly consider the main directions of modern transcendentalism and their main features. (shrink)

American literary historians have viewed Ralph Waldo Emerson’s resignation from the Unitarian ministry in 1832 in favor of a literary career as emblematic of a main current in American literature. That current is directed toward the possession of a self that is independent and fundamentally opposed to the “accoutrements of society and civilization” and expresses a Transcendentalist antipathy toward all institutionalized forms of religious observance. In the ongoing revision of American literary history, this traditional reading of the supposed anti-institutionalism of (...) the Transcendentalists has been duly detailed and continually supported. Richard A. Grusin challenges both traditional and revisionist interpretations with detailed contextual studies of the hermeneutics of Ralph Waldo Emerson, Henry David Thoreau, and Theodore Parker. Informed by the past two decades of critical theory, Grusin examines the influence of the higher criticism of the Bible—which focuses on authorship, date, place of origin, circumstances of composition, and the historical credibility of biblical writings—on these writers. The author argues that the Transcendentalist appeal to the authority of the “self” is not an appeal to a source of authority independent of institutions, but to an authority fundamentally innate. (shrink)

This paper examines normative elements in Henri Lauener’s “open transcendentalism,” with an eye to evaluate distinctive theses. After setting out some of Lauener’s basic positions in this area, in comparison with related views in Quine’s work, I argue that the views surveyed converge on a normative and contextualist cognitivism in Lauener’s methodological and epistemological perspective. Though he resists similar conclusion in the name of anti-naturalism, I argue that his “open transcendentalism” is plausibly construed as a non reductive naturalism.

After setting out some basic elements in Henri Lauener's open transcendentalism, in comparison with related views in Quine and Davidson, the two views surveyed converge on a moderately holistic, normative cognitivism in Lauener's philosophy of science. Though resisting similar conclusions in the name of anti-naturalism, Lauener's "open transcendentalism" is plausibly constmed as a non-reductive naturalism, with important implications for the normative determination of meanings. At the last Lauener's criticism is yet to come to terms with central questions of (...) the naturalist tradition. Crucial in this is the "principle of continuity" in Dewy's (non-reductive) naturalism, the relation of fallibilism to the pragmatic continuity of inquiry, and normative consequentialism in the scientific aims, methods, and meanings. (shrink)

I take the phrase ‘congenital transcendentalism’ from Santayana who defined it as ‘the spontaneous feeling that life is a dream’. ‘The loneliness which is the truth about things’ is a phrase of Virginia Woolf's. The thesis I will advance is that many expressions of doubt or denial of the shareable world are self-misunderstood manifestations of the state indicated by Woolf's expression. But the loneliness of which Woolf speaks must not be construed as the kind of loneliness which can be (...) assuaged by family, friends, lovers or company. Nor is it the loneliness which a convinced solipsist might experience. It is rather the loneliness of ‘that “I” and that “life of mine'” which is ‘untouched whichever way the issue is decided whether the world is or is not’. (shrink)

Transcendentalism is an American literary, political, and philosophical movement of the early nineteenth century, centered around Ralph Waldo Emerson. Other important transcendentalists were Henry David Thoreau, Margaret Fuller, Amos Bronson Alcott, Frederic Henry Hedge, and Theodore Parker. Stimulated by English and German Romanticism, the Biblical criticism of Herder and Schleiermacher, and the skepticism of Hume, the transcendentalists operated with the sense that a new era was at hand. They were critics of their contemporary society for its unthinking conformity, and (...) urged that each individual find, in Emerson's words, “an original relation to the universe”. Emerson and Thoreau sought this relation in solitude amidst nature, and in their writing. By the 1840s they, along with other transcendentalists, were engaged in the social experiments of Brook Farm, Fruitlands, and Walden; and, by the 1850's in an increasingly urgent critique of American slavery. (shrink)

The eminent and award-winning historian Robert A. Gross presents his long-awaited, immersive journey through Concord in the age of Emerson and Thoreau.

walt whitman writes: “The Americans of all nations at any time upon the earth have probably the fullest poetical nature”. Naoko Saito is an American philosopher and something of a Whitmanesque philosophical poet. Saito’s book is “the product of many years spent reading and studying American philosophy”. She further indicates: “Mostly I have done this from a remote part of the world—far from America across the Pacific Ocean—and, like so many others, in a language that is not my own”. Saito (...) is a scholar in and of translation.Saito states that the “tensioned relationship between Dewey and Emerson, and more broadly pragmatism and American transcendentalism... is carried forward into the present... (shrink)

L’addition, dans la cinquième édition en 1683 de La Logique ou L’Art de penser, d’un chapitre consacré à la définition générale du signe et de plusieurs chapitres relevant spécifiquement d’une analyse des signes linguistiques, a été parfois interprétée comme une apparition tardive du “problème du langage” dans le traité d’Arnauld et Nicole. Parce que la plupart de ces chapitres supplémentaires sont la transposition de passages auparavant destinés dans la Perpétuité de la foi (1669-1674) à réfuter le sens calviniste de Ceci (...) est mon corps, on a été enclin à attribuer l’importance de la question du signe et du “problème du langage” dans l’édition de 1683 à une origine théologique. J’essaie au contraire de montrer que, dès la première édition de L’Art de penser en 1662, la problématisation des écarts des expressions linguistiques avec une correspondance terme à terme entre les mots et les idées a été indissociable pour Port-Royal de l’analyse des opérations de l’esprit. Selon moi, dans la Perpétuité de la foi, la critique du sens calviniste de la formule eucharistique constitue elle-même une application de cette analyse logique du langage : les passages incorporés ensuite dans L’Art de penser sont dans le prolongement des réflexions de 1662 sur les difficultés d’adéquation entre le dire et le vouloir-dire. Je montre pour finir que la définition générale du signe à Port-Royal suppose une restructuration de la définition augustinienne du De doctrina christiana, et fonde en 1683 une identification de la relation de signification linguistique à un rapport de représentation des mots aux idées, qui vient redoubler le rapport de représentation des idées aux choses établi en 1662. (shrink)