135 found
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  1.  36
    The Mind and its Depths.Richard Wollheim - 1993 - Harvard University Press.
    This book brings together Wollheim's broad and abiding concerns to illuminate human thought at its furthest reaches of introspection and expression.
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  2. On the Emotions.Richard Wollheim - 1999 - Yale University Press.
    Distinguished philosopher Richard Wollheim's rich and thought-provoking account of the emotions considers what emotions are, how they arise in our lives, and how standard and "moral" emotions differ.
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  3.  93
    The Thread of Life.Richard Wollheim - 1985 - Cambridge University Press.
    This book is based on the William James Lectures delivered at Harvard University in 1982. It offers a new approach to the philosophical understanding of a person, taking as fundamental the process of living as a person, and emphasising the continuity and development across time of an individual life.
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  4. Art and its Objects: With Six Supplementary Essays.Richard Wollheim - 1980 - Cambridge University Press.
    What defines a work of art and determines the way in which we respond to it? This classic reflection was written with the belief that the nature of art has to be understood simultaneously from the artist's as well as the spectator's viewpoint.
     
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  5. On Pictorial Representation.Richard Wollheim - 1998 - Journal of Aesthetics and Art Criticism 56 (3):217-226.
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  6.  8
    Art and Its Objects.Richard Wollheim - 1981 - Journal of Aesthetics and Art Criticism 40 (1):91-93.
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  7. On the Emotions.Richard Wollheim - 1999 - The Personalist Forum 15 (2):442-444.
     
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  8.  16
    Painting as an Art.Richard Wollheim - 1989 - Journal of Aesthetics and Art Criticism 47 (3):281-284.
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  9.  4
    The Thread of Life.Michael Slote & Richard Wollheim - 1986 - Philosophical Review 95 (2):272.
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  10. What Makes Representational Painting Truly Visual?Richard Wollheim - 2003 - Aristotelian Society Supplementary Volume 77 (1):131–147.
    [Richard Wollheim] Any experiential view of pictorial meaning will assign to each painting an appropriate experience through which its mean can be recovered. When the meaning is representational, what is the nature of the appropriate experience? If there is agreement that the experience is to be described as seeing-in, disagreement breaks out about how seeing-in is to be understood. This paper challenges two recent interpretations: one in terms of perceived resemblance, the other in terms of imagining seeing. Neither view gives (...)
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  11.  41
    In Defense of Seeing-In.Richard Wollheim - 2003 - In Heiko Hecht, Robert Schwartz & Margaret Atherton (eds.), Looking Into Pictures. MIT Press. pp. 3--16.
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  12.  18
    On Art and the Mind.Richard Wollheim - 1974 - Harvard University Press.
  13.  16
    F. H. Bradley.Richard Wollheim - 1959 - Baltimore]Penguin Books.
  14.  8
    What Makes Representational Painting Truly Visual?Richard Wollheim & Robert Hopkins - 2003 - Proceedings of the Aristotelian Society, Supplementary Volumes( 77:131-167.
    I offer two, complementary, accounts of the visual nature of representational picturing. One, in terms of six features of depiction, sets an explanatory task. The other, in terms of the experience to which depiction gives rise, promises to meet that need. Elsewhere I have offered an account of this experience that allows this promise to be fulfilled. I sketch that view, and defend it against Wollheim's claim that it cannot meet certain demands on a satisfactory account. I then turn to (...)
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  15.  9
    I—Richard Wollheim.Richard Wollheim - 2003 - Aristotelian Society Supplementary Volume 77 (1):131-147.
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  16.  6
    What Makes Representational Painting Truly Visual?Richard Wollheim - 2003 - Supplement to the Proceedings of the Aristotelian Society 77 (1):131-147.
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  17. Art and its Objects.Richard Wollheim - 1971 - New York: Harper & Row.
    What defines a work of art and determines the way in which we respond to it?
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  18.  55
    John Stuart Mill and the Limits of State Action.Richard Wollheim - 1973 - Social Research 40 (1):1--30.
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  19. On Persons and Their Lives.Richard Wollheim - 1980 - In A. O. Rorty (ed.), Explaining Emotions. Univ of California Pr. pp. 299--321.
     
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  20.  57
    On the Freudian Unconscious.Richard Wollheim - 2003 - Proceedings and Addresses of the American Philosophical Association 77 (2):23--35.
  21. Equality.Richard Wollheim & Isaiah Berlin - 1955 - Proceedings of the Aristotelian Society 56:281--326.
  22. Art and Illusion.Richard Wollheim - 1963 - British Journal of Aesthetics 3 (1):15--37.
  23.  2
    The Thread of Life.Richard Wollheim - 1984 - Journal of Philosophy 84 (6):336-344.
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  24. Philosophical Essays on Freud.Richard Wollheim & James Hopkins (eds.) - 1982 - Cambridge University Press.
    Philosophers are increasingly coming to recognize the importance of Freudian theory for the understanding of the mind. The picture Freud presents of the mind's growth and organization holds implications not just for such perennial questions as the relation of mind and body, the nature of memory and personal identity, the interplay of cognitive and affective processes in reasoning and acting, but also for the very way in which these questions are conceived and an interpretation of the mind is sought. This (...)
     
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  25.  38
    Art and Its Objects: An Introduction to Aesthetics.Richard Wollheim - 1970 - Philosophical Review 79 (4):580-582.
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  26. The Cabinet of Dr. Lacan.Richard Wollheim - 1991 - Topoi 10 (2):163--174.
    Obscurity is not the worst failing, and it is philistinism to pretend that it is. In a series of brilliant essays written over the last fifteen years Stanley Cavell has consistently argued that more important than the question whether obscurity could have been avoided is whether it affects our confidence in the author. Confidence raises the issue of intention, and I would have thought that the primary commitment of a psychoanalytic writer was to pass on, and (if he can) to (...)
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  27.  3
    On the Emotions.Robert H. Haraldsson & Richard Wollheim - 2001 - Philosophical Review 110 (3):466.
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  28.  49
    Painting as an Art: The A. W. Mellon Lectures in the Fine Arts, 1984.Richard Wollheim - 1990 - Philosophical Review 99 (2):289-291.
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  29.  58
    On Formalism and Pictorial Organization.Richard Wollheim - 2001 - Journal of Aesthetics and Art Criticism 59 (2):127–137.
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  30. The Bodily Ego.Richard Wollheim - 1982 - In Richard Wollheim & James Hopkins (eds.), Philosophical Essays on Freud. Cambridge University Press. pp. 124--138.
  31. How Can One Person Represent Another?A. Griffiths & Richard Wollheim - 1960 - Aristotelian Society Supplementary Volume 34:187-224.
  32.  34
    Imagination and Pictorial Understanding.Anthony Savile & Richard Wollheim - 1986 - Aristotelian Society Supplementary Volume 60 (1):19 - 60.
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  33.  3
    The Mind and its Depths.Richard Wollheim - 1995 - Philosophical Quarterly 45 (178):100-103.
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  34.  71
    Nelson Goodman's Languages of Art.Richard Wollheim - 1970 - Journal of Philosophy 67 (16):531-539.
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  35.  30
    Flawed Crystals: James's the Golden Bowl and the Plausibility of Literature as Moral Philosophy.Richard Wollheim - 1983 - New Literary History 15 (1):185--191.
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  36. Imagination and Identification.Richard Wollheim - 1973 - Harvard University Press.
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  37.  33
    A Note on Mimesis as Make-Believe. [REVIEW]Richard Wollheim - 1991 - Philosophy and Phenomenological Research 51 (2):401--406.
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  38.  73
    Freud and the Understanding of Art.Richard Wollheim - 1970 - British Journal of Aesthetics 10 (3):211--224.
  39.  69
    Form, Elements and Modernity: Reply to Michael Podro.Richard Wollheim - 1966 - British Journal of Aesthetics 6 (4):339--345.
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  40.  36
    II. The Emotions and Their Philosophy of Mind.Richard Wollheim - 2003 - Royal Institute of Philosophy Supplement 52:19-38.
    When I was invited by Yale University to deliver the Cassirer lectures, I hesitated for a topic. I wanted something new. I proposed the emotions, and at that time my knowledge of the topic was so slight that I didn't know whether it was something that I had already written on or not. I mention this fact because one thing that I have since learnt about the emotions is that such ignorance is in order. For it is one of those (...)
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  41.  42
    Critical Notices.Richard Wollheim - 1955 - Mind 64 (255):410-420.
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  42. Crime, Sin and Mr. Justice Devlin.Richard Wollheim - 1959 - Encounter.
     
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  43.  57
    Art, Interpretation, and the Creative Process.Richard Wollheim - 1984 - New Literary History 15 (2):241--253.
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  44.  1
    F. H. Bradley.Arthur E. Murphy & Richard Wollheim - 1961 - Philosophical Review 70 (2):254.
  45. Babylon, Babylone.Richard Wollheim - 1962 - Encounter 18 (5):25--36.
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  46. The Idea of a Common Human Nature.Richard Wollheim - 1991 - In Isaiah Berlin, Edna Ullmann-Margalit & Avishai Margalit (eds.), Isaiah Berlin: A Celebration. University of Chicago Press. pp. 64--79.
     
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  47. T. J. DIFFEY: "Art and its Objects. An Introduction to Aesthetics". [REVIEW]Richard Wollheim - 1970 - Ratio (Misc.) 12 (2):182.
     
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  48. Painting as an Art.Richard Wollheim - 1987 - Thames & Hudson.
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  49. Memory, Experiential Memory, and Personal Identity.Richard Wollheim - 1979 - In Graham F. Macdonald (ed.), Perception and Identity. Cornell University Press. pp. 186--234.
  50.  11
    Review: A Note on Mimesis as Make-Believe. [REVIEW]Richard Wollheim - 1991 - Philosophy and Phenomenological Research 51 (2):401 - 406.
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