What is fiction? It permeates contemporary life: via novels we read, stories we tell, box-sets we watch, and as philosophers, thought experiments we use. Many think it should be characterised in terms of a relation to the imagination. In this essay, I’ll consider prominent expressions of this view, as well as rejections of it. Before this, I’ll introduce two methodological approaches that it’s helpful to distinguish.

The main problem with sex eliminationism is that, in a nutshell, it leaves us with no adequate language to describe a politically important feature of material reality.

A popular approach to defining fictive utterance says that, necessarily, it is intended to produce imagining. I shall argue that this is not falsified by the fact that some fictive utterances are intended to be believed, or are non-accidentally true. That this is so becomes apparent given a proper understanding of the relation of what one imagines to one's belief set. In light of this understanding, I shall then argue that being intended to produce imagining is sufficient for fictive utterance (...) as well. (shrink)

On Our Allotted Guardian Spirit is a lively and at times perplexing text combining general reflections on the nature of the soul with a discussion of the phenomenon of a personal guardian spirit. Plotinus wants to interpret Plato, and aims to integrate Plato's various statements about daimones into one comprehensive theory. This leads to some views that are, if not exotic, then at least strange on first encounter. However, a closer reading reveals that Plotinus is not interested in demonology per (...) se. Instead, the central concern of the treatise are ideas about the soul, the self, and self-consciousness. Plotinus' explorations produce a theory of the mind as the agent and activity responsible for a person’s ethical choices and conduct of life. The demon emerges as a philosophical tool passed down from Plato, but adapted and rationalized to try to explain motivation to action, the impulse toward the ethical life, and even the various differences in human ethical and psychological constitution. This innovative theory is a response to a strong and ongoing current of thought in the philosophical tradition. The introduction offers an overview of ancient demonologies, starting with Homer and the Presocratics, and is followed by an in-depth examination of Plato, the Stoics, Plotinus, and later Neoplatonic developments. As such the book presents Plotinus’ specific rationalizing response to the idea of a guardian spirit in the context of ancient philosophical demonologies. (shrink)

In the first half of this book, I offer a theory of fictional content or, as it is sometimes known, ‘fictional truth’.The theory of fictional content I argue for is ‘extreme intentionalism’. The basic idea – very roughly, in ways which are made precise in the book - is that the fictional content of a particular text is equivalent to exactly what the author of the text intended the reader to imagine. The second half of the book is concerned with (...) showing how extreme intentionalism and the lessons learnt from it can illuminate cognate questions in the philosophy of fiction and imagination. For instance, I argue, my position helps us to explain how fiction can provide us with reliable testimony ; it helps explain the phenomenon of imaginative resistance ; and it fits with, and so supports, a persuasive theory of the nature of fiction itself. In my final chapter, I show how attending to intentionalist practices of interpreting fictional content can illuminate the nature of propositional imagining itself. (shrink)

At the end of the Sixth Book of the Republic Plato explains the Idea of Good by means of the Figure of the Sun. As the sun is the cause both of the becoming of that which is subject to becoming and of our apprehension of it and of its changes through the eye, so the idea of good is the cause of the being of that which is and also of our knowledge of it. As the sun is beyond (...) γxs22EFνεσις, so the Idea of Good is beyond Being. Glaucon says he does not understand. The simile is further elucidated by means of a line, divided into two parts, of which one stands for the νιητxs22EFν γxs22EFνος τε καxs22EF τxs22EFπος, where the Idea of Good bears rule, the other for the xs22EFρατxs22EFν γxs22EFνος τε καxs22EF τxs22EFπος, over which the sun is lord. The line is to be divided unequally , and subdivided in the same proportions. Thus we get a line consisting of four parts in the ratio 4 : 6 : : 6 : 9. Let us call the four parts A B C D respectively, A being the smallest, D the greatest, B and C necessarily equal. A stands for εxs1F31κxs22EFνες, shadows, images in water and on polished surfaces, and the like: B stands for animals, plants, and the creations of human industry: C for the objects of that enquiry in which the objects denoted by B are treated as images, i.e. mathematical enquiries: D for the objects apprehended by dialectic, the Ideas themselves. The first equation asserted is—The objects of opinion : objects of knowledge : : representation : original . There follows an explanation of the inferiority of mathematical to philosophical reasoning, and an explanation of the statement that the objects denoted by B are used as images or symbols by the enquiry concerned with C; as a result of which Glaucon perceives that the general distinction between C and D is that between the τxs22EFχναι , i.e. those sciences in which the Guardians were to be educated, and Philosophy or Dialectic. Finally a special πxs22EFθημα or affection of the soul is allotted to each of the four divisions of the line, to A εxs1F31κασxs22EFα, to B πxs22EFστις, to C διxs22EFνοια, to D νxs22EFησις, each πxs22EFθημα being clear in the same degree in which the objects it is concerned with are true. (shrink)

Sexual objectification, in the broadest terms, involves treating people as things. Philosophers have offered different accounts of what, more precisely, this involves. According to the conjoint view of Catherine Mackinnon and Sally Haslanger, sexual objectification is necessarily morally objectionable. According to Martha Nussbaum, it is not: there can be benign instances of it, in the course of a healthy sexual relationship, for instance. This is taken to be a serious disagreement, both by Nussbaum and by recent commentators such as Lina (...) Papadaki. However it isn't a serious disagreement, for the two theories have different aims and methodology, and are not rivals. They both could be apt, simultaneously. (shrink)

This article considers a series of ideas disturbing the conventional wisdom that decrees education an essential force in saving the world. Taking Morton's descriptions of hyperobjects seriously, we consider his radical idea that the world has ended amidst the eco-political depredations of the Anthropocene. Accordingly, we claim that education in modernity most properly belongs - materially and ideologically - with technological enframing and the rise of biopower. In other words, what is taken almost universally as the sacred realm of education (...) is, in fact, a contributory factor in the global eco-ontological crisis. Morton describes global warming, plastics and nuclear arsenals as hyperobjects: viscous, nonlocal entities that exist in temporal and spatial planes vastly different from our own immediate worlds. They are the threatening, difficult to access entities that express the Anthropocene. While most will propose that education will be vital in combating looming ecological apocalypse, we consider that education is a hyperobject itself. Education, we opine, is aligned with the forces and conditions that have generated the present crisis. This is because education embodies the same qualities as the hyperobjects of modernity; according to any rigorous historical ontology, education as we know it must be seen as the most extensive expression of a dangerous biopower that is beyond control. If this position is to be taken seriously, education is not merely impotent in combatting ecological catastrophe, but is a key apparatus supporting the Anthropocene. Education is thus another element of the end of the world. (shrink)

I trace a brief history of philosophical discussion of the concept WOMAN and identify two key points at which, I argue, things went badly wrong. The first was where when it was agreed that the concept WOMAN must identify a social not biological kind. The second was where it was decided that the concept WOMAN faced a legitimate challenge of being insufficiently “inclusive”, understood in a certain way. I’ll argue that both of these moves are only intelligible, if at all, (...) in the context of an anti-naturalist picture drawn from either post-structuralism or radical feminism. They become incoherent when adopted by methodological naturalists, who – especially when concerned to track oppression and discrimination – have no good reason to deny that WOMAN refers to a pre-given, biological kind. (shrink)

This article is an exploration of whether education can be considered a beast-like being, developed by utilising Heidegger’s philosophy to consider education from an ontotheolgical perspective. Education is a hypernym for its constituent elements; this article is exploring this hypernym as a being, whilst arguing that the growing importance of education is causing it to gain a ‘monstrous anatomy’. This argument is parallel with the Heideggerean question of ontological difference: the divide of being and Being. Ideas about education’s formation as (...) a technology and its God-like status are used to further illustrate the monstrosity of education. The theory of hyperobjects is also utilised to illuminate understanding of this being. Finally, this article explores the ways we are losing control of Education, as we have become too reliant on it to shape our view of the world. (shrink)

I defend an account of sexual orientation, understood as a reflexive disposition to be sexually attracted to people of a particular biological Sex or Sexes. An orientation is identified in terms of two aspects: the Sex of the subject who has the disposition, and whether that Sex is the same as, or different to, the Sex to which the subject is disposed to be attracted. I explore this account in some detail and defend it from several challenges. In doing so, (...) I provide a theoretical framework that justifies our continued reference to Sex-directed sexual orientation as an important means of classifying human subjects. (shrink)

One of the strangest of the many strange habits of philosophers, which mark them out as the Ishmaels of the scientific world, is their refusal to agree as to the precise meaning of the words they use. No philosopher, it seems, is bound by the definitions given by predecessors or contemporaries of even the most central terms: each has to define his terms for himself. The resulting situation certainly lends itself to ridicule and caricature, as in the legend of the (...) theological disputants who arrived after long argument at the conclusion that when the one said ‘God’ he meant what the other meant when he said ‘Devil.’ Still it is probable that this idiosyncrasy of philosophers has some real ground in the special nature of the task on which they are engaged, and is not a mere exhibition of aimless malice or sheer incompetence. Whether that is so or not, one of the consequences of this situation is that the titles of philosophic discourses are apt to be singularly unilluminating: as an indication of the problem to be raised they are, to say the least, highly ambiguous. How the reader may understand the title of this paper I do not know; but the question which I had in mind in choosing it was this. (shrink)

A study of moral values is a study of the values relevant to character and conduct. Since conduct consists of actions and character is exhibited in and inferred from actions, the phrase “values relevant to actions” would perhaps suffice. The term “values” needs little amplification. But it is necessary to observe that there are on the face of it two sets of values relevant to actions, namely those which actions themselves possess, so that we differentiate them as good and bad (...) actions—a differentiation which may be made by a spectator in regard to a process in which he himself takes no part; those asserted implicitly by an agent in his action considered as an interference with the course of events. In the most obvious and typical cases this second set of values attach themselves, not to actions, but tothe environment of action as modifiable by it; in particular, to states or events which action may help to maintain or bring about. Thus the act of tidying a room implies a preference under the given circumstances for a tidy rather than an untidy room. (shrink)

In these days, when, if the words of constitutions can be trusted, sovereign Parliaments based on manhood or adult suffrage are rapidly extending their sway over the greater part of the world, there is surely no conception more deserving of the attention of the political theorist than that of Representation. There was a time when government for most men meant monarchy, when ruler meant king or king's minister. To-day for most men ruler means Parliament or ministers responsible to Parliament, and (...) government means representative government. In those former times the political theorist would naturally take the king or prince for his centre-piece, and devote himself to expounding the nature and attributes of the office. “For from the prince, as from a well spring, cometh the flood of all that is good or evil upon the people” . In our own day he would perhaps do well to devote himself first and mainly to reflection on the meaning of this term representation, standing as it does for something which is taken by general consent to constitute the distinctive feature of the normal modern type of government. He may run the risk of speaking merely for his own day; but he should at least be sure of remaining near the centre of his subject. (shrink)

We may look at the relation of will and motive from another side as follows: Will, we have said, is an individual response to an individual situation. Like the situation itself, it is not a fixed thing persisting through change, but involved in a continuous flow of change, re-adapting itself constantly in one respect or another to recognized changes of circumstance. It can have no more immutability than circumstance, and if it is not to be left behind in the march (...) of events and become old-fashioned, it should have the capacity for the same rapidity of change. Now motives also change, but in a different way. First one motive operates, then another, as circum-. (shrink)

We may look at the relation of will and motive from another side as follows: Will, we have said, is an individual response to an individual situation. Like the situation itself, it is not a fixed thing persisting through change, but involved in a continuous flow of change, re-adapting itself constantly in one respect or another to recognized changes of circumstance. It can have no more immutability than circumstance, and if it is not to be left behind in the march (...) of events and become old-fashioned, it should have the capacity for the same rapidity of change. Now motives also change, but in a different way. First one motive operates, then another, as circum-. (shrink)

I am extremely grateful to all commentators for such patient, generous, and stimulating contributions. What follows are some thoughts to enrich the conversation, but these are by no means intended to be definitive answers to the worries they have raised.

Recently, philosophers have identified certain fictional propositions with which one does not imaginatively engage, even where one is transparently intended by their authors to do so. One approach to explaining this categorizes it as 'resistance', that is, as deliberate failure to imagine that the relevant propositions are true; the phenomenon has become generally known (misleadingly) as 'the puzzle of imaginative resistance'. I argue that this identification is incorrect, and I dismiss several other explanations. I then propose a better one, that (...) in central cases of imaginative failure, the basis for the failure is the contingent incomprehensibility of the relevant propositions. Why the phenomenon is especially commonplace with respect to moral propositions is illuminated along the way. (shrink)

This article seeks to explore the metaphor ‘darkness and light’ and its relevance to education through hauntological study. It draws on the ideas of Derrida and Fisher to reveal that the metaphor functions in binary form and holds significations of truth, goodness and knowledge to subordinate oppositional ideas of darkness. Despite the everyday usage of this metaphor, the subordination of darkness is shown to be less positive than it would appear. Darkness and light also shows itself to be an archetypal (...) metaphor, meaning that it is founded in our depth-experiences of the world and is applicable in many varied contexts, therefore granting it a power to remain in everyday usage. The archetypal nature of this metaphor is uncovered through its utilisation in Plato’s ‘Allegory of the Cave’, thus opening a discussion about how it continues to haunt education today. Broadly, it is the faith in the supposed betterment available through education that is exposed. Finally, in a Derridean manner, this article explores how the metaphor of darkness and light could be overturned in relation to education, thus destabilising a foundational metaphor on which education currently lies. (shrink)

In this paper, I survey in some depth three issues arising from the connection between imagination and fiction: (i) whether fiction can be defined as such in terms of its prescribing imagining; (ii) whether imagining in response to fiction is de se, or de re, or both; (iii) the phenomenon of ‘imaginative resistance’ and various explanations for it. Along the way I survey, more briefly, several other prominent issues in this area too.

A half-billion years ago, a few species of single-celled protozoa stumbled irreversibly from loose social interaction into a tight, specialized interdependence. They became multi-celled metazoa, and human beings are one sort. Metazoa greatly transcend their constituent cells in lifetime, abilities, experiences and even materials (like bone). New kind of beings emerged out of the interactions of the old.

_The Horizon of Modernity_ provides a historicized account of New Confucian philosophy in relation to the contemporary revival of Confucianism and explores the nexus between subjectivity and social structure in the works of Mou Zongsan, Tang Junyi, and Xiong Shili.

The question discussed in this paper is the relation of the Topics to the two Analytics. The smaller works are here ignored.

In order for true beliefs acquired from reading fiction to count as knowledge proper, they must survive ‘the challenge from luck’. That is, it must be established that such beliefs are neither luckily true, nor luckily believed by readers. The author considers three kinds of true belief a reader may, she assumes, get from reading fiction: a) those based on testimony about empirical facts; b) those based on ‘true in passing’ sentences; and c) those beliefs about counterfactuals one may get (...) from reading a ‘didactic’ fiction. The first group escape the challenge from luck relatively easily, she argues. However, things turn out to be more complicated with the second group. The author examines Mitchell Green’s suggestion, effectively, that knowledge of fictional genre may see off the challenge from luck here, but rejects this in the form presented by Green, adapting it substantially to offer beliefs of this kind a more promising escape route. The author finishes by following Green’s lead once again, and discussing the category of ‘didactic’ fiction, as he calls it. She argues that any true beliefs about counterfactuals gained from such fictions are likely to be lucky. The author concludes however that things are much more promising for any true beliefs gained about oneself as a result of engaging with what Green calls an ‘interrogative’ fiction. (shrink)

The Cosmographia of Bernard Silvester was the most important literary myth written between Lucretius and Dante. One of the most widely read books of its time, it was known to authors whose interests were as diverse as those of Vincent of Beauvais, Dante, and Chaucer. Bernard offers one of the most profound versions of a familiar theme in medieval literature, that of man as a microcosm of the universe, with nature as the mediating element between God and the world. Brian (...) Stock's exposition includes many passages from the Cosmographia translated for the first time into English. Arising from the central analysis are several more general themes: among them the recreation by twelfth-century humanists of the languages of myth and science as handed down in the classical tradition; the creation of the world and of man, the chief mythical and cosmographical problem of the period; the development of naturalistic allegory; and Bernard's relation to the "new science" introduced from Greek and Arabic sources. Originally published in 1972. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. (shrink)

The claim that the functions of art liable to change over time appears to suggest that any attempt to define art in terms of a limited set of functions will fail. Robert Stecker has offered a functionalist definition which seeks to accommodate this criticism by making the functions which are relevant to an artwork's status those which are 'standard or correctly recognized' for some art form. I argue that Stecker does not offer a clear enough distinction between the 'standard or (...) correctly recognized' and the accidental functions of an art form; that his account of the 'standard or correctly recognized' functions of an art form does not exhaust important artistic functions; and that his proposed definition is neither necessary nor sufficient for an object to count as an artwork. For these reasons I suggest that Stecker's functionalist account of art should be rejected. (shrink)