Results for 'Art and society'

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  1. Mr. William Morris on Art Matters.William Morris & William Morris Society - 1961 - William Morris Society.
     
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  2. Theory and Philosophy of Art: Style, Artist, and Society.Meyer Schapiro - 1994 - George Braziller.
     
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  3.  3
    Art and Society: A Reinterpretation of Plato.Catherine Rau - 1952 - Journal of Philosophy 49 (6):192-196.
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  4. Art and Society.Catherine Rau - 1951 - New York: R. R. Smith.
     
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  5. Theory and Philosophy of Art Style, Artist, and Society : Selected Papers.Meyer Schapiro - 1994
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  6. Mimesis: Culture-Art-Society.G. Gebauer, C. Wulf & D. Reneau - 1997 - Philosophy East and West 47:291-292.
    Mimesis, the notion that art imitates reality, has long been recognized as one of the central ideas of Western aesthetics and has been most frequently associated with Aristotle. Less well documented is the great importance of mimetic theories of literature, theater, and the visual arts during the Renaissance and the Enlightenment. In this book, the most comprehensive overview of the theory of mimesis since Auerbach's monumental study, Gunter Gebauer and Christoph Wulf provide a thorough introduction to the complex and shifting (...)
     
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  7. Mimesis: Culture—Art—Society.Don Reneau (ed.) - 1996 - University of California Press.
    Mimesis, the notion that art imitates reality, has long been recognized as one of the central ideas of Western aesthetics and has been most frequently associated with Aristotle. Less well documented is the great importance of mimetic theories of literature, theater, and the visual arts during the Renaissance and the Enlightenment. In this book, the most comprehensive overview of the theory of mimesis since Auerbach's monumental study, Gunter Gebauer and Christoph Wulf provide a thorough introduction to the complex and shifting (...)
     
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  8. Art, Society and Morality.Tom Sorell - 1992 - In Oswald Hanfling (ed.), Philosophical Aesthetics: An Introduction. Open University. pp. 297--347.
     
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  9.  9
    Aesthetics and History. Investigations of the Connection of the Foundations of Art, Society, and Science.Peter Bekes - 1978 - Philosophy and History 11 (1):40-42.
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    Book Review: Mimesis: Culture, Art, Society[REVIEW]Gene Fendt - 1997 - Philosophy and Literature 21 (1):199-201.
  11.  14
    Book Review: Mimesis: Culture, Art, Society[REVIEW]Gunter Gebauer, Christoph Wulf & tr Reneau, Don - 1997 - Philosophy and Literature 21 (1).
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  12. Gunter Gebauer and Christof Wulf, Mimesis. Culture—Art—Society Reviewed By.Yves Laberge - 1998 - Philosophy in Review 18 (2):101-103.
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  13.  2
    Art, Society, and Transgression. An Essay in the Philosophy of Culture / Sztuka, Społeczeństwo, Transgresja. Esej Z Filozofii Kultury.Witold M. Nowak - 2014 - Annales Umcs. Sectio I 39 (1):21-31.
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    Art as an Autopoietic Sub-System of Modern Society: A Critical Analysis of the Concepts of Art and Autopoietic Systems in Luhmann's Late Production.E. Sevanen - 2001 - Theory, Culture and Society 18 (1):75-103.
    This article is concerned with Niklas Luhmann's theory of art which he formulated in the 1990s, based on his general theory of autopoietic systems. This theory regards modern society as a functionally differentiated formation whose sub-systems operate according to their inner principles of communication. According to this, the domain of art can also be seen as an operationally closed and self-referential communicative system. The basic problem in these notions lies in the way in which their description of the relationships (...)
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    L'Art Society et la construction du modernisme postcolonial au Nigeria.Chika Okeke Agulu & Julienne Lemb - 2013 - Multitudes 53 (2):59.
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  16. Gunter Gebauer and Christof Wulf, Mimesis. Culture—Art—Society[REVIEW]Yves Laberge - 1998 - Philosophy in Review 18:101-103.
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  17.  29
    Paradox Preserved: From Ontology to Autology. Reflections on Niklas Luhmann's the Art of Society.David Roberts - 1997 - Thesis Eleven 51 (1):53-74.
    As a universal theory Luhmann's systems theory of society includes art in its ambit. The Art of Society (1995) reconstructs the formal and the social-historical conditions of the functional differentiation of a system of art since the Renaissance. The methodological focus of the reconstruction - Luhmann's theory of form (perception, first and second order observation, medium and form) and of systemic differentiation (social function, self-organization, codes and programmes, evolution and self-description of art) - are analysed in the first (...)
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    Arnold Gehlen Modern Art as Symbol of Modern Society.Christine Magerski - 2012 - Thesis Eleven 111 (1):81-96.
    Arnold Gehlen is one of the most controversial figures of German intellectual history. Gehlen’s commitment to National Socialism (a commitment he never disavowed) is mostly seen in close connection with his theoretical focus on institutions. According to Gehlen, what mankind requires above all is order and thus the protection of institutions. And yet, by reducing Gehlen’s sociology to the necessity of order one misses the analytical scope of his writings. As this article aims to show, the strength of Gehlen’s sociology (...)
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  19. Art and its Messages: Meaning, Morality, and Society.Stephen Davies (ed.) - 2001 - Pennsylvania State University Press.
    This volume brings together essays by leading philosophers of art who consider what can be learned from the meaning of art about society, morality, and life in general. This subject inevitably leads to discussion of other issues. Is art distinct from life? Is a concern with art's messages consistent with an appropriately aesthetic appreciation of its works? Is there anything distinctive about the manner in which art communicates its messages, or about the messages it conveys? The topic of art's (...)
     
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  20.  18
    Art, Myth, and Society in Hegel's Aesthetics.David James - 2009 - Continuum.
    Introduction -- The symbolic form of art -- Kant's theory of the mathematical sublime and the boundlessness of the symbolic form of art -- The classical sublimity of Judaism -- The classical form of art -- The original epic -- The ideal -- The transition to the revealed religion and the romantic form of art -- The revealed religion -- Representational thought and the romantic form of art -- Traces of left-hegelianism in Hegel's lectures on aesthetics -- The end of (...)
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  21. Art and Society in Light of Adorno's Non-Identity Philosophy.Luo Songtao - 2013 - Frontiers of Philosophy in China 8 (2):349-361.
     
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  22.  9
    Symbols in Life and Art: The Royal Society of Canada Symposium in Memory of George Whalley.James A. Leith & George Whalley (eds.) - 1987 - Published for the Royal Society of Canada by Mcgill-Queen's University Press.
    Printbegrænsninger: Der kan printes 10 sider ad gangen og max. 40 sider pr. session.
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  23. Classic Art an Exponent of Religious Sentiment : A Lecture Delivered Before the Alumni Society of Albert University, Belleville, Ontario, Canada, June 21st, 1875.Henry Taylor - 1983
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  24. Art in a Democratic Society.William Sener Rusk - 1942 - Journal of Aesthetics and Art Criticism 2 (7):32-39.
  25.  23
    Morality, Society, and the Love of Art.Malcolm Budd - 2014 - Estetika: The Central European Journal of Aesthetics 51 (2):170-207.
    The principal focus of the essay is the idea of artistic value, understood as the value of a work of art as the work of art it is, and the essay explores the connections, if any, between artistic value and a variety of other values in human life. I start with a series of observations about social values and then turn to moral values. Beginning from Goethe’s claim that ‘music cannot affect morality, nor can the other arts, and it would (...)
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  26.  24
    The Institutionalization of a Discipline: A Retrospective of the Journal of Aesthetics and Art Criticism and the American Society for Aesthetics, 1939-1992.Lydia Goehr - 1993 - Journal of Aesthetics and Art Criticism 51 (2):99-121.
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    Art Intervenes in Society: A New Artistic Relationship by Wang, Chunchen.Mary Bittner Wiseman - 2011 - Journal of Aesthetics and Art Criticism 69 (4):417-419.
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  28.  1
    Impressions of Anglo-Indian Society in R. Kipling’s Early Creative Art.Olga Posudiyevska - 2016 - International Letters of Social and Humanistic Sciences 71:1-5.
    Source: Author: Olga Posudiyevska This study concentrates on the analysis of early works by Rudyard Kipling who was born into the family of English colonists to India, thus becoming a representative of the newly formed Anglo-Indian society. The writer’s sketch Anglo-Indian Society and his collection of short stories Plain Tales from the Hills depict the characteristic features of Anglo-Indians’ worldview and lifestyle, which are revealed and analyzed by the author of the article. Special attention is paid to biographical (...)
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  29.  7
    Responsibility of Art to Society in Belinsky's Esthetics.Mikhail Lifshitz - 1949 - Science and Society 13 (3):243 - 257.
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  30.  4
    Art, Science, and Change in Western Society.John Schwartzman - 1977 - Ethos: Journal of the Society for Psychological Anthropology 5 (3):239-262.
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  31.  1
    The Journal of the Indian Society of Oriental Art. Dr. Moti Chandra Commemoration Volume.Ernest Bender, Umakant P. Shah & Krishna Deva - 1979 - Journal of the American Oriental Society 99 (3):545.
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  32. The Journal of the Indian Society of Oriental Art. New Series. Vol. VIII Dr. Moti Chandra Commemoration Volume. Pt. I.Ernest Bender, Umakant P. Shah & Krishna Deva - 1979 - Journal of the American Oriental Society 99 (3):546.
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  33. Journal of the Indian Society of Oriental Art. Vol. I, Pts. 1 and 2.A. K. Coomaraswamy - 1934 - Journal of the American Oriental Society 54 (2):222.
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  34. Buddhist Society: Their Use and Sustenance of Trade Routes, Technology and Art Forms on the Basis of Antiquarian Remains From Madhya Pradesh.J. Manuel & O. P. Misra - 2005 - In G. Kamalakar & M. Veerender (eds.), Buddhism: Art, Architecture, Literature & Philosophy. Sharada Pub. House. pp. 1--215.
     
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  35. Art and Society.George V. Plekhanov, P. S. Leitner, A. Goldstein, C. H. Crout & Herbert Read - 1937 - Science and Society 1 (3):422-425.
     
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  36. Selected Papers. Vol. 4, Theory and Philosophy of Art: Style, Artist, and Society.Meyer Schapiro - 1996 - Journal of Aesthetics and Art Criticism 54 (1):77-79.
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  37. Form, Style, Tradition: Reflections on Japanese Art and Society.Glenn T. Webb, Shuichi Kato & John Bester - 1974 - Journal of the American Oriental Society 94 (2):223.
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  38. Art on the Edge and Over: Searching for Art's Meaning in Contemporary Society, 1970s-1990s.Linda Weintraub, Arthur C. Danto & Thomas Mcevilley - 1998 - Journal of Aesthetics and Art Criticism 56 (4):412-414.
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  39. Book Reviews : The Art of India Through the Ages by Stella Kramrisch (London: The Phaidon Press, I954.) Pp. 28i. India : Paintings From Ajanta Caves (New York Graphic Society, by Arrangement with Unesco, I954.). [REVIEW]L. Renou - 1955 - Diogenes 3 (12):118-120.
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  40.  33
    Art and Society.Victor R. Yanitelli - 1953 - Thought: A Journal of Philosophy 28 (1):110-113.
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  41. Art in Today's Society.R. S. Walker & T. Kuwabara - 1981 - Diogenes 29 (115):37-54.
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  42. Art and Society.Herbert Read - 1937 - Philosophy 12 (48):493-494.
     
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  43. A Slavish Art? Language and Grammar in Late Byzantine Education and Society.R. Webb - 1994 - Dialogos 1:81-103.
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  44.  10
    Cluff, Leighton E., M.D., and Robert H. Binstock, Eds. The Lost Art of Caring: A Challenge to Health Professionals, Families, Communities, and Society[REVIEW]Carol B. Smith - 2002 - The National Catholic Bioethics Quarterly 2 (4):762-764.
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  45.  10
    From Art to Society.Kenneth Clark - 2015 - The Chesterton Review 41 (3):687-687.
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    Primitive Art and Society.Harold Osborne - 1974 - British Journal of Aesthetics 14 (4):290-305.
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    R.D De Puma, J.P. Small (Edd.): Murlo and the Etruscans: Art and Society in Ancient Etruria. (Winsconsin Studies in Classics.) Madison, WI.: University of Wisconsin Press, 1994.#M. Blumhofer: Etruskische Cippi: Untersuchungen Am Beispiel von Cerveteri, Arbeiten Zu Archaologie. Cologne, Weimar, Vienna: Bohlau Verlag, 1993. [REVIEW]N. Spivey - 1996 - The Classical Review 46 (1):133-135.
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    Art and Propaganda Niels Hannestad: Roman Art and Imperial Policy. (Jutland Archaeological Society Publications, XIX.) Pp. 485; 203 Monochrome Plates, 2 Maps, 2 Plans. Aarhus University Press, 1986. D.Kr. 336 (£38). [REVIEW]Malcolm A. R. Colledge - 1989 - The Classical Review 39 (02):344-346.
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    The Invention of Art History in Ancient Greece: Religion, Society, and Artistic Rationalisation (Review).John C. McEnroe - 2007 - American Journal of Philology 128 (3):423-427.
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    S. Scott: Art and Society in Fourth-Century Britain. Villa Mosaics in Context . Pp. 192, Figs. Oxford: Oxbow Books, 2000. Paper, £28. ISBN:0-947816-53-. [REVIEW]Stanley Ireland - 2002 - The Classical Review 52 (01):196-.
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