The Society for Unification Psychology was formed by a group of psychologists concerned about the growing issues of diversity and fragmentation in psychology. The Society held its first organizational meeting at the 1985 APA convention. It is intended that SUNI will become a special interest group of APA's Division 24, Theoretical and Philosophical Psychology. The Society's purpose is to stimulate discussion of issues of unity and disunity in psychology by: planning symposia and other presentations at APA and related conventions; conducting (...) Society interest group meetings at these conventions; and publishing a Newsletter. 2012 APA, all rights reserved). (shrink)

Regarded for decades as a fallacy, intentionalist interpretation is beginning to attract a following among philosophers of art. Intentionalism is the doctrine that the actual intentions of artists are relevant to the interpretation of the artworks they create – just as actual intentions are relevant to the interpretation of the everyday words and deeds of other people. Although there are several forms of actual intentionalism, I defend the form known as modest actual intentionalism, which holds that the correct interpretation (...) of an artwork is compatible with the author's actual intention, which itself must be supported by the artwork. Looking at literary works specifically, I consider criticisms of actual intentionalism – for example, the contention that such a stance substitutes paraphrase for a reading of the text. In particular, I argue against hypothetical intentionalism, which maintains that the correct interpretation of an artwork is constrained by the best hypotheses of the artist's intentions. As I show, the methodology of this position is in fact designed to track the author's actual intentions, and furthermore, hypothetical intentionalism does not accurately depict existing interpretive practices. (shrink)

In Comedy Incarnate, Noël Carroll surveys the characteristics of Buster Keaton’s unique visual style, to reveal the distinctive experience of watching Keaton’s films. Bold and provocative thesis written by one of America’s foremost film theorists Takes a unique look at the philosophies behind Keaton’s style Weighs visual elements over narrative form in the analysis of the Keaton’s work Provides a fresh vantage point for analysis of film and comedy itself.

In Comedy Incarnate, Noël Carroll surveys the characteristics of Buster Keaton’s unique visual style, to reveal the distinctive experience of watching Keaton’s films. Bold and provocative thesis written by one of America’s foremost film theorists Takes a unique look at the philosophies behind Keaton’s style Weighs visual elements over narrative form in the analysis of the Keaton’s work Provides a fresh vantage point for analysis of film and comedy itself.

Sept. 24, 1901 Chicago Ills. U.S.A.– 6026 Monroe Ave. Chicago University – William R. Harper, President Professor of Astronomy and Mathematics – School of Education Mr. H. Poincaré, Paris France My dear Sir: You have perhaps noticed in Professor André’s book entitled _“Traité d’astronomie stellaire”_ Vol II p. 303 that my discussions of β Lyrae and U Pegasi both seem to point to a concrete confirmation of your excellent work on rotating liquids. I am now curious to see if by (...) computing light curves based upon any of your other theoretical forms—perhaps the apiodal—I may be able to represent the light curves of any other variables. To this end I write to inquire whether you can put into my hands a copy of the paper containing your discussion, or discussions, of your various forms of rotating liquid masses in equilibrium. If you can do so, you will greatly oblige me and help me, perhaps, to accomplish something which may be of interest to you as furnishing tangible proof of the existence in th... (shrink)

À la fin de 1998 et en 1999 se sont tenues dans la capitale saxonne deux rencontres organisées, à des échelles différentes, par le Sonderforchungsbereich 537 de l’Université de Dresde2. La première a pris la forme classique d’un ample colloque (environ 140 participants), la seconde celle d’une rencontre plus informelle entre membres de l’équipe concernée et spécialistes invités, ces derniers étant invités à réagir « à chaud » aux communications présentées (une petite vingtaine de participants...

This book is about aesthetic processes and play from the perspectives of psychologists, philosophers, and semiologists. They explore the underlying processes from many viewpoints, including the prehistoric roots of language and art; the historical evolution of artistic, literary, and musical styles; the structure of artworks from both gestalt and semiotic perspectives; the biological and psychological processes underlying production and appreciation; the appeal of sentimental art; emotional responses to art and other aesthetic forms; personality in relation to artistic style; the testing (...) and measurement of art-related skills; the relations between social life and literary understanding; literature in relation to media; as well as neurobiological, developmental and individual growth perspectives on play activity. (shrink)

In premodern China, elite painters used imagery not to mirror the world around them, but to evoke unfathomable experience. Considering their art alongside the philosophical traditions that inform it, _The Great Image Has No Form_ explores the “nonobject”—a notion exemplified by paintings that do not seek to represent observable surroundings. François Jullien argues that this nonobjectifying approach stems from the painters’ deeply held belief in a continuum of existence, in which art is not distinct from reality. Contrasting this perspective with (...) the Western notion of art as separate from the world it represents, Jullien investigates the theoretical conditions that allow us to apprehend, isolate, and abstract objects. His comparative method lays bare the assumptions of Chinese and European thought, revitalizing the questions of what painting is, where it comes from, and what it does. Provocative and intellectually vigorous, this sweeping inquiry introduces new ways of thinking about the relationship of art to the ideas in which it is rooted. (shrink)

In premodern China, elite painters used imagery not to mirror the world around them, but to evoke unfathomable experience. Considering their art alongside the philosophical traditions that inform it, _The Great Image Has No Form_ explores the “nonobject”—a notion exemplified by paintings that do not seek to represent observable surroundings. François Jullien argues that this nonobjectifying approach stems from the painters’ deeply held belief in a continuum of existence, in which art is not distinct from reality. Contrasting this perspective with (...) the Western notion of art as separate from the world it represents, Jullien investigates the theoretical conditions that allow us to apprehend, isolate, and abstract objects. His comparative method lays bare the assumptions of Chinese and European thought, revitalizing the questions of what painting is, where it comes from, and what it does. Provocative and intellectually vigorous, this sweeping inquiry introduces new ways of thinking about the relationship of art to the ideas in which it is rooted. (shrink)

In premodern China, painters used imagery not to mirror the world, but to evoke unfathomable experience. Considering this art alongside the philosophical traditions that inform it, this book explores the 'nonobject', a notion exemplified by paintings that do not seek to represent observable surroundings.

Occupy Wall Street, Indignés, Nuit Debout - plus que jamais la question est posée de définir la vie que nous souhaitons choisir et vivre. Une vie vécue est inséparable de ses formes, de ses modalités, de ses régimes, de ses gestes, de ses façons, de ses allures... qui sont déjà des idées. Le monde, tel que nous le partageons et lui donnons sens, ne se découpe pas seulement en individus, en classes ou en groupes, mais aussi en "styles", qui sont (...) autant de phrasés du vivre, animé de formes attirantes ou repoussantes, habitables ou inhabitables, c'est-à-dire de formes qualifiées : des formes qui comptent, investies de valeurs et de raisons d'y tenir, de s'y tenir, et aussi bien de les combattre. C'est sur ce plan des formes de la vie que se formulent aujourd'hui beaucoup de nos attentes, de nos revendications, et surtout de nos jugements. C'est toujours d'elles que l'on débat, et avec elles ce sont des idées complètes du vivre que l'on défend ou que l'on accuse. Une forme de vie ne s'éprouve que sous l'espèce de l'engagement, là où toute existence, personnelle ou collective, risque son idée. Vouloir défendre sa forme de vie, sans tapage, en la vivant, mais aussi savoir en douter et en exiger de tout autres, voilà à quoi l'histoire la plus contemporaine redonne de la gravité. Bien au-delà du champ de l'art, Marielle Macé propose la construction critique d'une véritable stylistique de l'existence. Cela suppose de s'intéresser sans préjugé à tout ce qu'engagent les variations formelles de la vie sur elle-même - styles, manières, façons - et de ne pas traiter forcément de vies éclatantes, triomphantes, d'apparences prisées ou de corps élégants. Ce n'est pas seulement la littérature mais bien toutes les sciences humaines qui, pour comprendre le monde immédiat, sous nos yeux, doivent s'y rendre vraiment attentives. (shrink)

Books reviewed: Forging Democracy: The History of the Left in Europe, 1850–2000. By Geoff Eley.. Foucault, Subjectivity, and Identity. By Robert Strozier.. Shifting Involvements: Private Interest and Public Action. By Albert O. Hirschman. Twentieth‐anniversary edition, with a new foreword by Robert H. Frank.

The most pedigreed line of thought about mind is the simplicity argument: that the unity of thinking entails the simplicity, immateriality, and immortality of soul. It is widely taken to be a rationalist argument, as opposed to an empiricist or peripatetic argument (see Mijuskovic, The Achilles of Rationalist Arguments), which was completely destroyed by Kant in the First Critique. In this paper it is argued that there is a conceptual connection between the downfall of the Aristotelian conception of soul as (...) substantial form and the downfall of this argument in that in the downfall of the Aristotelian conception of soul it became acceptable to view the functional unity of a material system as constituting a genuine unity per se. This then undermined all philosophical motivation for the postulation of substantial forms. As a result, there was no longer reason for rooting the unity of apperception in the simplicity of a subsistence soul as opposed to some simply emergent power of thinking. (shrink)

The most pedigreed line of thought about mind is the simplicity argument: that the unity of thinking entails the simplicity, immateriality, and immortality of soul. It is widely taken to be a rationalist argument, as opposed to an empiricist or peripatetic argument, which was completely destroyed by Kant in the First Critique. In this paper it is argued that there is a conceptual connection between the downfall of the Aristotelian conception of soul as substantial form and the downfall of (...) this argument in that in the downfall of the Aristotelian conception of soul it became acceptable to view the functional unity of a material system as constituting a genuine unity per se. This then undermined all philosophical motivation for the postulation of substantial forms. As a result, there was no longer reason for rooting the unity of apperception in the simplicity of a subsistence soul as opposed to some simply emergent power of thinking. (shrink)

In this paper I investigate responses to sentence (“yes-no”) questions in Greek dialogue which are neither a clear-cut ‘yes’ nor a ‘no’. I describe, classify, and discuss a range of patterns for expressing this strategy of indirectness, beginning with an example termed μέση ἀπόκρισις in the commentary of Olympiodorus to Plato Gorgias. Ancient rhetorical sources also discuss strategies for evading clear-cut non-polar responses to sentence questions in sections on the notion of ἀπόκρισις (and ἐρώτησις) without a fixed terminology. The fabricated (...) and quoted examples which these ancient sources give, serve as a point of departure for my classification of patterns in occurrences collected from literary dialogues (selections from Plato, and a corpus study of the Greek comedies of Aristophanes and Menander). The analysis of mechanisms for these non-polar responses draws on philological as well as linguistic scholarship from Greek antiquity through contemporary dialogue analysis, and refers also to contexts and conventions of characterization in Ancient Greek sources. (shrink)

Logical form has always been a prime concern for philosophers belonging to the analytic tradition. For at least one century, the study of logical form has been widely adopted as a method of investigation, relying on its capacity to reveal the structure of thoughts or the constitution of facts. This book focuses on the very idea of logical form, which is directly relevant to any principled reflection on that method. Its central thesis is that there is no (...) such thing as a correct answer to the question of what is logical form: two significantly different notions of logical form are needed to fulfil two major theoretical roles that pertain respectively to logic and to semantics. This thesis has a negative and a positive side. The negative side is that a deeply rooted presumption about logical form turns out to be overly optimistic: there is no unique notion of logical form that can play both roles. The positive side is that the distinction between two notions of logical form, once properly spelled out, sheds light on some fundamental issues concerning the relation between logic and language. (shrink)

resumo: Há uma solidariedade entre o estilo do L'Individuation à la Lumière des Notions de Forme et d'Information e os princípios teóricos que a obra toma como ponto de partida para sua investigação dos diversos processos de individuação. Essa solidariedade torna o estilo da obra um programa filosófico que responde a demandas precisas quanto ao papel das ciências da natureza, das ciências humanas e da técnica, sua classificação, sua história e sua consistência teórica, demandas que pretendemos especificar no artigo. Ao (...) mesmo tempo esse programa de Simondon requer que o autor recolha os princípios teóricos de sua análise em um corpo teórico cujas linhas gerais desenham a fisonomia de toda uma filosofia, de caráter peculiar. É isso o que justifica, e até mesmo exige, que Simondon tome por objeto o problema da individuação nos termos em que o faz, e que possa apresentar essa aproximação do problema como uma crítica cujo valor é ele mesmo filosófico: uma resposta peculiar ao positivismo, ao pragmatismo, ao estruturalismo e, sobretudo, às formas de compreensão das ciências e das técnicas que era hegemônica no final dos anos 50, no ambiente intelectual francês. abstract: There is a strict allegiance between the style present in L'Individuation à la Lumière des Notions de Forme et d'Information and the theoretical principles by which this work inquires the diverse individuation processes. That allegiance makes this style a whole investigation program on the role of natural sciences, humanities and technology in general, their classification, history and theoretical nature. The clauses of that investigation will be shown in its general lines by the paper itself. But the point is that, at the same time, this investigation program requires the specific theoretical principles adopted by Simondon in this work as a theory and in its development as a complete philosophy. Indeed this is the reason why Simondon takes the problem about individuation processes as the focus of his discussions. Such discussions offer a critique whose value is itself philosophical. That strategy results in a peculiar response to positivism, pragmatism, structuralism and the hegemonic way of thinking about sciences and techniques in the French fifties. (shrink)

The no miracles argument is one of the main arguments for scientific realism. Recently it has been alleged that the no miracles argument is fundamentally flawed because it commits the base rate fallacy. The allegation is based on the idea that the appeal of the no miracles argument arises from inappropriate neglect of the base rate of approximate truth among the relevant population of theories. However, the base rate fallacy allegation relies on an assumption of random sampling of individuals from (...) the population which cannot be made in the case of the no miracles argument. Therefore the base rate fallacy objection to the no miracles argument fails. I distinguish between a “local” and a “global” form of the no miracles argument. The base rate fallacy objection has been leveled at the local version. I argue that the global argument plays a key role in supporting a base-rate-fallacy-free formulation of the local version of the argument. (shrink)

This paper is concerned with learners who aim to learn patterns in infinite binary sequences: shown longer and longer initial segments of a binary sequence, they either attempt to predict whether the next bit will be a 0 or will be a 1 or they issue forecast probabilities for these events. Several variants of this problem are considered. In each case, a no-free-lunch result of the following form is established: the problem of learning is a formidably difficult one, in (...) that no matter what method is pursued, failure is incomparably more common that success; and difficult choices must be faced in choosing a method of learning, since no approach dominates all others in its range of success. In the simplest case, the comparison of the set of situations in which a method fails and the set of situations in which it succeeds is a matter of cardinality (countable vs. uncountable); in other cases, it is a topological matter (meagre vs. co-meagre) or a hybrid computational-topological matter (effectively meagre vs. effectively co-meagre). (shrink)

When Aristotle argues at the Metaphysics Z.17, 1041b11–33 that a whole, which is not a heap, contains ‘something else’, i.e. the form, besides the elements, it is not clear whether or not the form is a proper part of the whole. I defend the claim that the form is not a proper part within the context of the relevant passage, since the whole is divided into elements, not into elements and the form. Different divisions determine different (...) senses of ‘part’, and thus the form is not a part in the same sense as the elements are parts. I object to Koslicki’s (2006) interpretation, according to which the form is a proper part along the elements in a single sense of ‘part’, although she insists that the form and the elements belong to different categories. I argue that Koslicki’s reading involves a category mistake, i.e. the conjunction of items that do not belong to the same category (Goldwater 2018). Since for Aristotle parthood presupposes some kind of similarity of parts, the conjunction of form and elements requires treating these items as somehow belonging to the same category, e.g. ‘being’, but no such category exists. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Form and Discontent*Rosmarie Waldrop (bio)1. Composition as ExplanationIn the beginning there is Gertrude Stein, who says in “Composition as Explanation”: “Everything is the same except composition and as the composition is different and always going to be different everything is not the same” [520].I could also say, in the beginning is Aristotle: “the fable is simply this, the combination of the incidents” [1460].2. A Look AroundThe forms that (...) have been striking me as “wild” have tended to be Steinian in this sense of stressing the horizontal, the axis of composition. I’m most struck by 3 tendencies: one is literally spatial composition, e.g. Susan Howe’s work; another, an emphasis on discontinuity, leaps on the level of syntax, of logic, of grammar. Breaks that do not immediately fold back into a smooth unity and may occur in mid-sentence:I was on my way from Carthage, it was night. It is not wax I am scorching was dead about her with knots.—Norma Cole, MarsI hide behind a category by misbehaving.—Carla Harryman, Under the BridgeLoop conceived in a line, the spine with its regions, reasons. On another, sweaters hang by the wrist to dry. The list is sweet. You lie. The eye is met by the season.—Ron Silliman, ParadiseYou took my temperature which I had meant to save for a more difficult day.—Rosmarie Waldrop, The Reproduction of ProfilesWent out so I’d take the car and a whole system of banking and money is based on a hierarchy.—Leslie Scalapino, Considering How Exaggerated the Music IsROAST POTATOESRoast Potatoes for.—Gertrude Stein, “Tender Buttons”Or, a subtler example, Mei-mei Berssenbrugge’s almost unnoticeable shifts from one grammatical structure into another: [End Page 54]Never mind if he calls, the places you get through inwardness take time, and to drift down to the shore of the island, you know by the sand moving, even the coarse sand here It’s hard to say if you can even stand up, there....[13]The third tendency is mathematical. There is a lot of counting. Not stresses, not even syllables—I’m not considering that most unimaginative bunch, the new formalists—but words per line, sentences per paragraph. You all know about Ron Silliman’s love for the Fibonacci number series, or Lyn Hejinian’s My Life, which began with 37 sections of 37 sentences each. When she published a second edition at age 45, she added 8 sentences to each section plus 8 new sections.Jacques Roubaud: “No ideas but in numbers” [291].Then, in a somewhat more remote way, a number of people use ideas of permutation. For example, Jackson Mac Low’s 4 Trains, of which I will quote the first two stanzas:Train rule atom intricate nitrogen. Rule unusual leotard entropy. Atom train ostrich might. Intricate nitrogen train rule intricate casual atom train entropy. Nitrogen intricate train rule ostrich genealogy entropy nitrogen.Rule unusual leotard entropy. Unusual nitrogen unusual social unusual atom leotard. Leotard entropy ostrich train atom rule dies. Entropy nitrogen train rule ostrich pope yearly.[7]As Zukofsky puts it: “[Thus] poetry may be defined as an order of words that as movement and tone (rhythm and pitch) approaches in varying degrees the wordless art of music as a kind of mathematical limit” [27].All these examples draw attention to arrangement, composition. They all listen to language. I once wrote:I don’t even have thoughts, I say, I have methods that make language think, take over and me by the hand. Into sense or offense, syntax stretched across rules, relations of force, fluid the dip of the plumb line, the pull of eyes.... No beginnings. All unrepentant middle.[A Form / of Taking / It All 74]And none of these forms are “organic form.” None relies primarily on metaphor, though from the Romantics on poetry has been more or less identified with it.3. Frameworka. HistoricalLet me step back for a moment to the beginnings of the concept of organic form, what it reacted against.When Goethe started to make a splash writing free verse, around 1770, the dominant aesthetic... (shrink)

Il problema apparentemente insolubile di una giustificazione non circolare dell’induzione diverrebbe più abbordabile se invece di chiederci solo cosa ci assicura che un fenomeno osservato si riprodurrà in modo uguale in un numero potenzialmente infinito di casi futuri, ci chiedessimo anche come si spiega che esso si sia manifestato fin qui in modo identico e senza eccezioni in un numero di casi finito ma assai alto. E’ questa l’idea della giustificazione abduttiva dell’induzione, avanzata in forme diverse da Armstrong, Foster e (...) BonJour: serie talmente regolari di fenomeni sono da un punto di vista logico talmente improbabili che se il mondo fosse puramente casuale (se cioè gli eventi si presentassero con frequenza proporzionale alla loro probabilità logica) esse non potrebbero verificarsi se non per una coincidenza miracolosa. Pertanto, tali regolarità si spiegano solo assumendo che siano prodotte da meccanismi o necessità nomiche; ma se questo è il caso, è corretto concludere che tali regolarità persisteranno anche in futuro senza eccezioni, e dunque le inferenze induttive su di esse sono giustificate. Anche Kornblith argomenta dall’effettivo successo delle inferenze induttive all’esistenza di regolarità oggettive in natura; mentre Sankey parte dall’ uniformità della natura per giustificare l’induzione. Congiungendo le due argomentazioni, dunque, si ottiene di nuovo una giustificazione dell’induzione in base all’argomento del “se non è un miracolo …”. Un ostacolo su questa via è specificare in che senso la natura sia uniforme (dato che ovviamente non lo è in ogni suo aspetto) e di quali regolarità possiamo aspettarci che persistano senza eccezione anche in futuro (dato che evidentemente non tutte lo fanno: l’acqua non bolle sempre a 100°, la pressione non è sempre funzione della temperatura, e così via). Entrano qui in gioco le conoscenze di sfondo e la ripetizione delle osservazioni in condizioni diverse, che ci mostrano quali circostanze siano rilevanti al verificarsi del fenomeno dato. In tal modo, le nostre descrizioni delle regolarità naturali convergono su descrizioni che specificano sia le condizioni individualmente necessarie e congiuntamente sufficienti, sia tutti gli argomenti delle funzioni che costituiscono tali regolarità. Ciò consente di formulare i principi di Uniformità della Natura e di Induzione in modo non generico (e dunque, a seconda della formulazione, vuoto o eccessivo), ma circostanziato: così essi asseriscono, rispettivamente, che la natura è uniforme negli aspetti evidenziati dalle descrizioni su cui convergiamo grazie alle osservazioni ripetute, e che solo queste descrizioni possono essere induttivamente generalizzate. Ciò consente anche di risolvere enigmi alla Goodman, quali: poiché le osservazioni ci hanno mostrato (solo) il verificarsi di una data regolarità fino al momento presente t, come possiamo presumere che essa si verificherà anche dopo t? La risposta è che osservazioni e conoscenza di sfondo non ci dicono che vi sia alcun limite temporale tra le condizioni necessarie della regolarità data. (shrink)

This chapter focuses on the study of contemporary physics, and follows the philosophical path in order to conceive the universal principle of the ontological difference between form and Content. The distinction between "form" and "content" is fairly recent. It started with medieval philosophy, which separated substance from accidents and essence from existence, while also conceiving substance no longer as an ontological substratum in an Aristotelian sense, but as an underlying thing. Equating on an ontological level Being and Content (...) as opposed to form leads us back to lines of inquiry investigated in ancient times. Beatitude, truth and power represent a trinity shedding light on a path that allows us to move toward considerations about Christian ontology, which is also associated with Being and Content. The chapter also aims to establish a relationship between the oblivion of Content and the oblivion of Time. (shrink)

I offer a meta-level analysis of realist arguments for the reliability of ampliative reasoning about the unobservable. We can distinguish form-driven and content-driven arguments for realism: form-driven arguments appeal to the form of inductive inferences, whilst content-driven arguments appeal to their specific content. After regimenting the realism debate in these terms, I will argue that the content-driven arguments are preferable. Along the way I will discuss how my analysis relates to John Norton’s recent, more general thesis that (...) the grounds for licit induction are always material. (shrink)

In No Caption Needed, Robert Hariman and John Louis Lucaites provide the definitive study of the iconic photograph as a dynamic form of public art. Their critical analyses of nine individual icons explore the photographs themselves and their subsequent circulation through an astonishing array of media, including stamps, posters, billboards, editorial cartoons, TV shows, Web pages, tattoos, and more. Iconic images are revealed as models of visual eloquence, signposts for collective memory, means of persuasion across the political spectrum, and (...) a crucial resource for critical reflection. Arguing against the conventional belief that visual images short-circuit rational deliberation and radical critique, Hariman and Lucaites make a bold case for the value of visual imagery in a liberal-democratic society. No Caption Needed is a compelling demonstration of photojournalism’s vital contribution to public life. (shrink)

One main goal of argumentation theory is to evaluate arguments and to determine whether they should be accepted or rejected. When there is no clear answer, a third option, being undecided, has to be taken into account. Indecision is often not considered explicitly, but rather taken to be a collection of all unclear or troubling cases. However, current philosophy makes a strong point for taking indecision itself to be a proper object of consideration. This paper aims at revealing parallels between (...) the findings concerning indecision in philosophy and the treatment of indecision in argumentation theory. By investigating what philosophical forms and norms of indecision are involved in argumentation theory, we can improve our understanding of the different uncertain evidential situations in argumentation theory. (shrink)

One of the most unpredictable things the pandemic brought to our societies was the closure of hospitals and other health services to visitors. Preventing the spread of infection was the main reason for these decisions in the early days of the pandemic when there was no clarity about the means of transmission and the origin of the virus. However, in view of the persistence of the restrictions to date and the numerous negative consequences they have had on the professional and (...) personal quality of life of doctors, nurses, patients and carers, the aim of this article is to analyse in depth the reasons why these decisions have been and, above all, are still being applied, also considering the hypothesis that the choices made so far in the training of health professionals should be questioned. The persistence of restrictions, the constant reduction of human and economic resources in the face of an increase in the demand for care have exacerbated the distance between health professionals and users, to the point of escalating into actual acts of violence and aggression. According to the Critical Pedagogy approach, educators can play a central role in activating formative and collaborative strategies, such as maieutic groups, to rebuild an alliance between those who today find themselves on opposite sides: health professionals on the one hand, and patients and families on the other. (shrink)

The perception of brightness differences in Ehrenstein figures and of illusory contours in phase-shifted line gratings was investigated as a function of the contrast polarity of the inducing elements. We presented either continuous lines or line-like arrangements composed of aligned dashes or dots whose spacing was varied. A yes/no procedure was used in which naive observers had to decide whether or not they perceived a brightness difference in a given Ehrenstein figure or an illusory contour in a phase-shifted line grating. (...) The results show that brightness differences are perceived to some extent in Ehrenstein figures with inducers of opposite polarity of contrast; however, the percentage of yes response was systematically lower and response times were longer than for figures with inducers of the same polarity. Phase-shifted line gratings with lines of opposite polarity of contrast yielded stronger illusory contours and shorter response times than those with lines of the same polarity. When the sign of contrast was not the same within a given line of induction, neither differences in brightness nor illusory contours were perceived. The results suggest that the mechanisms that lead to apparent differences in brightness are more sensitive to input of the same contrast polarity, the mechanisms generating illusory contours more sensitive to input of opposite polarity. The data are discussed in the light of a multistage approach to illusory form perception and some implications for cortical models of illusory contour integration are discussed. (shrink)

Giorgio Agamben and Ludwig Wittgenstein seem to have very little in common: the former is concerned with traditional ontological issues while the latter was interested in logics and ordinary language, avoiding metaphysical issues as something we cannot speak about. However, both share a crucial notion for their philosophical projects: form of life. In this paper, I try to show that, despite their different approaches and goals, form of life is for both a crucial notion for thinking ethics and (...) life in-common. Addressing human existence in its constitutive relation to language, this notion deconstructs traditional dichotomies like bios and zoé, the cultural and the biological, enabling both authors to think of a life which cannot be separated from its forms, recognizing the commonality of logos as the specific trait of human existence. Through an analogical reading between both theoretical frameworks, I suggest that the notion of form-of-life, elaborated by Wittgenstein to address human production of meaning, becomes the key notion in Agamben's affirmative thinking since it enables us to consider the common ontologically in its relation to Human potentialities and to foresee a new, common use of the world and ourselves. Giorgio Agamben e Ludwig Wittgenstein parecem ter muito pouco em comum: o primeiro se ocupa de questões ontológicas tradicionais, enquanto o segundo estava interessado na Lógica e na linguagem corrente, evitando os problemas metafísicos como algo de que não podemos falar. No entanto, ambos partilham um conceito crucial para seus projetos filosóficos respectivos: forma de vida. Este artigo tento mostrar que, apesar de seus diferentes enfoques e objetivos, a noção de forma de vida é fundamental no momento de pensar a ética e a vida em-comum. Abordando a existência humana em sua relação constitutiva com a língua, essa noção desconstrói dicotomias tradicionais como bios e zoe, o cultural e o biológico, permitindo-lhes pensar uma vida que não pode ser separada de suas formas, e reconhecendo o caráter comum do logos como o traço específico da existência humana. Através de uma leitura analógica entre ambos quadros teóricos, sugiro que a noção de forma-de-vida, elaborada por Wittgenstein para abordar a produção humana de significados, tornase o conceito-chave do pensamento afirmativo de Agamben, já que nos permite considerar o comum ontologicamente em sua relação com as potencialidades humanas e vislumbrar um uso novo e comum do mundo e de nós mesmos. (shrink)

Influential interpreters have held that Leibniz's extensive use of ostensibly Aristotelian concepts of substantial form and primary matter during his “middle years” present a philosophy that is less purely a monadology or form of idealism than it later became. This chapter argues, to the contrary, that Leibniz's substantial forms are assimilated not only to forces but also to souls and that interesting arguments of the middle years, in which Leibniz criticizes Descartes's conception of corporeal substance, leave no room (...) for “primary matter” to be anything more than an aspect of perceiving substances. (shrink)

Robert Kane’s libertarian theory is often attacked on the grounds that undetermined self-forming actions are not amenable to contrastive explanation. I propose that we should understand contrastive explanations in terms of an appeal to structuring causes. Doing so reveals that Kane’s claim that there can be no contrastive explanation for self-forming actions is not an unwanted implication of his appeal to indeterminism, but is actually an implication of the fact that the agent’s will is not yet appropriately structured. I then (...) explain how this can assist Kane with the luck objection. (shrink)

I Introduction: Philosophy and Social Science Men "know," but they no longer are so certain that their knowledge will not be rearranged. ...

Although the Phaedo never mentions a Form of Soul explicitly, the dialogue implies this Form’s existence. First, a number of passages in which Socrates describes his views about Forms imply that there are very many Forms; thus, Socrates’ general description of his theory gives no ground for denying that there is a Form of Soul. Second, the final argument for immortality positively requires a Form of Soul.

The 'no-supervenience' theorem (Reason, 2019; Reason and Shah, 2021) is a proof that no fully self-aware system can entirely supervene on any objectively observable system. I here present a simple, non-technical summary of the proof and demonstrate its implications for four separate theories of consciousness: the 'property dualism' theory of David Chalmers; the 'reflexive monism' of Max Velmans; Galen Strawson's 'realistic monism'; and the 'illusionism' of Keith Frankish. It is shown that all are ruled out in their current form (...) by the no-supervenience theorem, except for Chalmers' theory, which I show requires humans to behave irrationally. (shrink)