This essay contributes to contemporary discussions concerning so‐called animal politics by drawing from the history of the notion of political animal. Two different historical meanings of the notion are identified: (1) normative political animality that is intrinsically linked with rationality, language, and justice; (2) biological political animality that focuses on collaboration for the sake of a common aim. The former is applicable only to human beings, while the latter can also be used in relation to other animals. After (...) briefly discussing the Aristotelian background of the notion, the essay argues that in medieval Aristotelian tradition, the normative meaning prevailed and the biological one was set aside. However, it is precisely the biological notion that appears useful today. The essay suggests several ways in which it might benefit contemporary theoretical discussions concerning animals, thus laying ground for further developments in animal politics. (shrink)

This essay presents a reading of Nietzsche's untimely consideration On the Use and Disadvantage of History for Life that reevaluates the importance of animality and animal forgetfulness in Nietzsche's conception of history. It argues that the novelty of Nietzsche's essay On the Use and Disadvantages of History for Life is contained in the insight that animal is prior and primordial to human memory; that life is historical through and through because it is forgetful through and through. Furthermore, it contends (...) that the perspective of animal forgetfulness reveals that memory is an artistic force, and, as a consequence, historiography must be understood as an artwork rather than a science, concerned with interpretation rather than the factual representation of the past. Dieser Artikel vertritt die These, dass die Originalität von Vom Nutzen und Nachthiel der Historie für das Leben darin besteht, das tierische, Vergessen als die Bedingung und Möglichkeit des menschlichen Erinnerns festgestellt zu haben. Dies beduetet, dass das menschliche Leben nicht deswegen als geschichtlich zu begriefen ist, weil der Mensch sich erinnert, sondern weil er wie das Tier vergisst. Es wird dafür argumentiert, das es diese Einsicht in den Vorang des tierischen Vergessens ist, welche Nietzsche dazu geführt hat einerseits das menschliche Erinnerungvermögen als eine Künstlerische Kraft neu zu definieren und andererseits die Geschichtsschreibung als ein Kunstwerk, dass sich mit Interpretation und nich mit der faktischen Widerspiegelung der Vergangenheit befasst, neu ze bestimmen. (shrink)

Axel Honneth and Hans Joas claim that Helmuth Plessner’s philosophical anthropology is problematically ‘solipsistic’ insofar as it fails to appreciate the ways in which human persons or selves are brought into being and given their characteristic powers of reflection and action by social processes. Here I review the main argument of Plessner’s Die Stufen des Organischen und der Mensch: Einleitung in die philosophische Anthropologie with this criticism in mind, giving special attention to Plessner’s accounts of organic being, personhood, language, sociality, (...) and historicity in that text. I argue that Honneth and Joas’s criticisms understate the extent to which Plessner takes sociality to be a constitutive condition of human forms of life within the structure he calls ‘ex-centric positionality’. This reading of Plessner also provides resources for answering a more common criticism of his philosophical anthropology – namely, that it is problematically ‘essentialist’, paying insufficient heed t.. (shrink)

Cimatti and Salzani have put together a rich collection of essays on animal studies that provides an exhaustive overview of how Italian contemporary philosophers are engaging with animal ethics, antispeciesism, posthumanism, ecofeminism, and biopolitics. This edited volume represents an important development in the “animal turn” in the humanities, particularly because it is published in English, allowing for a more efficient dialogue between “Italian theory” and philosophers around the world. This is, in fact, the first collection that will give an international (...) audience access to the rich and varied contribution of Italian contemporary philosophy in the burgeoning field of animal studies. It is also important to point out that all the authors—who are either well-established erudite thinkers or bright and innovative new voices in the panorama of Italian philosophy—effectively engage with recent and prominent scholarship in the fields of animal studies, posthumanism, and biopolitics, such as the work of Zizek, Esposito, Hardt, Calarco, Braidotti, and Wolfe.The volume is clearly intended for an academic audience: professors, scholars, and graduate students studying not only philosophy, Italian studies, environmental humanities, and animal ethics, but also political science, ethology, comparative literature, art history, and religious studies. In addition, the book could also find an audience in animal rights and environmental activists who are interested in the philosophical aspects and ethical and political implications of their actions.The division of the book into three sections (“Animality in the Italian Tradition,” “Animality in Perspective,” and “Fragments of a Contemporary Debate”) provides the reader a clear trajectory from the Italian philosophical tradition to the current debate on “animality.” In the first section, in fact, the authors engage with the rich and complex tradition of both Italian animal philosophy and advocacy. In the three essays that make up this section, the authors provide a compelling historical perspective of the anti-Cartesian and antidualistic aspects of Italian thought, tracing its pre-Cartesian origin and post-Cartesian developments through the work of Francis of Assisi, Dante Alighieri, Giordano Bruno, Giambattista Vico, and Giacomo Leopardi, among others. This section also includes essays outlining the development of animal bioethics in Italy, which emerged from the work of animal advocacy pioneer Aldo Capitini and continued to have an important impact on Italian culture thanks to the antispeciesist movement and debate, of which the third essay of this section provides an exhaustive intellectual history.The second section of the volume, comprised of six essays, provides an overall view of the ongoing philosophical debate on animality that traverses Italian posthumanism, feminism, theology, biopolitics, environmental ethics, and Marxist thought. Here the authors engage with some of the prominent voices in the contemporary Italian philosophical landscape, such as Giorgio Agamben, Roberto Esposito, Roberto Marchesini, Antonio Negri, Maria Turchetto, Adriana Caravero, Luisa Muraro, and Paolo De Benedetti. As pointed out by the editors in their introduction, this section does not intend to offer a complete account of the extensive and heterogenous exchanges occurring inside the Italian biological turn, but instead aims at investigating its most compelling approaches and effectively links them to the ongoing transnational debate.The rich historiography and analysis of the first two sections is complemented, in the third section of the volume, by the speculative approach that strongly characterizes all five final essays. Here we can find some of the most exciting and original developments in Italian scholarship on animal philosophy. This section is, therefore, the most effective in presenting the distinctive approach of contemporary Italian philosophers in rethinking animality and the human-animal interplay, in particular inside the historical and epistemological frame of the Anthropocene. For instance, Massimo Filippi explores how slaughterhouses have become exemplary spaces to investigate the calculation that adds, subtracts, multiplies, and divides humans and animals, which removes animality and excises the other, which forcefully bans any imagining of the monstrously other, of the other-than-human, and that produces, among others and besides It-Self, the Woman, the Homosexual, the Abnormal, the Migrant, the Criminal, and the Animal. (p. 225)Structuring his argument on the real and metaphorical “mathematics of sacrifice” at work in the slaughterhouse (p. 226), Filippi engages with the processes that enable human ontological privilege, with intraspecific and interspecific mechanisms of discrimination, and with philosophical, political, and ethical implications of meat production.For a second and final example, ethologist Roberto Marchesini—one of the most original and prominent voices in animal studies—focuses on redefining the paradigm of “animality.” In his essay, Marchesini questions behaviorism and the automatism of learning, key aspects that have been prominent in defining animality in many fields, from biology to philosophy. Building from his groundbreaking and extensive work in ethology and zooanthropology, he argues for an “elaborative model” of animality (animal as subject) against the fallacy of the “automatism-based model” (animal as mechanism): Subjectivity is the implicit condition of the animal being, an expressive dimension that may also be unconscious but that precedes from (i) a constructivist conception of behavior, which we could explain by considering it a work in progress, always open and never predetermined, but equally never imposed and nonetheless always co-factorial to external contributions, and (ii) a propositional view of the individual, or rather from being supported by verbal structures such as to delight, to fear, to want, which join themselves to modal predicates declined according to context, but which likewise render the individual the protagonist. (p. 247)Animal studies has established itself as one of the most exciting areas of research inside the biological turn of the humanities worldwide and, by collecting such a large number of compelling and provocative theories from Italian contemporary philosophy, the impact of Cimatti and Salzani's volume will be twofold: It will enrich and expand a developing discussion in the environmental humanities and in animal studies while establishing the centrality of Italian thought in such an important and, in the Anthropocene era, necessary debate. (shrink)

The aim of this article is to examine the problematic frontier that separates the phenomenology of the body and the phenomenology of animality. The main difficulty is to differentiate phenomenologically not only between embodiment and animality, but also between specifically human embodied experience and what is accessible to us through empathy in relation to the corporeality of the animal. I will tackle these questions by considering relevant textual material from the writings of Edmund Husserl and Martin Heidegger. On (...) the one hand, I will show that although embodiment and animality are convergent on the level of the naturalistic attitude in Husserl’s Ideas II, they are divergent as soon as we place ourselves in the personalistic attitude, where the body enters into a different conjunction—namely, with the idea of person and of the spiritual world. On the other hand, Heidegger claims that, in spite of the abysmal bodily kinship with the animal, there is an essential difference between the human body and the animal organism, thus opposing the tendencies to humanize the animal and to animalize the human. (shrink)

El ensayo ofrece una lectura de la tragedia Woyzeck, del dramaturgo alemán del siglo XIX Georg Büchner. Se intenta mostrar que la obra de ficción constituye una suerte de antípoda respecto de su fuente de inspiración: el informe psiquiátrico que precipitó la condena del sujeto histórico que da título al drama. En esta perspectiva, se propone como clave de lectura el complejo de variaciones que aporta la obra en torno al tópico o la figura de la animalidad como fuerza neutra, (...) impensable e incontrolable que no solo arrastra al protagonista hacia la desgracia, sino que además opera como principio dinámico de toda la galería de personajes. The essay offers a reading of the Woyzeck tragedy, by the XIX century German playwright Georg Büchner. It intends to portray that the fictional work constitutes a sort of antipodes in relation to its source of inspiration: the psychiatric report that precipitated the sentence of the historical subject, which gives the title to the drama. On this point of view, a reading codeis proposed from the set of variations that the play contributes to the subject or the figure of animality. As a neutral, inconceivable, and uncontrollable force, which not only pulls the protagonist towards tragedy, but also functions as a dynamic principle of the complete rangeof characters. (shrink)

This article, drawing on selected feminist magazines of the 1980s, particularly Feminist Arts News (FAN) and GEN, offers a textual ‘braiding’ of narratives to re-present a history of Black British feminism. I attempt to chart a history of Black British feminist inheritance while proposing the politics of (other)mothering as a politics of potential, pluralistic and democratic community building, where Black thought and everyday living carry a primary and participant role. The personal—mothering our children—is the political, affording a nurturing of alterity (...) through a politics of care that is fundamentally antiracist and antisexist. I attempt to show how Black feminist thought can significantly contribute to democracy in the present and how Black British history and thought, as fundamentally antiracist and anticolonial, can generate a reinvention much needed in the present of a shared British history. I argue for feminist intervention premised upon a politics of care, addressing through activist mothering the urgency of Black absence from prestigious institutions. Such debilitating absence in Britain inhibits the development of scholarship, distorts feminist history and seriously concerns potential Black feminists. From diverse texts, I develop a genealogical narrative supplemented through memory work. This ‘gathering and re-using’ privileges Black women's theorising as a crucial component of the methodological metissage, which includes auto-theorising to develop ideas of resemblance in relation to Black British feminism and feminist kinship. The resultant ‘braiding’, I suggest after Lionnet, questions the absence of intersubjective spaces for reflection on Black British feminist praxis, indicating a direction for British feminists of all complexions. Attentive to the 1980s as historical context while invoking the maternal, I consider what is required to engage generationally, counterwrite the academy and pursue a dynamic process of transformation within a transnational feminism that challenges Black British absence from academic knowledge production, while nurturing its presence. (shrink)

In The Beast and the Sovereign, Derrida’s last seminar, Derrida criticizes Lacan for making no room for animality in the Other, in the unconscious transindividual normativity of language. In this paper, I take into account the history of Derrida’s interactions with Lacan’s psychoanalysis to argue that Derrida’s early agreement with Lacan’s conception of subjectivity as split by the signifier gives place in his late thought to a deconstruction of Lacan’s fall into humanist metaphysics, which makes a sharp moral distinction (...) between the animal and the human in order to subordinate animals to the domination of mankind. (shrink)

ABSTRACTThroughout his writings, Heidegger's view of animals is ostensibly anthropocentric, defining them as deficient in relation to human beings. His most extensive analysis of animality, found in the 1929–1930 lecture course entitled The Fundamental Concepts of Metaphysics, seems to be a clear example of this anthropocentrism, defining the animal as poor in world in opposition to the human being's world-forming character. Nevertheless, Heidegger is explicitly ambivalent regarding the anthropocentric implications of this conception of animality. This paper examines Heidegger's (...) articulation of the notion of world-poverty as a distinct form of negativity, its implications for the question concerning Heidegger's anthropocentrism, as well as his ambivalence with regard to this question. (shrink)

In his classic Mimesis: The Representation of Reality in Western Literature, Erich Auerbach famously cites the opening pages of Honoré de Balzac’s Père Goriot as emblematic of modern realism. With their minute description of the boardinghouse, where much of the novel’s action takes place, these pages emphasize physical setting, Auerbach argues, in a way new to Western literature. Yet Balzac’s descriptions are driven by something more than an ambition to represent “contemporary life” in scrupulous detail. In Auerbach’s view, the characteristic (...) element of Balzac’s realism is an obsession with the reciprocal action of characters and milieu, a scientific or philosophical principle according to which the quality... (shrink)

This paper situates abortion in the context of women’s duties to themselves. I argue that Kant’s fundamental moral requirement to respect oneself as a rational being, combined with Kant’s view of our animal nature, form the basis for a view of pregnancy and abortion that focuses on women’s agency and moral character without diminishing the importance of their bodies and emotions. The Kantian view of abortion that emerges takes abortion to be morally problematic, but sometimes permissible, and sometimes even required. (...) I first sketch Kant’s account to duties to oneself, highlighting duties to oneself as an animal and moral being. Next, I discuss pregnancy and the challenges it poses to women’s self-preservation, development, and efficacy as rational human agents. I then give my main argument: that abortion is morally problematic because it is antagonistic to an important subset of morally useful emotions that we have self-regarding duties to protect and cultivate. I argue that self-regarding moral considerations ground a rebuttable deliberative presumption against maxims of abortion for inclination-based ends. Finally, I consider three objections to this account of abortion : that it rests on implausible assumptions about the effects of abortion on women’s morally useful sentiments; that it portrays the virtuous agent’s reasoning about abortion as objectionably self-regarding; and that it fails adequately to recognize the moral significance of the fetus as a potential rational being. (shrink)

Going beyond the creolisation theories of Brathwaite and Glissant, I attempt to develop ideas concerning the gendering of creolisation, and a historicising of affects within it. Addressing affects as ‘physiological things’ contextualised in the history of the Caribbean slave plantation, I seek, importantly, to delineate a trajectory and development of a specific Creole history in relation to affects. Brathwaite's proposition that ‘the most significant (and lasting) inter-cultural creolisation took place’ within the ‘intimate’ space of ‘sexual relations’ is key to my (...) argument. In the light of this, I consider how Creole cultural knowledge about affect—as the primary motivational system inclusive of fear, anger, outrage and so on — might be identified, and what constitutes such Creole knowledge within which affect might be embedded. How might Glissant's relationality and Creole literary texts add to this knowledge? I focus primarily on three texts: Clarke's The Polished Hoe, Collins’ The Colour of Forgetting and Morejón's ‘Amo a mi amo’/‘l Love My Master’. Each text on which I draw is selected for its intersectional representation of gender relations, ‘knowledge about sexual difference’ and its representation of Creole subjectivities within the context problematised here as the ‘demonic ground’. Moreover, as auto-theorising texts, they represent both narrative and meta-narrative of a creolising of affects in and against the economy of the slave plantation. Each represents also a stage or aspect of the development of subjectivities and an affective community that inform this intervention concerned with theorising against consolidated, universalising and Eurocentric conceptualisations of affect. In the process, I attempt to offer a differentiated cartography and literary archaeology of affect. (shrink)

In this article, I will discuss the Husserlian phenomenology of animality, by focusing on several texts of the 1920s in which the animal is determined as an abnormal variation of the human being. My aim is to address the question of the abnormality of the animal by reintegrating it in its original context, which is Husserl’s theory of normality. I will sketch the general framework of this theory, its articulations and strata, in order to eventually raise some paradoxical issues, (...) specifically in relation to how the question of animality is interpreted through the couple normality/abnormality. (shrink)

My main goal in this article is methodological: I want to spell out how a Kantian perspective could accommodate current empirical work on cognition, and in particular on emotion. Having chosen John McDowell as a guide, I try to characterize his view of moral experience and underline its Kantian traits. I start by identifying the conception of freedom as exemplified in the rational wolf thought experiment in Two Forms of Naturalism as the main Kantian trait. I then go through the (...) characterization of two other crucial aspects of our moral experience – reasons and value. I suggest that McDowell’s approach to moral experience, although not itself strictly Kantian in all of its details, is an instance of a transformative view of rationality, as defended by Matthew Boyle and that such transformative view is the key to accommodate empirical research on cognition within a Kantian perspective. (shrink)

Drawing on a wide range of texts - from philosophical ethology to classical texts, and from continental philosophy to literature - Cimatti creates a dialogue with Flaubert, Derrida, Temple Grandin, Heidegger as well as Malaparte and Landolfi explores what human animality looks like, with a particular focus on the work of Gilles Deleuze.

Constructions of the animal and animality are often pivotal to religious discourses. Such constructions create the possibility of identifying and valuing what is "human" as opposed to the "animal" and also of distinguishing human beliefs and behaviors that can be characterized as being animal from those that are "truly human." Some discourses also employ the concept of savagery as a bridge between the human and the animal, where the form of humanity but not its ideal beliefs and practices can (...) be displayed. This paper explores the work of the influential scientist, philosopher, and theologian A. N. Whitehead in this context. His ideas of what constitutes "the animal," the "primitive" and the "civilized" are laid out explicitly in his now little-used history of religions text, Religion in the Making. This paper explores these ideas in this history and then considers how the same ideas permeate his currently more popular philosophical and theological writing Process and Reality. Drawing on some work in post-colonial theory, the paper offers a critique of this understanding of animality, savagery, and civilization and suggests that using Whitehead to underpin modern theological work requires considerable caution. (shrink)

This interview discusses Cary Wolfe's book Before the Law with a focus on how animals fit within the framework of biopolitics. Wolfe takes on the distinctions between Foucault's and Agamben's development of biopolitics and finds room within Foucault's conceptualization for rethinking the role of animals within culture and philosophy. Additionally, the interview explores current directions in posthumanism and the Minnesota University Press series oversees as editor.

Tolstoy's remarkably economical novella The Kreutzer Sonata manages to create one of the most intense, vivid, and thought-provoking portraits of jealousy in the canon, and is as disturbing to read today as it no doubt was in 1889. The rather unhinged protagonist, Pozdnyshev, explains to his traveling companion and narrator: “Of all the passions, it is sexual, carnal love that is the strongest, the most malignant and the most unyielding” (48). This article identifies not only the “bestial” element of human (...) sexuality in Tolstoy's story but also the array of animals which the author offers to ventriloquize a certain complex (and times confused) polemic about gender relations. In other words, this analysis offers an interpretation of The Kreutzer Sonata as bestiary; one which offers a moral taxonomy of creaturely life and creaturely love. From the green-eyed monster of jealousy itself, through the Venus fly-trap and porcine couple, right up to the wild murderous beast, Pozdnyshev's confession is read via this zoological trope in order to emphasize, and question, that mobile border which separates the human from the inhuman, the civilized from the uncivilized. And it does so in order to highlight the incoherencies of the anthropocentric discursive regulation of this very same borderline. Animality and animosity are thus presented as the twin avatars of Tolstoy's intense and challenging vision. (shrink)

By setting up a dialogue with contemporary animal research the essay attempts, on the one hand, to expose the limits of Martin Heidegger’s concept of animality in The Fundamental Concepts of Metaphysics, and, on the other hand, to propose some new ways of thinking the being of those animals that most distinctly show themselves as being other than Heidegger’s claims. I suggest, with reference to Heidegger’s thesis of the animal as “poor in world,” that the being of the cognitively (...) most complex animals is better understood in terms of otherworldly worlds within the world of human world forming. With this concept I aim to develop and continue, rather than criticize, Heidegger’s way of thinking the being of animals and deepen the productive relationship between science and philosophy that Heidegger proposed in this work. (shrink)

Kant's views of human animality are consistent with his belief in human freedom.

Heidegger thinks that humans enjoy openness to being, an openness that distinguishes them from all other entities, animals included. To safeguard openness to being, Heidegger denies that humans are animals. This position attracts the criticism of Derrida, who denies the difference between humans and animals and with it the human openness to being. In this paper, I argue that human difference and human animality are not mutually exclusive. Heidegger has the conceptual resources in his thought and in the history (...) of philosophy to affirm human animality while safeguarding the human difference. A cause transforms the meaning of a condition. The case of the human hand, an animal appendage that serves our openness to being, illustrates splendidly this transformation. The human hand not only grasps things in its environment but also points things out, makes things, acts, and welcomes others in the world. Humans are animals transformed by openness to being. (shrink)