The time of half-sleep : Merleau-Ponty between Husserl and Proust -- Ad limina philosophiae : Merleau-Ponty and the "introduction" to Hegel's Phenomenology of spirit -- Nature : variations on the theme -- The thinking of the sensible.

Highlights Merleau-Ponty’s interest in film and connects it to his aesthetic theory.

In a book that is part memoir and part writing guide, the author discusses how he used a journal to enhance his experiences on the yoga mat and then explains how readers can best start and maintain their own yoga journal. Original.

The ability to read emotions in faces helps humans efficiently assess social situations. We tested how this ability is affected by aspects of familiarization with face masks and personality, with a focus on emotional intelligence. To address aspects of the current pandemic situation, we used photos of not only faces per se but also of faces that were partially covered with face masks. The sample, the size of which was determined by an a priori power test, was recruited in Germany (...) and consisted of healthy individuals of different ages [M = 24.8 years]. Participants assessed the emotional expressions displayed by six different faces determined by a 2 × 3 design. Each person was presented with six different emotional displays with or without a face mask. Accuracy and confidence were lower with masks—in particular for the emotion disgust but also for happiness, anger, and sadness. When comparing the present data collected in July 2021 with data from a different sample collected in May 2020, when people first started to familiarize themselves with face masks in Western countries during the first wave of the COVID-19 pandemic, we did not detect an improvement in performance. There were no effects of participants’ emotional intelligence, sex, or age regarding their accuracy in assessing emotional states in faces for unmasked or masked faces. (shrink)

We analyse the structure of propositional proofs in the sequent calculus focusing on the well-known procedures of Interpolation and Cut Elimination. We are motivated in part by the desire to understand why a tautology might be ‘hard to prove’. Given a proof we associate to it a logical graph tracing the flow of formulas in it . We show some general facts about logical graphs such as acyclicity of cut-free proofs and acyclicity of contraction-free proofs , and we give a (...) proof of a strengthened version of the Craig Interpolation Theorem based on flows of formulas. We show that tautologies having minimal interpolants of non-linear size must have proofs with certain precise structural properties. We then show that given a proof Π and a cut-free form Π′ associated to it , certain subgraphs of Π′ which are logical graphs correspond to subgraphs of Π which are logical graphs for the same sequent. This locality property of cut elimination leads to new results on the complexity of interpolants, which cannot follow from the known constructions proving the Craig Interpolation Theorem. (shrink)

The Philosopher and the Moviemaker.Merleau-Ponty and the Thinking of CinemaAs its subtitle indicates, the present article is devoted to the relations between Maurice Merleau-Ponty’s philosophy and the thinking of cinema. The first section focuses on two topics, each underlying the lecture on cinema given by Merleau-Ponty in 1945. On the one hand, we find the reflection about the peculiarities of expression in film and cinematic image; on the other, we see the convergence between the inspiration of cinema and that of (...) philosophy, which Merleau-Ponty sees as a significant characteristic of his time. This is a convergence in which the nouvelle vague’s cinema will recognise itself and which Christian Metz will retrospectively confirm. Moreover, by developing both of these topics, the author finds a way to interpret Merleau-Ponty’s lecture as an undeclared polemical response to Henri Bergson’s famous negative judgement on cinema. The second section focuses on the question of movement in cinema, putting together further references to cinema made by Merleau-Ponty in posthumous or unpublished writings such as the notes for the 1952-53 course on “The Sensible World and the World of Expression.” The third section focuses on Merleau-Ponty’s later reflection about vision and images. This section shows how the peculiar noveltyof cinema is more and more understood by Merleau-Ponty not only as historically convergent with a new way of conceiving philosophy, but as a symptom of the new ontology he was trying to formulate philosophically.Il filosofo e il cineasta.Merleau-Ponty e il pensiero del cinemaCome sottolinea il suo sottotitolo, il presente articolo è dedicato alle relazioni fra la filosofi a di Maurice Merleau-Ponty e il pensiero del cinema. La prima sezione si concentra su due argomenti, ognuno ravvisabile nella conferenza sul cinema tenuta da Merleau-Ponty nel 1945. Da una parte, troviamo la riflessione sulle peculiarità dell’espressione filmica e dell’immagine cinematografica; dall’altra, la convergenza fra l’ispirazione del cinema e quella della filosofia, che Merleau-Ponty vede come una significativa caratteristica del proprio tempo: una convergenza in cui il cinema della nouvelle vague riconoscerà se stesso e che Christian Metz retrospettivamente confermerà. Inoltre, sviluppando entrambi gli argomenti, l’autore trova modo di interpretare la conferenza di Merleau-Ponty come una non dichiarata risposta polemica al celebre giudizio negativo sul cinema formulato da Henri Bergson. La seconda sezione si concentra sulla questione del movimento nel cinema, riunendo ulteriori riferimenti di Merleau-Ponty al cinema in scritti postumi o inediti, come le note per il corso del 1952-1953 su “Il mondo sensibile e il mondo dell’espressione”. La terza sezione si concentra sulla riflessione dell’ultimo Merleau-Ponty sulla visione e le immagini. Ciò mostra come la peculiare novità del cinema sia sempre più compresa da Merleau-Ponty non solo come storicamente convergente con un nuovo modo di concepire la filosofia, ma come un sintomo della nuova ontologia che egli stava cercando di formulare filosoficamente. (shrink)

Author Max Black argues that language should conform to the discovered regularities of experience it is radically mistaken to assume that the conception of language is a mirror of reality.

Author Max Black argues that language should conform to the discovered regularities of experience it is radically mistaken to assume that the conception of language is a mirror of reality.

Succinct representation and fast access to large amounts of data are challenges of our time. This unique book suggests general approaches of 'complexity of descriptions'. It deals with a variety of concrete topics and bridges between them, while opening new perspectives and providing promising avenues for the 'complexity puzzle'.

In The Flesh of Images, Mauro Carbone analyzed Merleau-Ponty's interest in film as it relates to his aesthetic theory. Philosophy-Screens broadens the work undertaken in this earlier book, looking at the ideas of other twentieth-century thinkers concerning the relationship between philosophy and film, and also extending that analysis to address the wider proliferation of screens in the twenty-first century. In the first part of the book, Carbone examines the ways that Sartre, Merleau-Ponty, Lyotard, and Deleuze grappled with the philosophical significance (...) of cinema as a novel aesthetic medium unfolding in the twentieth century. He then considers the significance of this philosophical framework for understanding the digital revolution, in particular the extent to we are increasingly and comprehensively connected with screens. Smart phones, tablets, and computers have become a primary referential optical apparatus for everyday life in ways that influence the experience not only of seeing but also of thinking and desiring. Carbone's Philosophy-Screens follows Deleuze's call for "a philosophy-cinema" that can account for these fundamental changes in perception and aesthetic production, and adapts it to twenty-first century concerns. (shrink)

Ce livre propose une interprétation inédite de la biologie d'Aristote. Il montre que, dans la démarche aristotélicienne, à côté de la pensée discursive, oeuvre une pensée visuelle qui élabore une représentation de l'organisation spatiale du corps vivant, apportant ainsi une contribution décisive à la définition des deux tâches majeures de l'enquête scientifique aristotélicienne: l'explication causale et la détermination des genres.

We develop a combinatorial model to study the evolution of graphs underlying proofs during the process of cut elimination. Proofs are two-dimensional objects and differences in the behavior of their cut elimination can often be accounted for by differences in their two-dimensional structure. Our purpose is to determine geometrical conditions on the graphs of proofs to explain the expansion of the size of proofs after cut elimination. We will be concerned with exponential expansion and we give upper and lower bounds (...) which depend on the geometry of the graphs. The lower bound is computed passing through the notion of universal covering for directed graphs. In this paper we present ground material for the study of cut elimination and structure of proofs in purely combinatorial terms. We develop a theory of duplication for directed graphs and derive results on graphs of proofs as corollaries. (shrink)

For animal research that causes sentient nonhuman animal suffering to be justifiable, I believe that two conditions must be met. First, harming animals for human benefit must be morally justified; this is the speciesism justification. Second, animal research must have utility—that is, it must produce useful, empirically valid knowledge that successfully increases our understanding of human illness and treatments and that could not reasonably be obtained through other means; this is the utility justification. In other words, (some) animals must be (...) sufficiently different from humans in morally relevant ways to allow the morality of speciesism, and (some) animals must be sufficiently similar to humans biologically for cross‐species extrapolation to have utility. Both conditions are necessary, and neither by itself is sufficient to justify animal experimentation. I focus exclusively on the utility justification. I do not defend the morality of using animals in experiments, nor do I review the alternatives and refinements that can minimize laboratory animal suffering. I will argue that I and the medical scientists with whom I work have a sound rationale to continue the work we do. (shrink)

La recherche récente a régulièrement remis en cause la catégorie moderne de « lois sacrées » désignant des inscriptions grecques qui forment un ensemble mal défini. Cet article entend dépasser le corpus traditionnel des « lois sacrées » en présentant un projet de recueil alternatif de « Normes rituelles grecques » (CGRN pour l’acronyme anglais), qui s’appuie sur des critères plus sélectifs et sera publié en ligne.

The Russian invasion of 2022 was based on an organized process of influence on the Ukrainian population, aimed at obtaining their support or neutralizing their possible resistance, in concert with the state apparatus. We find, in the backdrop of this process, the memorial conflict between these two countries and their neighbours, concerning World War II and the Soviet Union. This war of influence, or political warfare, which falls within new forms of contemporary hybrid warfare, profoundly has to do with images, (...) especially moving images. The cinematic images, the debauchery of their propaganda during the Second World War and throughout the existence of the USSR, still weighs on the bodies and minds; the new media has in many ways inherented them and their way of reenacting or extending propaganda on an individual or group scale. We will then question the place of images, and in particular those in motion, in the war between Russia and Ukraine since 2014 to describe the way in which they have served or still serve the military-memorial device deployed by the Russian invader. (shrink)

Undoubtedly, the tragedy of September 11, 2001 has been an unprecedented visual event. And yet, as was pointed out by an article published in Esquire in 2003, “in the most photographed and videotaped day in the history of the world, the images of people jumping were the only images that became, by consensus, taboo.” This taboo looks like the other side of what Allen Feldman calls a “temporal therapy”: “the audience was being given temporal therapy by witnessing a mechanical sequence (...) of events, over and over, which restored the linearity of time, which had been suspended with the assaults.” Still, images like the photograph that is well-known under the title of “Falling Man” could be, thanks to their peculiar temporality, a good antidote against this “temporal therapy,” which aims at the formation of a specific “collective memory, and therefore of collective forgetfulness.” On top of a study on this kind of pictures, this paper will take into account the late Merleau-Ponty’s idea of a mutual precession of reality and images as a useful tool for understanding the peculiar temporality of such pictures. (shrink)

Any arbitrarily complicated non-oriented graph, that is a graph of arbitrarily large genus, can be encoded in a cut-free proof. This unpublished result of Statman was shown in the early seventies. We provide a proof of it, and of a number of other related facts.

Journal Name: Apeiron Issue: Ahead of print.

The Russian invasion of 2022 was based on an organized process of influence on the Ukrainian population, aimed at obtaining their support or neutralizing their possible resistance, in concert with the state apparatus. We find, in the backdrop of this process, the memorial conflict between these two countries and their neighbours, concerning World War II and the Soviet Union. This war of influence, or political warfare, which falls within new forms of contemporary hybrid warfare, profoundly has to do with images, (...) especially moving images. The cinematic images, the debauchery of their propaganda during the Second World War and throughout the existence of the USSR, still weighs on the bodies and minds; the new media has in many ways inherented them and their way of reenacting or extending propaganda on an individual or group scale. We will then question the place of images, and in particular those in motion, in the war between Russia and Ukraine since 2014 to describe the way in which they have served or still serve the military-memorial device deployed by the Russian invader. (shrink)

Parts of the book date back to and some of the concluding remarks on ethics and the will may have been composed still earlier, when Wittgenstein admired ...

Analysis of ART and abortion must include the experiences of women at the emerging center of American life, as well as those at the top and bottom of the socioeconomic scale. Our contribution explores the triple system of fertility regulation, analyzing the intersections between fertility and class and using the experiences of women in the middle to add depth to our understanding of women's exercises of autonomy.

Two of Aristotle’s major legacies, namely, the theory of scientific syllogism and teleology seem to conflict on several planes. Indeed, an array of formal limitations prevents him from formalizing teleological explanations into scientific syllogisms, which are entirely absent from his works. To achieve this, Aristotle resorts to a different tool, the logic of ‘consequence’. This governs both the teleological relation between an end and a means that underlies necessity ‘from a hypothesis’—which is the necessity proper to living things—and a different (...) form of syllogisms, namely, syllogisms ‘from a hypothesis’. His guidelines in the first chapter of his Parts of Animals on the proper form of demonstration to be adopted in biology should be read as laying out the rules of inference for translating teleological explanations into syllogisms ‘from a hypothesis’. (shrink)

While corporate social responsibility is recognized as taking on various national meanings and practices, research has not sufficiently investigated how multinational companies simultaneously achieve global CSR integration and local CSR adaptation. Building on a qualitative case study carried out at ASICS, an MNC headquartered in Japan, we show how this organizational dilemma may be solved through hybridization work, a form of institutional work performed by CSR managers in subsidiaries to combine and adapt different institutional approaches to CSR. By developing the (...) notion of hybridization work, we contribute by revealing a set of practices that contribute to institutional change within organizations and enriching the study of CSR organizational change and international business by showing how hybridization Work leads to a greater organizational integration between core and periphery, and by identifying the triggering factors for subsidiary initiative in CSR. (shrink)

The Russian invasion of 2022 was based on an organized process of influence on the Ukrainian population, aimed at obtaining their support or neutralizing their possible resistance, in concert with the state apparatus. We find, in the backdrop of this process, the memorial conflict between these two countries and their neighbours, concerning World War II and the Soviet Union. This war of influence, or political warfare, which falls within new forms of contemporary hybrid warfare, profoundly has to do with images, (...) especially moving images. The cinematic images, the debauchery of their propaganda during the Second World War and throughout the existence of the USSR, still weighs on the bodies and minds; the new media has in many ways inherented them and their way of reenacting or extending propaganda on an individual or group scale. We will then question the place of images, and in particular those in motion, in the war between Russia and Ukraine since 2014 to describe the way in which they have served or still serve the military-memorial device deployed by the Russian invader. (shrink)

The links between the philosophies of Montaigne and Bruno are explored here for the first time, in this speculative comparison that focuses as much on rhetoric and ethics as on ontology and anthropology.

Experiments on intertemporal consumption typically show that people have difficulties in optimally solving such problems. Previous studies have focused on contexts in which agents are faced with risky future incomes and have to plan over long horizons. We present an experiment comparing decision making under certainty, risk, and ambiguity, over a shorter lifecycle. Results show that behavior in the ambiguity treatment is markedly different than in the risk condition and it is characterized by a significant pattern of under-consumption.