In this article, I consider the possibility of interpreting Hegel’s dialectic as dialetheism. After a first basic recapitulation about the meaning of the words ‘dialetheism’ and ‘dialectic’ and a consideration of Priest’s own account of the relation between dialectical and dialetheic logic in 1989, I discuss some controversial issues, not directly considered by Priest. As a matter of fact, the reflection on paraconsistent logics and dialetheism has enormously grown in recent years. In addition, the reception of Hegel’s logic and metaphysics (...) has also impressively improved. So I suggest that the discussion about the binomial dialectic/dialetheism should be reopened, on these new bases. (shrink)

In this paper I argue that Hegel’s treatment of dialectical inferences, in particular of Plato’s dialectics in the Lectures on the History of Philosophy, belongs to the history of the logical rule that, from Gerolamo Cardano to Bertrand Russell, is known as consequentia mirabilis. In 1906 Russell formalises it as follows: and its correspondent positive form as My paper has two parts. First, I show that dialectical inferences, for Hegel, involve sentences of the form and. Hegel, following Plato, stresses that (...) these inferences are das Wunderbare, the marvellous element of dialectical reasoning. In this sense Hegel’s view belongs to the history of CM from a perspective that is both terminological and logical. Second, I stress the peculiarity of Hegel’s CM. In a classical setting, the conditional is admissible and from we can, by CM, derive, and from, by CM, infer. However, in Hegel’s analysis it is evident that we can neither infer from, nor from. Rather, in dialectical inferences what we can vali... (shrink)

The papers in this volume present some of the most recent results of the work about contradictions in philosophical logic and metaphysics; examine the history of contradiction in crucial phases of philosophical thought; consider the relevance of contradictions for political and philosophical actuality. From this consideration a common question emerges: the question of the irreducibility, reality and productive force of (some) contradictions.

Lotman’s contribution to semiotic theory, anthroposemiotics, the study of artistic texts and defining the relationship between language and culture represent some of the most powerful work produced within the Tartu–Moscow School of Semiotics. The importance of translation is one of the central principles that unites all of Lotman’s work. In the following paper, we will consider Lotman’s definition of translatability in the context of (1) the definition of semiospheric internal and external boundaries and the importance of crossing these boundaries, (2) (...) the role of no fewer than two languages as a minimal unit of semiotic meaning-generation, (3) culture text-level generation of collective memory, and (4) the ever-present tension in the communication act. In our concluding section, we will offer an extended model of the communication act, based on the fundamental principles given in Jakobson, Sebeok and Lotman, in order to specify important moments of the translation process. (shrink)

Some authors have claimed that Hegel's ‘determinate negation’ should be distinguished from ‘logical’ or ‘formal’ negation, that is, from a view of negation as a contradictory forming operator. In contrast, I argue that dialectical determinate negation involves a view of negation as a contradictory forming operator, and can therefore count as formal negation in every respect. However, as it is clear in contemporary glutty semantics of negation, one may distinguish between different accounts of the relationship between negation, contradiction and content. (...) I suggest that, differently from classical negation, and as glutty negation, dialectical negation has partial content. (shrink)

We focus here on the intercalary heterochromatin (IH) of Drosophila melanogaster and, in particular, its molecular properties. In the polytene chromosomes of Drosophila, IH is represented by a reproducible set of dense bands scattered along the euchromatic arms. IH contains mainly unique DNA sequences, and shares certain features with other heterochromatin types such as pericentric, telomeric, and PEV‐induced heterochromatin, the inactive mammalian X‐chromosome and the heterochromatized male chromosome set in coccids. These features are transcriptional silencing, chromatin compactness, late DNA replication, (...) underrreplication or elimination in somatic cells, and formation of the heterochromatin state in early embryogenesis. Post‐translational modification of histones and the specific nonhistone protein complexes are shown to participate in the establishment and maintenance of silencing for all heterochromatin types. Many IH regions contain binding sites for HP1 and/or Pc‐G proteins and all the regions are sites of heterochromatin‐associated SuUR protein. Some IH regions are known to contain homeotic genes. Summarizing these data, we suggest that IH regions comprise stable inactivated genes, whose silencing is developmentally programmed. BioEssays 25:1040–1051, 2003. © 2003 Wiley Periodicals, Inc. (shrink)

In this paper, I examine Hegel’s and Priest’s answers to three questions: “What is logic?” “Can logic be revised?” “If so, how is this done?” Considering that the two views are separated by more than 150 years in which logic has experienced its perhaps most radical revolution, the two accounts are surprisingly close. Both authors admit different meanings of “logic”. In both accounts what could be called a metaphysical concept of logic plays an important role. Moreover, both authors hold that (...) logic as theory can be revised. Yet the two conceptions also differ in some relevant respect. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Theory in the “Post” Era: A Vocabulary for the 21st-Century Conceptual Commons ed. by Alexandru Matei, Christian Moraru and Andrei TerianLaura Elena Savu WalkerMatei, Alexandru, Christian Moraru, and Andrei Terian, editors. Theory in the “Post” Era: A Vocabulary for the 21st-Century Conceptual Commons. Bloomsbury, 2021. 376pp.Far from “mourning” the demise of theory, this timely and thoughtfully curated essay collection testifies to its “renewed vitality,” its compelling presence (...) “across fields, domains of life, and geocultural boundaries,” and its power to build an ever-expanding world community of practioners who are forming what has come to be known as a “theory commons” (ix). As the collection’s editors point out, theory’s new lease on life hinges on ensuring both the democratic workings of this “world discourse formation” (1) and on the responsible theorizing of the very notion of community in “a world threatened by all kinds of anti-communal actions and reactions, from runaway globalization to exacerbated tribalism and tunnel-vision politics” (x). Working on the margins, specifically, out of a Romanian “lab” called The Critical Theory Institute (CTI), which opened its doors in early 2000, the contributors seek to revise the “standard history of theory,” one whose “Western origins, authority, and cultural compass ” strike them as “exceedingly reductive” (3). This project of geotheoretical repositioning and recalibration aims to recast theory as a “quintessentially cross-linguistic, cross-cultural, trans- and intercontinental undertaking” (4). As such, it carries on the project, launched in a previous volume, Romanian Literature as World Literature (2018), of fashioning an alternative to the nation-state paradigm that has long shaped literary and intellectual histories. In both of these works, Romanian critics and theorists have tuned into a wide range of voices, and tapped into a shared conceptual and methodological apparatus—itself the product of “an ethno-linguistic medley of traditions” (8). This approach informs what editors see as the “epoch-making” (17) discursive paradigm that has taken shape in globally networked post-Cold War societies (17), a viral model of cultural influence that fosters an ontology of “contact, contagion, of infection, dissemination, and horizontal accumulation” (15).To give us a sense of theory’s complex genealogy and evolution, the editors reference the Bulgarian critic Galin Tihanov, who has attributed [End Page 122] important developments in contemporary theory to the achievements of theorists (Nikolai Trubetskoi, Roman Jakobson, Vladimir Propp, and Georg Lukács) and schools of thought (Russian Formalism and the Prague Linguistic Circle). In “Traveling Theory” (1983) and “Traveling Theory Reconsidered” (2000), Edward Said called attention to the migratory nature of contributions made, for instance, by Georg Lukács, whose theories moved across different European locales in this period. Since then, contemporary theory has branched out to integrate the travels and travails of scholars affiliated with theory labs located in Bulgaria, Hungary, Slovakia, and last, but not least, Romania (10).Theory in the “Post” Era highlights five characteristics that distinguish theory in the “post” era from earlier forms: 1) It has a “reluctantly epoch-alist” thrust (19; original italics), which assumes that the “post” lexicon entails “rupture, discontinuity, and opposition” (19), radical departures, tentative claims, provisional conclusions, and ex-centric perspectives; 2) it adopts a “self-reflexive and experimental” (20; original italics) stance in which theorists invoke inherited approaches or invent new ones; 3) it introduces a “transdisciplinary” (21; original italics) scope that allows authors to interrogate the foundations, aims, and methods of theoretical discourse and practice across several knowledge domains, from which they “borrow whole vocabularies and toolkits” (21); 4) it is “nationally, transnationally, and ecologically affiliative” (20) in ways that allow theorists to “think with others at a distance” (21) about global issues; and 5) it is programmatic, placing critical and theoretical concerns in the service of “the ethical, the political, and the communal” (22). Organized around three main themes (“Aesthetics,” “Temporalities,” and “Critical Modes”), the essays juxtapose discussions of pivotal historical events and cultural phenomena with literary analyses of Romantic era “classics,” modernist experiments, and postmodern works of the post-Communist era, a corpus that includes, but is not limited to, landmark works of national culture that are now part of a fast-expanding planetary... (shrink)

The article analyses Hegel's use of the expression >das Logische die Logik das Logische das Logische das Dialektische<. This shows in my point of view that the Jena logic is already conceived as metaphysics, and that dialectics is the very core of the identity of logic and metaphysics.

The purpose of this paper is to show that in Western postmodernism, both religion and the university are under the sign of simulacra. Friedrich Nietzsche’s “death of God” instigates a discussion of postmodernism and a simulacrum of religion. According to Jean Baudrillard and the theory of the Three Orders of the Simulacra, reality died and “hyperreality” took its place and now governs our existence. If, for Michel Foucault, the religious phenomenon today is outside theological beliefs and traditions, oriented towards the (...) body, power and panoptic supervision, for Jacques Derrida the phenomenon appears more as a negative theology of deconstruction. The theoretical objective seeks to explore the mutations that have occurred both in the academic environment and in religion under the phenomenon of globalisation and the technologisation of humanity. Here, the study of religion in universities is a third order simulacrum, the consequence of which is the illusion of knowledge and the unconditional independence of humanity, manipulated by technological evolution. The methodology used is Derridarian decon­struction, Nietzschean nihilism and the Baudrillardian criticism of the postmodern consumerist system. (shrink)

Cette étude se propose de vérifier l’efficacité des collocations en tant qu’indice pour distinguer les genres textuels. De plus, elle a le double objectif d’aborder l’exploration de la variabilité de l’italien en utilisant des méthodologies computationnelles, et de vérifier l’efficacité d’une nouvelle mesure d’association dans l’étude des collocations.Quatre typologies de collocations ont été analysées (verbe-nom, nom-adjectif, nom-nom et nom-préposition-nom) dans six genres textuels différents, dont trois sont écrits (textes littéraires, textes académiques et compositions scolaires) et trois sont oraux (conversations, discours (...) et dialogues filmiques).La fréquence des collocations dans les différents genres montre que chaque typologie de texte a des préférences spécifiques pour des typologies de collocations spécifiques; la seule fréquence et la seule distinction entre textes écrits et oraux, toutefois, ne réussit pas à interpréter cette différente distribution selon un modèle cohérent. A cet effet, la mesure statistique de la gravité lexicale semble posséder une efficacité majeure, comme nous essayerons de démontrer. (shrink)

Brain stimulation techniques allow for the search of crucial areas for a given function. Not always convergent with neuroimaging, TMS studies have targeted parietal areas critical for quantity representation, spatio-numerical links, numerical and non-numerical quantity, finger gnosis and calculation. TMS data indicate the intraparietal sulcus and surrounding areas in the left and right hemisphere as crucial for quantity processing, although left hemisphere might be dominant. Bilateral parietal loci are essential for calculation and bilateral parietal areas are behind the spatio-numerical link, (...) which extends to frontal and posterior parietal sites. DCE studies to date have focused on the dominant hemisphere, have used calculation tasks and have found both dissociation and overlap between operations. An integrative view of positive findings and a focus on convergence and possible improvement is proposed. Although regularities are found between these techniques, more research is needed before arriving at conclusions that will have basic and clinical importance. (shrink)

For Bergson, creating a masterpiece and perceiving it amounts to an act of intuitive communication between the artist and the spectator. Both the artist and the viewer intuit the work of art, which is something other than their own personal history, something that belongs to both of them and at the same time exists independently from them. The Bergsonian concept of heterogeneous duration, which primarily refers to consciousness and living processes, is extended in this instance to artistic communication as a (...) process that unites creation and contemplation. Artistic creation and communication constitute an intimate ontological bonding wherein human beings actualize their ability to intuit and where an artist shares with the audience his or her deep emotions without revealing personal data. This process of creation and perception of art could be named artistic duration or artistic communication. This duration is created by a joint participation of more than one individual and represents duration that escapes the boundaries of one mind because it is created by more than one mind. The artist initiates a continuity of emotion, by expressing it in art and making us feel it when we admire the masterpiece. By perceiving it, we do not return to the artist’s time and re-live his or her artistic creation vicariously, but pick up where the artist left this creation and let it live further on in our soul. (shrink)

This book provides an answer to the question: «Where does the point-of-view shot come from?» It investigates the emergence of this filmic form as the product of a culture and its history, unravelling the difference between a point-of-view shot and a character's subjective viewpoint.

Arts of Living on a Damaged Planet: Ghosts and Monsters of the Anthropocene. Edited By Tsing Anna Lowenhaupt, Swanson Heather Anne, Gan Elaine, Bubandt Nils.

This essay analyses Hegel’s use of the metaphor of «the cross and the rose», not only in the Preface to the Grundlinien der Philosophie des Rechts, which all major interpretations refer to, but also in two other texts: Wer denkt abstrakt? of 1807 and the 1829 review of Schubart's and Garganico’s Über Philosophie überhaupt... In Wer denkt abstrakt? Hegel criticizes a sentimental, as equivalent to a «non concrete», interpretation of the figure; in the Preface he claims that «reason is the (...) rose in the cross of the present», assimilating the image to a platonic idea of State; in the review of 1829 he criticizes a naïve interpretation of the figure. In the light of these observations, it is possible to conclude that Hegel sees the figure as the specific image of the relation of the platonic and the critical element, typical of dialectical rationality. The Hegelian use of the figure thus results, in this perspective, by far more subtle than the one envisaged by its “political” interpretations. (shrink)

Giorgi Lebanidze's book is a welcome contribution to the literature on Hegel's logic and metaphysics. It provides a well-grounded account of the ontologico-metaphysical relevance of Hegel's thought, and locates it within a lucid reconstruction of recent debates. As the author argues in the introduction, two lines have dominated the English-speaking literature on Hegel in the last thirty years: an epistemological reading that brings Hegel close to Kant, and a metaphysical reading that decouples Hegel from Kant. Paradigmatic for the two readings (...) are for Lebanidze Robert Pippin's groundbreaking Hegel's Idealism on the one side, and Robert Stern's Hegelian Metaphysics and Brady Bowman's Hegel and the... (shrink)

This essay analyses Hegel’s use of the metaphor of «the cross and the rose», not only in the Preface to the Grundlinien der Philosophie des Rechts, which all major interpretations refer to, but also in two other texts: Wer denkt abstrakt? of 1807 and the 1829 review of Schubart's and Garganico’s Über Philosophie überhaupt... In Wer denkt abstrakt? Hegel criticizes a sentimental, as equivalent to a «non concrete», interpretation of the figure; in the Preface he claims that «reason is the (...) rose in the cross of the present», assimilating the image to a platonic idea of State; in the review of 1829 he criticizes a naïve interpretation of the figure. In the light of these observations, it is possible to conclude that Hegel sees the figure as the specific image of the relation of the platonic and the critical element, typical of dialectical rationality. The Hegelian use of the figure thus results, in this perspective, by far more subtle than the one envisaged by its “political” interpretations. (shrink)

The article is about the meaning of the word ‘transcendental’ in Kant and Fichte. Its aim is not merely exegetical. It is a common hermeneutical insight (now revitalised by research on conceptual engineering and conceptual genealogy for analytic philosophy) that analysing the use and definitions of concepts in history, and their shifts in the development of the history of philosophy, is a crucial tool we have to understand those concepts and to assess their viability for philosophy today. In this paper, (...) I focus on Kant’s use and definitions of the word ‘transcendental’ and suggest that they are symptomatic of a fundamental question that is not completely answered in Kant’s philosophy. If transcendental philosophy deals not with objects but rather the conditions of possibility of objective knowledge, then important questions emerge: What are these possibility conditions? Do they exist? Are they special objects? What is their nature? I show that the shift in Fichte’s use and understanding of the concept of ‘transcendental’ leads to a possible solution of the problem Kant was struggling with. (shrink)