Search results for 'Art Philosophy' (try it on Scholar)

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  1. Andrew E. Benjamin (ed.) (1995). Complexity: Architecture, Art, Philosophy. Distributed to the Trade in the United States of America by National Book Network.
    JPVA Journal of Philosophy and the Visual Arts No 6 Complexity Architecture / Art / Philosophy 'Beginning with complexity will involve working with the recognition that there has always been more than one. Here however this insistent "more than one" will be positioned beyond the scope of semantics; rather than complexity occurring within the range of meaning and taking the form of a generalised polysemy, it will be linked to the nature of the object and to its production. (...)
     
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  2. Timothy Taubes (1993). Art & Philosophy. Prometheus Books.
     
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  3. Noël Carroll (1999). Philosophy of Art: A Contemporary Introduction. Routledge.
    Philosophy of Art is a textbook for undergraduate students interested in the topic of philosophical aesthetics. It aims to introduce the techniques of analytic philosophy in addition to a selection of the major topics in this field of inquiry. These include the representational theory of art, formalism, neo-formalism, aesthetic theories of art, neo-Wittgensteinism, the Institutional Theory of Art, as well as historical approaches to the nature of art. Throughout the book, abstract philosophical theories are illustrated by examples of (...)
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  4. Matthew Kieran (ed.) (2005). Contemporary Debates in Aesthetics and the Philosophy of Art. Blackwell Pub..
    Contemporary Debates in Aesthetics and the Philosophy of Art features pairs of newly commissioned essays by some of the leading theorists working in the field today. Brings together fresh debates on eleven of the most controversial issues in aesthetics and the philosophy of art Topics addressed include the nature of beauty, aesthetic experience, artistic value, and the nature of our emotional responses to art. Each question is treated by a pair of opposing essays written by eminent scholars, and (...)
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  5.  23
    Francis Halsall, Julia Jansen & Tony O'Connor (eds.) (2009). Rediscovering Aesthetics: Transdisciplinary Voices From Art History, Philosophy, and Art Practice. Stanford University Press.
    Rediscovering Aesthetics brings together prominent international voices from art history, philosophy and artistic practice who reflect on current notions, ...
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  6.  22
    Christopher Janaway (ed.) (2005). Reading Aesthetics and Philosophy of Art: Selected Texts with Interactive Commentary. Blackwell Pub..
    Designed for readers with no or little prior knowledge of the subject, this concise anthology brings together key texts in aesthetics and the philosophy of art.
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  7.  59
    Peter Lamarque & Stein Haugom Olsen (eds.) (2004). Aesthetics and the Philosophy of Art: The Analytic Tradition: An Anthology. Blackwell Pub..
    "Aesthetics and the Philosophy of Art" also features a selection of key papers from subsequent contributors that illustrate how the debates developed and how ...
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  8.  65
    Noel Carroll (2012). History and the Philosophy of Art. Journal of the Philosophy of History 5 (3):370-382.
    Abstract In this essay I trace the role of history in the philosophy of art from the early twentieth century to the present, beginning with the rejection of history by formalists like Clive Bell. I then attempt to show how the arguments of people like Morris Weitz and Arthur Danto led to a re-appreciation of history by philosophers of art such as Richard Wollheim, Jerrold Levinson, Robert Stecker and others.
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  9. Bettina Bäumer, Sadananda Das & Ernst Fürlinger (eds.) (2005). Samarasya: Studies in Indian Art, Philosophy, and Interreligious Dialogue: In Honour of Bettina Bäumer. D.K. Printworld.
     
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  10.  0
    Arthur Coleman Danto (1981). The Transfiguration of the Commonplace: A Philosophy of Art. Harvard University Press.
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  11. Roald Hoffmann (2012). Roald Hoffmann on the Philosophy, Art, and Science of Chemistry. Oxford University Press.
    Machine generated contents note: -- Preface -- Acknowledgments -- Introduction, by Michael Weisberg and Jeffrey Kovac. -- 1 Trying to Understand, Making Bonds, by Roald Hoffmann -- Part 1: Chemical Reasoning and Explanation -- 2. Why Buy That Theory?, by Roald Hoffmann. -- 3. What Might Philosophy of Science Look Like If Chemists Built It?, by Roald Hoffmann -- 4. Unstable, by Roald Hoffmann -- 5. Nearly Circular Reasoning, by Roald Hoffmann -- 6. Ockham's Razor and Chemistry, by Roald (...)
     
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  12. Aaron Smuts (2005). Video Games and the Philosophy of Art. American Society for Aesthetics Newsletter.
    The most cursory look at video games raises several interesting issues that have yet to receive any consideration in the philosophy of art, such as: Are videogames art and, if so, what kind of art are they? Are they more closely related to film, or are they similar to performance arts, such as dance? Perhaps they are more akin to competitive sports and games like diving and chess? Can we even define “video game” or “game”? We often say that (...)
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  13. Mary Sanders Pollock & Catherine Rainwater (eds.) (2005). Figuring Animals: Essays on Animal Images in Art, Literature, Philosophy, and Popular Culture. Palgrave Macmillan.
    Figuring Animals is a collection of fifteen essays concerning the representation of animals in literature, the visual arts, philosophy, and cultural practice. At the turn of the new century, it is helpful to reconsider our inherited understandings of the species, some of which are still useful to us. It is also important to look ahead to new understandings and new dialogue, which may contribute to the survival of us all. The contributors to this volume participate in this dialogue in (...)
     
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  14. Arthur Coleman Danto (1998). The Wake of Art: Essays: Criticism, Philosophy and the Ends of Taste. G+B Arts Int'l.
    Since the mid-1980s, Arthur C. Danto has been increasingly concerned with the implications of the demise of modernism. Out of the wake of modernist art, Danto discerns the emergence of a radically pluralistic art world. His essays illuminate this novel art world as well as the fate of criticism within it. As a result, Danto has crafted the most compelling philosophy of art criticism since Clement Greenberg. Gregg Horowitz and Tom Huhn analyze the constellation of philosophical and critical elements (...)
     
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  15. Souleymane Bachir Diagne (2011). African Art as Philosophy: Senghor, Bergson, and the Idea of Negritude. Seagull Books.
    Le;opold Se;dar Senghor (1906–2001) was a Senegalese poet and philosopher who in 1960 also became the first president of the Republic of Senegal. In African Art as Philosophy , Souleymane Bachir Diagne takes a unique approach to reading Senghor’s influential works, taking as the starting point for his analysis Henri Bergson’s idea that in order to understand philosophers one must find the initial intuition from which every aspect of their work develops. In the case of Senghor, Diagne argues that (...)
     
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  16. Kuisma Korhonen & Pajari Räsänen (eds.) (2010). The Event of Encounter in Art and Philosophy: Continental Perspectives. Gaudeamus.
     
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  17.  5
    Frederik le Roy (ed.) (2011). Tickle Your Catastrophe!: Imagining Catastrophe in Art, Architecture and Philosophy. Academia Press.
    A collection of essays that takes stock of the current impact of the image and imagination of the catastrophe in art, science and philosophy.
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  18.  13
    Aaron Ridley (2006). Routledge Philosophy Guidebook to Nietzsche on Art. Routledge.
    Presenting some of Nietzsche's most significant thoughts on art and literature, this enthralling account traces the development of his thinking throughout his ...
  19. Wessel Stoker & W. van der Merwe (eds.) (2012). Looking Beyond?: Shifting Views of Transcendence in Philosophy, Theology, Art, and Politics. Rodopi.
    Philosophy : historical approaches -- Contemporary philosophy -- Philosophical theology -- Christian theology -- Politics -- Art.
     
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  20.  25
    Dominic Lopes (2009). A Philosophy of Computer Art. Routledge.
    The machine in the ghost -- A computer art form -- Live wires: computing interaction -- Work to rule -- Artist to audience -- Computer art poetics -- Atari to art -- Envoi.
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  21.  2
    Joseph Margolis (1980). Art and Philosophy. Humanities Press.
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  22.  11
    Virgil C. Aldrich (1963). Philosophy of Art. Englewood Cliffs, N.J.,Prentice-Hall.
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  23.  0
    Richard Francis Kuhns (1983). Psychoanalytic Theory of Art: A Philosophy of Art on Developmental Principles. Columbia University Press.
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  24.  0
    Giovanni Gentile (1972). The Philosophy of Art. Ithaca,Cornell University Press.
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  25.  24
    Curt John Ducasse (1966). The Philosophy of Art. New York, Dover Publications.
    1929. Contents: Art and the Creation of Beauty; Art the Language of Feeling..
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  26.  12
    Arnold Hauser (1958/1959). The Philosophy of Art History. New York, Knopf.
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  27.  4
    Catherine Z. Elgin (ed.) (1997). Nelson Goodman's Philosophy of Art. Garland Pub..
    A challenger of traditions and boundaries A pivotal figure in 20th-century philosophy, Nelson Goodman has made seminal contributions to metaphysics, epistemology, aesthetics, and the philosophy of language, with surprising connections that cut across traditional boundaries. In the early 1950s, Goodman, Quine, and White published a series of papers that threatened to torpedo fundamental assumptions of traditional philosophy. They advocated repudiating analyticity, necessity, and prior assumptions. Some philosophers, realizing the seismic effects repudiation would cause, argued that philosophy (...)
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  28.  51
    Peter Goldie & Elisabeth Schellekens (eds.) (2007). Philosophy and Conceptual Art. Oxford University Press.
    This volume is most probably the first collection of papers by analytic Anglo-American philosophers tackling these concerns head-on.
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  29.  0
    Milton Charles Nahm (1975/1974). Readings in Philosophy of Art and Aesthetics. Englewood Cliffs, N.J.,Prentice-Hall.
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  30. Rainer Rochlitz (1996). The Disenchantment of Art: The Philosophy of Walter Benjamin. Guilford Press.
    Fifty years after his death, Walter Benjamin remains one of the great cultural critics of this century. Despite his renown, however, Benjamin's philosophical ideas remain elusive/m-/often considered a disaggregated set of thoughts not meant to cohere. This book provides a more systematic perspective on Benjamin, laying claim to his status as a philosopher and situating his work in the context of its time. Exploring Benjamin's theory of language, spoken and nonspoken, Rainer Rochlitz shows how Benjamin reconceptualized traditional ideas of language, (...)
     
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  31.  5
    Georg Simmel (2005). Rembrandt: An Essay in the Philosophy of Art. Routledge.
    First published in 1916 in German, Rembrandt is one of Simmel's most important works. Is has never been translated into English--until now. Simmel attacks such questions as "What do we see in a work of Art?" and "What do Rembrandt's portraits tell us about human nature?" This is a major work by a major thinker concerning one of the world's most important painters.
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  32.  0
    Warren E. Steinkraus (1974). Philosophy of Art. Benziger.
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  33.  31
    Johann Joachim Winckelmann (2005). Essay on the Philosophy and History of Art. Continuum.
    v. 1. Description of the torso in the Belvedere in Rome, Essay on the capacity for the sentiment for the beautiful in art, Reflections on the painting and sculpture of the Greeks -- v. 2. The history of ancient art (vols. I, II) -- v. 3. The history of ancient art (vols. III, IV).
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  34. Jerome[from old catalog] Stolnitz (1960). Aesthetics and Philosophy of Art Criticism. Boston, Houghton Mifflin.
     
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  35. John Armstrong (2000). The Intimate Philosophy of Art. Allen Lane.
     
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  36. R. G. Collingwood (1964). Essays in the Philosophy of Art. Bloomington, Indiana University Press.
     
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  37. Ananda Kentish Coomaraswamy (1939). The Christian and Oriental, or True, Philosophy of Art. Newport, R.I.,J. Stevens.
     
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  38. Douglas Fraser (1974). African Art as Philosophy. Interbook.
     
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  39. Lafcadio Hearn (1932). Complete Lectures on Art, Literature and Philosophy. Kanda, Tokyo, the Hokuseido Press.
     
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  40. Sidney Hook (ed.) (1966). Art and Philosophy. [New York]New York University Press.
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  41. T. E. Hulme (1987). Speculations: Essays on Humanism and the Philosophy of Art. Routledge & Kegan Paul.
  42. W. E. Kennick (1964). Art and Philosophy. New York, St. Martin's Press.
     
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  43. Kia Lindroos (1998). Now-Time Image-Space: Temporalization of Politics in Walter Benjamin's Philosophy of History and Art. University of Jyväskylä.
  44. Thomas Munro (1956). Art Education, its Philosophy and Psychology. New York, Liberal Arts Press.
     
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  45. John Harry North (2012). Winckelmann's 'Philosophy of Art': A Prelude to German Classicism. Cambridge Scholars Publishing.
     
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  46. Peter Osborne (ed.) (2000). From an Aesthetic Point of View: Philosophy, Art, and the Senses. Serpent's Tail.
     
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  47. Herbert Edward Read (1971). The Philosophy of Modern Art. Freeport, N.Y.,Books for Libraries Press.
  48. Raymond L. Roof (1979). Alpha Omega Entropy: Philosophy in Abstract Art. Sculptoids.
     
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  49. Meyer Schapiro (1994). Theory and Philosophy of Art: Style, Artist, and Society. George Braziller.
     
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  50.  12
    Joseph J. Tanke (2009). Foucault's Philosophy of Art: A Genealogy of Modernity. Continuum.
    Introduction -- The stirrings of modernity -- Rupture -- Non-affirmative painting -- Anti-platonism -- The cynical legacy.
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