Results for ' poète'

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  1. New Series.Four Contemporary Spanish Poets, Miguel de Unamuno, Antonio Machado, Juan Ramdn Jimhez & Garcia Lwca - forthcoming - Studium.
     
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  2. Susanna Blamire 1747–94.Christopher Hugh Maycock & A. Passionate Poet - forthcoming - Hypatia.
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  3.  6
    Inscription en l'honneur du poète tragique Xénocrate.Amédée Hauvette-Besnault - 1879 - Bulletin de Correspondance Hellénique 3 (1):352-353.
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  4. Le carnet d'adresses de François habert indications sur l'itinéraire d'un poète à la fin du règne de François I.Marie Madeleine Fontaine - 2011 - Bibliothèque d'Humanisme Et Renaissance 73 (3):497-556.
     
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  5.  6
    Ronsard's concept of the «poëte humain».Donald Gilman - 1983 - Bibliothèque d'Humanisme Et Renaissance 45 (1):87-101.
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  6.  1
    Piron, ou l’apothéose du poète qui ne fut rien.Stéphanie Loubère - 2016 - Lumen: Selected Proceedings From the Canadian Society for Eighteenth-Century Studies 35:1.
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  7. «Les rats de l'inquisition»: La rhétorique d'un poète condamné.Maria Luisa Malato - 2011 - Cahiers Internationaux de Symbolisme 128:25-48.
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  8.  14
    Fouilles de Thespies : Le monument des Muses dans le bois de l'Hélicon, et le poète Honestus.Paul Jamot - 1902 - Bulletin de Correspondance Hellénique 26 (1):129-160.
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  9. "Les Rats de l'Inquisition": la rhétorique d'un poète condamné.Maria Luisa Malato Borralho - 2011 - Cahiers Internationaux de Symbolisme 128:25-48.
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  10.  42
    Latinius Drepanius Pacatus—The Full Story A.-M. Turcan-Verkerk: Un poète latin chrétien redécouvert: Latinius Pacatus Drepanius, panégyriste de Théodose . (Collection Latomus 276.) Pp. 194, pls. Brussels: Éditions Latomus, 2003. Paper, €26. ISBN: 2-87031-217-. [REVIEW]Roger Green - 2005 - The Classical Review 55 (02):560-.
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  11.  30
    Sappho's Poetry Édith Mora: Sappho. Histoire du poète et traduction intégrate de l'œuvre. Pp. 462. Paris: Flammarion, 1966. Paper, 30 fr. [REVIEW]Hugh Lloyd-Jones - 1967 - The Classical Review 17 (03):269-271.
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  12.  29
    Claude Berguerand, Le duel d'Othon de Grandson : Mort d'un chevalier-poète vaudois à la fin du moyen 'ge. Lausanne: Section d'histoire, Université de Lausanne, 2008. Paper. Pp. v, 238; 2 color figures, 4 color illustrations, and 4 tables. [REVIEW]D'A. J. D. Boulton - 2010 - Speculum 85 (4):933-934.
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  13.  27
    Daniel Lacroix, Les amours du poète: Poésie et biographie dans la littérature du XIIIe siècle. Geneva: Slatkine, 2004. Pp. 284; diagrams. SFr 70. [REVIEW]Maureen Boulton - 2006 - Speculum 81 (3):873-874.
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  14.  7
    Poets and Poetry of Poland, czyli skarbiec polskiej poezji otwarty dla Amerykanów.Ewa Modzelewska-Opara - 2021 - Rocznik Filozoficzny Ignatianum 25 (2):95-126.
    The aim of this article is to familiarize the Polish reader with Poets and the Poetry of Poland, the first extensive anthology of the Polish literature published in English in the United States by Paweł Sobolewski. Particular emphasis was placed on the characteristics of this work, recreating the traces of reception of this work and showing the most important sources on which the author relied. The presented article also points out the importance of Sobolewski’s literary and cultural activity, as he (...)
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  15. The Poet as Ice Skater: A Reading of Goethe's „Eis-Lebens-Lied'.Edward Young - forthcoming - Horizonte.
     
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  16.  23
    The Poet’s “Caressive Sight:” Denise Levertov’s Transactions with Nature.Małgorzata Poks - 2011 - Text Matters - a Journal of Literature, Theory and Culture 1 (1):145-152.
    The Poet's "Caressive Sight": Denise Levertov's Transactions with Nature The scientific consciousness which broke with the holistic perception of life is credited with "unweaving the rainbow," or disenchanting the world. No longer perceived as sacred, the non-human world of plants and animals became a site of struggle for domination and mastery in implementing humankind's supposedly divine mandate to subdue the earth. The nature poetry of Denise Levertov is an attempt to reverse this trend, reaffirm the sense of wonder inherent in (...)
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  17.  12
    Poet and Poetry Composition.Varanasi Ramabrahmam - manuscript
    A poet, his mission, his making and evolution and various definitions of purposes of composition of poetry will be delineated. -/- The spiritual, philosophical and social conditions and their influence in the making and evolution of poet and writer and their craft will be dealt with. -/- The duty of poets, critics and readers in the celebration of composition of poetry and literature as part of culture and civilization will be presented. The committed and free-lance poets will be compared and (...)
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  18.  19
    Poets and Their Philosophies.Meyrick H. Carré - 1951 - Philosophy 26 (97):114 - 120.
    Poets, like other men, have their speculative moods. Some poets have been widely read in the literature of philosophy and have wrestled continuously with the intellectual problems of their times. From Euripides to Mr. Eliot large expanses of dialectical argument have appeared in verse, and in our own tongue Spenser, Shakespeare, Pope, Wordsworth and many other supreme writers have questioned the semblance of nature and mind, and have sought to trace the ideal forms of reality. Men of letters in every (...)
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  19.  6
    The poet as phenomenologist: Rilke and the new poems.Luke Fischer - 2015 - New York: Bloomsbury Academic.
    The Poet as Phenomenologist: Rilke and the New Poems opens up new perspectives on the relation between Rilke's poetry and phenomenological philosophy, illustrating the ways in which poetry can offer an exceptional response to the philosophical problem of dualism. Drawing on the work of Husserl, Heidegger and Merleau-Ponty, Luke Fischer makes a new contribution to the tradition of phenomenological poetics and expands the debate among Germanists concerning the phenomenological status of Rilke's poetry, which has been severely limited to comparisons of (...)
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  20.  18
    The Poet as Hero: Fifth-Century Autobiography and Subsequent Biographical Fiction.Mary R. Lefkowitz - 1978 - Classical Quarterly 28 (02):459-.
    The old proverb can still more accurately be applied to their biographers.‘ Even the more plausible and psycho logically tempting details in the lives of literary figures derive from these authors’ fictional works, poems, and dramas, and not from the kind of source material biographers use today, letters, documents, eyewitness testimony. Critics and readers eager to establish some historical correlation between any ancient poet's life and his work should expect to be disappointed. But even if the ancient lives are useless (...)
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  21.  7
    The Poet as Public Intellectual: Tony Harrison’s War Poetry.Agata Handley - 2022 - British Journal of Educational Studies 70 (5):627-645.
    The poet Tony Harrison has created work for the stage and television, and even assumed the role of poet/journalist, writing newspaper reports in verse from war-torn Bosnia. His work is underpinned by a belief in the political nature of the act of writing. He has generally attracted a non-working-class readership; nevertheless, he has never abandoned his quest for a ‘democratic’ poetry. Much of his work has taken the form of a poetry of immediate response to current events. He has also (...)
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  22.  5
    Vaiṣṇava Poet in Early Modern Bengal: Kavikarṇapūra’s Splendour of Speech. By Rembert Lutjeharms.Rebecca Manring - 2022 - Journal of the American Oriental Society 141 (1).
    A Vaiṣṇava Poet in Early Modern Bengal: Kavikarṇapūra’s Splendour of Speech. By Rembert Lutjeharms. Oxford Theology and Religion Monographs. Oxford: Oxford University Press, 2018. Pp. 360. $99.
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  23.  10
    Poet, Priest and Prophet: The Life and Thought of Bishop John V. Taylor.David Wood & Churches Together in Britain and Ireland - 2002
    John V. Taylor was a missionary statesman, ecumenist, Africanist, onetime General Secretary of the Church Missionary Society, and later Anglican Bishop of Winchester. His work offers a theology and practice of Christian mission which is faithful to scripture while fully facing the facts of the contemporary world at the beginning of the third millennium. Does Christian evangelism promote sectarianism and violence, or can it contribute to harmony and peace in the global village? Can Christians extol the true significance of Jesus (...)
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  24.  25
    The poet in the Iliad.Barbara Graziosi - 2013 - In Anna Marmodoro & Jonathan Hill (eds.), The Author's Voice in Classical and Late Antiquity. Oxford University Press. pp. 9.
    This chapter seeks to characterize the voice of the poet within the Iliad, and to show that a better understanding of the poet’s voice helps to explain several distinctive and puzzling features of Iliadic narrative. The chapter looks at the poet’s relationship to the Muses, and his temporal and spatial self-positioning within the world of the Trojan war, all of which illustrate the divine perspective he offers on that war.
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  25.  13
    Poet in the atomic age: Robert Frost's ‘That Millikan Mote’ expanded.B. J. Sokol - 1996 - Annals of Science 53 (4):399-411.
    SummaryThe writings of the very popular American poet Robert Frost (1874–1963) reveal an unusually specific and detailed knowledge of science. This was particularly evident among the poems of his penultimate volume, Steeple Bush, of 1947. Several of these poems confronted with basic insights issues raised by the period's ‘new physics’. Among those, especially Frost's epigram ‘A Wish to Comply’ wittily confronted an important epistemological difficulty in particle physics. Such science must induce a belief in the fundamental importance of entities invisible (...)
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  26.  8
    Poets and Philosophers.M. P. Slattery - 1957 - Franciscan Studies 17 (4):373-390.
  27.  4
    Poet and Artist: Imaging the Aeneid (review).Alden Smith - 2006 - Classical World: A Quarterly Journal on Antiquity 99 (2):199-201.
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    The Poet and the Pope.Paul Spackman - 2001 - The Chesterton Review 27 (3):311-315.
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  29. A poet's philosopher.Vincent Colapietro - 2009 - Transactions of the Charles S. Peirce Society 45 (4):pp. 551-578.
    George Santayana was not only a poet but also a philosopher whose style, concerns, and even positions drew in his own time and continues to draw in ours the attention of poets and, more broadly, literary authors. He was, in short, a poet's philosopher. In so characterizing Santayana, however, there is no slight of his strictly philosophical achievement. The philosophical finesse with which he treated complex topics is, indeed, nowhere more evident than in his rigorous analysis of poetic utterance. The (...)
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  30.  11
    Women Poets and the Origin of the Greek Hexameter.W. Robert Connor - 2019 - Arion 27 (2):85-102.
    In lieu of an abstract, here is a brief excerpt of the content:Women Poets and the Origin of the Greek Hexameter W. ROBERT CONNOR A very considerable question has arisen, as to what was the origin of poetry. —Pliny the Elder, Natural History 7.57 i. a road trip with pausanias Tennyson called the dactylic hexameter “the stateliest measure / ever moulded by the lips of man,” but he did not say whose lips first did the moulding. Despite much arguing we (...)
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  31.  33
    The Poet as Elaborator: Analytical Psychology as a Critical Paradigm.David D. Cooper - 1979 - Critical Inquiry 6 (1):51-63.
    Perhaps the best way to understand Harold Bloom's enigmatic theory of "poetic misprision" is to avoid the immanent critique altogether. It is best described, rather , as a synthesis. Bloom seems to have taken Aristotle's mimesis and linked it to Freud's concept of sublimation,1 with particular emphasis on the role that sublimation plays in "the family romance." Even if one were to hedge a bit and take into account the fact that neo-Freudian re-evaluations of orthodox psychoanalysis have succeeded in extracting (...)
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  32.  34
    Philosophers' poets.David Wood (ed.) - 1990 - New York: Routledge.
    Introduction: Thinking Poetic Writing Ever since Plato banished the poets from his Republic, while he himself continued to write with such artistry, ...
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  33.  28
    The Poet, The Critic, and the Moralist: Horace, Epistles 1.19.C. W. Macleod - 1977 - Classical Quarterly 27 (02):359-.
    I begin by quoting from two valuable recent works on Horace. Professor Brink in his Horace on Poetry writes: ‘The centre of the short piece lies in lines 21—34. Readers, among them critics and poets, had denied one aspect of the Odes which was surely above criticism—the striking originality of these poems. Horace's defence turns on the question of originality’ and ‘Epistle 19 is unique in that it alone among the literary satires and letters reiterates Horace's claim to be the (...)
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  34.  13
    Poet: Patriot: Interpreter.Donald A. Davie - 1982 - Critical Inquiry 9 (1):27-43.
    If patriotism can thus be seen as an incentive or as an instigation even in such a recondite science as epistemology, how much more readily can it be seen to perform such functions in other studies more immediately or inextricably bound up with communal human life? I pass over instances that occur to me—for instance, the Victorian Jesuit, Father Hopkins, declaring that every good poem written by an Englishman was a blow struck for England--and profit instead, if I may, by (...)
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  35. The poet as ‘worldmaker’: T.S. Eliot and the religious imagination.Dominic Griffiths - 2015 - In Francesca Knox & David Lonsdale (eds.), The Power of the Word: Poetry and the Religious Imagination. Ashgate. pp. 161-175.
    Martin Heidegger defines the world as ‘the ever non-objective to which we are subject as long as the paths of birth and death . . . keep us transported into Being’. He writes that the world is ‘not the mere collection of the countable or uncountable, familiar and unfamiliar things that are at hand . . . The world worlds’. Being able to fully and richly express how the world worlds is the task of the artist, whose artwork is the (...)
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  36. Priest, poet and theologian: Essays in honour of Anthony Kelly CSSR [Book Review].Helen Bergin - 2014 - The Australasian Catholic Record 91 (3):370.
    Bergin, Helen Review of: Priest, poet and theologian: Essays in honour of Anthony Kelly CSSR, by Neil Ormerod and Robert Gascoigne, eds,, pp. 253, $36.95.
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  37.  35
    Recovery Poets, Recovery Workers: Labor and Place in the Dialogical Way‐Finding of Homeless Addicts in Therapy.Jennifer S. Bowles - 2016 - Anthropology of Consciousness 27 (1):51-74.
    In recent years, anthropologists have built a rich body of ethnography on the experience of addiction, including important cultural critiques of treatment systems. Yet little has been written from the perspective of those who work in the everyday to help others recover from substance abuse. In this article, I reflect on my labor as a clinical social worker providing therapy for homeless women and men who struggle with addiction. Building on the eloquence of those who seek to recover, recovery poets, (...)
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  38.  33
    Latin Poet‐Doctors of the Eighteenth Century: the German Lucretius (Johann Ernst Hebenstreit) Versus the Dutch Ovid (Gerard Nicolaas Heerkens).Yasmin Haskell - 2008 - Intellectual History Review 18 (1):91-101.
    (2008). Latin Poet‐Doctors of the Eighteenth Century: the German Lucretius (Johann Ernst Hebenstreit) Versus the Dutch Ovid (Gerard Nicolaas Heerkens) Intellectual History Review: Vol. 18, Humanism and Medicine in the Early Modern Era, pp. 91-101.
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  39.  3
    Persian Poets In View Of Divan Poet.Hakan Yekbaş - 2009 - Journal of Turkish Studies 4:1126-1155.
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  40.  13
    The Poet Minding The Local Instruments: Ahmed-i D'i.Mustafa Ziya Bağriaçik - 2009 - Journal of Turkish Studies 4:60-75.
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  41.  11
    The Poet in the Age of Prose.Erich Heller - 1980 - The Monist 63 (4):465-479.
    With Hegel’s observations in his Lectures on Aesthetics, on the difference between the epic poetry of the ancients and the novel as the dominant literary form of the present, we are at the center of these meditations. The great epic poems of antiquity, Homer’s Iliad and Odyssey, for instance, or Virgil’s Aeneid, reflect not only the minds of certain poets; they are, at the same time, as are all great literary works, recognizable as the product of an age; and the (...)
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  42.  2
    Poet and Psychologist: A Conversation.Keith J. Holyoak - 2023 - Metaphor and Symbol 38 (2):117-129.
    I consider poetry composition from both the “inside” view of a poet and the “outside” view of a cognitive psychologist. From the perspective of a psychologist, I review behavioral and neural studies of the reception and generation of poetry, with emphasis on metaphor and symbolism. Taking the perspective of a poet, I discuss how the seeds for a poem may arise. Finally, I consider the prospects for future developments in a field of computational neurocognitive poetics.
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  43. The Poets of Our Lives.Kenneth Walden - 2024 - Journal of Philosophy 121 (5):277-297.
    This article proposes a role for aesthetic judgment in our practical thought. The role is related to those moments when practical reason seems to give out, when it fails to yield a judgment about what to do in the face of a choice we cannot avoid. I argue that these impasses require agents to create, but that not any creativity will do. For we cannot regard a response to one of these problems as arbitrary or capricious if we want to (...)
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  44.  12
    Translation and the Poet's Life: The Ethics of Translating in English Culture, 1646-1726.Paul Davis - 2008 - Oxford University Press.
    Paul Davis explores the personal and cultural significances of translating as a distinctive mode of imaginative conduct for the five principal poet-translators of what was the golden age of the art in England: John Denham, Henry Vaughan, Abraham Cowley, John Dryden, and Alexander Pope.
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  45.  1
    Lucretius, poet & philosopher.Edward Ernest Sikes - 1936 - New York,: Russell & Russell.
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  46.  14
    Pusey and the Romantic Poets: Some Links to Eucharistic Theology.Brian Douglas & Jane Douglas - 2017 - New Blackfriars 98 (1077):539-554.
    This article examines some of the links between the nineteenth century Tractarian leader Edward Pusey and the Romantic poets, particularly Samuel Taylor Coleridge, in relation to eucharistic theology, especially Pusey's 1836 ‘Lectures on Types and Prophecies of the Old Testament’. Pusey's sacramental theology was affected by the Romantic poets in the expression of moderate realism which also played an important part in the Oxford Movement. Like the Romantic poets, Pusey saw nature as pointing to and conveying the presence of God (...)
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  47.  17
    Pusey and the Romantic Poets: Some Links to Eucharistic Theology.Brian Douglas & Jane Douglas - 2016 - New Blackfriars 97 (1072).
    This article examines some of the links between the nineteenth century Tractarian leader Edward Pusey and the Romantic poets, particularly Samuel Taylor Coleridge, in relation to eucharistic theology, especially Pusey's 1836 ‘Lectures on Types and Prophecies of the Old Testament’. Pusey's sacramental theology was affected by the Romantic poets in the expression of moderate realism which also played an important part in the Oxford Movement. Like the Romantic poets, Pusey saw nature as pointing to and conveying the presence of God (...)
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  48.  16
    The Poet, The Critic, and the Moralist: Horace, Epistles 1.19.C. W. Macleod - 1977 - Classical Quarterly 27 (2):359-376.
    I begin by quoting from two valuable recent works on Horace. Professor Brink in his Horace on Poetry writes: ‘The centre of the short piece lies in lines 21—34. Readers, among them critics and poets, had denied one aspect of the Odes which was surely above criticism—the striking originality of these poems. Horace's defence turns on the question of originality’ and ‘Epistle 19 is unique in that it alone among the literary satires and letters reiterates Horace's claim to be the (...)
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  49.  4
    Platon et les poètes dans la République.Robert Muller - 2020 - Philosophie Antique 20:215-236.
    On dit et répète que, dans la République, Platon a chassé les poètes de la cité. L’affirmation n’est pas fausse, à condition d’ajouter plusieurs réserves et précisions qui, si on les prend au sérieux, donnent une image très différente de l’attitude de Platon envers la poésie. La cité a besoin de poètes : une partie essentielle de l’éducation des gardiens (livres II-III) repose sur la musique-poésie, et c’est bien pourquoi Platon s’attarde longuement sur les règles à respecter en la matière. (...)
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  50.  5
    Le poète, le rêve et l'absolu.Jean-Louis Vieillard-Baron - 1989 - Revue de Métaphysique et de Morale 94 (1):125 - 134.
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