This volume offers a comprehensive philosophical study of Confucian ethics-its basic insights and its relevance to contemporary Western moral philosophy. Distinguished writer and philosopher A. S. Cua presents fourteen essays which deal with various probl.

Kan demokrati - folkets magt - realiseres. Forfatteren gennemgår dette på baggrund af den konflikt, der altid har været mellem den påtvungne magt og den valgte magt.

Machine consciousness is not only a technological challenge, but a new way to approach scientific and theoretical issues which have not yet received a satisfactory solution from AI and robotics. We outline the foundations and the objectives of machine consciousness from the standpoint of building a conscious robot.

Summary Robert Boyle did not subordinate chemistry to mechanical philosophy. He was in fact reluctant to explain chemical phenomena by having recourse to the mechanical properties of particles. For him chemistry provided a primary way of penetrating into nature. In his chemical works he employed corpuscles endowed with chemical properties as his explanans. Boyle's chemistry was corpuscular, rather than mechanical. As Boyle's views of seminal principles show, his corpuscular philosophy cannot be described as a purely mechanical theory of matter. Boyle's (...) classification of corpuscles allowed him to connect his corpuscular views of matter with chemistry. Boyle did not rule out the possibility of a classification of chemical substances based on their properties: his aim was to reform the received classification. (shrink)

Elise Crull claims that by invoking decoherence it is possible to obviate many “fine grained” issues often conflated under the common designation of measurement problem, and to make substantial progresses in the fields of quantum gravity and quantum cosmology, without any early incorporation of a particular interpretation in the quantum formalism. We point out that Crull is mistaken about decoherence and tacitly assumes some kind of interpretation of the quantum formalism.

Biografía intelectual de Eduardo Bello Reguera.

In the different territorial levels (local, national, global...) in the domain of economic phenomena, we can distinguish different types of economic systems (local, national, global...). In this essay, we have tried to give a scientific answer to the question what is a territorial economy, through..

The article pretends to situate basic patterns in order to think the nature of “the epistemological revolution”, having in mind criteria that allow to distinguish and meaning fully take into consideration the place from where one stares and speaks. This supposes to think “the epistemological revolut..

I say: “Oh, what a beautiful surrealist picture!” With quite precise awareness: this páthos, these emotions of mine do not stem from our common sense. An aesthetic judgment is founded on an immediate subjective intuition: an emotion or a free feeling of a single subject towards an object. A universal sense, possibly. Some judgments of ours in ethics and in law are no different from our perceptions in front of art. It would be the same for a hypothetical sentence of (...) the judge that concluded with these words: “I acquit Arsenio Lupin because of his magnificent handlebar moustache like that of Guy de Maupassant”. Everyone would think intuitively that it is an unfair sentence. Is there aesthetics of terror? The case that the article intends to examine is that of the famous kidnapping and murder of the Italian statesman Aldo Moro by the “Brigate Rosse” [Red Brigades] (1978). The method used here consists in studying the image of the kidnapping as iconic documentation of reality, and, above all, as an ethical-legal judgment about the terrorist crime. Moro was photographed during his kidnapping. There are at least two pictures. Both constitute an extraordinary source for a judgment on the basis of an image. In both of them, Aldo Moro is pictured in front of a Red Brigades banner during the captivity. In what sense do these pictures document an aesthetic judgment concerning the “case Moro”? The answer can be found in a remarkable iconic coincidence of these pictures with a masterpiece by Georges Rouault (Paris 1871-1958) devoted to the theme of the “Ecce Homo”. The Gospel in the “Ecce Homo” scene (John: 19, 4-5) narrates how Pontius Pilate wanted to arouse the compassion of the people with a scourging and the exposure of Jesus to the crowd. The plate under consideration is entitled “Qui ne se grime pas?” [Who does not have a painted face?] and is a key work in Rouault’s suite of prints Miserere, dated for 1923. (shrink)

We propose the “microbiota‐inflammasome” hypothesis of major depressive disorder (MDD, a mental illness affecting the way a person feels and thinks, characterized by long‐lasting feelings of sadness). We hypothesize that pathological shifts in gut microbiota composition (dysbiosis) caused by stress and gut conditions result in the upregulation of pro‐inflammatory pathways mediated by the Nod‐like receptors family pyrin domain containing 3 (NLRP3) inflammasome (an intracellular platform involved in the activation of inflammatory processes). This upregulation exacerbates depressive symptomatology and further compounds gut (...) dysbiosis. In this review we describe MDD/chronic stress‐induced changes in: 1) NLRP3 inflammasome; 2) gut microbiota; and 3) metabolic pathways; and how inflammasome signaling may affect depressive‐like behavior and gut microbiota composition. The implication is that novel therapeutic strategies could emerge for MDD and co‐morbid conditions. A number of testable predictions surface from this microbiota‐gut‐inflammasome‐brain hypothesis of MDD, using approaches that modulate gut microbiota composition via inflammasome modulation, fecal microbiota transplantation, psychobiotics supplementation, or dietary change. (shrink)

Les multiples équivoques, qui à plusieurs égards ont caractérisé jusqu'au siècle dernier la réception des Principes de la Nature et de la Grâce et de la Monadologie de Leibniz, trouvent leur origine dans les circonstances de la genèse de leurs manuscrits: ils donnèrent lieu à une information fautive publiée en 1721 dans un compte rendu anonyme des Acta eruditorum de Leipzig. Des recherches dans les archives démontrent que l'auteur de ce compte rendu ainsi que de la traduction latine de la (...) Monadologie, parue la même année dans les Supplementa des Acta eruditorum, était Christian Wolff qui possédait une copie du manuscrit leibnizien au moins depuis 1717. Cette traduction s'inscrit dans une stratégie culturelle précise qui vise à désamorcer toute interprétation idéaliste de la pensée monadologique de Leibniz. Un élément essentiel de cette stratégie consiste à lire la théorie de l'harmonie préétablie comme une doctrine fondée sur une métaphysique strictement dualiste des substances. (shrink)

Text of 1735 and 1936 eds. of the Meditationes, with concordances, reproducedon 3 microfiches (11 x 15 cm.) in pocket.

Van Helmont's chemistry and medicine played a prominent part in the seventeenth-century opposition to Aristotelian natural philosophy and to Galenic medicine. Helmontian works, which rapidly achieved great notoriety all over Europe, gave rise to the most influential version of the chemical philosophy. Helmontian terms such as Archeus, Gas and Alkahest all became part of the accepted vocabulary of seventeenth-century science and medicine.

The concept of authenticity as a predicate of performances of musical works is discussed in the context of the Western classical tradition.I claim that the concept of a performance of a musical work raises issues of relativity and indeterminacy, since its application is not completely free from music-historical contextuality and from considerations of aesthetic value.I challenge the argument for the necessity of authenticity in performance that eschews the problem of determining the extension of the concept authentic performance of a work' (...) by reducing the concept to that of the correct instantiation of that work.I suggest that the way the present socio-musical context defines the boundaries of correction and authenticity in performance derives from a balance, and a tension, between two types of interest in performance as an artistic practice: an interest in the performed work as the artistic product of its composer, which favours fidelity to the work; and an interest in the performance as the artistic product of the performer, which favours the latter's creative freedom.I argue for the relevance of certain moral obligations to composers on the part of performers, but also for the defeasible character of these obligations, thus blocking the view according to which historical authenticity is an absolute moral imperative.I distinguish personal authenticity, as creativity and sincerity on the part the performer, from historical authenticity, as the performance's faithfulness to the work performed, to its composer, or to the sound, performance practice or musical experience that were typical of the work's original context. I argue against the view that the historically authentic performance has an advantage over other kinds of performance in terms of propensity to generate more aesthetically successful results.The promotion of historical authenticity by the historically informed performance movement is analyzed as artistic ideology and practice. I conclude that the priority of historical authenticity is not a defensible artistic ideal, since it is ultimately incompatible with aesthetic priorities. (shrink)

This paper develops the very basic notions of analysis in a weak second-order theory of arithmetic BTFA whose provably total functions are the polynomial time computable functions. We formalize within BTFA the real number system and the notion of a continuous real function of a real variable. The theory BTFA is able to prove the intermediate value theorem, wherefore it follows that the system of real numbers is a real closed ordered field. In the last section of the paper, we (...) show how to interpret the theory BTFA in Robinson's theory of arithmetic Q. This fact entails that the elementary theory of the real closed ordered fields is interpretable in Q. (shrink)

The paper presents a metaphysical characterization of spatiotemporal backgrounds from a realist perspective. The conceptual analysis is based on a heuristic sketch that encompasses the common formal traits of the major spacetime theories, such as Newtonian mechanics and general relativity. It is shown how this framework can be interpreted in a fully realist fashion, and what is the role of background structures in such a picture. In the end it is argued that, although backgrounds are a source of metaphysical discomfort, (...) still they make a spacetime theory easy to interpret. It is also suggested that this conclusion partially explains why the notion of background independence carries a lot of conceptual difficulties. (shrink)

We give a presentation of Post algebras of ordern+1 (n1) asn+1 bounded Wajsberg algebras with an additional constant, and we show that a Wajsberg algebra admits a P-algebra reduct if and only if it isn+1 bounded.

For each ordinal α it is given a model for Skala's set theory using the well-known cumulative type hierarchy.

Una risposta alla prolusione di Zeller.-Della libertà morale.-I problemi della filosofia della storia.-In memoria del Manifesto dei comunisti.- Del materialismo storico.-Discorrendo di socialismo e di filosofia.-Da un secolo all'altro.-Storia, filosofia della storia, sociologia e materialismo storico.

Recent works on Leibniz include: E. Pasini, Il reale e l’immaginàrio, Torino: Sonda, 1993. Translations or editions of Leibniz’s works: G.W. Leibniz, Scritti di Lògica, edited by F. Barone, Bari: Laterza, 1992; G.W. Leibniz, L’armonìa delle lingue, ed. by S. Gensini, Bari: Laterza, 1995.

Frente a la imagen de un Vico ajeno a las exigencias del rigor metódico, este trabajo se propone plantear: a) Que la preocupación por el problema del método es una constante en el pesamiento de Vico. b) Que su aportación debe considerarse especialmente relevante en lo que atañe a los actuales empeños rehabilitadores de la racionalidad práctica y, en particular, para las más recientes teorias de la argumentación jurídica. c) Que, no obstante lo anterior, la actitud metódico jurídica de Vico (...) no puede ser calificada de meramente "retórica", más bien, entraña un intento de proyectar principios de justificación racional a los tópicos argumentativos del Derecho; o a propiciar un esfuerzo integrador de los topoi retóricos de las controversias jurídicas con las exigencias justificatorias de la razón práctica. Para explicitar este enfoque se procederá a abordar, por aproximación sucesiva, tres cuestiones: 1ª) Los aspectos básicos del actual debate sobre la racionalidad juridica y la teoría de la argumentación en el Derecho. 2ª) La apelación a Vico como punto de partida del nuevo interés por la revalorización de la tópica jurídica. 3ª) El significado de la argumentación en el "interior" de la reflexión metódica viquiana y en sus proyecciones "externas" al presente. (shrink)

En este artículo nos proponemos exponer, a partir de los límites conceptuales encontrados a los planteamientos arqueo-genealógicos de Michel Foucault, la posibilidad de plantear, en dos momentos –arqueo-genealógico y gubernamental–, una “ética de la insubordinación reflexiva”. Es decir, una “ética de la libertad inmanente” al débil que al decir su palabra, denuncia y al denunciar cuestiona al tirano y su mundo al habar y actuar con –y por– los otros. Esta ética de la intersubjetividad planteada como una ética de la (...) insumisión concertada, crítica y deliberada, pensamos, puede derivar de ciertas “condiciones enunciativas” encontradas en las dos últimas investigaciones concernientes al “decir veraz” o el “hablar franco” expuestos en El gobierno de sí y de los otros y El coraje de la verdad. (shrink)

This article seeks to problematize Agamben’s interpretation of sovereignty in light of the “archaeological method” he uses in his Homo Sacer project. In contrast to Agamben’s exposition, which treats biopolitics as the original and ontological paradigm of Western politics, the essay discusses how, historically, sovereign power has been conceived as a “double body”—transcendent and immanent, sacred and sacrificial, absolute and perpetual—from whose tension conceptual and political metamorphoses of sovereignty arise. The first attribute of sovereignty—absoluteness, on which Agamben has often focused—should (...) be seen as an ordering and essentially modern function of its second “body”: the perpetuity of power. The article illustrates, then, how the retrospective projections through which the Italian philosopher constructs his ontological reading of sovereignty depend on some logical and epistemological lacunae that characterize his “archaeological method,” which is based, essentially, on an arbitrary use of historical analogies. (shrink)