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  1.  28
    The Mind and its Depths.Richard Wollheim - 1993 - Harvard University Press.
    This book brings together Wollheim's broad and abiding concerns to illuminate human thought at its furthest reaches of introspection and expression.
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  2.  91
    On the Emotions.Richard Wollheim - 1999 - Yale University Press.
    Distinguished philosopher Richard Wollheim's rich and thought-provoking account of the emotions considers what emotions are, how they arise in our lives, and how standard and "moral" emotions differ.
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  3. Art and its Objects: With Six Supplementary Essays.Richard Wollheim - 1980 - Cambridge University Press.
    What defines a work of art and determines the way in which we respond to it? This classic reflection was written with the belief that the nature of art has to be understood simultaneously from the artist's as well as the spectator's viewpoint.
     
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  4. On Pictorial Representation.Richard Wollheim - 1998 - Journal of Aesthetics and Art Criticism 56 (3):217-226.
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  5. What Makes Representational Painting Truly Visual?Richard Wollheim - 2003 - Aristotelian Society Supplementary Volume 77 (1):131–147.
    [Richard Wollheim] Any experiential view of pictorial meaning will assign to each painting an appropriate experience through which its mean can be recovered. When the meaning is representational, what is the nature of the appropriate experience? If there is agreement that the experience is to be described as seeing-in, disagreement breaks out about how seeing-in is to be understood. This paper challenges two recent interpretations: one in terms of perceived resemblance, the other in terms of imagining seeing. Neither view gives (...)
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  6.  11
    On Art and the Mind.Richard Wollheim - 1974 - Harvard University Press.
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  7.  12
    F. H. Bradley.Richard Wollheim - 1959 - Baltimore]Penguin Books.
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  8.  35
    Art and Its Objects: An Introduction to Aesthetics.Richard Wollheim - 1970 - Philosophical Review 79 (4):580-582.
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  9. Art and its Objects.Richard Wollheim - 1971 - New York: Harper & Row.
    What defines a work of art and determines the way in which we respond to it?
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  10.  1
    Art and Its Objects.Richard Wollheim - 1981 - Journal of Aesthetics and Art Criticism 40 (1):91-93.
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  11.  41
    John Stuart Mill and the Limits of State Action.Richard Wollheim - 1973 - Social Research 40 (1):1--30.
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  12. Art and Illusion.Richard Wollheim - 1963 - British Journal of Aesthetics 3 (1):15--37.
  13. Equality.Richard Wollheim & Isaiah Berlin - 1955 - Proceedings of the Aristotelian Society 56:281--326.
  14. The Cabinet of Dr. Lacan.Richard Wollheim - 1991 - Topoi 10 (2):163--174.
    Obscurity is not the worst failing, and it is philistinism to pretend that it is. In a series of brilliant essays written over the last fifteen years Stanley Cavell has consistently argued that more important than the question whether obscurity could have been avoided is whether it affects our confidence in the author. Confidence raises the issue of intention, and I would have thought that the primary commitment of a psychoanalytic writer was to pass on, and (if he can) to (...)
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  15.  26
    In Defense of Seeing-In.Richard Wollheim - 2003 - In Heiko Hecht, Robert Schwartz & Margaret Atherton (eds.), Looking Into Pictures. MIT Press. pp. 3--16.
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  16.  33
    Painting as an Art: The A. W. Mellon Lectures in the Fine Arts, 1984.Richard Wollheim - 1990 - Philosophical Review 99 (2):289-291.
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  17.  50
    On the Freudian Unconscious.Richard Wollheim - 2003 - Proceedings and Addresses of the American Philosophical Association 77 (2):23--35.
  18. On Persons and Their Lives.Richard Wollheim - 1980 - In A. O. Rorty (ed.), Explaining Emotions. Univ of California Pr. pp. 299--321.
     
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  19.  3
    What Makes Representational Painting Truly Visual?Richard Wollheim & Robert Hopkins - 2003 - Proceedings of the Aristotelian Society, Supplementary Volumes( 77:131-167.
    I offer two, complementary, accounts of the visual nature of representational picturing. One, in terms of six features of depiction, sets an explanatory task. The other, in terms of the experience to which depiction gives rise, promises to meet that need. Elsewhere I have offered an account of this experience that allows this promise to be fulfilled. I sketch that view, and defend it against Wollheim's claim that it cannot meet certain demands on a satisfactory account. I then turn to (...)
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  20. How Can One Person Represent Another?A. Griffiths & Richard Wollheim - 1960 - Aristotelian Society Supplementary Volume 34:187-224.
  21.  64
    Nelson Goodman's Languages of Art.Richard Wollheim - 1970 - Journal of Philosophy 67 (16):531-539.
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  22.  25
    Flawed Crystals: James's the Golden Bowl and the Plausibility of Literature as Moral Philosophy.Richard Wollheim - 1983 - New Literary History 15 (1):185--191.
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  23. The Bodily Ego.Richard Wollheim - 1982 - In Richard Wollheim & James Hopkins (eds.), Philosophical Essays on Freud. Cambridge University Press. pp. 124--138.
     
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  24.  65
    Form, Elements and Modernity: Reply to Michael Podro.Richard Wollheim - 1966 - British Journal of Aesthetics 6 (4):339--345.
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  25.  64
    Freud and the Understanding of Art.Richard Wollheim - 1970 - British Journal of Aesthetics 10 (3):211--224.
  26.  2
    On the Emotions.Robert H. Haraldsson & Richard Wollheim - 2001 - Philosophical Review 110 (3):466.
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  27.  28
    Imagination and Pictorial Understanding.Anthony Savile & Richard Wollheim - 1986 - Aristotelian Society Supplementary Volume 60 (1):19 - 60.
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  28.  30
    A Note on Mimesis as Make-Believe. [REVIEW]Richard Wollheim - 1991 - Philosophy and Phenomenological Research 51 (2):401--406.
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  29.  1
    I—Richard Wollheim.Richard Wollheim - 2003 - Aristotelian Society Supplementary Volume 77 (1):131-147.
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  30.  53
    Art, Interpretation, and the Creative Process.Richard Wollheim - 1984 - New Literary History 15 (2):241--253.
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  31. Imagination and Identification.Richard Wollheim - 1973 - Harvard University Press.
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  32.  40
    Critical Notices.Richard Wollheim - 1955 - Mind 64 (255):410-420.
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  33. What Makes Representational Painting Truly Visual?Richard Wollheim - 2003 - Supplement to the Proceedings of the Aristotelian Society 77 (1):131-147.
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  34.  53
    On Formalism and Pictorial Organization.Richard Wollheim - 2001 - Journal of Aesthetics and Art Criticism 59 (2):127–137.
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  35. The Idea of a Common Human Nature.Richard Wollheim - 1991 - In Isaiah Berlin, Edna Ullmann-Margalit & Avishai Margalit (eds.), Isaiah Berlin: A Celebration. University of Chicago Press. pp. 64--79.
     
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  36. T. J. DIFFEY: "Art and its Objects. An Introduction to Aesthetics". [REVIEW]Richard Wollheim - 1970 - Ratio 12 (2):182.
     
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  37.  33
    Symposium: How Can One Person Represent Another?A. Phillips Griffiths & Richard Wollheim - 1960 - Aristotelian Society Supplementary Volume 34:187 - 224.
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  38.  10
    Review: A Note on Mimesis as Make-Believe. [REVIEW]Richard Wollheim - 1991 - Philosophy and Phenomenological Research 51 (2):401 - 406.
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  39.  40
    Review: Feeling and Form by Susanne K. Langer. [REVIEW]Richard Wollheim - 1955 - Burlington Magazine 97 (633):400--401.
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  40. Crime, Sin and Mr. Justice Devlin.Richard Wollheim - 1959 - Encounter.
     
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  41.  18
    II. The Emotions and Their Philosophy of Mind.Richard Wollheim - 2003 - Royal Institute of Philosophy Supplement 52:19-38.
    When I was invited by Yale University to deliver the Cassirer lectures, I hesitated for a topic. I wanted something new. I proposed the emotions, and at that time my knowledge of the topic was so slight that I didn't know whether it was something that I had already written on or not. I mention this fact because one thing that I have since learnt about the emotions is that such ignorance is in order. For it is one of those (...)
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  42.  38
    Democracy.Richard Wollheim - 1958 - Journal of the History of Ideas 19 (2):225--242.
  43.  29
    Hampshire's Analogy.Richard Wollheim - 1952 - Mind 61 (October):567-573.
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  44. Memory, Experiential Memory, and Personal Identity.Richard Wollheim - 1979 - In Graham F. Macdonald (ed.), Perception and Identity. Cornell University Press. pp. 186--234.
     
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  45.  3
    Needs, Desires and Moral Turpitude: Richard Wollheim.Richard Wollheim - 1974 - Royal Institute of Philosophy Supplement 8:162-179.
    Need and Desire have obvious affinities. In this lecture I shall consider how they are to be distinguished, and how they may be confused: distinguished, that is, within philosophy, and confused in life itself. I shall then consider, very briefly, how this possibility of confusion bears upon morality and moral assessment.
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  46.  32
    On Writing a Family Romance.Richard Wollheim - 1989 - New Literary History 21 (1):59--74.
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  47.  7
    Expression.Richard Wollheim - 1968 - Royal Institute of Philosophy Lectures 1:227-244.
  48.  1
    The Thread of Life.Michael Slote & Richard Wollheim - 1986 - Philosophical Review 95 (2):272.
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  49.  27
    The Core of Aesthetics.Richard Wollheim - 1991 - Journal of Aesthetic Education 25 (1):37--45.
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  50. On Art and the Mind Essays and Lectures.Richard Wollheim - 1973
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