Results for 'Arts, Japanese Philosophy'

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  1.  15
    Japanese Philosophy.H. Gene Blocker & Christopher L. Starling - 2001 - State University of New York Press.
    An overview of Japanese philosophy from the seventh century to the present.
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  2.  1
    Japanese Philosophy as a Lens on Greco-European Thought.John C. Maraldo - 2013 - Journal of Japanese Philosophy 1 (1):21-56.
    To answer the question of whether there is such a thing as Japanese philosophy, and what its characteristics might be, scholars have typi­cally used Western philosophy as a measure to examine Japanese texts. This article turns the tables and asks what Western thought looks like from the perspective of Japanese philosophy. It uses Japanese philo­sophical sources as a lens to bring into sharper focus the qualities and biases of Greek-derived Western philosophy. It (...)
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  3. Zen and Japanese Culture.Daisetz T. Suzuki & Richard M. Jaffe - 1959 - Princeton University Press.
    Zen and Japanese Culture is one of the twentieth century's leading works on Zen, and a valuable source for those wishing to understand its concepts in the context of Japanese life and art. In simple, often poetic, language, Daisetz Suzuki describes his conception of Zen and its historical evolution. He connects Zen to the philosophy of the samurai, and subtly portrays the relationship between Zen and swordsmanship, haiku, tea ceremonies, and the Japanese love of nature. Suzuki's (...)
     
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  4. Imagination, Philosophy, and the Arts.Matthew Kieran & Dominic Lopes (eds.) - 2003 - Routledge.
    Imagination is a central concept in aesthetics with close ties to issues in the philosophy of mind and the philosophy of language, yet it has not received the kind of sustained, critical attention it deserves. Imagination, Philosophy and the Arts represents the work of fifteen young yet distinguished philosophers of art, who critically examine just how and in what form the notion of imagination illuminates fundamental problems in the philosophy of art. All new papers, a strong (...)
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  5.  38
    The Question of Style in Philosophy and the Arts.van Eck Caroline, McAllister James & van de Vall Renée (eds.) - 1995 - Cambridge University Press.
    The eighteenth and nineteenth centuries witnessed a change in the perception of the arts and of philosophy. In the arts this transition occurred around 1800, with, for instance, the breakdown of Vitruvianism in architecture, while in philosophy the foundationalism of which Descartes and Spinoza were paradigmatic representatives, which presumed that philosophy and the sciences possessed a method of ensuring the demonstration of truths, was undermined by the idea, asserted by Nietzsche and Wittgenstein, that there exist alternative styles (...)
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  6.  11
    Zen and Shinto: The Story of Japanese Philosophy.Chikao Fujisawa - 1959 - Philosophy East and West 11 (3):170-172.
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  7.  8
    Intermedialities: Philosophy, Arts, Politics.Henk Oosterling & Ewa Plonowska Ziarek (eds.) - 2010 - Lexington Books.
    As an alternative to universalism and particularism, Intermedialities: Philosophy, Arts, Politics proposes "intermedialities" as a new model of social relations and intercultural dialogue. The concept of "intermedialities" stresses the necessity of situating debates concerning social relations in the divergent contexts of new media and avant-garde artistic practices as well as feminist, political, and philosophical analyses.
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  8. Postmodernism: Philosophy and the Arts.Hugh J. Silverman (ed.) - 1990 - Routledge.
    The essays collected here present a cross section of the debates on postmodernism being waged in philosophy and the arts. Some contributors raise general questions about postmodernism, for example, its language and its politics. Others offer specific readings of architecture, painting, literature, theatre, photography, film, and television.
     
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  9.  19
    The Japanese Arts and Self-Cultivation (Review).Sor-Ching Low - 2010 - Philosophy East and West 60 (1):pp. 123-125.
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  10.  2
    The Japanese Arts and Self-Cultivation.Sor-Ching Low - 2010 - Philosophy East and West 60 (1):123-125.
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  11. Review of The Japanese Arts and Self-Cultivation, by Robert E. Carter. [REVIEW]Low Sor-Ching - 2010 - Philosophy East and West 60 (1):123-125.
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  12. Sourcebook for Modern Japanese Philosophy: Selected Documents.David A. Dilworth, V. H. Viglielmo & Agustín Jacinto Zavala (eds.) - 1998 - Greenwood Press.
    Nishida Kitarô -- Tanabe Hajime -- Kuki Shûzô -- Watsuji Tetsurô -- Miki Kiyoshi -- Tosaka Jun -- Nishitani Keiji.
     
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  13. Sourcebook for Modern Japanese Philosophy Selected Documents.David A. Dilworth, V. H. Viglielmo & Agustín Jacinto Zavala - 1998
     
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  14. Zen and Shinto the Story of Japanese Philosophy.Chikao Fujisawa - 1959 - Philosophical Library.
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  15. The Japanese Mind Essentials of Japanese Philosophy and Culture.Charles A. Moore & Aldyth V. Morris - 1967 - East-West Center.
     
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  16. History of Japanese Thought: 592-1868: Japanese Philosophy Before Western Culture Entered Japan.Hajime Nakamura - 1967 - Columbia University Press.
     
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  17.  1
    Modem Japanese Philosophy and the Philosophy of K. Nishida.Matao Noda - 1953 - Proceedings of the XIth International Congress of Philosophy 13:263-267.
    This essay consists of two parts. In the first part we show in general outline the development of modern Japanese philosophy since 1867. And as one of the typical products of that process we analyse in the second part the metaphysics of the late Prof. Nishida.
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  18.  4
    What Does It Mean for “Japanese Philosophy” To Be “Japanese”? A Kyoto School Discussion of the Particular Character of Japanese Thought.Takeshi Morisato - 2016 - Journal of World Philosophies 1 (1):13–25.
    This article provides a critical introduction to, and the first English translation of, the dialogue held between Nishida Kitarō and Miki Kiyoshi in October 1935. The topic of their discussion was the question of the particular character of Japanese culture and philosophy. In the introductory sections of this article, I will reflect on some of the main points that Nishida proposes in response to Miki’s questions, and clarify what these insights mean for a culture or a historical framework (...)
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  19. "Cui" de Gou Zao.Shūzō Kuki - 2009 - Lian Jing Chu Ban Shi Ye Gu Fen You Xian Gong Si.
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  20.  7
    Literary and Art Theories in Japan.Makoto Ueda - 1967 - Center for Japanese Studies, University of Michigan.
  21.  55
    Philosophy of the Performing Arts.David Davies - 2011 - Wiley-Blackwell.
    This book provides an accessible yet sophisticated introduction to the significant philosophical issues concerning the performing arts.
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  22.  16
    Modern Japanese Philosophy: Historical Contexts and Cultural Implications.Yoko Arisaka - 2014 - Royal Institute of Philosophy Supplement 74:3-25.
    The paper provides an overview of the rise of Japanese philosophy during the period of rapid modernization in Japan after the Meiji Restoration (beginning in the 1860s). It also examines the controversy surrounding Japanese philosophy towards the end of the Pacific War (1945), and its renewal in the contemporary context. The post-Meiji thinkers engaged themselves with the questions of universality and particularity; the former represented science, medicine, technology, and philosophy (understood as ) and the latter, (...)
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  23.  4
    Illuminations Of The Quotidian in Nishida, Chan/Zen Buddhism, and Sino‐Japanese Philosophy.Steve Odin - 2013 - Journal of Chinese Philosophy 40 (S1):135-145.
    Return to the ordinary as extraordinary has become the signature motif for the Emersonian perfectionism of Stanley Cavell in contemporary American philosophy. In this article I develop Cavell's notion of “the ordinary” as an intercultural theme for exploring aspects of traditional Chinese philosophy, especially Confucianism and Chan Buddhism. I further use Cavell's philosophy of the ordinary to examine Sino-Japanese thought as found in the Zen tradition of Japan and its reformulation by Nishida Kitarô in modern (...) philosophy. It will be seen how for both Cavell and Sino-Japanese philosophy, perfection is achieved not by transcendence of the ordinary, but through continuous return to and affirmation of the ordinary as extraordinary. I thus endeavor to illuminate the quotidian as articulated by Cavell, Chinese philosophy, and the Sino-Japanese tradition. (shrink)
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  24. Japanese Religion and Philosophy: A Guide to Japanese Reference and Research Materials.Donald Holzman - 1959 - Greenwood Press.
     
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  25.  12
    Philosophy and Arts in the Islamic World: Proceedings of the Eighteenth Congress of the Union Européenne des Arabisants Et Islamisants Held at the Katholieke Universiteit Leuven, September 3-September 9, 1996. [REVIEW]Urbain Vermeulen & D. Smedet (eds.) - 1998 - Uitgeverij Peeters.
    The volume contains 26 contributions to literature, philosophy, linguistics and epigraphy in Islamic culture, ranging from pre-Islamic poetry to contemporary ...
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  26.  37
    For an Audience: A Philosophy of the Performing Arts.Paul Thom - 1993 - Temple University Press.
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  27.  28
    The Ontological Co-Emergence Of'self and Other'in Japanese Philosophy.Yoko Arisaka - 2001 - Journal of Consciousness Studies 8 (5-7):5-7.
    The coupling of 'self and other' as well as the issues regarding intersubjectivity have been central topics in modern Japanese philosophy. The dominant views are critical of the Cartesian formulation , but the Japanese philosophers drew their conclusions also based on their own insights into Japanese culture and language. In this paper I would like to explore this theme in two of the leading modern Japanese philosophers - Kitaro Nishida and Tetsuro Watsuji . I do (...)
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  28. The Martial Spirit: An Introduction to the Origin, Philosophy, and Psychology of the Martial Arts.Herman Kauz - 1977 - Overlook Press.
     
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  29. Philosophy and the Arts in Central Europe, 1500-1700 Teaching and Texts at Schools and Universities.Joseph S. Freedman - 1999
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  30. An Introduction to the Study of Japanese Global Philosophy of Kotonarism.Chikao Fujisawa - 1954 - Tokyo, Society for the Advancement of Global Democracy.
     
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  31. Japanese and Oriental Political Philosophy.Chikao Fujisawa - 1935 - (Great Oriental Culture Society).
  32. Japanese Religion and Philosophy a Guide to Japanese Reference and Research Materials [by] Donald Holzman, with Motoyama Yukihiko and Others.Donald Holzman - 1959 - Published for the Center for Japanese Studies [by] the University of Michigan Press.
     
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  33. Contemporary Japanese Philosophy: A Reader.W. M. Krummel John (ed.) - 2018 - Rowman & Littlefield International.
    Contemporary Japanese Philosophy is an anthology of post-war Japanese philosophy showcasing a range of philosophers and philosophical trends from 1945 to the present. This important volume introduces the reader to a variety schools of thought. Ideal for classroom use, this is the ultimate resource for students and teachers of Japanese philosophy.
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  34. Jhoon Rhee Martial Arts: Philosophy & Life Skills.Jhoon Rhee - 2000 - Jhoon Rhee Foundation for International Leadership.
     
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  35.  17
    Semblance and Event: Activist Philosophy and the Occurrent Arts.Brian Massumi - 2011 - MIT Press.
    Introduction. Activist philosophy and the occurrent arts -- The ether and your anger toward a speculative pragmatism -- The thinking-feeling of what happens putting the radical back in empiricism -- The diagram as technique of existence ovum of the universe segmented -- Arts of experience, politics of expression In four movements. First movement. To dance a storm -- Second movement. Life unlimited -- Third movement. The paradox of content -- Fourth movement. Composing the political.
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  36.  3
    Japanese and Continental Philosophy: Conversations with the Kyoto School. [REVIEW]Bradley Douglas Park - 2014 - Journal of Japanese Philosophy 2 (1):135-154.
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  37. The Challenge of the Arts to Philosophy.Irwin Edman - 1947 - Journal of Philosophy 44 (15):407-412.
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  38.  65
    Martin Heidegger's Thinking and Japanese Philosophy and From Martin Heidegger's Reply in Appreciation.Kōichi Tsujimura, Martin Heidegger & Richard Capobianco - 2008 - Epoché: A Journal for the History of Philosophy 12 (2):349-357.
  39.  12
    Examination on Philosophy-Based Management of Contemporary Japanese Corporations: Philosophy, Value Orientation and Performance.Yingyan Wang - 2009 - Journal of Business Ethics 85 (1):1-12.
    Despite the recognition of the importance of philosophy-based management in recent Japanese management practices, there has been little effort to systematically examine this topic from a normative view. With a sample of 152 electrical machinery companies, this study attempts to identify the underlying value orientations incorporated in the normative statement of corporate management philosophy and furthermore examines the complex relationships between corporate value orientations and various performance indexes. The article shows that although the adoption of a corporate (...)
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  40.  27
    Philosophy of the Performing Arts. A Book Review. [REVIEW]Jakub Ryszard Matyja - 2015 - Avant: Trends in Interdisciplinary Studies (3):164-166.
    A book review of 'Philosophy of the Performing Arts'.
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  41.  33
    The Philosophy of the Visual Arts.Philip Alperson (ed.) - 1992 - Oxford University Press.
    Most instructors who teach introductory courses in aesthetics or the philosophy of arts use the visual arts as their implicit reference for "art" in general, yet until now there has been no aesthetics anthology specifically orientated to the visual arts. This text stresses conceptual and theoretical issues, first examining the very notion of "the visual arts " and then investigating philosophical questions raised by various forms, from painting, the paradigmatic form, to sculpture, photography, film, dance, kitsch, and other forms (...)
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  42. The Ideas That Change the World: The Essential Guide to Modern Philosophy, Science, Math, and the Arts.Kathleen Kuiper (ed.) - 2010 - Fall River Press/Britannica Educational Pub. In Association with Rosen Educational Services.
    The biological sciences -- Mathematics and the physical sciences -- The arts -- The social sciences, philosophy, and religion -- Politics and the law.
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  43.  6
    Philosophy of Agricultural Science: A Japanese Perspective.Osamu Soda - 2006 - Distributor, International Specialized Book Services.
    This book, written by one of the leading Japanese scholars in the philosophy of agricultural science, examines the relationship between human life, the natural environment, and agriculture.
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  44.  5
    Religious Art and Meditative Contemplation in Japanese Calligraphy and Byzantine Iconography.Rodica Frentiu - 2014 - Journal for the Study of Religions and Ideologies 13 (38):110-136.
    Far Eastern calligraphy has always been regarded by the Occident as an “esoteric” issue, laden with a peculiar “mysticism,” which presents spiritual and philosophical aspects too outlandish to truly comprehend. That is probably the reason why calligraphy was amongst the last artistic “disciplines” to gain access to the international world of the arts. This study focuses on Japanese calligraphy as a visual and verbal image, conducting a hermeneutic investigation into the nature and function of this type of image, into (...)
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  45.  20
    Zen and Shinto, The Story of Japanese Philosophy[REVIEW]H. K. - 1960 - Review of Metaphysics 13 (4):700-700.
  46.  22
    Martial Arts and Philosophy: Beating and Nothingness.Robert Anderson - 2012 - Australasian Journal of Philosophy 90 (4):820 - 820.
    Australasian Journal of Philosophy, Volume 90, Issue 4, Page 820, December 2012.
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  47.  2
    The Last Ninety Years of Japanese Philosophy.Dale Riepe - 1960 - Atti Del XII Congresso Internazionale di Filosofia 10:189-196.
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  48. The Westernization of Japanese Philosophy in the Past Half Century.Seizi Uyeda - 1960 - Atti Del XII Congresso Internazionale di Filosofia 10:229-237.
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  49. The Question of Style in Philosophy and the Arts.Eck Caroline, McAllister James & Vall Renée van de (eds.) - 1995 - Cambridge University Press.
    The eighteenth and nineteenth centuries witnessed a change in the perception of the arts and of philosophy. In the arts this transition occurred around 1800, with, for instance, the breakdown of Vitruvianism in architecture, while in philosophy the foundationalism of which Descartes and Spinoza were paradigmatic representatives, which presumed that philosophy and the sciences possessed a method of ensuring the demonstration of truths, was undermined by the idea, asserted by Nietzsche and Wittgenstein, that there exist alternative styles (...)
     
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  50. Sushi, Science, and Spirituality: Modern Japanese Philosophy and its Views of Western Science.Thomas P. Kasulis - 1995 - Philosophy East and West 45 (2):227-248.
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