El objetivo de este artículo es mostrar la actualidad de la crítica epicúreaa las supersticiones morales, específicamente aquellas relacionadas conla culpabilidad y, con esta, la depuración de algunos obstáculos paralograr la felicidad terrena. Para ello se hace el análisis de varios aspectosclaves de la ética de Epicuro: Ethos y physis; Ética del deseo; Culpa ycorporeidad; Resistencia in situ; Moral de la amistad; Política y justicia;Culpa y temporalidad. La metodología es fundamentalmente hermenéuticay genealógica (Foucault) dado el análisis textual y la mirada (...) crítica quebusca recuperar la resistencia epicúrea como perspectiva fecunda para laelaboración de una ética anti-capitalista en el contexto moderno. (shrink)

El reto de todas las sociedades, tanto a nivel de lo que se ha denominado formación (Bildung) como de lo que constituye la institucionalización jurídico-política, es el problema del mal que se concretiza a la manera de la banalización y destrucción de la humanidad misma. La filosofía práctica kantiana asume este desafío y plantea un proyecto ético-político que pasa a través de lo pedagógico y estético. El propósito de este artículo es hacer una exploración en torno a las posibilidades de (...) configuración moral y jurídica de tos sujetos a partir de los planteamientos kantianos, contrastándolas con la dificultad permanente que para ellas representa el mal radical. Para esto se procederá a través de cuatro apartados. El primero versará sobre los presupuestos antropológicos o rasgos humanos que se convierten en condición de posibilidad tanto de la moralización como de la normalización. El segundo tendrá como tema la legislación ético-moral ahondando en el concepto de autonomia. El tercero planteará la relación entre ética y política a través de lo jurídico para, finalmente, esbozar algunas conclusiones. (shrink)

Frente a la objetivación excesiva de la culpabilidad que ha implicado la juridización de los procesos penales (marco legal, imputación, tribunal, juicio público y condena), este artículo se propone reivindicar la importancia de la experiencia vivida y subjetiva de la culpa como sentimiento fundante para una reorientación de la acción. Con ello se busca enfatizar el carácter imprescindible de la convicción subjetiva para los procesos de justicia y reparación. Esto se mostrará usando una metodología fenomenológico-hermenéutica (Ricoeur) que permita analizar la (...) configuración de la conciencia moral como fruto de la tensión entre imputación-culpa y responsabilidad; para, finalmente, concluir la necesidad de pasar de la culpabilidad como remordimiento a la responsabilidad frente al otro y al futuro, la delimitación de lo que está en las propias manos y el carácter subjetivo de la responsabilidad so pena de una simulación moral.AbstractIn regards to the excessive objectification of guilt that has resulted from the juridization of criminal proceedings (legal framework, indictment, court, public trial and sentencing), this paper aims to assert the importance of the subjective experience of guilt as the basis for reorienting action. The goal is to emphasize the essential nature of subjective conviction for the processes of justice and redress. To show this, a hermeneutic phenomenological methodology(Ricoeur) is used. This approach makes it possible to analyze the configuration of moral conscience as the result of the tension between indictment-guilt and responsibility. Finally, the authors conclude that it is necessary to move from experiencing guilt as remorse to experiencing it as responsibility toward others and toward the future. Individuals should be aware of what is in their own hands and the subjective character of responsibility in order to avoid moral simulation. (shrink)

A partir de la reforma penal ilustrada y el normativismo jurídico contemporáneo, las sociedades modernas han intentado valerse de una culpabilización útil y objetiva, en contraposición a ideas metafísicas y teológicas tradicionales de castigo. Sin embargo, la moralidad social que subyace y acompaña la aplicación del Derecho penal está atravesada por motivos premodernos e intereses técnicos y económicos que han hecho de la racionalidad culpabilizadora un ejercicio complejo; entretejido con nociones como maldad, ejemplaridad, seguridad, control y productividad. El objetivo de (...) este ensayo es entonces mostrar el relativismo de la culpabilidad en las sociedades securitarias actuales y sus avatares en medio de la tensión dada entre poderes legales e ilegales y doctrinas neoliberales y neoconservadoras. (shrink)

El reto de todas las sociedades, tanto a nivel de lo que se ha denominado formación (Bildung) como de lo que constituye la institucionalización jurídico-política, es el problema del mal que se concretiza a la manera de la banalización y destrucción de la humanidad misma. La filosofía práctica kantiana asume este desafío y plantea un proyecto ético-político que pasa a través de lo pedagógico y estético. El propósito de este artículo es hacer una exploración en torno a las posibilidades de (...) configuración moral y jurídica de tos sujetos a partir de los planteamientos kantianos, contrastándolas con la dificultad permanente que para ellas representa el mal radical. Para esto se procederá a través de cuatro apartados. El primero versará sobre los presupuestos antropológicos o rasgos humanos que se convierten en condición de posibilidad tanto de la moralización como de la normalización. El segundo tendrá como tema la legislación ético-moral ahondando en el concepto de autonomia. El tercero planteará la relación entre ética y política a través de lo jurídico para, finalmente, esbozar algunas conclusiones. (shrink)

Entre octubre de 1867 y abril de 1868 Nietzsche escribe una larga anotación en donde consigna toda una serie de importantes reparos al sistema filosófico de Schopenhauer. Estos apuntes gozan de significativa importancia ya que, vistos desde una amplia perspectiva, muestran la preocupación del joven filósofo por clarificar a partir de esa temprana época el horizonte conceptual del cual parte; a su vez, desde un punto de vista más específico, nos permiten rastrear algunos de los elementos iniciales que motivarán la (...) posterior crítica radical a la filosofía schopenhaueriana. En este ensayo se analizan los distintos cuestionamientos formulados por Nietzsche frente a la homologación de la voluntad como cosa en sí y la argumentación con la que se define su tránsito hacia el plano de la representación. (shrink)

Entre octubre de 1867 y abril de 1868 Nietzsche escribe una larga anotación en donde consigna toda una serie de importantes reparos al sistema filosófico de Schopenhauer. Estos apuntes gozan de significativa importancia ya que, vistos desde una amplia perspectiva, muestran la preocupación del joven filósofo por clarificar a partir de esa temprana época el horizonte conceptual del cual parte; a su vez, desde un punto de vista más específico, nos permiten rastrear algunos de los elementos iniciales que motivarán la (...) posterior crítica radical a la filosofía schopenhaueriana. En este ensayo se analizan los distintos cuestionamientos formulados por Nietzsche frente a la homologación de la voluntad como cosa en sí y la argumentación con la que se define su tránsito hacia el plano de la representación. (shrink)

Este artículo analiza los argumentos biologicistas a través de los cuales Paul Valéry interpreta el fenómeno de la vida. Para ello, se empieza por mostrar el poder creativo que revela la naturaleza en virtud de las leyes de estructuración y orden que comienzan a hacerse visibles a nivel de las estructuras moleculares que dan forma al universo. Después de eso, se estudia la redefinición que el autor hace del concepto de materia, a la luz de los hallazgos científicos alcanzados en (...) su época. Luego, son expuestas las características esenciales de la vida, determinadas por la integración complementaria entre la ley de conservación y la ley de transformación de la naturaleza. Asimismo, son presentados los planteamientos por los cuales el fenómeno de la muerte es tomado como una propiedad característica de la vida, al igual que los argumentos por los cuales la vida es considerada como producto del azar. Finalmente, se hace referencia a la precariedad y finitud de la vida, explicitadas por Valéry desde la teoría del evolucionismo. (shrink)

Coference papers from the X National Seminar of Theory and History of the Art carried out in Medellín to address certain implications that the question entails, for both art and philosophy. For art: Why and since when do we think that art without aesthetics is something reprehensible or desirable? For philosophy: Is it irremovable or not the turn that the philosophical aesthetic took towards the experience of art from the eighteenth century? At the heart of these questions is a basic (...) concern: Who needs more aesthetics (taste, pleasure, beauty): art or human life?. (shrink)

El presente artículo reflexiona sobre los orígenes del pragmatismo atendiendo puntos importantes para implicaciones epistemológicas que buscan servir luego de clave para una perspectiva para el pensamiento del sur del continente. Hay una exposición de aspectos centrales que sobre el pragmatismo expuso Charles Pierce, específicamente sobre las creencias, el signo como mediación cognitiva, así como una consideración de las ciencias para comprender el papel tanto del razonamiento como de la percepción y el instinto. Igualmente, se exponen elementos claves de la (...) teoría del conocimiento de John Dewey, quien ante el rechazo declarado al racionalismo cartesiano y sin limitarse a la experiencia como punto de referencia para la clarificación conceptual, se encamina más a unas vivencias y contactos con un mundo observado comprometiendo así la realidad sentida la propia mente. El pragmatismo implica atención a lo que nos rodea sin generar separaciones entre sensibilidad y razón o entre pensamiento y emoción, lo cual hace que los asuntos de la ciencia y del conocimiento no se den ajenos a las acciones democráticas entre los individuos activos y sus colectivos. (shrink)

If someone unintentionally breaks the rules, do they break the rules? In the abstract, the answer is obviously “yes.” But, surprisingly, when considering specific examples of unintentional, blameless rule-breaking, approximately half of people judge that no rule was broken. This effect, known as excuse validation, has previously been observed in American adults. Outstanding questions concern what causes excuse validation, and whether it is peculiar to American moral psychology or cross-culturally robust. The present paper studies the phenomenon cross-culturally, focusing on Korean (...) and American adults, and proposes a new explanation of why people engage in excuse validation, in terms of competing forces in human norm-psychology. The principal findings are that Americans and Koreans engaged in excuse validation at similar levels, and older adults were more likely to engage in excuse validation. (shrink)

In the Tractatus Theologico-Politicus (TTP), Spinoza argues that an individual’s natural right extends as far as their power. Subsequently, in the Tractatus Politicus (TP), he offers a revised argument for the same conclusion. Here I offer an account of the reasons for the revision. In both arguments, an individual’s natural right derives from God’s natural right. However, the TTP argument hinges on the claim that each individual is part of the whole of nature (totius naturae), and for this reason inherits (...) part of the natural right of that whole. Using several analogous cases from the Ethics, I show that this form of argument from division is not compatible with Spinoza’s considered metaphysical views. The revised argument, by contrast, avoids the pitfalls of his earlier efforts. It also better reveals the deep roots by which the monistic metaphysics of the Ethics feeds into Spinoza’s conception of natural right. (shrink)

Lifelines mounts a vigorous attack on sociobiology on the utterly mistaken grounds that sociobiologists believe that genes single-handedly determine social behavior. The many previously published rebuttals to this pernicious criticism are conveniently ignored by the author.

The group theorist William Burnside devoted much of the last decade of his life to probability and statistics. The work led to contact with Ronald Fisher who was on his way to becoming the leading statistician of the age and with Karl Pearson, the man Fisher supplanted. Burnside corresponded with Fisher for nearly three years until their correspondence ended abruptly. This paper examines Burnside’s interactions with the statisticians and looks more generally at his work in probability and statistics.

Media, politicians, and the courts portray college campuses as divided over diversity and affirmative action. But what do students and faculty really think? This book uses a novel technique to elicit honest opinions from students and faculty and measure preferences for diversity in undergraduate admissions and faculty recruitment at seven major universities, breaking out attitudes by participants' race, ethnicity, gender, socio-economic status, and political partisanship. Scholarly excellence is a top priority everywhere, but the authors show that when students consider individual (...) candidates, they favor members of all traditionally underrepresented groups - by race, ethnicity, gender, and socio-economic background. Moreover, there is little evidence of polarization in the attitudes of different student groups. The book reveals that campus communities are less deeply divided than they are often portrayed to be; although affirmative action remains controversial in the abstract, there is broad support for prioritizing diversity in practice. (shrink)

The role of reading in educating a future writer is discussed through study of memoirs by writers including Janet Frame, James Baldwin, and Eudora Welty. The memoirs show reading books to have been a transformative way of melding forms of experience. The following features of childhood reading are examined: (1) the role of the physical book, (2) the cognitive-aesthetic-affective impact of letters, words and ‘voices’, (3) the partially unplanned and challenging path of children’s exposure to texts, and (4) absorption of (...) models that can be imitated and outgrown. The discussion links sympathetically to views in philosophy of education about the importance of content and beauty and of influences whose impact cannot be planned, measured or captured as generic skills. The autobiographical evidence considered here suggests that these influences can nonetheless be crucial to expanding learners’ horizons and stimulating their educational and artistic progress. (shrink)

In this 2nd edition, John Gray adds an extensive postscript which defends the interpretation of Mill set out in the first edition, but develops radical criticisms of the substance of Millian and other liberalism.

This guide accompanies the following article: Matthew Kieran, ‘Art, Morality and Ethics: On the (Im)moral Character of Art Works and Inter‐Relations to Artistic Value’. Philosophy Compass 1/2 (2006): pp. 129–143, doi: 10.1111/j.1747‐9991.2006.00019.x Author’s Introduction Up until fairly recently it was philosophical orthodoxy – at least within analytic aesthetics broadly construed – to hold that the appreciation and evaluation of works as art and moral considerations pertaining to them are conceptually distinct. However, following on from the idea that artistic value is (...) broader than aesthetic value, the last 15 years has seen an explosion of interest in exploring possible inter‐relations between the appreciative and ethical character of works as art. Consideration of these issues has a distinguished philosophical history but as the Compass survey article suggests (‘Art, Morality and Ethics: On the (Im)Moral Character of Art Works and Inter‐Relations to Artistic Value.’Philosophy Compass 1.2 (2006): 129–43), it is only very recently that figures in the field have returned to it to develop more precisely what they take the relationships to be and why. Consensus is, unsurprisingly, lacking. The reinvigoration of the issues has led sophisticated formalists or autonomists to mount a more considered defence of the idea that aesthetic and literary values are indeed conceptually distinct from the justification or otherwise of the moral perspective or views endorsed in a work (Topic I). The challenges presented by such a defence are many but amongst them are appeals to critical practice (Lamarque and Olsen), scepticism about whether or not art really can give us bona fide knowledge (Stolnitz) and the recognition that truth often seems to be far removed from what it is we value in our appreciation of works (Lamarque). One way to motivate consideration of the relevance of a work’s moral character to its artistic value concerns the phenomena of imaginative resistance. At least sometimes it would seem that, as Hume originally suggested, we either cannot or will not enter imaginatively into the perspective solicited by a work due to its morally problematic character (Topic II). In some cases, it would seem that as a matter of psychological fact, we cannot do so since it is impossible for us to imagine how it could be that a certain attitude or action is morally permissible or good (Walton). The question then is whether or not this is a function of morality in particular or constraints on imaginative possibility more generally and what else is involved. At other times, the phenomena seem to be driven by a moral reluctance to allow ourselves to enter into the dramatic perspective involved (Moran) or evaluation of the attitude expressed (Stokes). Nonetheless, it is far from obvious that this is so of all the attitudes or responses we judge to be morally problematic. After all, it looks like we can and indeed often do suspend or background particular cognitive and moral commitments in engaging with all sorts of works (Nichols and Weinberg). If the moral character of a work interacts with how we appreciate and evaluate them, then the pressing question is this: is there any systematic account of the relationship available to us? One way is to consider the relationship between our emotional responses to works and their moral character (Topic III). After all, art works often solicit various emotional responses from us to follow the work and make use of moral concepts in so doing (Carroll). Indeed, whether or not a work merits the sought for emotional responses often seems to be internally related to ethical considerations (Gaut). Yet, it is not obvious that we should apply our moral concepts or respond emotionally in our imaginative engagement with works as art as we should in real life (Kieran, Jacobson). A different route is via the thought that art can convey knowledge (Topic IV). There might be particular kinds of moral knowledge art distinctively suited to conveying (Nussbaum) or it may just be that art does so particularly effectively (Carroll, Gaut, Kieran). Either way where this can be tied to the artistic means and appreciation of a work it would seem that to cultivate moral understanding contributes to the value of a work and to betray misunderstanding is a defect. Without denying the relevance of the moral character of a work some authors have wanted to claim that sometimes the immoral aspect of a work can contribute to rather than lessen its artistic value (Topic V). One route is to claim that there is no systematic theoretical account of the relationship available and what the right thing to say is depends on the particular case involved (Jacobson). Another involves the claim that this is so when the defect connects up in an appropriate way to one of the values of art. Thus, it has been claimed, only where a work reveals something which adds to intelligibility, knowledge or understanding in virtue of its morally problematic aspect can this be so (Kieran). The latter position looks like it could in principle be held whilst nonetheless maintaining that the typical or standard relationship is as the moralists would have it. Yet perhaps allowing valence change for such reasons is less a mark of principled explanation and more a function of downright inconsistency or incoherence (Harold). The topics themselves and suggested readings given below follow the structure articulated above as further amplified in the Compass survey article. The design and structure given below can be easily compressed or expanded further. Author Recommends 1 Carroll, Noël. ‘Art, Narrative and Moral Understanding.’Aesthetics and Ethics: Essay at the Intersection. Ed. Jerrold Levinson. Cambridge: Cambridge UP, 1998. 126–60. 2 This article develops the idea that engaging with narrative art calls on moral concepts and emotions and can thereby clarify our moral understanding. 2 Carroll, Noël. Beyond Aesthetics: Philosophical Essays. Cambridge: Cambridge UP, 2009. 4 Part IV consists of six distinct essays on questions concerning the inter‐relations between art and morality including the essay cited above and the author’s articulation and defence of moderate moralism. 3 Gaut, Berys. ‘The Ethical Criticism of Art.’Aesthetics and Ethics: Essay at the Intersection. Ed. Jerrold Levinson. Cambridge: Cambridge UP, 1998. 182–203. 4 Gaut, Berys. Art, Emotion and Ethics. Oxford: Oxford UP, 2007. 7 This monograph provides the most exhaustive treatment of the issues and defends the claim that, where relevant, whenever a work is morally flawed it is of lesser value as art and wherever it is morally virtuous the work’s value as art is enhanced. Chapters 7 and 8 defend concern ethical knowledge and chapter 10 is a development of the article cited above concerning emotional responses. Chapter 3 also gives a useful conceptual map of the issues and options in the debate. 5 Jacobson, Daniel. ‘In Praise of Immoral Art.’Philosophical Topics 25 (1997): 155–99. 9 A wide ranging and extended treatment of relevant issues which objects to generalising moral treatments of our responses to art works and defends the idea that particular works can be better because of rather than despite their moral defects. 6 Kieran, Matthew. ‘Forbidden Knowledge: The Challenge of Cognitive Immoralism.’Art and Morality. Ed. Sebastian Gardner and José Luis Bermúdez. London: Routledge, 2003. 56–73. 11 A general argument for immoralism is elaborated by outlining when, where and why a work’s morally problematic character can contribute to its artistic value for principled reasons (through enhancing moral understanding). 7 Kieran, Matthew. Revealing Art. London: Routledge, 2005. Chapter 4. 13 This chapter argues against both aestheticism and straightforward moralism about art, elaborating a defence of immoralism in relation to visual art whilst ranging over issues from pornographic art to the nature and demands of different genres in art. 8 Lamarque, Peter. ‘Cognitive Values in the Arts: Marking the Boundaries.’ Contemporary Debates in Aesthetics and the Philosophy of Art. Ed. Matthew Kieran. Oxford: Blackwell, 2006, 127–39. 15 This article concisely outlines and defends a sophisticated aestheticism that denies the importance of truth to artistic value. 9 Stolnitz, Jerome. ‘On the Cognitive Triviality of Art.’British Journal of Aesthetics 32.3 (1992): 191–200. 17 This article articulates and defends the claim that no knowledge of any interesting or significant kind can be afforded by works appreciated and evaluated as art. 10 Walton, Kendall. ‘Morals in Fiction and Fictional Morality, I.’Proceedings of the Aristotelian Society, Suppl. 68 (1994): 27–51. 19 This article builds on some comments from Hume to develop the idea that when engaging with fictions it seems impossible imaginatively to enter into radically deviant moral attitudes. Online Materials ‘Aesthetics and Ethics: The State of the Art.’American Society of Aesthetics online (Jeffrey Dean):. ‘Art, Censorship and Morality’ downloadable podcast of Nigel Warburton interviewing Matthew Kieran at Tate Britain (BBC/ou Open2.net as part of the Ethics Bites series):. ‘Art, Morality and Ethics: On the (Im)Moral Character of Art Works and Inter‐Relations to Artistic Value.’Philosophy Compass 1.2 (2006): 129–43 (Matthew Kieran):. ‘Ethical Criticism of Art.’Internet Encyclopedia of Philosophy (Ella Peek):. ‘Fascinating Fascism.’New York Review of Books Piece Discussing Leni Riefenstahl (Susan Sontag):. ‘The Beheading of St. John the Baptist (1450s), Giovanni de Paolo’ (Tom Lubbock):. Vladimir Nabokov and Lionel Trilling discuss Lolita (CBS):. Sample Syllabus Topic I Autonomism/aestheticism • Anderson, James C. and Jeffrey T. Dean. ‘Moderate Autonomism.’British Journal of Aesthetics 38.2 (1998): 150–66. • Beardsley, Monroe. Aesthetics: Problems in the Philosophy of Criticism. New York: Harcourt, Brace and World, 1958. Chapter 12. • Kant, Immanuel. The Critique of Judgement.Trans. James Creed Meredith. Oxford: Oxford UP, 1952 [1790]. • Lamarque, Peter. ‘Cognitive Values in the Arts: Marking the Boundaries.’Contemporary Debates in Aesthetics and the Philosophy of Art. Ed. Matthew Kieran. Oxford: Blackwell, 2006, 127–39. • ——. ‘Tragedy and Moral Value.’Australasian Journal of Philosophy 73.2 (1995): 239–49. • Lamarque, Peter and Stein Olsen. Truth, Fiction and Literature. Oxford: Clarendon Press, 1994. Chapter 10. • Stolnitz, Jerome. ‘On the Cognitive Triviality of Art.’British Journal of Aesthetics 32.3 (1992): 191–200. Topic II Imaginative Capacities, Intelligibility and Resistance • Moran, Richard. ‘The Expression of Feeling in Imagination.’Philosophical Review 103.1 (1994): 75–106. • Nichols, Shaun. ‘Just the Imagination: Why Imagining Doesn’t Behave Like Believing’. Mind & Language 21.4 (2006): 459–74. • Stokes, Dustin. ‘The Evaluative Character of Imaginative Resistance’. British Journal of Aesthetics 46.4 (2006): 387–405. • Tanner, Michael. ‘Morals in Fiction and Fictional Morality, II’. Proceedings of the Aristotelian Society, Suppl. Vol. 68 (1994): 51–66. • Walton, Kendall (1994). ‘Morals in Fiction and Fictional Morality, I’. Proceedings of the Aristotelian Society, Suppl. Vol. 68 (1994): 27–51. • Weinberg, Jonathan. ‘Configuring the Cognitive Imagination.’New Waves in Aesthetics. Eds. K. Stock and K. Thomson‐Jones. London: Palgrave Macmillan, 2008. 203–23. Topic III Moralism and Emotions • Carroll, Noël. ‘Moderate Moralism.’British Journal of Aesthetics 36.3 (1996): 223–37. • Carroll, Noël. ‘Art, Narrative and Moral Understanding.’Aesthetics and Ethics: Essay at the Intersection. Ed. Jerrold Levinson. Cambridge: Cambridge UP, 1998.126–60. • Gaut, Berys. Art, Emotion and Ethics. Oxford: Oxford UP, 2007. Chapter 10. • ——. ‘The Ethical Criticism of Art.’Aesthetics and Ethics: Essay at the Intersection. Ed. Jerrold Levinson. Cambridge: Cambridge UP, 1998. 182–203. • Hume, David. ‘Of the Standard of Taste.’Selected Essays. Oxford: Oxford UP, 1993 [1757]. 133–53. • Kieran, Matthew. ‘Emotions, Art and Immorality.’Oxford Handbook to the Philosophy of Emotions. Ed. Peter Goldie. Oxford: Oxford UP, 2009. 681–703. • Tolstoy, Leo. What is Art?. London: Penguin, 2004. Chapters 5 and 15. Topic IV Moralism and Knowledge • Aristotle. Poetics. Trans. M. Heath. London: Penguin, 1996 [367–322 BC]. • Carroll, Noël. ‘The Wheel of Virtue: Art, Literature and Moral Knowledge.’Journal of Aesthetics and Art Criticism 60.1 (2002): 3–26. • Gaut, Berys. Art, Emotion and Ethics. Oxford: Oxford UP, 2007. Chapters 7 and 8. • Gaut, Berys. ‘Art and Cognition.’Contemporary Debates in Aesthetics and the Philosophy of Art. Ed. Matthew Kieran. Oxford: Blackwell, 2006. 115–26. • Kieran, Matthew. ‘Art, Imagination and the Cultivation of Morals.’Journal of Aesthetics and Art Criticism 54.4 (1996): 337–51. • Nussbaum, Martha. ‘Finely Aware and Richly Responsible: Literature and the Moral Imagination.’Love’s Knowledge. New York: Oxford UP, 1990. 148–68. • Plato. The Republic. Trans. D. Lee. Harmondsworth: Penguin, 1974. Book 10. Topic V Immoralist Contextualism • Harold, James. ‘Immoralism and the Valence Constraint.’British Journal of Aesthetics 48.1 (2008): 45–64. • Jacobson, Daniel. ‘In Praise of Immoral Art.’Philosophical Topics 25 (1997): 155–99. • ——. ‘Ethical Criticism and the Vices of Moderation.’Contemporary Debates in Aesthetics and the Philosophy of Art. Ed. Matthew Kieran. Oxford: Blackwell, 2006. 342–55. • John, Eileen. ‘Artistic Value and Moral Opportunism.’Contemporary Debates in Aesthetics and the Philosophy of Art. Ed. Matthew Kieran. Oxford: Blackwell, 2006. 331–41. • Kieran, Matthew. ‘Forbidden Knowledge:The Challenge of Cognitive Immoralism.’Art and Morality. Ed. Sebastian Gardner and José Luis Bermúdez. London: Routledge, 2003. 56–73. • Kieran, Matthew. Revealing Art. London: Routledge, 2005. Chapter 4. • Patridge, Stephanie. ‘Moral Vices as Artistic Virtues: Eugene Onegin and Alice.’Philosophia 36.2 (2008): 181–93. Focus Questions 1 What is the strongest argument for the claim that the moral character of a work is not relevant to its artistic value? Does artistic or literary criticism tend to concern itself with the truth or morality of works? If so, in what ways? If not, why do you think this is? 2 What different explanations might there be for difficulty with or resistance to imaginatively entering into attitudes you take to be immoral? How might this relate to the way our imaginings work as contrasted with belief? How might different literary or artistic treatments of the same subject matter make a difference? 3 How do narrative works draw on our moral concepts and responses? Can we suspend our normal moral commitments or application of moral concepts in responding emotionally to art works? Should we respond emotionally to art works as we ought to respond to real world events we witness? Why? Why not? 4 How, if at all, do art works convey moral understanding? How, if at all, is this related to the kinds of moral knowledge art works can teach or reveal to us? When, where and why might this be tied to the artistic value of a work? How can we tell where a work enhances our moral understanding as opposed to misleading or distorting it? 5 What art works do you value overall as art which commend or endorse moral values and attitudes that you do not? Is appreciation of them always marred or lessened by the morally dubious aspect? If not, what explains the differences in evaluation? What, if anything, might you learn by engaging with works which endorse moral attitudes or apply moral concepts different from those you take to be justified? How, if at all, might this connect up with what makes them valuable as art? (shrink)

I deny that the world is fundamentally causal, deriving the skepticism on non-Humean grounds from our enduring failures to find a contingent, universal principle of causality that holds true of our science. I explain the prevalence and fertility of causal notions in science by arguing that a causal character for many sciences can be recovered, when they are restricted to appropriately hospitable domains. There they conform to loose and varying collections of causal notions that form folk sciences of causation. This (...) recovery of causation exploits the same generative power of reduction relations that allows us to recover gravity as a force from Einstein's general relativity and heat as a conserved fluid, the caloric, from modern thermal physics, when each theory is restricted to appropriate domains. Causes are real in science to the same degree as caloric and gravitational forces. (shrink)

Winnipeg's North End has informed the Canadian mythology and influenced the national psyche. The North End also divides and defines the city of Winnipeg, shaping its politics and sense of identity. In these photographs, taken between the mid-1970s and the mid-1990s, John Paskievich set out to explore the North End he knew in his youth. What he found were traces of it, captured in the stillness in which the past still lingers and in the dignity and singularity of its (...) inhabitants. (shrink)

Persia’s Imperial Power in Late Antiquity: The Great Wall of Gorgān and Frontier Landscapes of Sasanian Iran. By Eberhard W. Sauer; Hamid Omrani Rekavandi; Tony J. Wilkinson; and Jebrael Nokandeh. British Institute of Persian Studies Archaeological Monographs. Oxford: Oxbow Books, 2013. Pp. xvi + 711, illus. $150. [Distributed by the David Brown Book Co., Oakville, CT.].

Multi-voxel pattern recognition techniques combined with Hidden Markov models can be used to discover the mental states that people go through in performing a task. The combined method identifies both the mental states and how their durations vary with experimental conditions. We apply this method to a task where participants solve novel mathematical problems. We identify four states in the solution of these problems: Encoding, Planning, Solving, and Respond. The method allows us to interpret what participants are doing on individual (...) problem-solving trials. The duration of the planning state varies on a trial-to-trial basis with novelty of the problem. The duration of solution stage similarly varies with the amount of computation needed to produce a solution once a plan is devised. The response stage similarly varies with the complexity of the answer produced. In addition, we identified a number of effects that ran counter to a prior model of the task. Thus, we were able to decompose the overall problem-solving time into estimates of its components and in way that serves to guide theory. (shrink)

John N Andrews; General Thinking Skills: are there such things?, Journal of Philosophy of Education, Volume 24, Issue 1, 30 May 2006, Pages 71–79, https://doi.o.

ABSTRACTWhistleblowing has gained increasing media attention over the past 40 years, as incidents of abuse and wrongdoing associated with businesses, religious institutions, the media and politics...

The proposed justification avoids problems that invalidate the familiar entitlement, utility, and interest-based justifications; interprets private property as necessary for controlling resources we need for our well-being; recognizes that the possession, uses, and limits of private property must be justified differently; and combines the defensible portions of the familiar but unsuccessful attempts at justification with a more complex account that combines the defensible portions of previous justificatory attempts with a new pluralistic approach that treats the right to private property as (...) a conventional, defeasible, but indispensable right. (shrink)

In this dissertation, I will examine the problem of theological fatalism in St. Augustine and, specifically, whether or not Augustine was philosophically justified in his belief that his views on divine grace and human freedom could be harmonized. As is well-known, beginning with his second response To Simplician (ca. 396) and continuing through his works against the semi-Pelagians (ca. 426-429), Augustine espoused the Pauline doctrine of all-inclusive grace: that the fallen will’s ability to accomplish the good is totally a function (...) of God’s elective grace. What, then, does the fallen will do to work out its own salvation? There is the further issue of how to reconcile Augustine’s rather extreme emphasis on grace in his later works with the more balanced picture we receive in his sermones ad populum, written throughout his forty-year preaching career. In many of these sermons, even those written during the Pelagian controversy, Augustine is careful to leave space for both divine and human initiative in the process of our justification within the totus Christus, or ‘whole Christ.’ How we can understand Augustine in his role as doctor gratiae and as preacher of human freedom will be a major inquiry of this dissertation.The most serious obstacle to moving forward on these problems has been and remains the essentialist interpretation of Augustine’s Trinitarian theology by most commentators. On their interpretation, Augustine thought that there were no real distinctions within the Trinity, with each of the three divine persons and their actions sharing in the absolute unity of the divine essence. Holding this interpretation not only does away with the distinctness of each of the persons, but also requires all of God’s different powers and attributes, including willing and foreknowing, to be coalesced into one another without distinction in the divine essence. God’s foreknowledge is thereby identified with God’s will, which necessarily leads to theological fatalism: God would have to will everything that He foreknows, and God would have to foreknow everything that He wills. Since God is omniscient, He wills everything that will happen, including the future willings of the fallen human will.It cannot be denied that there are texts in the Augustinian corpus that seem to point to a reading of the Trinity as absolutely simple. But this study will endeavor to show that there are also other largely overlooked texts in On the Trinity, the Confessions, and his Commentaries on the Literal Interpretation of Genesis (among others) that argue for various distinctions within the Trinity to make sense of the relation between Creator and creature, and the differences between the divine processions of generation/spiration, and the act of creation. These texts will be shown to parallel very closely the position of the Eastern Orthodox Christian tradition, which consistently uses the real distinction between God’s essential being and energetic activities (also known as the essence-energy distinction) to avoid the problem of theological fatalism. This rich theological and philosophical tradition, from the time of the fourth-century Greek Fathers to the Byzantine tradition that followed, differs less with Augustine concerning the essentials of Trinitarian theology and its practical implications for solving the problem of making human freedom and divine grace compatible than has been hitherto thought. (shrink)