Policymakers need to start considering the impact smart connected toys (SCTs) have on children. Equipped with sensors, data processing capacities, and connectivity, SCTs targeting children increasingly penetrate pervasively personal environments. The network of SCTs forms the Internet of Toys (IoToys) and often increases children's engagement and playtime experience. Unfortunately, this young part of the population and, most of the time, their parents are often unaware of SCTs’ far-reaching capacities and limitations. The capabilities and constraints of SCTs create severe side effects (...) at the technical, individual, and societal level. These side effects are often unforeseeable and unexpected. They arise from the technology's use and the interconnected nature of the IoToys, without necessarily involving malevolence from their creators. Although existing regulations and new ethical guidelines for artificial intelligence provide remedies to address some of the side effects, policymakers did not develop these redress mechanisms having children and SCTs in mind. This article provides an analysis of the arising side effects of SCTs and contrasts them with current regulatory redress mechanisms. We thereby highlight misfits and needs for further policymaking efforts. (shrink)

Policymakers need to start considering the impact smart connected toys (SCTs) have on children. Equipped with sensors, data processing capacities, and connectivity, SCTs targeting children increasingly penetrate pervasively personal environments. The network of SCTs forms the Internet of Toys (IoToys) and often increases children's engagement and playtime experience. Unfortunately, this young part of the population and, most of the time, their parents are often unaware of SCTs’ far-reaching capacities and limitations. The capabilities and constraints of SCTs create severe side effects (...) at the technical, individual, and societal level. These side effects are often unforeseeable and unexpected. They arise from the technology's use and the interconnected nature of the IoToys, without necessarily involving malevolence from their creators. Although existing regulations and new ethical guidelines for artificial intelligence provide remedies to address some of the side effects, policymakers did not develop these redress mechanisms having children and SCTs in mind. This article provides an analysis of the arising side effects of SCTs and contrasts them with current regulatory redress mechanisms. We thereby highlight misfits and needs for further policymaking efforts. (shrink)

The debate concerning the ontological status of spacetime is standardly construed as a dilemma between substantivalism and relationalism. I argue that a trilemma is more appropriate, emergent spacetime theories being the third category. Traditional philosophical arguments do not distinguish between emergent spacetime and substantivalism. It is arguments from physics that suggest giving up substantivalism in favour of emergent spacetime theories. The remaining new dilemma is between emergent spacetime and relationalism. I provide a list of questions, which one should consider when (...) discussing emergent spacetime theories, and apply them to a quantum superfluid toy model of emergent spacetime. (shrink)

Quantum information theory has given rise to a renewed interest in, and a new perspective on, the old issue of understanding the ways in which quantum mechanics differs from classical mechanics. The task of distinguishing between quantum and classical theory is facilitated by neutral frameworks that embrace both classical and quantum theory. In this paper, I discuss two approaches to this endeavour, the algebraic approach, and the convex set approach, with an eye to the strengths of each, and the relations (...) between the two. I end with a discussion of one particular model, the toy theory devised by Rob Spekkens, which, with minor modifications, fits neatly within the convex sets framework, and which displays in an elegant manner some of the similarities and differences between classical and quantum theories. The conclusion suggested by this investigation is that Schrödinger was right to find the essential difference between classical and quantum theory in their handling of composite systems, though Schrödinger's contention that it is entanglement that is the distinctive feature of quantum mechanics needs to be modified. (shrink)

A shift in focus, of the sort recently advocated by David Wallace, towards consideration of work in nonequilibrium statistical mechanics has the potential for far-reaching consequences in the way we think about the foundations of statistical mechanics. In particular, consideration of the approach to equilibrium helps to pick out appropriate equilibrium measures, measures that are picked out by the dynamics as "natural' measures for systems in equilibrium. Consideration of the rationale for using such measures reveals that the scope of their (...) legitimate employment is much more limited than an appeal to a Principle of Indifference would suggest. These points are illustrated by use of a toy model that I call the parabola gadget. (shrink)

In 1865 Francis Galton published ‘Hereditary Talent and Character’, an elaborate attempt to prove the heritability of intelligence on the basis of pedigree data. It was the start of Galton's lifelong commitment to investigating the statistical patterns and physiological mechanisms of hereditary transmission. Most existing attempts to explain Galton's fascination for heredity have argued that he was driven by a commitment to conservative political ideologies to seek means of naturalizing human inequality. However, this paper shows that another factor of at (...) least equal importance has been overlooked by Galton scholars: his determination during the 1860s to be accepted among the ranks of the Darwinian inner circle. By hitching his career to the fortunes of what looked likely to emerge as a new scientific elite, Galton felt that he could bypass the typically slow and uncertain route to achieving scientific distinction. For this essentially strategic reason, between 1860 and 1865 he drifted away from a set of existing scientific concerns that were failing to deliver the approbation that he desired. Earnestly seeking to ingratiate himself with the Darwinian lobby, he then toyed with a variety of potential research projects relevant to Darwinian evolution. Yet Galton consistently failed to stimulate the enthusiasm of the Darwinians. Finally, however, after several months of ruminating, in 1864 he settled on a study of eminent pedigrees as a subject that was both germane and highly useful to the Darwinian enterprise. Galton's willingness to shift the direction of his scientific career during the 1860s underscores the importance of examining the micro‐politics of scientific careers in addition to their broader social and political context. This account also emphasizes the limitations of class‐based explanations even when considering scientists whose work seems so manifestly indicative of ideological motivation. (shrink)

An incomplete science begets imperfect models. Nevertheless, the target article advocates for jettisoning deep-learning models with some competency in object recognition for toy models evaluated against a checklist of laboratory findings; an approach which evokes Alan Newell's 20 questions critique. We believe their approach risks incoherency and neglects the most basic test; can the model perform its intended task.

The history of ideas normally invoked by animal liberationists and their opponents cannot account for our basic wildlife protection attitudes, which actually developed out of the worldwide species?classification project begun by Linnaeus in the eighteenth century. These attitudes, formed in terms of a pre?evolutionary and pre?ecological belief in fixed and immutable species, were weakened to some degree by the rise of evolutionary theory and ecological science, since evolution provides a mechanism for the replacement of extinct species and depicts extinction as (...) natural, and ecology teaches that ecosystems naturally adjust when species are lost. Wildlife protection attitudes are preservationist in so far as they are concerned with the preservation of species and conservationist in so far as they are concerned with the lives of individual animals and populations. From all perspectives except that of animal liberation, wild animals are predominantly viewed in terms of instrumental value: as a means to the continuation of species, the maintenance of healthy ecosystems, and for various other anthropocentric purposes. These various perspectives fit together within an aesthetic conception of wildlife which is strongly Platonic. From an aesthetic standpoint, wild animals, as exemplications of various species, are more analogous to mass?produced toys, admired for their design or structure, than the natural equivalent of original works of art admired for their own sakes. (shrink)

Energy is a crucial concept within classical and quantum physics. An essential tool to quantify energy is the Hamiltonian. Here, we consider how to define a Hamiltonian in general probabilistic theories—a framework in which quantum theory is a special case. We list desiderata which the definition should meet. For 3-dimensional systems, we provide a fully-defined recipe which satisfies these desiderata. We discuss the higher dimensional case where some freedom of choice is left remaining. We apply the definition to example toy (...) theories, and discuss how the quantum notion of time evolution as a phase between energy eigenstates generalises to other theories. (shrink)

We present a visual world eye-tracking study on Tseltal (a Mayan language) and investigate whether verbal information can be used to anticipate an upcoming referent. Basic word order in transitive sentences in Tseltal is Verb–Object–Subject (VOS). The verb is usually encountered first, making argument structure and syntactic information available at the outset, which should facilitate anticipation of the post-verbal arguments. Tseltal speakers listened to verb-initial sentences with either an object-predictive verb (e.g., “eat”) or a general verb (e.g., “look for”) (e.g., (...) “Ya slo’/sle ta stukel on te kereme,” Is eating/is looking (for) by himself the avocado the boy/ “The boy is eating/is looking (for) an avocado by himself”) while seeing a visual display showing one potential referent (e.g., avocado) and three distractors (e.g., bag, toy car, coffee grinder). We manipulated verb type (predictive vs. general) and recorded participants' eye movements while they listened and inspected the visual scene. Participants’ fixations to the target referent were analyzed using multilevel logistic regression models. Shortly after hearing the predictive verb, participants fixated the target object before it was mentioned. In contrast, when the verb was general, fixations to the target only started to increase once the object was heard. Our results suggest that Tseltal hearers pre-activate semantic features of the grammatical object prior to its linguistic expression. This provides evidence from a verb-initial language for online incremental semantic interpretation and anticipatory processing during language comprehension. These processes are comparable to the ones identified in subject-initial languages, which is consistent with the notion that different languages follow similar universal processing principles. (shrink)

“Toy worlds” involving actions, such as the Blocks World and the Monkey and Bananas domain, are often used by researchers in the areas of commonsense reasoning and planning to illustrate and test their ideas. Many of the axioms found in descriptions of these toy worlds are expressions of generalpurpose knowledge, though they are often cast in a form only useful for solving one specific problem and are not faithful representations of general facts that can be used in other domains. Instead (...) of using such domain-specific axioms for each problem, we are building a general-purpose library of action descriptions which can be referred to in descriptions of many action domains. The library is being written in the modular action description language MAD, an extension of the action language ·. In this paper we present an initial version of some of our library modules, along with a new formalization of the Monkey and Bananas domain that uses the library. Most of the axioms in this formalization come from the library, with only a few domain-specific axioms needed. (shrink)

A toy is a valuable medium for promoting parent-child interaction. This study selected six light-emitting or reflective materials to produce composite toy balls, and conducted tests on 15 families with preschool-aged high-functioning autistic children. Quantification method I analysis was employed in the study, and the experimental results indicated that (a) the metal ball (reflective and dynamic light) was the representative sample that elicited many smiles or laughs and much finger pointing as well as high levels of pleasure and activeness.; (b) (...) the mitball (static light) was the representative sample that provoked much eye contact, produced satisfactory reactions to activities,; (c) the quality of fluorescence enhanced the levels of pleasure and the reactions to the activity. We propose that dynamic and reflective materials can be adopted to divert the attention of children, and fluorescent toys can then employed to sustain parent-child interaction. (shrink)

Over the last 20+ years, multinational corporations (MNCs) have been confronted with accusations of abuse of market power and unfair and unethical business conduct especially as it relates to their overseas operations and supply chain management. These accusations include, among others, worker exploitation in terms of unfairly low wages, excessive work hours, and unsafe work environment; pollution and contamination of air, ground water and land resources; and, undermining the ability of natural government to protect the well-being of their citizens. MNCs (...) have responded to these accusations by creating voluntary codes of conduct which commit them to specific standards for addressing these issues. These codes are created at both the industry-wide and the individual company level. Unfortunately, these codes have generated little credibility and public trust because their compliance claims cannot be independently verified, and they lack transparency and full public disclosure. In this article, we present a case study of the voluntary code of conduct by Mattel, Inc., the world's largest toy company. The code, called the Global Manufacturing Principles (GMP), confronts the general criticism leveled against voluntary codes of conduct by (a) creating detailed standards of compliance, (b) independent external monitoring of the company's compliance with its code of conduct, and (c) making full, and uncensored public disclosure of the audit findings and company's response in terms of remedial action. We present a detailed account of how Mattel's voluntary code of conduct was created, implemented, and ultimately abandoned over 9 years. We provide an evaluative analysis of the company's GMP compliance throughout its life span, which suggests a bellshaped curve, where early top management commitments were met with pockets of resistance from operational groups, who were concerned about balancing GMP compliance efforts with traditional performance criteria. The early stage response from Mattel's top management was quick and supported with the requisite resources. As a result, the compliance process accelerated, becoming increasingly more robust and effective. The success of code compliance and increased transparency in public disclosure energized field managers with a sense of professional satisfaction and publicly recognized accomplishments.The decline in GMP compliance was equally steep. When all the easily attainable targets had been reached at the company-operated plants, addressing vendor plants' compliance presented a new set of challenges, which taxed corporate resources and management commitment. It would seem that value-based and ethicsoriented considerations, i. e., doing the right thing for the right reason, were no longer the driving force for Mattel's management. Mattel did not see any economic benefit from its proactive stance, when competitors did not seem to suffer adverse consequences for not following suit. The final contributing factor to the code's abandonment was a widely publicized series of product recalls which absorbed top management's attention. (shrink)

“Toy worlds” involving actions, such as the blocks world and the Missionaries and Cannibals puzzle, are often used by researchers in the areas of commonsense reasoning and planning to illustrate and test their ideas. We would like to create a database of generalpurpose knowledge about actions that encodes common features of many action domains of this kind, in the same way as abstract algebra and topology represent common features of specific number systems. This paper is a report on the first (...) stage of this project—the design of an action description language in which this database will be written. The new language is an extension of the action language C+. Its main distinctive feature is the possibility of referring to other action descriptions in the definition of a new action domain. (shrink)

Moral emotions are evolved mechanisms that function in part to optimize social relationships. We discuss two moral emotions— disgust and the “cuteness response”—which modulate social-engagement motives in opposite directions, changing the degree to which the eliciting entity is imbued with mental states (i.e., mentalized). Disgust-inducing entities are hypo-mentalized (i.e., dehumanized); cute entities are hyper-mentalized (i.e., “humanized”). This view of cuteness—which challenges the prevailing view that cuteness is a releaser of parental instincts (Lorenz, 1950/1971)—explains (a) the broad range of affiliative behaviors (...) elicited by cuteness, (b) the marketing of cuteness to children (by toy makers and animators) to elicit play, and (c) the apparent ease and frequency with which cute things are anthropomorphized. (shrink)

In Felisberto Hernández’s story “The Stray Horse,” the young narrator imagines that the piano teacher’s sitting room furniture has relationships, intentions, and desires. The developmental psychologist Paul Bloom attributes this imagination of objects as living as part of normal development in childhood. He argues that such a tendency, while scientifically incorrect, was an evolutionary advantage in the long, brutal prehistory of mankind. Whatever the merits of Bloom’s evolutionary story, it fails to grasp the nature of creative imagination in children. Maurice (...) Merleau-Ponty cautions against reading backward from the adult into the child. Seeing all that is adult existing in some minor form in children fails to capture those unique, and often lost, parts of childhood experience. In their imaginative play, children rarely confuse object and toy play with religion. Instead of fitting into adult metaphysical commitments, children’s imaginations challenge our organization of reality. The intensity and rigidity of children’s play with objects, including their fear of select ones, often seems to speak of objects, such as those from “The Stray Horse,” that are connected to a parallel world that intervenes weakly on our own. It is fantastical, but not as in an addition to our metaphysical commitments, but as a kind of barbarian reality. This paper takes up the challenge of childhood imagination as the phenomenological prehistory of our own creative imagination. It considers the work in psychoanalytic and phenomenological accounts of childhood memories and ties it to the creative imagination of authors like Hernández. Dans le récit de Felisberto Hernandez, Le Cheval perdu, le jeune narrateur imagine que le mobilier du salon de sa professeur de piano possède des relations, des intentions et des désirs. Le psychologue du développement Paul Bloom attribue à ce fantasme, qui fait des objets des êtres vivants, une partie du développement normal de l’enfance. Il soutient que cette tendance, bien que scientifiquement incorrecte, a été un avantage dans la longue et brutale préhistoire de l’humanité. Malgré les mérites de l’histoire de l’évolution de Bloom, elle ne parvient pas à saisir la nature de l’imagination créative des enfants. Maurice Merleau-Ponty met en garde contre une lecture rétrospective qui voit l’adulte dans l’enfant : voir tout ce qui est de l’adulte déjà exister en quelque sorte sous forme mineure dans l’enfant, nous empêche de comprendre les traits uniques, et souvent perdus, de l’expérience de l’enfance. Dans leur jeu imaginaire, les enfants confondent rarement le prétexte de leur jeu ou leur jouet avec la religion. Plutôt que de s’inscrire dans les obligations métaphysiques des adultes, l’imagination des enfants met en question notre organisation de la réalité. L’intensité et la rigueur avec lesquelles les enfants jouent avec les objets, impliquant aussi la peur qu’ils ont de certains d’entre eux, semblent vouloir parler d’objets (comme ceux du Cheval perdu) connectés à un monde parallèle qui lui-même n’interfère que faiblement avec le nôtre. C’est un monde fantastique, non pas comme ajouté à nos contraintes métaphysiques, mais plutôt comme une réalité barbare. Cet article relève le défi de l’imagination infantile entendue comme la préhistoire phénoménologique de notre imagination créative. Il prend en charge le travail psychanalytique et phénoménologique concernant les souvenirs d’enfance et le met en rapport avec l’imagination créative d’auteurs comme Hernandez.Nel racconto di Felisberto Hernandez, Il cavallo perduto, il giovane narratore immagina che il mobilio del salotto della sua insegnante di pianoforte sviluppi relazioni, intenzioni e desideri. Lo psicologo dello sviluppo Paul Bloom considera l’immaginare gli oggetti come esseri viventi parte di un normale sviluppo nell’infanzia. Egli sostiene infatti che tale credenza, benché scientificamente errata, sia stata un vantaggio nella lunga e violenta preistoria dell’umanità. Malgrado i meriti della storia dell’evoluzione di Bloom, questa non riesce tuttavia a cogliere la natura dell’immaginazione creativa nei bambini. Maurice Merleau-Ponty mette in guardia da una lettura retrospettiva che veda l’adulto nel bambino: vedere l’adulto come già esistente, in una qualche forma minore, nel bambino impedisce infatti di cogliere delle componenti uniche, e spesso perdute, dell’esperienza dell’infanzia. Nel loro gioco immaginativo, i bambini raramente confondono l’oggetto e il giocattolo con la religione. Invece di iscriversi nei vincoli metafisici degli adulti, l’immaginazione dei bambini mette in discussione la nostra organizzazione della realtà. L’intensità e l’inflessibilità del giocare dei bambini con gli oggetti, compresa la paura che alcuni di questi incutono in loro, spesso sembra voler parlare di oggetti – come quelli de Il cavallo perduto – che sono connessi ad un mondo parallelo che solo debolmente interferisce con il nostro. È un mondo fantastico, che non va però letto come un’aggiunta rispetto ai nostri vincoli metafisici, quanto piuttosto come una forma di realtà selvaggia. Questo articolo accetta la sfida di pensare l’immaginazione dell’infanzia come preistoria fenomenologica della nostra immaginazione creativa, prendendo in considerazione il lavoro psicoanalitico e fenomenologico sulle memorie infantili e collegandole all’immaginazione creativa di autori come Hernandez. (shrink)

Science fiction is often held up as a particularly philosophical genre. For, beyond actualising mind-experiment-like fantasies, science fiction films also commonly toy with speculative ideas, or else engineer encounters with the strange and unknown. Denis Villeneuve's Arrival is a contemporary science fiction film that does exactly this, by introducing Lovecraft-esque tentacular aliens whose arrival on Earth heralds in a novel, but ultimately paralysing, inhuman perspective on the nature of time and reality. This article shows how this cerebral film invites viewers (...) to confront a counterintuitive model of time that at once recalls and reposes what Gilles Deleuze called a “third synthesis” of time, and that which J. M. E. McTaggart named the a-temporal “C series” of “unreal” time. We finally suggest that Arrival's a-temporal conception of the future as having already happened can function as a key to understanding the fate of humanity as a whole as we pass from the anthropocene, in which humans have... (shrink)

Parmi les épigrammes funéraires grecques consacrées aux enfants arrachés prématurément à la vie, plusieurs évoquent les jeux et les jouets de ces jeunes défunts. Si les garçons sont très présents dans ce corpus, quelques fillettes et jeunes filles ont également des activités ludiques. Cet article analyse trois textes en étudiant la dimension genrée de ces amusements et le discours sur l’enfance qu’ils livrent, tout en réévaluant nos définitions contemporaines du jouet appliquées aux mondes anciens. Notre étude porte sur l’inscription du (...) jeune thessalien Athénaios (tournant de notre ère), confrontée à deux épigrammes de l’Anthologie Palatine, l’une pour Myrô (VII 190, iiie s. av. J.‑C.) et l’autre pour Hymnis (VII 643, ier s. av. J.‑C.). (shrink)

International Mindedness (IM) has become an underpinning philosophy of the International Baccalaureate and schools which adopt its programmes. However, the concept of IM is relevant to any school that offers international education given its potential and importance to drive the school’s mindset and mission. The international school market has grown significantly in terms of the number of schools and their diversity. Increasing in popularity are schools that follow the British-based International General Certificate of Secondary Education (IGCSE) and A-level programmes. Moreover, (...) the dgreatest expansion of international schools is now occurring in local markets, in which students are no longer predominantly expatriates but come from the host countries. This study explores the concept of international mindedness in six international schools in Cyprus. Based on data collected from headteachers and teachers, we argue that international mindedness is applicable in various contexts of international schooling and that factors other than the curriculum can affect its development within a school. (shrink)

This research study postulates an argument aimed at disputing the conception that determinism intrinsically entails the inevitability or unchangability of events. It claims that within our world, there exist events that are, in fact, avoidable. To defend this claim, the paper draws upon the evolutionary foundation established by cognitive philosopher Daniel C. Dennett. According to Dennett, the phenomenon of natural selection has bestowed human beings with the capability to avoid specific events by reducing the pervasiveness of inevitable events over time. (...) Nevertheless, a crucial query arises while recognizing the existence of avoidance-capable entities within a Toy deterministic world, such as John Conway’s “Game of Life.” The existence of such entities puts forward the presence of a practical expression of free will, despite the allegedly deterministic nature of the world. Dennett, a staunch proponent of naturalism, endeavors to demonstrate that determinism is not inherently problematic and does not pose a significant threat to our free existence. Anchored in compatibilism, Dennett argues that determinism and freedom can coexist, with the emergence of evolution enabling human beings to possess the capacity for avoidance within a so-called deterministic world. Thus, the prime intention of this paper is to exhibit an extensive analysis exemplifying that determinism does not diminish our notion of free will. To achieve this objective, the paper seeks to debunk prevailing misconceptions about determinism by employing a toy model wherein simplistic entities can evolve and acquire the ability to avoid harm, which can also be reflected in human life. Moreover, the paper endeavors to establish that the conventional association between determinism and inevitability is flawed, as the notion of inevitability should be attributed to the design level rather than the physical level of any system. (shrink)

continent. 1.4 (2011): 230—233. A word about the quotation marks. People ask about them, in the beginning; in the process of giving themselves up to reading the poem, they become comfortable with them, without necessarily thinking precisely about why they’re there. But they’re there, mostly to measure the poem. The phrases they enclose are poetic feet. If I had simply left white spaces between the phrases, the phrases would be read too fast for my musical intention. The quotation marks make (...) the reader slow down and silently articulate—not slur over mentally—the phrases at the pace, and with the stresses, I intend. They also distance the narrative form myself. I am not Alette. Finally they may remind the reader that each phrase is a thing said by a voice: this is not a thought, or a record of thought process, this is a story, told.(1) We read (reread) the poems that keep the discourse with ourselves going. —Wallace Stevens We have to break open words or sentences, too, and find what’s uttered in them. —Gilles Deleuze “The Descent of Alette” “is an allegorical poem” “in four books” “first published” “in 1992” “by Alice Notley.” “In the Descent of Alette,” “the double quotation mark” “is wrapped around” “words, phrases, sometimes whole sentences, and utilized as bones for structure and tonality.” “The winged” “dbl quotation” “like angels or devils” “descending from elsewhere” “function as” “poetic feet.” “Distance” “in the text through the use of dbl quotes,” “according to Notley,” “was a way to distance” “her self” “from the narrative.” I know someone who tattooed double quotes on her shoulder blades. In other words, the body is quotable. To be able to say that one is quotable. A body filled with other’s sayings. I never asked her what for, what is the double quote tattoo for and why on the shoulder blades? I prefer my own interpretation that keeps shifting every time I see her. First words of every poem in every book: Book One One ... On ... A ... There ... I ... We ... An ... A ... A ... I ... At ... A ... When ... When ... There ... I ... In ... At ... I ... Once ... A ... A ... In ... A ... A ... Two ... I ... I ... Eyeball ... In ... I... A ... I ... I ... On ... I ... There ... What ... As ... As Book Two I ... When ... I ... I ... As ... I ... I ... There ... I ... There ... I ... A ... I ... I ... I ... I ... I ... I ... I ... I ... I ... I ... I ... I ... I ... I ... I ... I ... I ... I ... I ... I ... I ... I Book Three The ... Presently ... I ... I’m ... I ... We ... What ... My ... I ... Who ... But ... Lay ... My ... I ... The ... Your ... The ... I ... It’s ... As ... The ... Talon’s ... When ... We ... I ... Slowly ... I ... I ... The ... How ... The Book Four I ... I ... You ... The ... Now ... She ... The ... There ... As ... Then ... The ... All ... Let’s I ... You ... The ... Thus ... The ... I ... The ... I ... There ... Have ... The ... As ... The Defamiliar Object “Poetry is a defamiliarized language, whose formations, so far from being simply formations of meaning, are aesthetic structures...”(2) “The same can be” “irresponsibly associated” “with the use of punctuation.” “The dbl quotation as a measure” “of poetic feet” “is treated as such” “because the author” “injects artfulness into it.” “The dbl quote is an object—” “a joystick” “to control breadth” “(of breath.)” “To de-familiarize” “said sign” “is also to” “impart the sensation of [it] as [it is] perceived and not as they are known.”(3) “The dbl quote” “nests previous words, phrasings and sayings.” “How many have come and gone” “through the doorway of this punctuation sign.” “There are also air quotes and virtual quotes.” “There is emphasis and there’s irony.” “It would be aggravating” “or interesting” “to watch a reading of” “The Descent of Alette” “with someone” “raising and curling” “fingers” “bent out of shape” “in what could be used as” “peace signs.” “I am trying to avoid” “scare quotes.” “I looked up” “what they are” “and supposedly they arose” “in the early 20th century.” “The scare quote” “is a mark around a word or phrase to indicate that it doesn’t signify conventional or literal meaning.” “This isn’t how Notley” “intended to use them” “in The Descent of Alette.” “The characters, places, and things” “signify nothing” “beyond” “their literal meaning” “ within the allegory .” “I’d like to stress” “within the allegory;” “that’s why its” “italicized.” “It is told through” “the main character/voice of” “Alette.” “The author reminds us she is not Alette.” “The author marvelously found a way” “to distance” “her self” “from the narrative.” “This was attempted” “by tonal and intimate” “affect of the dbl quote” “used as poetic feet.” “Its as though” “punctuation in this regard” “becomes a magical toy.” “Arguably, punctuation” “(as perceived)” “undergoes a kind of” “ defamiliar ” “make-over.” “The text” gently forces the reader” “to slow down,” “read slowly.” “At some point” “one begins to sense” “lines of text” “moving on its own.” “Broken words, phrases, and sentences” “shuttling left to right” “like a subway” “that stops” “from station to station;” “open quote to end quote.” Double Quote Occupied “There are two worlds; one above ground” “and one underground.” “The world above ground is where,” “the tyrant” “with a capital t” “lives.” “(The “T” gets tangled in the claws of the dbl quote.)” “Alette becomes an owl and kills him.” “In the last book the tyrant dies.” “ “...the tyrant” “a man in charge of” “the fact” “that we were” “below the ground” “endlessly riding” “our trains, never surfacing” “A man who” “would make you pay” “so much” “to leave the subway” “that you don’t” “ever ask” “how much it is” “It is, in effect,” “all of you & more” “Most of which you already” “pay to live below” “But he would literally” “take your soul” “Which is what you are” “below the ground” “Your soul” “your soul rides” “this subway” “I saw” “on the subway a” “world of souls” ”(4) “New York;” “the city of cities” “and its subways—” “worlds underground,” “above ground,” “& above the above ground.” “Skyscrapers,” “Wall Street,” “old money,” “new money,” “and falling further down a cleavage;” “the middle class” “slipping away.” “Contemporary artist ” “Ligorano Reece” “recently made” “a sculpture of ice ” “a block of ice” “carved to read” “middle class” “(in all upper case letters)” “and let it melt” “naturally” “for however long—” “hours,” “days.” “It didn’t take very long to melt.” A global uprise of mass demonstrations; a cacophony of bodies on the street, in parks and universities, on City Hall lawns, coastal ports, neighborhoods, etc., and for what? The reasons are endless and finite. Not a single body is unaffected by the movement even when not “occupying.” “Occupiers” “stormed into a Sotheby’s auction” “protesting” “via human microphone” “that the CEO takes home” “about” “six thousand dollars” “a day.” “(The a/Art market” “is not a reflection” “of a desire” “for a/Art” “but a reflection” “of a desire” “for money” “confused with a/Art.)” What could it mean to occupy that which has been written or said? Someone with double quotes tattooed on both shoulders attempts to reclaim the sign; re-invent it privately-publicly since the body is always split between both spheres. A genre of hide-and-seek; the speaking and silent body which can never mean what it says even while it so desires to mean something. To nest (and hold hostage) someone in double quotes is an act of violence; a gesture of displacement where one is arrested, dislocated, and scrutinized under a distant gaze. “The air quote” “also known as” “finger quote or ersatz quote” “supposedly” “harks back to” “1927.” “The brevity of this gesture” “ as something invisible” “like virtual money or credit” “doesn’t really exist” “though it take up space;” “its the ghostliest of all punctuation signs” “and one that requires the presence and appearance of a body.” “ “she made a form” “in her mind” “an imaginary” “form” “to settle” “in her arms where” “the baby” “had been” “We saw her fiery arms” “cradle air” “She cradled air...” ”(5) “The air” “gets occupied” “by one or two hands” “with thumb, forefinger, and middle finger” “which alternately could be used” “to shoot rubber bullets,” “pepper spray,” “tear gas.” “How three fingers” “could be responsible for so much:” “satire, sarcasm, irony” “and ultimately” “bruises, blood, death.” (“The violence of the dbl quote is to eagerly to place oneself inside a tornado.)” “The violence of this” “embodied punctuation mark” “stems from a discordance with others.” “Is the name, word, or phrase” “placed in dbl quotes” “heroic” “ or brave?” “An act of displacement;” “must there always be” “bright or negative lights—” “a leaderless act” “to inhabit, to occupy” “space removed” “from normative use.” “Of course” “I’m also wondering” “what it means to re-occupy” “public/private space—the street, neighborhood or page” “policed” “by laws, limits, and” “to some extent” “punctuation.” Echo, Mirror “There are first, second, and third voices interwoven.” “ “Braid of voices,”(6) ” “Some lines read as internal thoughts,” “dialogues,” “and scene descriptions,” “all of which make up the allegory.” “It seems appropriate” “for the word” “allegory” “to nest in dbl quotes” “for perhaps it might be” “a gesture to echo on and on” “eternally referencing” “whatever came before.” I notice the first tooth of the double quote, when paying too close attention, gets caught in the hook of the “f”. I space bar to untangle them; the f does not resist the closed bite of “deaf” and I resist to know what it could mean, because it could doubly mean nothing. “ “He looked” “so familiar” “to me...”(7) ” “The second-person” “echoes in one of two directions:” “further into” “or farther from” “me.” “Its as though” “the second-person amplifies” “or else the opposite” “in which he,” “who looks so familiar,” “retreats further” “like stars in a telescope.” “The dbl quote” “has this kind of affect” “concerning distance and dimension” “as also illusory” “as something twice removed” “and unreal” “in a similar way” “movie stars are unreal and far away.” “ “I entered” “a car” “in which I seemed” “to see double” “Each person I” “looked at seemed” “spread out” “as if doubled” “Gradually” “I perceived that” “each person” “was surrounded by a ghostly” “second image” “was encased in it” “& each” / “of those images,” “those encasings,” “was exactly the same” “each was in fact” “the tyrant...” ”(8) A daydream of a mirror-less world while staring through window blinds; a palm tree behind. It was dark with nothing there. A world with no mirrors “in my mind,” though my mind could only reflect what it knew: a palm tree. Naturally then, palm trees multiplied; a world of palm trees reflected the daydream with no mirror in sight. “The mirror” “(prior to obsidian manufacturing ca. 6000 B.C)” “was wherever water” “could be found.” “Its interesting” “mirrors have been around” “before humans—its funny” “animals and humans” “get born into” “a world of mirrors,” “therefore, simulation” “is always already” “a given—” “a sparkly consequence to be born with a dbl.” NOTES 1. Notley, Alice. “Author’s Note” in The Descent of Alette (New York, 1996) 2. Bruns, Gerald L. “ From Intransitive Speech to the Universe of Discourse” in Modern Poetry And The Idea of Language (New Haven & London, 1974), p.75 3. Ibid. p.77 4. Notley, Alice. The Descent of Alette (New York, 1996). p.3 5. Ibid. p.10 6. Ibid i. p.9 7. Ibid ii. p.16 8. Ibid iii. p.12. (shrink)

This paper argues that the existing definition of pandemics is not nuanced enough, because it is predicated solely on the criterion of spread, rather than on the criteria of spread and severity. This definitional challenge is what I call ‘the conflation problem’: there is a conflation of two different realities of global health, namely global health emergencies (i.e., severe communicable diseases that spread across borders) and nonemergencies (i.e., communicable or noncommunicable diseases that spread across borders and that may be severe). (...) To put this argument forth, this paper begins by discussing the existing and internationally accepted definition of pandemics, its requirements, as well as its strengths (section 1). Section 2 then considers the problem with the standard definition of pandemics (i.e., the conflation problem) and some examples of it. Finally, section 3 evaluates some practical implications of the conflation problem to then explore conceptual clarity as the adequate solution. (shrink)

Recent research has shown that the use of astronomy as a chronological problem-solving tool has deep roots in the scholarly practices of the Latin Middle Ages, as is manifest from the writings of Marianus Scotus, Gerland, and other “critical computists” of the eleventh and twelfth centuries. This essay enlarges the existing picture by introducing a hitherto unknown epistolary treatise of the mid-twelfth century. Written in Lotharingia in 1144, this poorly preserved work documents an attempt to reconstruct the timeline of world (...) history via techniques that had emerged within the Latin computus tradition prior to the advent of Greco-Arabic astronomy. Drawing on the so-called computus naturalis, the author performed lunar computations on the basis of observed eclipses and used them to propose new dates for the Creation and the Last Supper. He also relied on a revised estimate of the time and date of the vernal equinox, placing it on 16 March, and gave a detailed account of how this result can be derived from solar observations with a meridian line. By virtue of these methodological features, the Chronology of 1144 represents an important transitional stage between the “critical computists” and the use of eclipse-based dating methods by later scholars such as Giles of Lessines (fl. 1260). (shrink)

In recent years, Bayesian probability theory has emerged not only as a powerful tool for building computational theories of vision, but also as a general paradigm for studying human visual perception. This book provides an introduction to and critical analysis of the Bayesian paradigm. Leading researchers in computer vision and experimental vision science describe general theoretical frameworks for modeling vision, detailed applications to specific problems and implications for experimental studies of human perception. The book provides a dialogue between different perspectives (...) both within chapters, which draw on insights from experimental and computational work, and between chapters, through commentaries written by the contributors on each other's work. Students and researchers in cognitive and visual science will find much to interest them in this thought-provoking collection. (shrink)

This Commentary offers a critique of an eco-relational approach in robot ethics, highlighting the importance of articulating an ecologically-sensitive ethical orientation that incorporates the entire more-than-human world, including technological entities like forms of artificial intelligence. While the eco-relational approach enhances our understanding of the complex way in which morally significant properties operate on a phenomenological level, it is not without its flaws. In particular, this perspective focuses on ethical concepts when it needs to be rooted in ethical systems, misrepresents the (...) extant literature on relational approaches to moral status, and is insufficiently ecological in a way that would bring machines into the moral universe by way of their location in and importance to the larger environment. At a time when the legal status of robots is being decided before moral questions are settled, it remains important to get the contours of relevant debates right so that the robot ethics discourse brings us closer to developing practical solutions for ethical dilemmas emerging in our increasingly technological age. (shrink)