On the philosophy of Cārvāka, exponent of the materialistic school in Indian philosophy.

_Addresses not only the basic theme of phenomenology, but its aesthetic, social, psychological, scientific, and technological aspects as well._.

First published in French, Marx's The Poverty of Philosophy (1847) was composed during his years in Brussels, when he was developing his economic views and, through confrontations with the chief leaders of the working-class movement, establishing his intellectual standing. In this classic work, which laid the foundation of ideas later developed in Capital, Marx polemicized against then premier French socialist, Pierre-Joseph Proudhon. Proudhon wanted to unite the best features of such contraries as competition and monopoly. He hoped to save the (...) good features of economic institutions while eliminating the bad. Marx, however, declared that no equilibrium was possible between the antagonisms in any given economic system. Social structures were transient historical forms determined by the productive forces: "The handmill gives you society with the feudal lord; the stream mill, society with the industrial capitalist.". (shrink)

Cultural space knows no official boundary. Civilizational interaction, recorded and unrecorded, is an ongoing process. Diffusionism and parallelism get interfused in civilizational studies. To think of one-sided borrowing or lending in the realm of culture rests on bias or prejudice, perhaps both. To think that originally there was only one culture (Egypt or India or China) and that all other cultures are its diffused or dispersed form is incorrect, both theoretically and evidentially. Comparably incorrect is the anthropological hypothesis that different (...) cultures, in response to diverse social and natural stimuli or conditions, developed quite independently and in parallel manner. Once we believe, as I think we must, that cultural space is a continuum, the parallelistic thesis is bound to collapse. If, on the other hand, we totally reject the possibility of independent, relatively independent, origin and development of different cultures, we are obliged to deny the differentiable identity and personality and distinct cultures. To deny cultural pluralism is psychologically untenable and ideologically pernicious, and I have argued the point at length elsewhere. (shrink)

Conceptualized outside the theoretical framing of both liberal as well as critical approaches, this book re-imagines the law by exploring the contradictions and polarities of in terms of its relationship with violence. It encompasses and interweaves themes and ideas as diverse as death penalty, community might, state sovereignty on the one hand, to animal rights, sexual consent, children's agency and LGBT rights, on the other. While acknowledging that law is fundamentally and inherently tied to violence, the objective of this eclectic (...) collection is to respond to and engage with the violence of law by exploring alternate ways of conceptualizing, reading, practising, and making the law. (shrink)

Corpus of critical study on the thought and works of Debi Prasad Chattopadhyaya predominantly on philosophy of sciences with cultural philosophy; contributed articles.

Kireet Joshi, b. 1931, Indian philosopher and educationist; contributed articles.

Illustrations: 1 B/w Illustration Description: Pranab Kumar Sen, Professor Emeritus, Jadavpur University in whose honour this volume has been prepared was one of the leading philosophers of our country and a highly respected teacher. It carries thirty-five articles which deal with different branches of philosophy,viz., philosophical logic, philosophy of language, ontology, theory of knowledge, Kant exegesis, moral philosophy, social philosophy, philosophy of art. As Sen's philosophical interests and expertise were wide the authors had ample freedom in their choice of topics. (...) This volume will be of interest to those who are acquainted with sophisticated literature in analytic philosophy, scholars working in different branches of philosophy and also general readers of modern philosophy. (shrink)

Illustrations: Numerous Colour and 15 B/w Illustrations Description: The volumes of the PROJECT OF HISTORY OF SCIENCE, PHILOSOPHY AND CULTURE IN INDIAN CIVILIZATION aim to discover the central aspects of India's heritage and present them in an interrelated manner. In spite of their unitary look, these volumes recognize the difference between the areas of material civilization and those of ideational culture. The Project is not being executed by a single group of thinkers, methodologically uniform or ideologically identical in their commitments. (...) Rather, contributions are made by different scholars of diverse ideological persuasions and methodological approaches. The Project is marked by what may be called 'methodological pluralism'. In spite of its primarily historical character, this project, both in its conceptualization and execution, has been shaped by scholars drawn from different disciplines. It is the first time that an endeavour of such unique and comprehensive character has been undertaken to study critically a major world civilization. History of art, unlike that of science, is not an accumulation of facts. It comprises concurrences and overlappings cutting across the linearity of time. Based on this premise the essays in this volume delve into the discourse as also forms of creativity in the Indian tradition in terms of both the perennial and the ephemeral aspects of aesthetic experience. The essays form four groups dealing with (a) core concepts which permeate the discourse on aesthetic theories, and having ramifications in many other disciplines and domains; (b) The Rasa theory in the framework of classical philosophical traditions of Vedanta, Mimamsa, Samkhya, and Kashmir Saivism, and (c) the comprehension of the foundational concepts of aesthetic theory, namely, Rasa and Dhvani from the perspectives of Indian thought traditions addressing also music, dance and the visual arts. There is no clear-cut demarcation between the four groups of essays though in their own framework they illustrate a transition from the discourse (sastra) to practice (prayoga) i.e., from theorizing on the nature of aesthetic experience to the process of concretizing it into forms of music, dance, architecture, and painting. The contributions highlight the fact that the history of Indian aesthetic tradition comprises various textual and performing traditions that have flourished in the Indian subcontinent. What we have is not a single history but multiple histories based on various philosophical and methodological approaches adopted by art historians. Some of these histories pertain to the technical details of a given art form, and some with the changes that have occurred in the evolution and development these forms. While some historical accounts focus on the relevant biographical details of the artists, some art histories focus on the social, cultural, political, and even the economic conditions of civilization that determine the nature of an art form. Considering the multi-dimensional and multi-level complexities of Indian civilization and culture, the contributions to this volume have investigated into a number of factors which are directly and indirectly relevant for comprehending the complexities of the Indian aesthetic tradition. (shrink)

The 1970s will test the headstrong and beautiful Isabelle Courtney to the extreme. They will be times of hardship and pain, hidden behind the masks of affluence and success. Brother will be pitted against brother as this story moves from London to Europe and to the searing heat of a divided Africa.

This engaging, wide-ranging study in comparative social and political philosophy gives a well-argued account of how ideological and even utopian views, such as normative communication, development and justice, are sociologically rooted. It also shows how this fact has been reflected in the social history of Asian countries like India and China, as well as some Western countries during the last two centuries. To illustrate the underlying concepts, reference is made to influential thinkers, both from the East and West, from Hegel (...) and James Mill to Marx and Maozedong, and from Gandhi to Rawls. The author, himself one of the major contemporary Indian philosophers, offers arguments to show that the right version of cultural relativism is objective and judgeable. Concrete case studies are cited indicating why even fundamental values like indivisible peace and "our own green planet" cannot be practically universalized. Yet this work is a sustained plea for improvable understanding between the East and the West and the transcultural value orientation of different cultures. (shrink)

This Volume Is Being Published By The Project Of History Of Indian Science Philosophy And Culture. The Main Idea Underlying This Project Is To Study The Interconnection Between Philosophy, Science And Technology As Elements Of The Culture Of India. The Hallmark Of The Project Is Its Interdisciplinarity.