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  1. The Thread of Life.Richard Wollheim - 1984 - Cambridge University Press.
    This book is based on the William James Lectures delivered at Harvard University in 1982. It offers a new approach to the philosophical understanding of a person, taking as fundamental the process of living as a person, and emphasising the continuity and development across time of an individual life.
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  2.  49
    The Mind and its Depths.Richard Wollheim - 1993 - Harvard University Press.
    This book brings together Wollheim's broad and abiding concerns to illuminate human thought at its furthest reaches of introspection and expression.
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  3. On the Emotions.Richard Wollheim - 1999 - Yale University Press.
    Distinguished philosopher Richard Wollheim's rich and thought-provoking account of the emotions considers what emotions are, how they arise in our lives, and how standard and "moral" emotions differ.
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  4. Painting as an Art.Richard Wollheim - 1987 - Thames & Hudson.
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  5. Art and its Objects.Richard Wollheim - 1971 - New York: Harper & Row.
    What defines a work of art and determines the way in which we respond to it?
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  6. Art and its Objects: With Six Supplementary Essays.Richard Wollheim - 1980 - Cambridge University Press.
    What defines a work of art and determines the way in which we respond to it? This classic reflection was written with the belief that the nature of art has to be understood simultaneously from the artist's as well as the spectator's viewpoint.
     
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  7. On Pictorial Representation.Richard Wollheim - 1998 - Journal of Aesthetics and Art Criticism 56 (3):217-226.
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  8. Art and its Objects.Richard Wollheim - 1980 - Cambridge University Press.
    Richard Wollheim's classic reflection on art considers central questions regarding expression, representation, style, the significance of the artist's intention and the essentially historical nature of art. Presented in a fresh series livery for the twenty-first century, with a specially commissioned preface written by Richard Eldridge, illuminating its continuing importance and relevance to philosophical enquiry, Art and its Objects continues to be a perceptive and engaging introduction to the questions and philosophical issues raised by works of art and the part they (...)
     
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  9.  19
    F. H. Bradley.Richard Wollheim - 1959 - Baltimore]Penguin Books.
  10. Imagination and Identification.Richard Wollheim - 1973 - Harvard University Press.
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  11.  32
    On Art and the Mind.Richard Wollheim - 1974 - Harvard University Press.
  12. Philosophical Essays on Freud.Richard Wollheim & James Hopkins (eds.) - 1982 - Cambridge University Press.
    Philosophers are increasingly coming to recognize the importance of Freudian theory for the understanding of the mind. The picture Freud presents of the mind's growth and organization holds implications not just for such perennial questions as the relation of mind and body, the nature of memory and personal identity, the interplay of cognitive and affective processes in reasoning and acting, but also for the very way in which these questions are conceived and an interpretation of the mind is sought. This (...)
     
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  13.  16
    What Makes Representational Painting Truly Visual?Richard Wollheim - 2003 - Proceedings of the Aristotelian Society, Supplementary Volumes( 77:131-167.
    I offer two, complementary, accounts of the visual nature of representational picturing. One, in terms of six features of depiction, sets an explanatory task. The other, in terms of the experience to which depiction gives rise, promises to meet that need. Elsewhere I have offered an account of this experience that allows this promise to be fulfilled. I sketch that view, and defend it against Wollheim's claim that it cannot meet certain demands on a satisfactory account. I then turn to (...)
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  14. Equality.Richard Wollheim & Isaiah Berlin - 1956 - Proceedings of the Aristotelian Society 56:281--326.
  15.  54
    In Defense of Seeing-In.Richard Wollheim - 2003 - In Heiko Hecht, Robert Schwartz & Margaret Atherton (eds.), Looking Into Pictures. MIT Press. pp. 3--16.
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  16.  74
    John Stuart Mill and the Limits of State Action.Richard Wollheim - 1973 - Social Research 40 (1):1--30.
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  17. What Makes Representational Painting Truly Visual?Richard Wollheim - 2003 - Aristotelian Society Supplementary Volume 77 (1):131–147.
    [Richard Wollheim] Any experiential view of pictorial meaning will assign to each painting an appropriate experience through which its mean can be recovered. When the meaning is representational, what is the nature of the appropriate experience? If there is agreement that the experience is to be described as seeing-in, disagreement breaks out about how seeing-in is to be understood. This paper challenges two recent interpretations: one in terms of perceived resemblance, the other in terms of imagining seeing. Neither view gives (...)
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  18. The Bodily Ego.Richard Wollheim - 1982 - In Richard Wollheim & James Hopkins (eds.), Philosophical Essays on Freud. Cambridge University Press. pp. 124--138.
  19.  69
    On Formalism and Pictorial Organization.Richard Wollheim - 2001 - Journal of Aesthetics and Art Criticism 59 (2):127–137.
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  20.  7
    What Makes Representational Painting Truly Visual?Richard Wollheim - 2003 - Supplement to the Proceedings of the Aristotelian Society 77 (1):131-147.
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  21. Art and Illusion.Richard Wollheim - 1963 - British Journal of Aesthetics 3 (1):15--37.
  22. On Persons and Their Lives.Richard Wollheim - 1980 - In A. O. Rorty (ed.), Explaining Emotions. Univ of California Pr. pp. 299--321.
     
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  23. How Can One Person Represent Another?A. Griffiths & Richard Wollheim - 1960 - Aristotelian Society Supplementary Volume 34:187-224.
  24.  17
    I—Richard Wollheim.Richard Wollheim - 2003 - Aristotelian Society Supplementary Volume 77 (1):131-147.
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  25.  8
    Expression.Richard Wollheim - 1968 - Royal Institute of Philosophy Supplement 1:227-244.
    Whether the word ‘passion’, as indicating the suffering or affection from without of a soul, is by now no more than a dead metaphor, surviving from an antique conception of the mind; whether, indeed, there is any way open to us of determining the passivity or otherwise of our inner life, apart, that is, from how it strikes us, from how we are prompted to describe it, are not questions that I can take up this evening. It is enough for (...)
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  26.  69
    On the Freudian Unconscious.Richard Wollheim - 2003 - Proceedings and Addresses of the American Philosophical Association 77 (2):23--35.
  27.  30
    Expression.Richard Wollheim - 1968 - Royal Institute of Philosophy Lectures 1:227-244.
    Whether the word ‘passion’, as indicating the suffering or affection from without of a soul, is by now no more than a dead metaphor, surviving from an antique conception of the mind; whether, indeed, there is any way open to us of determining the passivity or otherwise of our inner life, apart, that is, from how it strikes us, from how we are prompted to describe it, are not questions that I can take up this evening. It is enough for (...)
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  28.  38
    A Note on Mimesis as Make-Believe. [REVIEW]Richard Wollheim - 1991 - Philosophy and Phenomenological Research 51 (2):401--406.
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  29. The Cabinet of Dr. Lacan.Richard Wollheim - 1991 - Topoi 10 (2):163--174.
    Obscurity is not the worst failing, and it is philistinism to pretend that it is. In a series of brilliant essays written over the last fifteen years Stanley Cavell has consistently argued that more important than the question whether obscurity could have been avoided is whether it affects our confidence in the author. Confidence raises the issue of intention, and I would have thought that the primary commitment of a psychoanalytic writer was to pass on, and (if he can) to (...)
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  30.  73
    How Can One Person Represent Another?A. Phillips Griffiths & Richard Wollheim - 1960 - Aristotelian Society Supplementary Volume 34 (1):187-224.
  31. Crime, Sin and Mr. Justice Devlin.Richard Wollheim - 1959 - Encounter.
     
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  32.  80
    Nelson Goodman's Languages of Art.Richard Wollheim - 1970 - Journal of Philosophy 67 (16):531-539.
  33.  5
    On the Emotions.Robert H. Haraldsson & Richard Wollheim - 2001 - Philosophical Review 110 (3):466.
    It is a daunting task to tell the story of the lives emotions lead, how they are rooted in the deeper folds of the person’s psyche and wax and wane over a lifetime. Wollheim’s book is at times a daring attempt to cast an analytic philosopher in the role of narrator of this fascinating but hard to follow story. Two related story lines run through his book. One repeatedly criticizes contemporary philosophers for turning a blind eye to the psychological reality (...)
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  34.  46
    Imagination and Pictorial Understanding.Anthony Savile & Richard Wollheim - 1986 - Aristotelian Society Supplementary Volume 60 (1):19 - 60.
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  35.  38
    Flawed Crystals: James's the Golden Bowl and the Plausibility of Literature as Moral Philosophy.Richard Wollheim - 1983 - New Literary History 15 (1):185--191.
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  36.  49
    II. The Emotions and Their Philosophy of Mind: Richard Wollheim.Richard Wollheim - 2003 - Royal Institute of Philosophy Supplement 52:19-38.
    When I was invited by Yale University to deliver the Cassirer lectures, I hesitated for a topic. I wanted something new. I proposed the emotions, and at that time my knowledge of the topic was so slight that I didn't know whether it was something that I had already written on or not. I mention this fact because one thing that I have since learnt about the emotions is that such ignorance is in order. For it is one of those (...)
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  37.  53
    Painting as an Art: The A. W. Mellon Lectures in the Fine Arts, 1984.Richard Wollheim - 1990 - Philosophical Review 99 (2):289-291.
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  38.  17
    The Presidential Address Thought and Passion.Richard Wollheim - 1968 - Proceedings of the Aristotelian Society 68:1.
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  39.  49
    Critical Notices.Richard Wollheim - 1955 - Mind 64 (255):410-420.
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  40. Hume on Religion.David Hume & Richard Wollheim - 1963 - Collins.
  41. On Art and the Mind Essays and Lectures.Richard Wollheim - 1973
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  42.  49
    Hampshire's Analogy.Richard Wollheim - 1952 - Mind 61 (October):567-573.
  43. The Idea of a Common Human Nature.Richard Wollheim - 1991 - In Isaiah Berlin, Edna Ullmann-Margalit & Avishai Margalit (eds.), Isaiah Berlin: A Celebration. University of Chicago Press. pp. 64--79.
     
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  44.  35
    The Core of Aesthetics.Richard Wollheim - 1991 - Journal of Aesthetic Education 25 (1):37--45.
  45.  22
    Representation: The Philosophical Contribution to Psychology.Richard Wollheim - 1977 - Critical Inquiry 3 (4):709--723.
    Armed with a theory of representation, or with answers to the two questions, What is a representation? and What is it to represent?, we might imagine ourselves approaching a putative representation and asking of it, Is it a representation?, and then, on the assumption that the answer is yes, going on to ask of it, What does it represent? Now, the answers that such questions receive might be called the applied answers of the theory that we are armed with. It (...)
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  46.  5
    XIV.—Equality.Richard Wollheim & Isaiah Berlin - 1956 - Proceedings of the Aristotelian Society 56 (1):281-326.
  47.  4
    Art and Act. On Causes in History: Manet, Gropius, Mondrian.Richard Wollheim - 1977 - History and Theory 16 (3):354.
  48. Symposium: How Can One Person Represent Another?A. Phillips Griffiths & Richard Wollheim - 1960 - Proceedings of the Aristotelian Society, Supplementary Volumes( 34:187-224.
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  49. David Hume on Religion.Richard Wollheim (ed.) - 1964 - Cleveland: World Pub. Co..
     
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  50.  19
    New Books. [REVIEW]Martha Kneale, Richard Wollheim, J. O. Wisdom, W. Mays & Maurice Cranston - 1950 - Mind 59 (236):567-576.
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